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Contents Preface to the Second Edition viii Preface to the First Edition xi A Brief Chronology xiii Notes on Contributors xv Acknowledgments xx Introduction xxiii part one: Taking Hitchcock Seriously 1 1. Hitch and His Public 17 jean douchet 2. Hitchcock’s Imagery and Art 25 maurice yacowar 3. Retrospective 35 robin wood 4. Hitch as Matrix-Figure: Hitchcock and Twentieth-Century Cinema 47 john orr part two: Hitchcock in Britain 69 5. Hitchcock’s The Lodger 75 lesley w. COPYRIGHTEDbrill MATERIAL 6. Criticism and/as History: Rereading Blackmail 85 leland poague 7. Alfred Hitchcock’s Murder!: Theater, Authorship, and the Presence of the Camera 96 william rothman 8. Consolidation of a Classical Style: The Man Who Knew Too Much 107 elisabeth weis 9. Through a Woman’s Eyes: Sexuality and Memory in The 39 Steps 114 charles l. p. silet 10. Rematerializing the Vanishing “Lady”: Feminism, Hitchcock, and Interpretation 126 patrice petro 99781405155564_2_toc.indd781405155564_2_toc.indd vvii 111/10/20081/10/2008 112:02:362:02:36 PPMM part three: Hitchcock in Hollywood 137 11. All in the Family: Alfred Hitchcock’s Shadow of a Doubt 145 james mclaughlin 12. The Moral Universe of Hitchcock’s Spellbound 156 thomas hyde 13. Notorious: Perversion par Excellence 164 richard abel 14. Strangers on a Train 172 robin wood part four: The Later Films 183 15. Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism 199 robert stam and roberta pearson 16. Finding the Right Man in The Wrong Man 212 marshall deutelbaum 17. Male Desire, Male Anxiety: The Essential Hitchcock 223 robin wood 18. A Closer Look at Scopophilia: Mulvey, Hitchcock, and Vertigo 234 marian e. keane 19. North by Northwest 250 stanley cavell 20. “Oh, I See.…”: The Birds and the Culmination of Hitchcock’s Hyper-Romantic Vision 264 john p. mccombe 21. Mark’s Marnie 280 michele piso 22. The Queer Voice in Marnie 295 lucretia knapp 23. Rituals of Defilement: Frenzy 312 tania modleski part five: Hitchcock and Film Theory: A Psycho Dossier 327 24. Psychosis, Neurosis, Perversion 341 raymond bellour 25. Psycho’s Allegory of Seeing 361 christopher d. morris 26. On Being Norman: Performance and Inner Life in Hitchcock’s Psycho 368 deborah thomas Index 377 99781405155564_2_toc.indd781405155564_2_toc.indd vviiii 111/10/20081/10/2008 112:02:372:02:37 PPMM.

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Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story.
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View Films of Alfred Hitchcock. Syllabus
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Hitchcock & the Presence of Portraits
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Hospitality and the Unsettled Viewer: Hitchcock's Shadow Scenes
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Oregon State University L'auteur Ou L'artiste: Hitchcock and The
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The Sublime Stupidity of Alfred Hitchcock
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Hitchcock's Appetites
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The Acoustic Mirror: the Female Voice in Psychoanalysis and Cinema
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Atlantis Junio 2008
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A Study of Alfred Hitchcock's Manipulation of His
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