Mother Tongue 11.5 the Student Will Read Essay by Amy Tan and Analyze a Variety of Nonfiction Texts

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Mother Tongue 11.5 the Student Will Read Essay by Amy Tan and Analyze a Variety of Nonfiction Texts A Mosaic of American Voices Video link at Virginia Standards thinkcentral.com of Learning Mother Tongue 11.5 The student will read Essay by Amy Tan and analyze a variety of nonfiction texts. 11.5a Use information from texts to clarify understanding of concepts. Meet the Author Amy Tan born 1952 In 1989, Amy Tan’s first book, The Joy put her expertise to work as a language Luck Club, spent 40 weeks on the New development consultant for programs York Times bestseller list. Praised for its serving children with disabilities. Five authentic dialogue and its rich portrayal years later, she adopted a new career as a of Chinese history, the book established freelance technical writer. Tan as an insightful chronicler of the Tan took up writing Chinese-American experience and of Confronting the Past fiction as a form of therapy, hoping to the fierce and conflicted love between did you know curb her workaholic tendencies. Her ? mothers and daughters. Amy Tan . first short story, “End Game,” appeared • plays in a band called Troubled Times Born in Oakland, in Seventeen magazine, bringing her the Rock Bottom California in 1952, Tan spent her early to the attention of prominent literary Remainders with childhood in the San Francisco Bay area. agent Sandra Dijkstra. With Dijkstra’s Stephen King and other She enjoyed her first literary success at encouragement, Tan began writing a series literary celebrities. the age of eight, winning first prize in an of stories that evolved into The Joy Luck • has visited the White elementary school contest for her essay Club. For this tightly woven collection of House five times. “What My Library Means to Me.” Six short stories, Tan drew upon her personal • has had her works years later, Tan’s life took a tragic turn when story, exploring the generational and translated into more both her father and her brother died from cultural gap between Chinese mothers and than 20 languages. brain tumors. Her grief-stricken mother their American-born daughters. moved teenaged Amy and her surviving Two years later, Tan published her brother to Europe, settling in Montreux, second book, The Kitchen God’s Wife, Switzerland, where Tan graduated from a novel inspired by her mother’s life in high school in 1969. China. Though she switched her focus Although her mother had pushed from mother-daughter love to sisterhood her to become a neurosurgeon, in her third novel, The Hundred Secret the rebellious Tan defied her Senses, she once again drew on her mother’s wishes and studied mother’s life story in her fourth, The literature and linguistics in Bonesetter’s Daughter. As Tan explains, college. In 1974, she enrolled “My books have amounted to taking her in a doctoral program stories—a gift to me—and giving them in linguistics, but she back to her. To me, it was the ultimate abandoned her studies thing I ever could have done for myself after a close friend was and my mother.” murdered. Tan then Author Online Go to thinkcentral.com. KEYWORD: HML11-1262 1262 VA_L11PE-u06s41-brTon.indd 1262 3/24/11 3:06:52 PM text analysis: personal essay Amy Tan could have written a research paper to get across her points about language and cultural identity. Instead, she chose to write a personal essay, in which she combines her insights What on the topic with details from her own life. languages Just last week, as I was walking down the street with [my mother], I again found myself conscious of the English I was do you speak? using, the English I do use with her. Unlike a scholarly paper or a newspaper article, a personal Think about how you change the way essay gives the reader a snapshot of the writer’s life or you speak based on where you are and personality as well as his or her thoughts on a specific topic. whom you’re with. You might use slang As evidenced by the excerpt above, personal essays are written when talking with friends but polite, as first-person narratives. The author appeals to the reader’s formal language with adults. You might emotions through the rhetorical or persuasive power of speak English at school and another personal experiences. Tan uses anecdotes, or autobiographical language at home. In “Mother Tongue,” incidents, to create meaning and to persuade the reader to you will read one writer’s thoughts on understand her point of view. As you read this essay, note how her own different languages. Tan connects her ideas about the power of language with her QUICKWRITE Make a list of places and own experiences. situations where you use a different language or way of speaking. Then, for reading skill: identify main ideas each situation, write a brief quotation Amy Tan’s essay is organized into a series of paragraphs, that captures the sound of the language most of which develop one main idea, or central point. Facts, you use in that context. descriptions, or examples that are related to the main idea are called supporting details. When a main idea is not directly stated, you can figure it out by asking yourself how these supporting details fit together. Amy Tan uses vivid supporting details, drawn from deeply felt personal experiences, to make her points. As you read, use a diagram like the one shown to record the main idea of each paragraph and list the details that support that main idea. detail Main Idea “Mother Tongue” Complete the activities in your Reader/Writer Notebook. 1263 VA_L11PE-u06s41-brTon.indd 1263 3/24/11 3:06:55 PM Mother Tongue Amy Tan I am not a scholar of English or literature. I cannot give you much more than Analyze Visuals personal opinions on the English language and its variations in this country In this painting, the or others. artist represents an I am a writer. And by that definition, I am someone who has always loved apple in three different ways. What point about language. I am fascinated by language in daily life. I spend a great deal of my time language might the artist thinking about the power of language—the way it can evoke an emotion, a visual be making? image, a complex idea, or a simple truth. Language is the tool of my trade. And I use them all—all the Englishes I grew up with. a a PERSONAL ESSAY Recently, I was made keenly aware of the different Englishes I do use. I was Reread lines 1–8. How 10 giving a talk to a large group of people, the same talk I had already given to half do you respond to the a dozen other groups. The talk was about my writing, my life, and my book, author’s use of first- person testimony? The Joy Luck Club, and it was going along well enough, until I remembered one Explain your response. major difference that made the whole talk sound wrong. My mother was in the room. And it was perhaps the first time she had heard me give a lengthy speech, using the kind of English I have never used with her. I was saying things like “the intersection of memory and imagination” and “There is an aspect of my fiction that relates to thus‑and‑thus”—a speech filled with carefully wrought grammatical phrases, burdened, it suddenly seemed to me, with nominalized1 forms, past perfect tenses, conditional phrases, forms of standard English that I had learned 20 in school and through books, the forms of English I did not use at home with my mother. Apple (1983), Andy Warhol. Synthetic polymer paint and silkscreen ink on canvas, 14˝ × 11˝. © The Andy Warhol Foundation 1. nominalized (nJmPE-nEl-FzQd) forms: nouns formed from other parts of speech. for the Visual Arts/Artists Rights Society (ARS), New York. © The Andy Warhol Foundation, Inc./Art 1264 unit 6: contemporary literature Resource, New York. VA_L11PE-u06s41Tongu.indd 1264 3/24/11 3:07:29 PM VA_L11PE-u06s41Tongu.indd 1265 3/24/11 3:07:33 PM Just last week, as I was walking down the street with her, I again found myself conscious of the English I was using, the English I do use with her. We were talking about the price of new and used furniture, and I heard myself saying this: “Not waste money that way.” My husband was with us as well, and he didn’t notice any switch in my English. And then I realized why. It’s because over the twenty years we’ve been together I’ve often used that same kind of English with him, and sometimes he even uses it with me. It has become our language of intimacy, a different sort of English that relates to family talk, the language I grew 30 up with. So that you’ll have some idea of what this family talk sounds like, I’ll quote what my mother said during a conversation that I videotaped and then transcribed. During this conversation, she was talking about a political gangster in Shanghai who had the same last name as her family’s, Du, and how in his early years the gangster wanted to be adopted by her family, who were rich by comparison. Later, the gangster became more powerful, far richer than my mother’s family, and he showed up at my mother’s wedding to pay his respects. Here’s what she said in part: b b GRAMMAR AND STYLE “Du Yusong having business like fruit stand. Like off-the-street kind. He is Du Reread lines 31–33.
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