This Essay, Printed in the 2018 Annual Peer-Reviewed Journal El Anuario
[This essay, printed in the 2018 annual peer-reviewed journal El Anuario by La Universidad Nacional de Rosario in Argentina, introduces recently published pedagogical archives of these three Black feminist City University of New York (CUNY) educators to a Spanish-speaking Caribbean, Latin American, and Iberian readership for the first time. -CTR] The Early Formations of Black Women’s Studies in the Lives of Toni Cade Bambara, June Jordan, and Audre Lorde Conor Tomás Reed This chapter explores the pedagogical foundations of three U.S. Black women writers—Toni Cade Bambara, June Jordan, and Audre Lorde—widely recognized as among the most influential and prolific writers of 20th century cultures of emancipation. Their distinct yet entwined legacies—as socialist feminists, people’s poets and novelists, community organizers, and innovative educators— altered the landscapes of multiple liberation movements from the late 1960s to the present, and offer a striking example of the possibilities of radical women’s intellectual friendships. The internationalist reverberations of Bambara, Jordan, and Lorde are alive and ubiquitous, even if to some readers today in the Caribbean and Latin America, their names may be unfamiliar.1 Bambara’s fiction centered Black and Third World2 women and children absorbing vibrant life lessons within societies structured to harm them. Her 1980 novel, The Salt Eaters, posed the question—“are you sure, sweetheart, that you want to be well?”—to conjoin healing and resistance for a new embattled generation under President Reagan’s neoliberal shock doctrines that were felt worldwide. June Jordan’s salvos of essays, fiction, and 1 Some noteworthy recent translations and works on Lorde by contemporary Caribbean, Latin American, and Iberian feminists include: Lorde’s Sister Outsider in Spanish, https://issuu.com/bollosenteoria/docs/audre-lorde-la-hermana-la-extranjer.
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