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Moby,Gotye, Boy&Bear and Australia's Music Elite Join
December 5, 2011 MOBY,GOTYE, BOY&BEAR AND AUSTRALIA’S MUSIC ELITE JOIN FORCES WITH GPY&R SYDNEY IN MASSIVE BUSINESS DRIVE FOR VINNIES George Patterson Y&R Sydney has developed a multi-platform campaign for Vinnies designed to drive foot traffic through the charity’s 253 stores across NSW. It’s called Signed Finds and works on a very basic principle. Leading local and international music artists* have autographed and donated pre-loved, personal items that will be hidden in Vinnies outlets throughout the state. The fans of these bands (numbering in the millions) will receive hints about the shirts’ whereabouts through a dedicated Facebook page and then hit the stores to find them. They might not find the shirt first time, but they’ll likely walk out with some other Vinnies classic. Says ECD Julian Watt, “It’s a highly creative business initiative, and exactly the sort of thinking we’re pushing in the agency. Everyone wins. One of those self perpetuating ideas.” Luke Simkins, senior creative at GPY&R and long-time Vinnies shopper said, “Signed Finds is one of those creative perfect storms. “Recording artists get to do something cool for their fans and fans can get their hands on an amazing piece of memorabilia - all while helping people in need.” Julie McDonald, Community and Corporate Relations Manager for Vinnies said, “We’re delighted and honoured to be working with George Patterson Y&R on such an exciting project. “It’s a win-win situation for everyone involved because by shopping or donating to Vinnies, you are directly supporting the most marginalised and disadvantaged people in our community,” Julie added. -
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON -
Revolution Rock
REVOLUTION ROCK A celebration of Brisbane’s music history 1942–2002 1.The Concept Abstract Based on research, there are about 209,000 live performers of music in Australia. Queensland accounts for 16% of this total, which is the third highest in Australia. The music industry contributed $266m to Australia’s gross product in 1995–96. REVOLUTION ROCK Attending live music concerts accounts for the majority of time spent by consumers on A celebration of Brisbane’s entertainment, closely followed by attending museums and galleries. music history 1942–2002 In one year in Australia there are: ★ 12 million attendances at public art galleries ★ 6.7 million admissions to live theatre Concept ★ 5 million admissions to musical theatre (including opera) Through collaboration with individual artists and the community, the Revolution Rock ★ 3.4 million attendances at dance performances project will examine key events in Brisbane’s social history which have galvanised residents ★ 4 million attendances at classical music concerts, and and artists to creative action in order to protect, preserve and enhance their cultural identity. ★ 19 million attendances at popular music concerts. Format Source: Australia Council Website Music Industry development and Brisbane’s future as a creative city. Revolution Rock is a multimedia project, which will include recording of oral history, film, (Flew et al. Nov 2001, QUT Creative Industries Research and Application Centre.) video and print media, live concert, exhibit, book and memorabilia, focussing on the Background Brisbane music phenomena from the 1940s to the present day. 5.1 Music has been identified as a major growth industry worldwide. The development of the Music industry provides significant wealth generating and export opportunities for Revolution Rock contents Brisbane, Queensland and Australian economies. -
Tv Advertised Lp's
AUSTRALIAN RECORD LABELS TV ADVERTISED LABELS 1970 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, SEPTEMBER 2018 1 ACKNOWLEDGEMENTS MANY THANKS TO PAUL ELLWOOD FOR HELP WITH J & B. ANDREW RENAUT’S WEBSITE LISTS MANY OF THE MAJESTIC / K-TEL COMPILATIONS: https://majesticcompilations.com/ CONCEPT RECORDS CONCEPT RECORD PTY LTD, 139 MURRAY ST, PYRMONT, 2009 // 37 WHITING ST, ARTARMON, 2064. BEGUN BY THEO TAMBAKIS AS A J & B SPECIAL PRODUCTS LABEL. ACTIVE FROM 1984. CC 0001 BREAKIN’ IT UP VARIOUS 1984 CC 0002 HOWLIN’ FOR HITS 2LP VARIOUS 1984 CC 0003 LOVE THEMES INSPIRED BY TORVILL & DEAN VARIOUS CC 0004 THAT’S WHAT I CALL ROCK ‘N’ ROLL VARIOUS CC 0005 THE BOP WON’T STOP VARIOUS 1985 CC 0006 THE HITS HITS HITS MACHINE 2LP VARIOUS 1985 CC 0007 MASTERWORKS COLLECTION VARIOUS 1985 CC 0008 CC 0009 LOVE ME GENTLY VARIOUS CC 0010 4 STAR COUNTRY 2LP DUSTY, REEVES, WHITMAN, WILLIAMS CC 0011 CC 0012 THE DANCE TAPES VARIOUS 1985 CC 0013 KISS-THE SINGLES KISS 1985 CC 0014 THE VERY BEST OF BRENDA LEE 2LP BRENDA LEE 1985 CC 0015 SOLID R.O.C.K. VARIOUS 1985 CC 0016 CC 0017 CC 0018 HIT AFTER HIT VARIOUS 1985 CC 0019 BANDS OF GOLD 2LP VARIOUS CC 0020 THE EXTENDED HIT SUMMER 2LP VARIOUS 1985 CC 0021 METAL MADNESS 2LP VARIOUS 1985 CC 0022 FROM THE HEART VARIOUS 1986 CC 0023 STEPPIN’ TO THE BEAT VARIOUS 1986 CC 0024 STARDUST MELODIES NAT KING COLE CC 0025 THE VERY BEST OF OZ ROCK 2LP VARIOUS 1986 CC 0026 SHE BOP VARIOUS 1986 CC 0027 TI AMO VARIOUS 1986 CC 0028 JUMP ‘N’ JIVE VARIOUS 1986 CC 0029 TRUE LOVE WAYS VARIOUS 1986 CC 0030 PUTTIN’ ON -
Mick Geyer in 1996: NC: Mr Mick Geyer, My Chief Researcher and Guru, He Is the Man Behind the Scenes
www.pbsfm.org.au FULL TRANSCRIPT OF DOCUMENTARY #3 First broadcast on PBS-FM Wednesday 12 April 2006, 7-8pm Nick Cave interviewing Mick Geyer in 1996: NC: Mr Mick Geyer, my chief researcher and guru, he is the man behind the scenes. How important is music to you? MG: It seems to be a fundamental spirit of existence in some kind of way. The messages of musicians seem to be as relevant as those of any other form of artistic expression. MUSIC: John Coltrane - Welcome (Kulu Se Mama) LISA PALERMO (presenter): Welcome to 'Mick Geyer: Music Guru'. I'm Lisa Palermo and this is the third of four documentaries paying tribute to Mick, a broadcaster and journalist in the Melbourne music scene in the 1980's and '90's. Mick died in April 2004 of cancer of the spine. He had just turned 51. His interests and activities were centred on his love of music, and as you'll hear from recent interviews and archival material, his influence was widespread, but remained largely outside the public view. In previous programs we heard about the beginnings of his passion for music, and his role at PBS FM, behind the scenes and on the radio. Now we'll explore Mick as a catalyst and friend to many musicians, through conversation and the legendary Geyer tapes, those finely crafted compilations of musical enlightenment and education. In this program we'll hear for the first time from: musicians Dave Graney & Clare Moore, Jex Saarelaht, Hugo Race, Tex Perkins, Warren Ellis, Kim Salmon, Brian Hooper, Charlie Owen, and Penny Ikinger; and from friends Beau Cummin, Mariella del Conte, Stephen Walker and Warwick Brown. -
A Multi-Level Perspective Analysis of the Change in Music Consumption 1989-2014
A multi-level perspective analysis of the change in music consumption 1989-2014 by Richard Samuels Thesis submitted for the Degree of Doctor of Philosophy School of Geography and Planning Cardiff University 2018 i Abstract This thesis seeks to examine the historical socio-technical transitions in the music industry through the 1990s and 2000s which fundamentally altered the way in which music is consumed along with the environmental resource impact of such transitions. Specifically, the investigation seeks to establish a historical narrative of events that are significant to the story of this transition through the use of the multi-level perspective on socio-technical transitions as a framework. This thesis adopts a multi-level perspective for socio-technical transitions approach to analyse this historical narrative seeking to identify key events and actors that influenced the transition as well as enhance the methodological implementation of the multi-level perspective. Additionally, this thesis utilised the Material Intensity Per Service unit methodology to derive several illustrative scenarios of music consumption and their associated resource usage to establish whether the socio-technical transitions experienced by the music industry can be said to be dematerialising socio-technical transitions. This thesis provides a number of original empirical and theoretical contributions to knowledge. This is achieved by presenting a multi-level perspective analysis of a historical narrative established using over 1000 primary sources. The research identifies, examines and discusses key events, actors and transition pathways denote the complex nature of dematerialising socio-technical systems as well as highlights specifically the influence different actors and actor groups can have on the pathways that transitions take. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Tex Perkins of the Day, I’D Prefer to Be Laughing
IN MY OWN WORDS Edited by Claire Bradley I grew up in Brisbane’s northern suburbs. The area was a swampland until they dumped a whole lot of dirt on it and ironed out the suburbs. It was a cool place to live because the bushland and creeks were an adventure – I had a Huckleberry Finn thing. I didn’t fi t in with the other kids. I made my own fun, which wasn’t entirely tragic or anything. I just never found anybody I connected with until I moved to Sydney when I was 17. Although I was in the school choir, I had no musical leanings back then. I was in it for the privileges – such as getting out of class. My siblings had a huge infl uence on my musical appreciation. My two older sisters and two older brothers had varying tastes, so I had quite an eclectic education. As the youngest of the family, I was spoilt and tortured. My sisters treated me as the baby, and my brothers made sure I paid my way in humiliation. I blame my bad bits on my Catholic boys’ school education. Back then, you could do what you liked to kids, especially in Catholic schools. A teacher could slap you or grab your hair; violence was rampant. Now they’d be charged with assault. I was a real stirrer. I felt, if that was authority, it needed to be undermined and questioned. I can’t think of anything I brought with me from school, apart from thinking I’d never let anybody treat me that way again. -
Show Guide 1996
MELBOURNE SEPTEMBER 19• 2 9 INSIDE HOWE VACC Rural Insurance Proud Sponsors Of VACC The Royal Melbourne Show Beef Events 1996. Rural Insurance Call us on 132 800 for the cost of a local call and we'll come to you. SEPTEMBER 1996 Herald Sun u rrlt11 I, R I, 1 1 1 11 1 11 \ 1 • 11 II 11 t. I 1 11 1. r Richard McGarvie, Jeff Kennett, Governor of Victoria The Premier of Victoria elboume Showtime brings to our minds a picture of welcome warmth, beauty and abundant growth of Victoria in early ictorians will once again have the opportunity to experience a showcase MSpring. As Governor and patron of the Royal Agricultural V of what's best in Victoria at the 1996 Royal Melbourne Show. As one Society of Victoria, I welcome everyone to the 138th Royal of Melbourne's most popular events, the Show provides a perfect Melbourne Show. opportunity to promote the variety, quality and excellence of Victorian- The Show puts the finest of country Victoria in the spotlight. More produced goods to hundreds of thousands of people. Our rural communities people are discovering the fun and excitement which is the Royal Melbourne Show. Each year are significant contributors to ensuring Victoria is a prosperous and secure place for the 21st an estimated 1.5 million people flock through the Showgrounds, visiting either the Royal Show century. or the host of other year-round events staged at the venue by the Royal Agricultural Society. And while much of the Show's public attraction lies in tradition, the Society is working Through the application of technology in adding value to raw commodities, we are developing hard to ensure the event moves in step with community needs so that future generations products that suit the palates and needs of customers in under-exploited markets throughout Asia continue to catch a glimpse of what life outside the city's boundaries is really like. -
Click on This Link
The Australian Songwriter Issue 111, December 2015 First published 1979 The Magazine of The Australian Songwriters Association Inc. 1 In This Edition: On the Cover of the ASA: Johnny Young and Karen Guymer Chairman’s Message Editor’s Message 2015 National Songwriting Awards Photos Johnny Young: 2015 Inductee into The Australian Songwriters Hall of Fame Karen Guymer : 2015 APRA/ASA Songwriter of the Year George Begbie: 2015 Winner of The Rudy Brandsma Award 2015 Rudy Brandsma Award Nominees 2015 Australian Songwriting Contest: Top 30 Category Winners Rick Hart: A 2015 Retrospective Wax Lyrical Roundup 2015 ASA Regional Co-Ordinators Conference Interview: The Wayward Henrys ASA Regional Co-Ordinator (TAS): Matt Sertori 2015 In Memoriam Members News and Information Sponsors Profiles The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators o APRA/ASA Songwriter of the Year o Rudy Brandsma Award Winner o PPCA Live Performance Award Winner o Australian Songwriters Hall of Fame o Australian Songwriting Contest Winners 2 Chairman’s Message To all our valued ASA Members, Wow! I am still recovering from the 2015 National Songwriting Awards evening. Every year just seems to get bigger and better, and this one is no exception. Congratulations to the songwriters who are mentioned in this e-Magazine, and to all who participated in the Contest. Without doubt the quality of the songs improves every year, and so many of our Members contributed to make our 2015 Competition the best yet. -
Resonance Programme Booklet
!"#$%&%'" !"#$%&%'" Music, images and wine from Australia Music, images and wine from Australia ᐞࢪॣ䜇-!䡾Ⴝᢳऍଚ ӣ ᐞࢪॣ䜇-!䡾Ⴝᢳऍଚ ӣ 5-7pm Sunday 3 July 2011 5-7pm Sunday 3 July 2011 В)ఁ5-7㧀ڬ)В)ఁ5-7㧀 2011ԃ7Д3Вڬ)2011ԃ7Д3В Contempio Temple Bar Contempio Temple Bar 4 Dòufuchí Hútòng (near Gŭlóu Drum Tower), Beijing ॣ 4 Dòufuchí Hútòng (near Gŭlóu Drum Tower), Beijing ॣ (ᆭԣचӕ4㛦(Ⴔ㹪ߕ߈لᆭԣचӕ4㛦(Ⴔ㹪ߕ߈) ч٧ѱ䛵ࠤ㛂لч٧ѱ䛵ࠤ㛂 tinyurl.com/contempio tinyurl.com/contempio 120ϡ at door, or 100ϡ with RSVP by Wed 29 June to 120ϡ at door, or 100ϡ with RSVP by Wed 29 June to ډѝा100ϡӵ6Д29Вϐ䠁儌ҹ܈120ϡ ډѝा100ϡӵ6Д29Вϐ䠁儌ҹ܈120ϡ [email protected] [email protected] ᓓ㧀کᓓ㧀 Entry includes wine and hors d’œuvre. 䦄剫౻хࡴဟଚکEntry includes wine and hors d’œuvre. 䦄剫౻хࡴဟଚ PROGRAMME 节目 Ross EDWARDS Kumari I 1980 for piano Stephen LEEK Red Earth 1997 for a capella choir (soprano, alto, tenor, bass) Percy GRAINGER Colonial Song 1911 for piano (originally for 2 voices, harp and orchestra, rescored by Grainger 1914) Dorian LE GALLIENNE Nocturne 1937 for piano Elena KATS-CHERNIN Russian Rag 1996 for viola and piano * * * Peter SCULTHORPE Djilile 1986 for viola and piano (originally for cello, transcribed by Alan Lee) Peter SCULTHORPE Moon 1971 from Night Pieces for solo piano Ross EDWARDS Allegretto - Lento - Vivace 1976 from Five Little Piano Pieces for solo piano Ross EDWARDS Sassafras Gully Waltz 1998 from Three Australian Waltzes for solo piano Carl VINE Bagatelles 1994 NUmbers II, IV, III and V: Threnody for all the innocent victims from Five Bagatelles for solo piano Damian FLANAGAN Sunday 2009 & Potsy WEBBER (Hashemoto) Johnny YOUNG The Real Thing 1969 Sunday & The Real Thing arranged together for choir and piano by Alan Lee (2011) ABOUT THE PERFORMERS 表演者简介 ALAN DAVID LEE grew up in MelboUrne listening to ALAN DAVID LEE(李艾伦) his dad playing jazz saxophone, mUm playing gUitar, 出生在墨尔本的音乐世家, brother drums and sister flute (not to mention 其父是爵士萨克斯演奏手, extended family singalongs). -
The Perth Sound in the 1960S—
(This is a combined version of two articles: ‘‘Do You Want To Know A Secret?’: Popular Music in Perth in the Early 1960s’ online in Illumina: An Academic Journal for Performance, Visual Arts, Communication & Interactive Multimedia, 2007, available at: http://illumina.scca.ecu.edu.au/data/tmp/stratton%20j%20%20illumina%20p roof%20final.pdf and ‘Brian Poole and the Tremeloes or the Yardbirds: Comparing Popular Music in Perth and Adelaide in the Early 1960s’ in Perfect Beat: The Pacific Journal for Research into Contemporary Music and Popular Culture, vol 9, no 1, 2008, pp. 60-77). Brian Poole and the Tremeloes or the Yardbirds: Comparing Popular Music in Perth and Adelaide in the Early 1960s In this article I want to think about the differences in the popular music preferred in Perth and Adelaide in the early 1960s—that is, the years before and after the Beatles’ tour of Australia and New Zealand, in June 1964. The Beatles played in Sydney, Melbourne, Brisbane and Adelaide but not in Perth. In spite of this, the Beatles’ songs were just as popular in Perth as in the other major cities. Through late 1963 and 1964 ‘I Want to Hold Your Hand,’ ‘I Saw Her Standing There,’ ‘Roll Over Beethoven’ and the ‘All My Loving’ EP all reached the number one position in the Perth chart as they did nationally.1 In this article, though, I am not so much interested in the Beatles per se but rather in their indexical signalling of a transformation in popular music tastes. As Lawrence Zion writes in an important and surprisingly neglected article on ‘The impact of the Beatles on pop music in Australia: 1963-1966:’ ‘For young Australians in the early 1960s America was the icon of pop music and fashion.’2 One of the reasons Zion gives for this is the series of Big Shows put on by American entrepreneur Lee Gordon through the second half of the 1950s.