Middletown Mayor: '89 Won't Be Easy
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Bluegrass Outlet Banjo Tab List Sale
ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On -
Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station -
The Following Players Comprise the College Football Great Teams 2 Card Set
COLLEGE FOOTBALL GREAT TEAMS OF THE PAST 2 SET ROSTER The following players comprise the College Football Great Teams 2 Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. Players in bold are starters. If there is a difference between the player's card and the roster sheet, always use the card information. The number in ()s after the player name is the number of cards that the player has in this set. See below for a more detailed explanation of new symbols on the cards. 1971 NEBRASKA 1971 NEBRASKA 1972 USC 1972 USC OFFENSE DEFENSE OFFENSE DEFENSE EB: Woody Cox End: John Adkins EB: Lynn Swann TA End: James Sims Johnny Rodgers (2) TA TB, OA Willie Harper Edesel Garrison Dale Mitchell Frosty Anderson Steve Manstedt John McKay Ed Powell Glen Garson TC John Hyland Dave Boulware (2) PA, KB, KOB Tackle: John Grant Tackle: Carl Johnson Tackle: Bill Janssen Chris Chaney Jeff Winans Daryl White Larry Jacobson Tackle: Steve Riley John Skiles Marvin Crenshaw John Dutton Pete Adams Glenn Byrd Al Austin LB: Jim Branch Cliff Culbreath LB: Richard Wood Guard: Keith Wortman Rich Glover Guard: Mike Ryan Monte Doris Dick Rupert Bob Terrio Allan Graf Charles Anthony Mike Beran Bruce Hauge Allan Gallaher Glen Henderson Bruce Weber Monte Johnson Booker Brown George Follett Center: Doug Dumler Pat Morell Don Morrison Ray Rodriguez John Kinsel John Peterson Mike McGirr Jim Stone ET: Jerry List CB: Jim Anderson TC Center: Dave Brown Tom Bohlinger Brent Longwell PC Joe Blahak Marty Patton CB: Charles Hinton TB. -
Clawhammer Illuminations What Would THESE Guys Do? Five High-Profile Progressive Clawhammer Artists Answer
Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Online banjo forums are filled with all sorts of questions from players interested in instrument choices, banjo set up, personal playing styles, technique, etc. As valuable as these forums might be, they can also be confusing for players trying to navigate advice posted from banjoists who's playing experience might range from a few weeks to literally decades. It was these forum discussions that started me thinking about how nice it would to have access to a collection of banjo related questions that were answered by some of the most respected "progressive" clawhammer banjoists performing today. I am very excited about this project as I don't believe any comprehensive collection of this nature has been published before… Mike Iverson 1 © 2013 by Mikel D. Iverson Background Information: Can you describe what it is about your personal style of play that sets you apart from other clawhammer banjoists? What recording have you made that best showcases this difference? Michael Miles: As musicians, I believe we are the sum of what he have heard. So the more you listen, the richer you get. My personal musical style on the banjo is in great part rooted in Doc Watson and JS Bach. Through Doc Watson, I learned about the phrasing of traditional music. Through Bach, I learned the majesty and reach of all music. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Shakespearean Actors Display Talents at ND
II III II 11111111111i'" Program Guide Specialty Shows 7 - 9 pm Daily ., Monday: Regressive Thursday: Hlp Hop WI! aRJ Tuesday: Rock-n-Roll/Sports Friday: Reggae Request Line: . Wednesday: Jazz Saturday: Hardcore/ 239-6400 ==============64 Sunday: Metal Punk These are the Voices of the Fighting Irish Monday Tuesday Wednesday Thursday Friday Saturday Sunday Mike BertinI Jason Hoida Mike Schwabe Pat Ninneman John Strieder Kathy Hordlek 7-9 a.m. "Rock Out With "Morning 'We're Brellking "H Hint Of 'Hot Brellkfllst Your Rooster Out" Stiffness" Pllrietllls' Hnesthesia" In No Time Rt RII" ~ ~ John Staunton Mystery D,J, Kristen Moria SullilJan Kelly Boglarsky ~/ffff/h • Sol & Cllrol's 'If I Rsked You To Baumler 'Mllnioclll "Bogue Not V#//ffM 9-11a.m. Spllnk Me, Would You Mudslinging BBO Plulldlse" Say N01 "Un Poco De Sko" Menllqerie' Uogue" 10:00 am - 1 :00 pm Paul Broderick John Dugan Greg Murphy Joson Wins lode Mike Montroy Rebecca Paul Saiz 'Jazun Jetsam's 11-lp.m. "Paul's Power "Nothing Short of "Midday "Bloodshot OSCillating Rudlo "Death By Ciletti Hour (or two)" Total War" Cramps" Karma" Sculpture' Disco" Chris Chris Infante Brad Barnhorst Karen 1-3p.m. Neil Higgins Kristen John Furey Scherzinger "Big Cheese "No LOlJe Lost" Holderer 'Rlldio Schlep Goes Downer" Harknett "Undergromd" Public' Dan langrill Jeff Sepeta Jeff Jotz Mike McMahon Shllwn Nowlerskl Jennifer Hnne Seifert 3-5 p.m. 'Don Lllngrill's "Uoices On The "Orifice Party "Me Rnd Your 'Songs O'Bjorn Rnd "ElJeryday Is Rudio Mood Ring' Fringe" '90" Mom" Fjords' Reiland Like Sundaq" Mark KelJin Brian Geraghty Kathy RleH Nunez Hlyson Naimoli Tom Fellrath "The Urban MCDonou~h • Eluls HilS Left 5-7 p.m. -
Ronald Dean Rice- Audiophile, Musician & Engineer
Ronald Dean Rice- Audiophile, Musician & Engineer Anyone who thought there were only three Rice Brothers is encouraged to study bluegrass history. Ron Rice grew up playing acoustic bass and performing with his three brothers, Larry, Tony and Wyatt. He’s the third youngest of the four and is now retired from a long career in power generation. While proud of the family’s musical heritage and impact, Rice is a highly talented, yet modest man who has created his own path. Currently living with his wife Terry in Falls Church, VA, his story is an important piece of bluegrass music history. Rice was born in Lynwood, California on February 22, 1955 to Herbert H. and Dorothy L. Rice, with his namesakes being Reagan and Martin. The Rice family resided in the suburbs of Los Angeles until the summer of ’65 then moved considerably along the east coast, as Dad Herb was in construction. Rice started playing the bass at age six with his brothers Larry playing mandolin, Tony playing guitar and Andy Evans playing banjo. This band was known as the Haphazards. Rice notes, “We played a lot of local bluegrass gigs around the Los Angeles area, amusement parks, auditoriums, coffee houses and pizza parlors. Other shows we played in the early sixties were more folk related, back in the Hootenanny days. I remember being back stage with and playing on the same bill as Peter, Paul and Mary, the Kingston Trio, and the Stoneman Family just to mention a few.” Rounder Records-The Rice Brothers 1 (1989) and The Rice Brothers 2 (1994) Rice recalls that the exact origin of the first Rice Brothers project remains something of a mystery. -
Nebraska's 50 Bowl Games 1941 1955 Rose Bowl Orange Bowl
Nebraska's 50 Bowl Games 1941 1955 Rose Bowl Orange Bowl Stanford 21 Duke 34 Nebraska 13 Nebraska 7 Pasadena, Calif., Jan. 1, 1941 --- Nebraska was only the third Big Six team to play in Miami, Fla., Jan. 1, 1955 --- If Nebraska's first bowl bid was a memorable one, its second a postseason bowl game, but the Cornhuskers made their first bowl trip a memorable was one to forget. The 1954 Cornhuskers finished second behind Oklahoma in the Big one with an invitation to the granddaddy of them all - The Rose Bowl. Seven race and went to Miami under the no-repeat rule. Under the warm California sun in Pasadena, Coach Biff Jones' Cornhuskers led Clark Making their first bowl appearance in 14 years, Bill Glassford's Cornhuskers trailed Shaughnessy's Stanford Indians twice in the first half, but fell victim to the innovative Duke's Blue Devils at the half, 14-0, but pulled within 14-7 early in the third quarter T-formation, 21-13. The Huskers took a 7-0 lead just six plays after the kickoff when after a minus two-yard Duke punt. Halfback Don Comstock scored from the three to cap fullback Vike Francis plunged over from the two. Stanford tied the count four plays later a 35-yard drive. After that, it was all Duke. Coach Bill Murray's Blue Devils rolled 65 when Hugh Gallarneau bolted over from nine yards out. yards to score on their next possession and added two more tallies in the fourth quarter In the second quarter, the Huskers took the lead again on a 33-yard Herm Rohrig-to- to ice the game, 34-7. -
David Grisman Hot Dawg Mp3, Flac, Wma
David Grisman Hot Dawg mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Folk, World, & Country Album: Hot Dawg Country: US Released: 1987 Style: Gypsy Jazz MP3 version RAR size: 1893 mb FLAC version RAR size: 1172 mb WMA version RAR size: 1727 mb Rating: 4.3 Votes: 806 Other Formats: AC3 VOC MP3 RA MPC FLAC AU Tracklist Hide Credits Dawg's Bull 1 4:12 Written-By – D. Grisman* Devlin 2 5:06 Written-By – A. Rice* Minor Swing 3 3:35 Written-By – D. Reinhardt*, S. Grappelli* Dawgology 4 7:11 Written-By – D. Grisman*, R. Greene* Neon Tetra 5 6:27 Written-By – A. Rice* Janice 6 3:55 Written-By – D. Grisman* Dawg-Ola 7 3:56 Written-By – D. Grisman* 16/16 8 5:26 Written-By – D. Grisman* Companies, etc. Mastered At – Artisan Sound Recorders Distributed By – A&M Records Manufactured By – A&M Records Recorded At – 1750 Arch Studios Recorded At – His Master's Wheels Mixed At – Wally Heider Studios Credits Bass – Bill Amatneek (tracks: 6), Buell Neidlinger (tracks: 2, 7), Eddie Gomez (tracks: 3, 4, 8), Todd Phillips (tracks: 1, 5) Engineer [Mixed By, Wally Heider Studios] – Bill Wolf Engineer [Recording At 1750 Arch Studios] – Bob Shumaker* (tracks: 3, 8) Engineer [Recording At His Masters Wheel] – Bill Wolf (tracks: 1, 2, 4, 5 to 7) Guitar – Tony Rice Mandolin [Rhythm] – Mike Marshall (tracks: 4, 8) Mandolin [Second] – Mike Marshall (tracks: 3) Mastered By [Artisan Sound] – Bill Wolf, Bob MacLeod Producer, Arranged By – David Grisman Violin – Darol Anger (tracks: 1, 2, 4, 6, 7), Stéphane Grappelli (tracks: 3, 8) Violin [Violectra] – Darol Anger -
Notre Dame Athletics
NOTRE DAME THE HISTORY It has been 80 years since a dramatic nickname transformed Notre Dame's 1924 backfield into the most fabled quartet in college football history - "The Four Horsemen" : Don Miller, Elmer Layden, Jim Crowley and Harry Stuhldreher. All-Time Scores 1895 Key to Abbreviations Coach: H. G. Hadden Captain: Dan Casey Record: 3-1-0 October 19 W Northwestern Law ......................................20-0 H W-L-T Game won, lost or tied November 7 W Illinois Cycling Club ..................................18-2 H H Home game November 22 L Indianapolis Artillery (S)............................0-18 H A Away game, played at opponent’s home stadium November 28 W Chicago Physicians & Surgeons ..............32-0 H N Game played at a neutral site; see footnote for city Total Points ..................................70-20 Nt Night game HC Homecoming game 1896 TH Game played on Thanksgiving Day Coach: Frank E. Hering Captain: Frank E. Hering Record: 4-3-0 R Game played in rain October 8 L Chicago Physicians & Surgeons ................0-4 H S Game played in snow October 14 L Chicago ........................................................0-18 H 0:00 Time remaining in games decided in the final minutes; in case of ties, October 27 W South Bend Commercial Athletic Club ..46-0 H time followed by team scoring last October 31 W Albion ..........................................................24-0 H C Capacity crowd November 14 L Purdue........................................................22-28 H AP Beginning with the 1936 season, the number in front of the opponent November 20 W Highland Views............................................82-0 H name indicates Notre Dame’s ranking in the Associated Press poll com- November 26 W Beloit (R)........................................................8-0 H ing into the game. -
Mark Schatz Resume
Mark Schatz 821 Miner Rd, Crownsille, MD 21032 Professional Profile Mark is a prominent figure in the contemporary acoustic music world. His recording credits include projects with Bela Fleck, Tony Rice, Jerry Douglas, Tim O'Brien, Nickel Creek, John Hartford, and The Claire Lynch Band. Though best known for his work on acoustic bass, Mark has released two of his own solo recordings on Rounder Records which feature his original compositions and clawhammer banjo playing. Awards -1986, 1987 Frets Readers Poll Award as best Bluegrass Bass Player -1991 IBMA’s Album of the Year for Bluegrass Album Band-Vol V -1992 IBMA's Instrumental Recording of the Year for Jerry Douglas's Slide Rule -1994, 1995 IBMA's Bass Player of the Year - 2005, Annie Award, Anne Arundel County Arts Council - 2014, Individual Artist Award, Maryland State Arts Council Work Experience -Spectrum (bass, dancer) 1980-81 -Freelance work in Nashville TN 1982-84 -The Tony Rice Unit (bass, harmony vocals, road manager) 1985-89 -Footworks Percussive Dance Ensemble (musician, dancer, Musical Dir) 1989 to present -Tim O'Brien and The O'Boys (bass, harmony vocals, banjo, dancer) 1990-97 -Freelance work including John Hartford, Tim O'Brien, Jerry Douglas, Sam Bush, Bela Fleck, Emmylou Harris, Llnda Ronstadt, Dan Fogelberg 1997-2002 - Nickel Creek 2003-2007 - The Claire Lynch Band 2008 to 2016 - Nickel Creek Reunion Tour 2014 Significant Recording Projects -Bela Fleck: Crossing the Tracks, Natural Bridge, Double Time, Inroads, Drive, The Bluegrass Sessions -Jerry Douglas: Fluxedo, -
1012 Banjo 1028 Dulcimer 1015 Fiddle 1017 Folk Harp 1019
54460 Folk 1011-1042: 11/26/07 5:04 PM Page 1011 FOLK 1012 BANJO 1028 DULCIMER 1015 FIDDLE 1017 FOLK HARP 1019 HARMONICA 1022 HARMONICA PLAY-ALONG 1032 HOMESPUN AUDIO PACKS 1029 HOMESPUN LISTEN & LEARN SERIES 1023 MANDOLIN 1028 OUD 1028 PEDAL STEEL GUITAR 1028 PENNYWHISTLE 1025 UKULELE 1016 VIOLIN PLAY-ALONG FOLK 54460 Folk 1011-1042: 11/26/07 5:04 PM Page 1012 1012 BANJO HAL LEONARD BANJO METHOD BANJO SCALE CLAWHAMMER BANJO FINDER FROM BASIC FRAILING TO Authored by Mac Robertson, Robbie Clement and EASY-TO-USE GUIDE TO OVER MELODIC STYLE Will Schmid, this innovative method teaches 1,300 BANJO SCALES 5-string, bluegrass-style banjo. The method consists taught by Ken Perlman of two instruction books, two cross-referenced sup- by Chad Johnson Homespun plement books, and supplementary resources that Learn to play scales on the Please see the Homespun section for a complete offer the beginner a carefully-paced and interest- banjo with this comprehen- des cription. keeping approach to the bluegrass style. sive yet easy-to-use book. The ______00641570 Booklet/6-CDs.................$59.95 Banjo Scale Finder contains METHOD more than 1,300 scale dia - CLAWHAMMER BOOK 1 grams for the most often-used scales and modes, includ- STYLE ing multiple patterns for each scale. Also includes a les- BANJO Covers easy chord strums son on scale construction and a fingerboard chart of the A COMPLETE GUIDE FOR for the beginner; learning banjo neck. BEGINNING AND ADVANCED tablature; right-hand rolls ______00695780 9" x 12" Edition.................$6.95 BANJO PLAYERS characteristic of bluegrass; ______00695783 6" x 9" Edition...................$5.95 techniques such as ham- by Ken Perlman mer-ons, slides and pull- Centerstream offs.