2005 Newsletter.Indd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: August 6th, 2007 I, __________________Julia K. Baker,__________ _____ hereby submit this work as part of the requirements for the degree of: Doctorate of Philosophy in: German Studies It is entitled: The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life-Writing and Documentary Film This work and its defense approved by: Chair: Dr. Katharina Gerstenberger Dr. Sara Friedrichsmeyer Dr. Todd Herzog The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life-Writing and Documentary Film A Dissertation submitted to the Division of Research and Advanced Studies University of Cincinnati In partial fulfillment of the Requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) In the Department of German Studies Of the College of Arts and Sciences 2007 by Julia K. Baker M.A., Bowling Green State University, 2000 M.A., Karl Franzens University, Graz, Austria, 1998 Committee Chair: Katharina Gerstenberger ABSTRACT “The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life- Writing and Documentary Film” is a study of the literary responses of writers who were Jewish children in hiding and exile during World War II and of documentary films on the topic of refugee children and children in exile. The goal of this dissertation is to investigate the relationships between trauma, memory, fantasy and narrative in a close reading/viewing of different forms of Jewish life-writing and documentary film by means of a scientifically informed approach to childhood trauma. Chapter 1 discusses the reception of Binjamin Wilkomirski’s Fragments (1994), which was hailed as a paradigmatic traumatic narrative written by a child survivor before it was discovered to be a fictional text based on the author’s invented Jewish life-story. -
Hans Werner Henze Und Ingeborg Bachmann: Die Gemeinsamen Werke
Christian Bielefeldt Hans Werner Henze und Ingeborg Bachmann: Die gemeinsamen Werke Christian Bielefeldt, Dr. phil., Studium in Hamburg, Tätigkeit als Theatercellist, 1994 Gründung von TRE MODI, Ensemble für Alte und Neue Musik. 1998-2000 Stipendiat am DFG-Graduiertenkolleg »In- termedialität« (Siegen). Veröffentlichungen zu Neuer Musik und Filmmusik. Christian Bielefeldt Hans Werner Henze und Ingeborg Bachmann: Die gemeinsamen Werke Beobachtungen zur Intermedialität von Musik und Dichtung Der Abdruck von Zitaten aus dem unveröffentlichten Nachlass Inge- borg Bachmanns geschieht mit ausdrücklicher Erlaubnis der Erben, bei denen die Abdruckrechte gleichwohl verbleiben. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. © 2003 transcript Verlag, Bielefeld Umschlaggestaltung: Kordula Röckenhaus, Bielefeld, unter Verwendung einer Partiturseite aus: Hans Werner Henze, Reinschrift der Musik zu Ingeborg Bachmanns Hörspiel »Die Zikaden« (1955/56), S. 1; © Sammlung Hans Werner Henze (Depositum Schott Musik International), Paul Sacher Stiftung, Basel Lektorat & Satz: Christian Bielefeldt Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 3-89942-136-1 INHALT Vorwort 9 Biographisches 14 Zur Forschung 17 I. Konzepte von Intermedialität bei Henze und Bachmann 21 Erster Auftakt: Die Konstruktion der Überschreitung 27 Lacan. Sprache, Musik und das Genießen 31 Der Braunschweiger Vortrag: Henzes „geistige Rede der Musik“ 37 Zweiter Auftakt: Die menschliche Stimme 43 Barthes. Die Stimme und das Genießen 45 Musik und Dichtung: Die Intermedialität der Stimme 49 II. Ballettpantomime: Der Idiot 57 Musik aus der Hand der Trauer: Reihen- und Zitattechnik im Idioten 62 Intrada und Danse Nr. -
Translation, Reputation, and Authorship in Eighteenth-Century Britain
Translation, Reputation, and Authorship in Eighteenth-Century Britain by Catherine Fleming A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Catherine Fleming 2018 Translation, Reputation, and Authorship in Eighteenth-Century Britain Catherine Fleming Doctor of Philosophy Department of English University of Toronto 2018 Abstract This thesis explores the reputation-building strategies which shaped eighteenth-century translation practices by examining authors of both translations and original works whose lives and writing span the long eighteenth century. Recent studies in translation have often focused on the way in which adaptation shapes the reception of a foreign work, questioning the assumptions and cultural influences which become visible in the process of transformation. My research adds a new dimension to the emerging scholarship on translation by examining how foreign texts empower their English translators, offering opportunities for authors to establish themselves within a literary community. Translation, adaptation, and revision allow writers to set up advantageous comparisons to other authors, times, and literary milieux and to create a product which benefits from the cachet of foreignness and the authority implied by a pre-existing audience, successful reception history, and the standing of the original author. I argue that John Dryden, Alexander Pope, Eliza Haywood, and Elizabeth Carter integrate this legitimizing process into their conscious attempts at self-fashioning as they work with existing texts to demonstrate creative and compositional skills, establish kinship to canonical authors, and both ii construct and insert themselves within a literary canon, exercising a unique form of control over their contemporary reputation. -
Curriculum Vitae
CURRICULUM VITAE Pascale Rachel Bos University of Texas at Austin, Department of Germanic Studies Burdine Hall 336, Austin Texas 78712-1190 Phone: (512) 232-6373 E-mail: [email protected] Education 1992-1998 Ph.D. Comparative Literature, University of Minnesota Minor: Center for Advanced Feminist Studies (CAFS) Dissertation: Writing Against Objectification: German-Jewish Identity in the Works of Grete Weil and Ruth Klüger 1986-1992 Doctoraal (MA) Comparative Literature, Universiteit van Amsterdam (the Netherlands) Minors: Women's Studies, Philosophy 1985-1986 Propaedeuse (BA) Dutch Language and Literature, Universiteit van Amsterdam Professional Appointments 2005-date Associate Professor Netherlandic and Germanic Studies, Department of Germanic Studies, affiliated faculty member in Comparative Literature and European Studies Programs, and Center for Jewish Studies, Humanities Institute Associate, and zero- percent appointment in Women's and Gender Studies Program, University of Texas at Austin 1998-2004 Assistant Professor Netherlandic and Germanic Studies, Department of Germanic Studies University of Texas at Austin 1997-1998 Assistant Director of Center for Holocaust and Genocide Studies, University of Minnesota Twin Cities Book German-Jewish Literature in the Wake of the Holocaust: Grete Weil, Ruth Klüger, and the Politics of Address. New York: Palgrave/St. Martin’s Press, 2005. Selected Articles “Empathy, Sympathy, Simulation? Resisting a Holocaust Pedagogy of Identification.” Review of Education, Pedagogy, and Cultural Studies. (Forthcoming Fall 2014) “Meine Not ist nicht einzig: Sexualle Gewalt im kriegerischen Konflikten: ein Werkstattgespraech.” Mittelweg 36 1 (2009): 3-25. Reprinted in: http://www.eurozine.com/articles/2009-09-02-zipfel-en.html “’My plight is not unique’: Sexual violence in conflict zones: a roundtable discussion.” “Feminists Interpreting the Politics of Wartime Rape: Berlin 1945, Yugoslavia 1992-3.” Signs: Journal of Women in Culture and Society 31:4 (Summer 2006): 995-1025. -
Captain of Homer's Guard
Filippomaria Pontani “Captain of Homer’s guard”: the reception of Eustathius in Modern Europe 1 Eustathius from Politian to Politi (1489‒1730) In the fantastic battle between ancient and modern authors envisaged by the French scholar François de Callières in 1688 (a story that inspired Jonathan Swift’s Battle of the Books, published twelve years later), Eustathius of Thessa- lonica plays a conspicuous role¹. Initially enrolled among the orators (and thus on the far left wing of the ancients’ army), he soon switches to the middle- field upon the request of the old and blind Homer, who desperately needs a lieu- tenant, and thus implores Demosthenes to let the archbishop, however ideolog- ically hostile to war, cross over to the infantry of the poets and help him out in this bloodless fight². Once proclaimed captain of Homer’s guard, Eustathius starts a thorough examination of the troops, consisting of the Iliad and the Odys- sey, and engages in a firm defence of the Shield of Achilles against the attacks of the moderns; shortly after, however, he discovers to his dismay a worrying hole in the ranks of the Iliad, corresponding to the description of Aphrodite’s kestos, “la ceinture de Venus”, which has been stolen overnight by the modern poets Voiture and Sarrasin disguised as Greeks – very painful news for poor Homer, who believed Iliad 14 to be among the highlights of his entire poetical output³. Callières’ parody of the Querelle des Anciens et des Modernes is subtler and less absurd than it may appear at first glance: when Homer greets Eustathius as the worthiest defender of his person and works⁴, this reflects a communis opinio grounded in the wide success of the Parekbolai to Homer’s Iliad and Odyssey since their editio princeps published in Rome in 1542‒1550 – a success that will only be properly appreciated by whoever writes a proper history of the art of commenting Homer, perhaps one of the most urgent desiderata of contempo- Callières 1688. -
Women and War in the German Cultural Imagination
Conquering Women: Women and War in the German Cultural Imagination Edited by Hillary Collier Sy-Quia and Susanne Baackmann Description: This volume, focused on how women participate in, suffer from, and are subtly implicated in warfare raises the still larger questions of how and when women enter history, memory, and representation. The individual essays, dealing with 19th and mostly 20th century German literature, social history, art history, and cinema embody all the complexities and ambiguities of the title “Conquering Women.” Women as the mothers of current and future generations of soldiers; women as combatants and as rape victims; women organizing against war; and violence against women as both a weapon of war and as the justification for violent revenge are all represented in this collection of original essays by rising new scholars of feminist theory and German cultural studies. RESEARCH SERIES / NUMBER 104 Conquering Women: Women and War in the German Cultural Imagination X Hilary Collier Sy-Quia and Susanne Baackmann, Editors UNIVERSITY OF CALIFORNIA AT BERKELEY Library of Congress Cataloging-in-Publication Data Conquering women : women and war in the German cultural imagination / Hilary Collier Sy-Quia and Susanne Baackmann, editors. p. cm — (Research series ; no. 104) Papers from the 5th Annual Interdisciplinary German Studies Con- ference held at the University of California, Berkeley, March 1997. Includes bibliographical references. ISBN 0-87725-004-9 1. German literature—History and criticism—Congresses. 2. Women in literature—Congresses. 3. War in literature—Congresses. 4. Violence in literature—Congresses. 5. Art, Modern—20th century—Germany— Congresses. 6. Women in art—Congresses. 7. -
Bibliography
BIBLIOGRAPHY I. Archives United States Holocaust Memorial Museum Archives: Record Group 02, “Survivor Testimonies” Baumrin, Zvi. “A Short Autobiography.” RG-02.145; Acc. 1994.A.0143. Beer, Susan. “To Auschwitz and Back: An Odyssey.” RG-02*144; Acc. 1994.A.073. Berman, Gizel. “The Three Lives of Gizel Berman.” RG-02.157; Acc. 1994.A.0235. Bohm, Rose Eizikovic. “Remember Never to Forget Memoir.” RG-02.207; Acc. 1996. A.333. Büchler, Jehoshua Robert. “The Expulsion Testimony.” RG-02.102 (1994.A.160). Ferera, Rosa. RG-02.002*11; Acc. 1991.A.0089. Feuer, Katarina Bloch. “Diary Nearly 50 Years Later.” RG-02.209; Acc. 1994.A.150. Gross, Eva. “Prisoner 409.” RG-02.111; Acc. 1994.A.202. Gundel, Kay. “Reborn: Memoirs of a Camp Survivor, 1947–1986.” RG-02.004*01; Acc. 1986.019. Herstik, Rose. RG-02.002*03. Hilton, Rita Kerner. “My Story.” RG-02.164; Acc. 1994.A.0274. Hoffman, Regina Godinger. “A Void in My Heart.” RG-02.152; Acc. 1994.A.0237. Kahn, Regina. RG-02.002*04; Acc. 1991.A.0089. Kalman, Judith. RG-02.002*10. Krausz, Anna Heyden. RG-02.002*10. Machtinger, Sophie. “Recollections from My Life’s Experiences.” Trans. Douglas Kouril. RG-02.012*01. Pollak, Zofia. RG-02.002*22. Rajchman, Chiel M. RG-02.137; Acc. 1994.A.138. Sachs, Gisela Adamski. “Unpublished Testimony.” RG-02.002*08. Spiegel, Pearl. RG-02.002*04; Acc. 1991.A.0089. Weisberger, Madga Willinger. “I Shall Never Forget.” RG-02.002*05. Zavatzky, Jenny. RG-02.002*27; Acc. -
Anne Dacier (1647-1720)
Antologia de Escritoras Francesas do Século XVIII. Biografias. Anne Dacier. Narceli Piucco. ISBN: 978- 85-61482-68-8 Anne Dacier (1647-1720) Fonte: Alfred Gudeman: Imagines philologorum, Berlin/Leipzig 1911, S. 13. Disponível em : https://fr.wikipedia.org/wiki/Fichier:Anne_Dacier_-_Imagines_philologorum.jpg Acesso em 23 de agosto de 2015. Segundo a biografia escrita por Garnier (2002), Anne Lefebvre, mais conhecida como Anne Dacier ou Madame Dacier, nasceu em Preuilly-sur-Claise, na França em 5 de agosto de 1647 e morreu no Louvre em Paris, em 17 de agosto de 1720. Ela cresceu em Saumur, onde seu pai, Tanneguy Lefebvre, era professor de grego e latim e lhe ensinou essas duas línguas e outros estudos clássicos. Em 1664, casou-se com Jean II Lesnier, de quem se separou rapidamente, voltando a se casar mais tarde, em 1683, com André Dacier, interno na academia de seu pai em Saumur. Foi convidada pelo duque de Montausier a contribuir como tradutora da série Ad usum Delphini, para a educação do Delfim da França, filho do rei Luis XIV, para a qual traduziu obras sobre a história de Roma. Em 1681, publicou sua versão em prosa de Anacreonte e Safo. Nos anos seguintes, publicou as versões em prosa de Terêncio, peças de Plauto (Amphytruo, Rudens e Epidicus, 1683) e de Aristófanes (Pluto, As nuvens, 1684) e o teatro completo Antologia de Escritoras Francesas do Século XVIII. Biografias. ISBN: 978-85-61482-68-8. Antologia de Escritoras Francesas do Século XVIII. Biografias. Anne Dacier. Narceli Piucco. ISBN: 978- 85-61482-68-8 de Terêncio (1683). -
Journal: Recognizing Excellence (2003)
UAA Student Showcase Journal: Recognizing Excellence (2003) Item Type Journal Publisher University of Alaska Anchorage Download date 27/09/2021 19:11:18 Link to Item http://hdl.handle.net/11122/2742 * 2003 Student Showcase Journal V O L U M E I 9 University of Alaska Anchorage 2 0 0 3 STUDENT SHOWCASE JOURNAL V O L U M E 1 9 Copyright 2003 University of Alaska Anchorage All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photo- copying, recording, or by any information storage and retrieval system, except as may be expressly permitted by the Copyright Act or in writing by the author or authorized agent. Printed in the United States of America at UAA General Support Services Anchorage, Alaska Published by: University of Alaska Anchorage Campus Life: Student Showcase 3211 Providence Drive Anchorage, AK 99508 907.786.1215 ii Acknowledgements The Editorial Staff Managing Editor . Emily Stancliff Proofreaders . Karen Hawley Amber Michaels Annie Route Beth Smart Showcase Co-Chairs . Sherri Conway Annie Route Design and Layout Manager . Darla Carlson A Special Thank You We wish to thank all the faculty evaluators, moderators, and community commentators for making this year’s conference possible. A special thank you to Key Bank Alaska for its financial support. The Journal Published works in the 2003 Student Showcase Journal were the award winning presentations of papers, projects, and per- formances at the nineteenth annual Student Showc a s e Conference held at the University of Alaska Anchorage on April 3, 10, and 11. -
Master Document Template
Copyright by Robert George Kohn 2012 The Dissertation Committee for Robert George Kohn Certifies that this is the approved version of the following dissertation: The Language of Uncertainty in W.G. Sebald’s Novels Committee: Pascale Bos, Supervisor Sabine Hake John Hoberman Philip Broadbent David Crew The Language of Uncertainty in W.G. Sebald’s Novels by Robert George Kohn, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication This dissertation would not have been possible without the amazing and generous support, both emotional and intellectual, as well as incredible patience of my lovely and kind wife, Nadine Cooper-Kohn. I would like to, therefore, dedicate this study to her as a small token of my gratitude for being at my side through it all. Acknowledgements I would like to acknowledge the following people for their help and contributions they have made to my intellectual and personal growth during my graduate career. First and foremost, I would like to recognize my wife, Nadine Cooper-Kohn for her steadfast support, inspiration and love throughout these past seven years. I would like to thank my adviser, Dr. Pascle Bos, for her patience and understanding throughout the process of writing, as well as for encouraging me during difficult times. The helpful feedback of Dr. Sabine Hake and Dr. John Hoberman inspired me and helped me to see this project through. -
Kommunalreferat Telefax: 0 233-26509 Geodatenservice Az.: 2 / 2019
Telefon: 0 233-25606 Kommunalreferat Telefax: 0 233-26509 GeodatenService Az.: 2 / 2019 Straßenbenennung im 22. Stadtbezirk Aubing-Lochhausen-Langwied Benennung von fünf Straßen in Freiham-Nord Sitzungsvorlage Nr. 14-20 / V 13747 Kurzübersicht zum Beschluss des Kommunalausschusses vom 31.01.2019 (SB) Öffentliche Sitzung Anlass Straßenbenennung für das Neubaugebiet Freiham-Nord im 22. Stadtbezirk Aubing-Lochhausen-Langwied; Umsetzung des Bebauungsplanes Nr. 2068 für den Siedlungsschwerpunkt Freiham-Nord. Inhalt Mit Freiham entsteht im Münchner Westen ein neuer Stadtteil. Der Wohnstandort in Freiham-Nord mit insgesamt 22 zu benennenden Verkehrsflächen wird derzeit realisiert. Die Straßenbenennung wurde aus terminlichen Gründen in mehreren Abschnitten durchgeführt. Mit dieser Vorlage wird der dritte und vorerst letzte Benennungsabschnitt umgesetzt. Gesamtkosten/ -/- Gesamterlöse Entscheidungs- Die Straßen werden wie folgt benannt: vorschlag U-1709 (südl.) Grete-Weil-Straße U-1709 (östl.) Marie-Luise-Jahn-Straße U-1709 (nördl.) Christel-Sembach-Krone-Weg U-1710 Ute-Strittmatter-Straße U-1711 Otto-Meitinger-Straße Gesucht werden Bodenseestraße, Wiesentfelser Straße, Freihamer Weg, kann im RIS auch Germeringer Weg unter: Ortsangabe 22. Stadtbezirk, Freiham-Nord Inhaltsverzeichnis Seite I. Vortrag der Referentin 1. Ausgangslage 1 2. Auswahl der Straßennamen 1 3. Neue Straßennamen 2 3.1 Grete-Weil-Straße 2 3.2 Marie-Luise-Jahn-Straße 3 3.3 Christel-Sembach-Krone-Straße 4 3.4 Ute-Strittmatter-Straße 5 3.5 Otto-Meitinger-Straße 6 4. Zuständigkeit für die Benennung 6 5. Gutachter 6 6. Ältestenrat 6 7. Beteiligung der Bezirksausschüsse 7 8. Unterrichtung der Korreferentin und des Verwaltungsbeirates 7 9. Beschlussvollzugskontrolle 7 II. Antrag der Referentin 7 III. Beschluss 7 Telefon: 0 233-25606 Kommunalreferat Telefax: 0 233-26509 GeodatenService Az.: 2 / 2019 Straßenbenennung im 22. -
Zeitschrift Für Wissenschaft Und Kunst in Bayern
aviso 3|2017 Zeitschrift für Wissenschaft und Kunst in Bayern SUSAN ARNDT, NADJA OFUATEY-ALAZARD UND LINDA BESIGIROHA ÜBER AFRIKA-STUDIEN IN BAYERN // HAROUNA MARANÉ, ISSA NIKIEMA UND NOMWINDÉ VIVIEN SAWADOGO HABEN MÜNCHEN KÜNSTLERISCH FOTOGRAFIERT // SARAH BÖLLINGER UND ULF VIERKE ZEIGEN AFRIKANISCHE GEGENWARTSKUNST IN BAYREUTH // FLORIAN KNAUSS, STEFAN EISENHOFER UND KARIN GUGGEIS ERZÄHLEN VON AFRIKANISCHEN OBJEKTEN IN BAYERISCHEN SAMMLUNGEN Afrika in Bayern »Ich träume oft von meiner Heimath...« | Alfred Grimm | Seite 10 Charakter ist Schönheit | Ulf Vierke | Seite 20 EDITORIAL .............................................................. 3 AFRIKANISCHE UND AFRIKANISCH-DIAS- PORISCHE LITERATUREN ALS ZUKUNFT 28 WORAUF ICH MICH FREUE ..................................... 4 Ein Interview über das BIGSAS-Festival in Bayreuth mit Susan Arndt und Nadja Ofuatey-Alazard AUS MEINEM SKIZZENBUCH .................................. 5 DEUTSCH SPRECHEN UND UGANDISCH AVISIERT .................................................................. 6 TRÄUMEN ........................................................... 34 Die Bayreuther Promotionsstudentin Linda Besigiroha BAYERNS VERBORGENE SCHÄTZE ......................... 8 berichtet über ihr diasporisches Brückenbauen. COLLOQUIUM ......................................................... 10 FASZINATION DES FREMDEN .................. 38 AFRIKA IN BAYERN Wie Afrikaner in der Kunst des antiken Griechenland dargestellt wurden. Florian Knauß »ICH TRÄUME OFT VON MEINER HEIMATH...« ........................................................