DOCSLIB.ORG

Heart of the Tantramar Marshes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Heart of the Tantramar Marshes saTELEGRloAPHJOURNAL.nCOM Saturday,april 2, 2011 /S5 Heartofthe Tantramar Sackville’spoetlaureateDouglasLochheadpassedawayin March, butisn’t to be forgotten. StorybyThomasHodd Just off the beaten path, near the town University. Although born in Ontario, of Sackville,isthe High Marsh Road. Lochhead’smother was from NewBruns- Complete with asmall, wooden covered wick andLochhead had spent many sum- bridge,it’s along,rural road thatcuts mers in Fredericton and at Duck Cove, across partofthe Tantramar Marshes,the near Saint John. Moving to Sackville was lene Betts, arts learning specialist with the province, says her goal and same marshes thatCharles G.D. Roberts ahomecoming of sorts. passion is for all students to feel that theyare artists. Photo: Kâté Braydon/ made famous morethan acenturyago in Lochhead quickly established areputa- telegraPh-Journal archive his poem The Tantramar Revisited. tion at Mount Allison, endearing himself It’s aclear Sundayafternoon in late to students with his knowledge,wit and March. The sun is high; the windiscold trademark laugh, and winning the respect and biting.The covered bridge is afew of colleagues in the wayhecarried himself. feet away from whereIstand. Every- Douglas Lochhead. “He demonstrated thatthe word whereyou look thereissky and vast open ‘gentleman’still had some application in space. Looking around youcan easily understand why Roberts the modern world,”TerrenceCraig,along-time colleague at was inspired by this place. Mount Allison, says.“He went about his business with integ- But here’sthe thing. rityand generositythatshowed anew facultymember an- Robertswasn’t the only poetwho wrote about the Tantra- other route to follow.” mar. I’vemade the pilgrimage foranother poet, Douglas Loch- Lochhead spent 15 years at Mount Allison, and made enor- head,who passed away earlier this month at the age of 88. mous contributions to the creativeand intellectual lifeof Born in Guelph, Ont., in 1922, Lochhead published nearly the university. Lochhead wrote severalvolumes of poetry, 30 collections of poetryinacareer thatspanned morethan 50 mentored students,taught courses,edited books,published years.His last collection, Looking Into Trees,appeared just two important literarycriticism and directed the university’sCan- years before his death. Lochhead was afellow of the RoyalSo- adian studies programfor morethan adecade.From1987 cietyofCanada,and afinalist forthe Governor-General’sLiter- until his retirement in 1990,Lochhead servedasthe univer- aryAwardfor Poetryfor High Marsh Road in 1980.He was also sity’sfirst writer-in-residence. afounding member of The LeagueofCanadian Poets,ana- After retiring in 1989, Lochhead became the university’sfirst tional non-profit organization dedicated to helping promote writer-in-residence. In 2001, he received the Alden Nowlan Canadian poetryathome and abroad, which todayboasts Awardfor ExcellenceinEnglish-language LiteraryArts, and a morethan 600 members. year later was named Sackville’s first life-time poetlaureate. To those who knewLochhead, his lifework was atremen- Forclose friends,likeNova ScotiapoetPeter Sanger, being dous addition to the literatureofthe region. named poetlaureate was adeserving honour forLochhead. asha Sentalkswith KathyHooper as apartofArtSmarts. Photo: cindy Wilson/ Allan Cooper first met Lochhead in the late 1970s when “A dayDouglas didn’t write was aday lost,” says Sanger.“For telegraPh-Journal Cooper was abudding young writer.The Moncton area poet him, poetrywas celebration and he wanted otherstoshare and publisher remembers him fondly. thatcelebration.” “In his own quiet way, he inspired others,” Cooper says.“He In High Marsh Road,Lochhead wrote: “this newspace, this While learning about ancient civilizations,Hannah’s added an imaginativelayer to the Tantramar,and there’sa newsky./Ifind myself with my eyes./thereisnoneed to stand students also got mini-lessons on brush stroking tech- depth to his poetrythatinsome ways makes him moreim- up in it.” niques,calligraphy,light and balance, how to care for portant than perhaps Bliss Carman or Charles G.D. Roberts.” Inever met Douglas Lochhead,but after going to High Marsh their arttools and drawing Being awriter was only partofLochhead’slifelong passion Road on thatcold Sundayafternoon Iliketothink Icaught a MacKay says the only concern he’s heardabout forbooks.After finishing his militaryserviceinthe Second glimpse of whatheexperienced in this landscape.It’s asolitary ArtsSmarts is the lack of information about how art- World War, Lochhead studied English at the UniversityofTo- place, but farfromlonely.One feels immense out there, that ists canget involved. ronto and libraryscienceatMcGill University. He worked as a the road is not simply leading youalong apathbut alsoshow- “There’salack of information flowing between the librarian at Cornell UniversityinNew York City, as university ing youthe wayinto the heartofthe Tantramar Marshes,into twogroups and that’s an easyproblem to solve,”hesays. librarian at Dalhousie University, and later as director of librar- something deeper about our sense of connection to place. He and Betts have met recently to discuss ways to ies forYork UniversityinToronto.Then in 1963, renowned Beforeleaving Sackville,Iwent to alocal used bookstorelook- improvecommunication and MacKay is working on Canadian author Robertson Davies asked Lochhead to serve ing forsome of Lochhead’sbooks.The storewas well-stocked providing her with adatabase of artists who arewilling as founding librarian forthe newly established MasseyCol- and organized, with many older titles on the shelves.Iquickly and available to take partinthe programs. lege.Lochhead stayed at MasseyCollege formorethan adec- checked the poetrysection –nothing.Then Ichecked the“lo- ade,serving as both librarian and as asenior fellow. calinterest”section –still nothing.Ijoked to the young woman *** Lochhead was also adedicated teacher.WhileinToronto he behind the cash thatLochhead must be popular around here. taught in the libraryschool as well in the English department “Weget calls everyonceinawhile from people looking for Betts is ahuge fanofSir KenRobinson, an at the UniversityofToronto.In1975, Lochhead was offered his books,” she says.“Aretherenone? Iguess people liketohold internationally recognized leader in the de- the Davidson Chair of Canadian Studies at Mount Allison on to his stuff.” velopment of creativitywhose speech, Do It was awonderful testament to Lochhead’slegacy.Icanal- Schools Kill Creativity?,has morethan 2.2 Read this story online at www.telegraphjournal.canadae- most hear himchuckling with pride.s million views on YouTube. ast.com/salon to watch avideo of Lochhead reading Robinson contends thatcreativityis from one of his collections of poems. Thomas Hodd currently teaches Canadian literatureatthe Uni- as important as literacy and schools should versité de Moncton.He canbereached at [email protected]. givethem the same status. It’s doubtfularevolution likethatisgoing to occur anytime soon in NewBrunswick class- rooms. So,inthe meantime,Betts pursues the de- partment’s goal“to develop incredible creativethinkers forthe 21st century” as best she canbydeveloping tools to help generalist teachers teach art and by championing fledgling pro- grams likeArtsSmarts. She’s optimistic ArtsSmarts can help achieve the department’s ul- timategoal, especially if localcom- munities in the anglophone system embracethe programtoo.ArtsSmarts was designed to also engage communities in helping students learn. In the francophone system forexample,communitygroups likeCaisse-Populaire provide lump funding forseveral projects and commit- tees have been established in each district to oversee the flood of applications. Betts is hopeful thatone dayher desk is flooded with offers from communitygroups to take partinthe pro- gram because theysee the value of supporting creativ- ityand the arts in their areas. Making creativityand the arts apriorityinschools and in communities has the potential to impact a whole generation of students,she says. “I think students’ learning would be so much deeper, and Ireally believe thatachievement levels would go wayup,”Betts says.“(Students) would learn to work together and to believe in themselves.(Theywould learn thatthey) cancome up with greatideas and then theywould be able to articulate whattheyunderstand and have learned.” And that’s exactly whathappened to Liam Jefferson and his classmates. s Kathy Kaufield is awriter living in Quispamsis. This retro 1940s musical extravaganza features theStringofPearls big band orchestra and the TheFrederictonPlayhouse IntheMood singers and Wednesday, April 20 at 7p.m. dancers,all swinging to www.theplayhouse.ca BoxOffice 458-8344 or 1-866-884-5800 the sounds of Glenn Miller,BennyGoodman, ImperialTheatre the Andrews Sisters, Thursday, April 21 at 7p.m. www.imperialtheatre.nb.ca Frank Sinatra and more! From left, Alexis Cook, Sarah Durelle and Tyler MaGee paint symbols that will be partofthe BoxOffice 674-4100 or 1-800-323-7469 ancient MayanCulturemural. Photo: cindy Wilson/telegraPh-Journal.
Load more

Recommended publications
  • Open Wide a Wilderness Canadian Nature Poems
    Open Wide a Wilderness Canadian Nature Poems Edited by NANCY HOLMES Introduction by DON MCKAY Wilfrid Laurier University Press IfwuTH Contents xv PREFACE xvii ACKNOWLEDGEMENTS I INTRODUCTION: "GREAT FLINT SINGING" BY DON MCKAY THE POEMS 35 Thomas Cary from Abram's Plain 38 Adam Allan A Description of the Great Falls, of the River Saint lohn, in the Province of New Brunswick 40 Ann Cuthbert Knight from A Year in Canada 41 Adam Hood Burwell from Talbot Road 44 Standish O'Grady from The Emigrant 46 Adam Kidd from The Huron Chief 48 William Kirby from The U.E., "Niagara" 50 Alexander McLachlan The Hall of Shadows 53 Charles Sangster from The St. Lawrence and theSaguenay 55 George Martin The lewelled Trees 57 Charles Mair The Last Bison 63. Isabella V.Crawford The Lily Bed 65 Isabella V. Crawford from Malcolm's Katie 67 Ethelwyn Wetherald Unheard Niagaras 68 Ethelwyn Wetherald The Horned Larks in Winter 69 Susan Frances Harrison Rhapsodie (II) [Seranus] 70 Susan Frances Harrison A Canadian Anthology [Seranus] 73 Wilfred Campbell Indian Summer 74 Wilfred Campbell How One Winter Came in the Lake Region 75 Charles G. D. Roberts The Clearing 76 Charles G. D. Roberts from'Ave!" 80 Charles G. D. Roberts The Skater 81 Bliss Carman A Vagabond Song 82 Bliss Carman Vestigia 83 Pauline Johnson The Flight of the Crows (Tekahionwake) 85 Pauline Johnson The Camper (Tekahionwake) 86 Archibald Lampman Freedom 88 Archibald Lampman In November 90 Archibald Lampman To the Ottawa River 91 Archibald Lampman On the Companionship with Nature 92 Frederick G.
    [Show full text]
  • Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003)
    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2003 Stories of Canada: National Identity in Late- Nineteenth-Century English-Canadian Fiction Elizabeth Hedler Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, Ethnic Studies Commons, and the Literature in English, North America Commons Recommended Citation Hedler, Elizabeth, "Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003). Electronic Theses and Dissertations. 193. http://digitalcommons.library.umaine.edu/etd/193 This Open-Access Dissertation is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION Elizabeth Hedler B.A. McGill University, 1994 M.A. University of Maine, 1996 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) The Graduate School The University of Maine May, 2003 Advisory Commit tee: Marli F. Weiner, Professor of History, Co-Advisor Scott See, Professor of History and Libra Professor of History, Co-Advisor Graham Cam, Associate Professor of History, Concordia University Richard Judd, Professor of History Naorni Jacobs, Professor of English STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION By Elizabeth Hedler Thesis Co-Advisors: Dr. Scott W. See and Dr. Marli F. Weiner An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) May, 2003 The search for a national identity has been a central concern of English-Canadian culture since the creation of the Dominion of Canada in 1867.
    [Show full text]
  • The Canadian Institute for Historical Microreproductions at Zy Years
    Preserving and Providing Access to Canada's Printed Heritage: The Canadian Institute for Historical Microreproductions at zy Years Myriam McCormack' The Canadian Institute for Historical Microreproductions / Institut canadien de microreproductions historiques (CIHM/ICMH), a non- profit corporation, was established in I978 at the urging of the Canadian research community. CIHM's initial mission was to preserve and disseminate on microfiche early printed monographs that contained information about Canada, were written by Canadian authors, or had a Canadian imprint. At its founding, CIHM received a one-time grant of $1 million from the Canada Council. Investment income from the grant, in addition to revenues from subscription sales and vigorous fund-raising, ensured that there were sufficient funds to complete the initial mandated project as well as several others. CIHM's task was to find materials that fit each project's defined parameters, persuade holding institutions to lend the materials for microfilming, make preservation-quality microfiche reproductions, and publicize to the Canadian library community and public the availability of microfiche copies. So far, CIHM has successfully completed five major projects to preserve and disseminate early Canadiana on microfiche (including monographs and serials published in Canada and elsewhere from I998 to I920), and currently is making steady progress with a sixth project: the microfilming and digital scanning of early Canadian government publications. These collections are available to researchers throughout the world. This I Myriam McCormack worked with CIHM for twenty years, beginning as a cataloguer and eventually overseeing bibliographic research, microfilming, and the implementation of digital scanning production. She is currently a cataloguer with the National Library of Canada.
    [Show full text]
  • Alan Borovoy: Keynote Speaker
    Alan Borovoy: Keynote Speaker he keynote speaker at the Borovoy noted that opponents of opening session of APLA '90 free speech inevitably make use of a was Allan Borovoy, general small number of fallacious argu- counsel to the Civil Liberties Union ments when they mount their at- of Canada and author of When tacks. Freedoms Collide. One of these involves censorship Coming soon to a cinema near you .. Borovoy began his address, enti- on the grounds that a public ex- tled "Barriers to Knowledge", by pression is not "rational." have-nots (who are generally not prosecuting him. He would, how- pointing out that free speech "is not "Whoever said free speech has to skilled in this kind of forum) of the ever, encourage the educational au- and cannot be absolute." Inevitably be rational?" asked Borovoy. right to expression. thorities to consider whether Ross's there are some limitations. Citing a court case revolving A second fallacy is that context is extracurricular activities have influ- He stressed, however, that free around a Montreal parade that was not important. enced his curricular activities. speech "is the lifeblood of what a deemed "a demonstration, not free Refeningto theJim Keegstracase, If this were the case, then dis- democracy is all about." On a per- speech" because it was seen to be Borovoy said that he saw no conflict missal might well be appropriate sonal level, it is "the instrument by more "a show of force than a rational between, on the one hand, uphold- even while maintaining Ross's right which we enrich ourselves and oth- expression of ideas," Borovoy noted ing someone's freedom to express to free speech, on the grounds that a ers", while in the political arena it is that while pressure (in the form of himself, and, on the other hand, higher standard must be applied to "the vehicle by which we mobilize demonstrations, rallies, publicity, deciding that that person, because positions of public trust than is ap public opinion." etc.) without reason is irresponsible, he promotes such views, is not an plied to the right to stay out of jail.
    [Show full text]
  • ING \ in BRITISH COLUMBIA in the 1800S
    EARLY B.C. BOOKS AN OVERVIEW OF TRADE BOOK PUBLISHING \ IN BRITISH COLUMBIA IN THE 1800s WITH CHECKLISTS AND SELECTED BIBLIOGRAPHY RELATED TO BRITISH COLUMBIANA by Glennis Zilm B .S .N. , University of British Columbia, 1958 B .J. , Carlton University, 1969 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS (COMMUNICATIONS) in the Department of Communications O Glennis Zilm 1981 SIMON FRASER UNIVERSITY May 1981 All rights r6served. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. -APPROVAL Name : Glennis N. Zilm Degree : Master of Arts (communication) Title of Thesis: Early B.C. Books: An Overview of Trade Book Publishing in British Columbia in tke 1800s with Checklists and Selected Bibliography related to British Columbiana. ~xaminingcommittee: Chairperson: Thomas J; Mallinson, Professor wi1lia-n H ;;P" Professor Senior Supe Robe t S . Anderson -Asso ate Professor Department of Political Science university of Victoria External Examiner Date Approved: \y TLLU~1% 1 PARTIAL COPYRICHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its 'own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies.
    [Show full text]
  • Introduction
    Introduction That a volume of the poetry of Alexander McLachlan should be given a foremost place in the Literature of Canada: Poetry and Prose in Reprint series cannot be questioned. Douglas Lochhead in his introduction to one of the volumes of this series - Dewart's anthology, Selections from Canadian Poets - has focussed atten- tion on the argument of Edward Hartley Dewart that 'a national literature is an essential element in the formation of national character.' If the statement was important in 1864 when the Canadian nation struggling to be born was composed of largely homogeneous ethnic groups, it is of even greater significance to- day, when so many of the Dominion's population are recent immigrants from many nations, who have only a very limited notion of what the Canadian 'national character' is, or of the identity they are seeking when they take out Canadian citizen- ship. Even many Canadians of the second or third generation have an equally vague notion of what Canada is all about. While back- ground studies in history, politics, and sociology make a good attempt to overcome deficient knowledge of the past, these alone are not enough. They need to be supplemented with studies in the early literature of Canada; and foremost in any literature stands the work of the poets. Dewart ranks Alexander McLachlan as a major early Canadian poet second only in importance to Charles Sangster. While much of his poetry may appear imitative and of a highly derivative nature, seen in its proper historic perspective it is more than just a pale reflection of the intellectual ideas permeating the thought of nineteenth-century British writers.
    [Show full text]
  • Introduction
    Introduction Charles G.D. Roberts was one of Canada's most productive writers. In a literary career that extended over six and a half decades, he published some three hundred and fifty poems, over two hundred short stories, nine full-length novels, six other books (including travel-guides, histories, and a translation) and a con- siderable number of articles, essays, and prefaces. It is scarcely surprising, therefore, that the standard of his writing is extremely uneven, or that his best work - and this is at least as true of his poetry as of his prose - is always in danger of being buried under the dross. As it happens, Roberts had himself encountered, and commented on, a similar situation in the case of Wordsworth (see pp. 271-5 below). He observed that 'severe selection was called for in order that full justice might be done to the genius of Wordsworth,' and went on to argue that the interest of the student 'makes it imperative that he should be brought first in contact with Wordsworth's genius through the medium of a volume of selections.' These remarks are equally applicable to Roberts' own work, and express the rationale for the present book. In 1936 Roberts published his own Selected Poems, which included approximately one-half of his total poetic output. At first sight, this would seem an ideal introduction to his poetry, but unfortunately, like many other poets, Roberts is not neces- sarily the best judge of his own writings. A surprisingly large number of inferior pieces remain, and their presence too often detracts from the impressiveness of the rest.
    [Show full text]
  • Postwar Canadian Academic Libraries, 1945–60
    Postwar Canadian Academic Libraries, 1945–60 Lorne D. Bruce University of Guelph (retired) ABSTRACT This article undertakes a historical survey of university and college library developments in Canada between 1945 and 1960. It examines contemporary accounts in relation to library architecture, the acquisition and organization of collections, administrative library structures and staffing, services for faculty and students, and efforts by librarians to realize professional standing. A national review of academic libraries and librarianship expands our knowledge beyond the typical themes applied to this era: “growth” and “progress.” The architectural redefinition of libraries, the impetus to establish research collections, the maturation of academic librarianship, and the increasing complexity of library operations were prominent features in the postwar period. The gradual evolution of academic libraries toward more uniform organizational purposes and structures on a national basis following World War II can be considered a period of “midcentury modernization” that preceded the more memorable and better documented decades of the 1960s and later. Keywords: academic librarianship · Canadian college and university libraries · Canadian librarianship · Canadian library planning · library architecture · library collections RÉSUMÉ Le présent article fait un survol historique de l’évolution des bibliothèques universitaires et collégiales au Canada entre 1945 et 1960. Il examine des comptes rendus contemporains sur l’architecture des bibliothèques, l’acquisition et l’organisation des collections, les structures et la dotation en personnel des bibliothèques administratives, les services aux professeurs et aux étudiants et les efforts de professionnalisation des bibliothécaires. Un examen national des bibliothèques universitaires et de la bibliothéconomie élargit nos connaissances et transcende les thèmes caractéristiques de cette époque : « croissance » et « progrès ».
    [Show full text]
  • Thaddeus Holownia CV (2019)
    THADDEUS HOLOWNIA Curriculum Vitae Personal 1949 Born, Bury St. Edmunds, England Education 1967 Rothesay High School, Rothesay, NB 1972 University of Windsor, Windsor, ON (BA, Communication and Fine Arts) Employment 1974 – Professional Artist represented by Corkin Gallery 55 Mill St, Bldg. 61 Toronto, ON M5A 3C4 1977 – 2018 Professor and Department Head (retired teaching in 2018) Awarded Professor Emertus 2019 Fine Arts Department Mount Allison University The Purdy Crawford Centre for the Arts 152 Main Street Sackville, NB E4L 1C9 1985 – Publisher, The Anchorage Press, Jolicure, New Brunswick http://WWW.holownia.com; WWW.anchoragepress.ca Solo Exhibitions 2019 The Koller Portfolio, NeW BrunsWick Museum, Saint John, NB Tantramar revisited, revisited, Sunbury Shores Arts and Nature Centre, St. AndreWs, NB (organized by the Beaverbrook Art Gallery) 2018 Tantramar Revisited, Revisited, Andrew & Laura McCain Gallery, Florenceville NB (organized by the Beaverbrook Art Gallery) 2017 The Nature of Nature: The Photographs of Thaddeus Holownia 1976–2016, Art Gallery of Nova Scotia, Halifax, NS Thaddeus Holownia: 24 Tree Studies for Henry David Thoreau, Heckscher Museum of Art, Huntington, NY; Beaverbook Art Gallery, Fredericton, NB Headlighting: Photographs by Thaddeus Holownia, Spencer Museum of Art, University of Kansas, Lawrence, KS The Natural Order, Corkin Gallery, Toronto, ON 2015 WorKing in the DarK: An Homage to John Thompson, Galerie 12, Moncton, NB Paris after Atget, Corkin Gallery, Toronto, ON 2014 Ships Company Theatre Collection 1987–2012,
    [Show full text]
  • Bibliography/ Bibliographie
    Bibliography/ Bibliographie Recent Publications Relating to the History of the Atlantic Region Editor: Eric L. Swanick, Contributors: Joan Ritcey, New Brunswick. Newfoundland and Labrador. John MacLeod, Nova Scotia. Frank L. Pigot, Prince Edward Island. See also: Atlantic Advocate Atlantic Insight ATLANTIC PROVINCES (This material considers two or more of the Atlantic provinces.) Armstrong, J.W. Champlain. Toronto: Macmillan of Canada, 1987. 318 p. ill. Atlas historique du Canada. Montréal: Presses de l'Université de Montréal, 1987. vol. 1, Des origines à 1800/R. Cole Harris, directeur. 198 p. ill. - publié aussi en anglais. - des sections sur le Canada atlantique. Ayers, Nancy E. "Aboriginal rights in the Maritimes". Canadian Native Law Reporter 2 (1984), pp. 1-84. Babcock, Robert H. "Capitalist development in the New England - Atlantic provinces region". Explorations 4 (Fall, 1987), pp. 34-40. Bosher, J.F. The Canada merchants, 1713-1763. Oxford: Clarendon Press, 1987. 234 p. ill. Chassé, Sonia. Etat général des fonds et collections des Archives provinciales des Pères Eudistes. [Charlesbourg, Que., 1987] 119 p. ill. Cody, Howard. "Atlantic Canadian members of parliament as representatives". Explora­ tions 4 (Fall, 1987), pp. 41-44, 55. Cogné, Daniel. "Armorial seals from the Maritimes". Heraldry in Canada = L'Héral­ dique au Canada 21 (Sept., 1987), pp. 26-32. ill.; 21 (Dec, 1987), pp. 26-34. ill. - the first part cited in Acadiensis Autumn 1987, p. 190. BibliographyI Bibliographie 219 Copes, Parzival. "The political economy of Canada's Atlantic coast fisheries". Zeitschrift der Geseilschaft fur Kanada-Studien 2 (Nr. 1, 1982), pp. 117-135. Courreau, Léger, "L'Acadie reconnaissante". L'Action nationale 76 (janv., 1987), pp.
    [Show full text]
  • Vol. 7, No. 2 Fall 2000
    Elizabeth Bishop Society of Nova Scotia Villa \,'olume 7, Issue 2 I{EWSLETTER Fall. 2000 Editorial Clarke has been a supporter of the Society since its inception. He was born in Nova Iviuch of this Netuslelter concerns memory. Scotia. Recently he left a position at Duke That is fitting, because we have reason, here, University to become an English professor at to remember Alan Bray, first president of the the Uruversity of Toronto. He is a poet, play- Eiizabeth Bishop Society of Nova Scotia, who wright and anthologist. His most recent book passed awav suddenlv on October 22,2000. is Execution Poems (Gaspereau Press. He served as president for two terms and Wolfuille, Nova Scotia: ISBN 1-89403 1-34-2. subsequently became the Society's treasurer $49.95). Brian Robinson, author of for several years During his first term as "Remember...," will be familiar to readers of president, Aian was a key figure in the the Newsletter for contributions in severaj complex negotiations with the Government of previous issues. He is a professor of Nor,'a Scotia which led to the Society's geography at St. Mary's University in Halifar. incorporation and to the generous government Born in Northern lreland, he is particularly srant of initial funding which uttderwrote interested in the literary relationships between major activities throughout the 1990's. Nan Bishop and Seamus Heaney. Brian Robinson and his wife, Lois, made their retirement home is the new president of the Elizabeth Bishop in Great Village a centre of hospitality for Society of Nova Scotia. The latest book by lovers of Bishop's work.
    [Show full text]
  • Dalrev Vol67 Iss1 Pp133 137.Pdf (2.514Mb)
    John Van Rys Review Article The Range of Douglas Lochhead Tiger in The Skull: New and Selected Poems, /959-/985. By Douglas Lochhead. Fredericton: Fiddlehead Poetry Books and Goose Lane Editions, 1986. Pp. 130. $12.95. The dust jacket of Douglas Lochhead's latest volume of poetry claims that what lies between the covers "makes the range, substance and fertility of Lochhead's work available for the first time in a single volume." As a general rule, statements on dust jackets are not to be trusted, but having read the volume, I must agree that this statement is true. In the variety of subjects Lochhead addresses and in his formal variations, as well as in his repeated concern for seeing anew and communicating the complexity of place and history, these poems offer Lochhead's understanding of people and poetry. Tiger in The Skull does represent well the range of Lochhead's poetry, living up to its subtitle New and Selected Poems, 1959-1985. Of the ninety-three poems in the volume, the first seventy come from previously published volumes asnd the final twenty-three represent Lochhead's most recent efforts. Poems from virtually all earlier volumes are present in this volume, from The Heart is Fire ( 1959) to The Panic Field ( 1984). The poems Lochhead has chosen to include in Tiger in The Skull are chiefly short lyrics or meditations, although he does give a taste of longer poems or poem sequences such as High Marsh Road( 1980). His subject matter has as its focus the elemental in life, whether he is speaking about the Maritime landscape, about history or death, or about family and human relationships.
    [Show full text]