Interview with . • . Anne Rice
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The Vampire Lestat Rice, Anne Futura Pb 1985 Jane Plumb 1
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/36264 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. • DARK, ANGEL A STUDY OF ANNE RICE'S VAMPIRE CHRONICLES BY Jane Plumb (B. A. Hons) Ph.D Thesis Centre for the Study of Women & Gender University of Warwick January 1998 Jane Plumb CONTENTS Acknowledgements i Synopsis ii Abbreviations iii 1 The Vampire Chronicles:- Introduction - the Vampire Chronic/es and Bram Stoker's Dracula. 1 Vampirism as a metaphor for Homoeroticism and AIDS. 21 The Vampire as a Sadean hero: the psychoanalytic aspects of vampirism. 60 2. Femininity and Myths of Womanhood:- Representations of femininity. 87 Myths of womanhood. 107 3. Comparative themes: Contemporary novels:- Comparative themes. 149 Contemporary fictional analogues to Rice. 169 4. Conclusion:- A summary of Rice's treatment of genre, gender, and religion in 211 relation to feminist, cultural and psychoanalytic debates, including additional material from her other novels. Bibliography Jane Plumb ACKNOWLEDGEMENTS' I am especially grateful to Dr. Paulina Palmer (University of Warwick) for her unfailing patience and encouragement during the research and compiling of this work. I wish also to thank Dr. Michael Davis (University of Sheffield) for his aid in proof-reading the final manuscript and his assistance in talking through my ideas. -
Millicent Williamson Goldsmiths College University of London
WOMEN AND VAMPIRE FICTION: TEXTs, FANDOM AND THE CONSTRUCTION OF IDENTITY Millicent Williamson Goldsmiths College University of London Thesis submitted for the degree of PhD ABSTRACT This thesis examines what vampire fiction and vampire fandom offer to women and uses as a case study the accounts offered by women fans in New Orleans and Britain. Textual approaches to vampire fiction and femininity have largely proposed that just as the woman is punished by being positioned as passive and masochistic in the texts of Dracula, so too is the female viewer or reader of the texts. This thesis argues that such approaches are inadequate because they impose a singular ('Dracularesque') structure of meaning which both underestimates the variety of vampire fiction available and ignores the process of reading that women interested in the vampire figure engage in. It is argued, based on the women vampire fan's own textual interpretations, that the vampire can be read as a figure of pathos who elicits the fans' sympathy because of its predicament. It is further argued that this approach to the vampire appeals to the women because it brings into play a melodramatic structure which resonates with certain problematic experiences of feminine identity that are often suppressed in our culture and thus difficult to articulate. The figure of the vampire offers women fans both a channel for their creativity and a means of rebelling against the imposed norms of femininity. It is a well-rehearsed position in theories of fandom that the activity that fans engage in is a form of rebellion or resistance. -
{PDF} New Tales of the Vampires: Pandora/Vitto Pdf Free Download
NEW TALES OF THE VAMPIRES: PANDORA/VITTO PDF, EPUB, EBOOK Anne Rice | 656 pages | 01 Jan 2005 | Random House USA Inc | 9780345476869 | English | New York, United States New Tales of the Vampires: Pandora/Vitto PDF Book One gets a bit sick of Rice name dropping ovid on every single page and that is about the extent to which it is historical. One of the things I enjoyed so much about Pandora was all the history woven into the story. The whole storyline was great in my opinion. During the confrontation in Sonoma, when Akasha directly asks Pandora to join with her or die, Pandora merely responds in a quiet, indifferent voice that she can't do what Akasha is asking of her, and stoically accepts the idea of being killed. And, from what I remember about her previous book s I read, Pandora is no exception to the wonders of her writing style. Read it Forward Read it first. I saw how Marius and Pandora were bonded to each other. Just a moment while we sign you in to your Goodreads account. One does not have to read all the Vampire chronicles to enjoy and grasp Pandora, as she can be thought of as a type of Prequel to them. You knew nothing of my months of starvation, restraint, wandering. Aug 19, Mark rated it it was ok Shelves: books-read-in Ibraim Roberson and Max Brooks. I loved these books so much and would recommend this to anyone with a stomach for death and a heart for love. Pandora is a patrician from ancient Rome during the time of Augustus. -
The Vampire Chronicles - Wikipedia, the Free Encyclopedia Pagina 1 Di 11
The Vampire Chronicles - Wikipedia, the free encyclopedia Pagina 1 di 11 The Vampire Chronicles From Wikipedia, the free encyclopedia (Redirected from Vampire chronicles) The Vampire Chronicles is a series of novels by Anne Rice that revolves around the fictional character Lestat de Lioncourt, a French nobleman made into a vampire in the 18th century. Most of the books are in first-person perspective with only a few being in third-person. Interview With the Vampire was made into a 1994 film starring Tom Cruise, Brad Pitt, Antonio Banderas, Christian Slater and Kirsten Dunst. Portions of The Vampire Lestat and Queen of The Damned both were used for the 2002 film Queen of the Damned, starring Stuart Townsend and Aaliyah. To date, The Vampire Chronicles have sold 80 million copies worldwide.[1] Contents The first book n 1 Books in the series n 1.1 The Vampire Chronicles n 1.2 The new Tales of the Vampires n 2 The Lives of the Mayfair Witches n 3 Vampiric properties n 3.1 Vampiric gifts n 4 Characters n 4.1 Armand n 4.2 Bianca Solderini n 4.3 Claudia n 4.4 Daniel Molloy n 4.5 David Talbot n 4.6 Eric n 4.7 Gabrielle de Lioncourt n 4.8 Jessica Miriam Reeves n 4.9 Khayman n 4.10 Lestat de Lioncourt n 4.11 Louis de Pointe du Lac n 4.12 Mael n 4.13 Magnus n 4.14 Maharet and Mekare n 4.15 Mona Mayfair n 4.16 Marius de Romanus n 4.17 Nicolas de Lenfent n 4.18 Pandora n 4.19 Santino n 4.20 Tarquin Blackwood n 4.21 Thorne n 4.22 Those Who Must Be Kept n 5 Notes http://en.wikipedia.org/wiki/Vampire_chronicles 27/12/2010 PDF created with pdfFactory -
Blackwood Farm Buch Der Vampir-Novize Quinn Blackwood Bittet Den Legendären Vampir Lestat Um Hilfe, Seinen Unsichtbaren Doppelgänger Zu Vernichten
ANNE RICE Blackwood Farm Buch Der Vampir-Novize Quinn Blackwood bittet den legendären Vampir Lestat um Hilfe, seinen unsichtbaren Doppelgänger zu vernichten. Mit diesem Geistwesen, Goblin, verbindet Quinn von Kindesbeinen an eine intensive Hassliebe. Seit der junge Gentleman aus den Süd- staaten durch einen Biss zum Vampir wurde, treibt nicht nur ihn die Lust nach Blut an: Auch sein Doppelgänger entwickelt einen im- mensen Durst auf den roten Lebenssaft und macht dabei vor nichts und niemandem Halt. Lestat begleitet Quinn nach Blackwood Ma- nor, um dort seine ganze Geschichte zu erfahren. Der junge Blut- trinker erzählt von seiner einsamen, aber nicht unglücklichen Kind- heit, der traurigen Geschichte seines Vaterhauses, einst Schauplatz eines grauenhaften Verbrechens, und von den geheimnisvollen We- sen, die in den magnolienbestandenen Sümpfen lauern. Er schil- dert bizarre erotische Abenteuer und feiert seine unsterbliche Lie- be zu der blutjungen Hexe Mona Mayfair. Aber selbst mit ihr lässt ihn sein Doppelgänger nicht allein … Autorin Anne Rice ist Autorin zahlreicher Romane und gilt als Königin des modernen Schauerromans. Berühmt wurde sie mit ihrer »Chronik der Vampire«, einem Zyklus von jeweils vier in sich abgeschlossenen Romanen um den Vampir Lestat. Anne Rice wurde 1941 als Tochter irischer Einwanderer in New Orleans geboren. Dort lebt sie heute mit ihrer Familie in einem alten Landhaus. Mehr Informationen zur Autorin unter: www.annerice.com. Von Anne Rice außerdem bei Goldmann lieferbar: Die Chronik der Vampire: Gespräch mit einem Vampir. Roman (41015 und 45791) Der Fürst der Finsternis. Roman (09842) Die Königin der Verdammten. Roman (09843) Nachtmahr. Roman (43400) Memnoch der Teufel. Roman (44196) Blut und Gold. -
The VAMPIRE ARMAND
The Vampire Chronicles Volume 6 The VAMPIRE ARMAND Anne Rice 1 Jesus, speaking to Mary Magdalene: Jesus saith unto her, Touch me not; for I am not yet ascended to my Father: but go to my brethren, and say unto them, I ascend unto my Father, and your Father; and to my God, and your God. THE GOSPEL ACCORDING TO ST. JOHN 20:17 2 PART ONE BODY and BLOOD Chapter One They said a child had died in the attic. Her clothes had been discovered in the wall. I wanted to go up there, and to lie down near the wall, and be alone. They'd seen her ghost now and then, the child. But none of these vampires could see spirits, really, at least not the way that I could see them. No matter. It wasn't the company of the child I wanted. It was to be in that place. Nothing more could be gained from lingering near Lestat. I'd come. I'd fulfilled my purpose. I couldn't help him. The sight of his sharply focused and unchanging eyes unnerved me, and I was quiet inside and full of love for those nearest me-my human children, my dark-haired little Benji and my tender willowy Sybelle - but I was not strong enough just yet to take them away. I left the chapel. I didn't even take note of who was there. The whole convent was now the dwelling place of vampires. It was not an unruly place, or a neglected place, but I didn't notice who remained in the chapel when I left. -
The Gendered Subtext of Anne Rice's Vampire Chronicles
In the Shadow of the Night: The Gendered Subtext of Anne Rice’s Vampire Chronicles by Shakira Hoosain Submitted in fulfilment of the requirements for the degree of Magister Artium (English) in the Faculty of Humanities University of Pretoria Pretoria March 2011 Supervisor: Ms Molly Brown 0 © University of Pretoria Declaration I herewith declare that “In the Shadow of the Night: The Gendered Subtext of Anne Rice‟s Vampire Chronicles” is my own work and that all the sources I have used have been acknowledged by means of complete references ______________ _____________ Date Sign i Acknowledgements Mulder: When convention and science offer us no answers, might we not finally turn to the fantastic as a plausibility? Scully: ...What I find fantastic is any notion that there are answers beyond the realm of science. The answers are there. You just have to know where to look. Scully: Have you ever entertained the idea of trying to find life on this planet? Mulder: I have seen the life on this planet, Scully, and that is exactly why I am looking elsewhere. (The X-Files) To my parents who gave me books, made me read and taught me that words shape worlds. Thank you. To the staff of the Department of English, and especially my supervisor, Ms Brown for believing in my crazy ideas born out of the scraps of an examination answer, thank you all for your support and encouragement over the years. To Mrs Idette Noomé for her helpful advice, editing and colourful commentary. To the vampyres of the cathedral, Lily, Lanu, Nick and Dev for always indulging Pan and qL. -
The Uncanny, Abjection, and Human Monster in Carmilla and Lestat
Universidad Austral de Chile Facultad de Filosofía y Humanidades Escuela de Pedagogía en Comunicación en Lengua Inglesa Ambiguity, Rejection, and Engulfment: The Uncanny, Abjection, and Human Monster in Carmilla and Lestat. Profesor Patrocinante: Dra. Amalia Ortiz de Zárate F. Instituto de Lingüística y Literatura MACARENA SOLEDAD RIVAS VICENCIO 2011 "There's no reality except the one contained within us. That's why so many people live an unreal life. They take images outside them for reality and never allow the world within them to assert itself." Hermann Hesse Acknowledgements This work is especially dedicated to my parents, whose unconditional love and support have helped me achieve the end of my educational process at University. Their words of wisdom have always enheartened me so as to continue and do my best. I want to thank my lead advisor, Dra. Amalia Ortiz de Zárate, for guiding me in this project, as well as encouraging me to write about the things I like. And last but not least, I also want to thank my aunts, uncles, and cousins for their lovely words and support. i Table of Contents Acknowledgements ........................................................................................................ i Introduction .................................................................................................................... 2 Chapter 1: The Method to Compare ..................................................................... 5 1.1. Semiotics ........................................................................................... -
Vampire Chronicles
Publisher’s Note This new edition of the Critical Survey of Science Each article discusses an individual book or series Fiction & Fantasy Literature is a three-volume set and often comments on other works by the same offering plot summaries and analyses of 842 of author. Individual articles open with basic reference the most popular and frequently taught science information in a ready-reference format: author’s fiction and fantasy books and series. Articles are name, birth and death dates, identification of the alphabetically arranged by titles and range from work as either science fiction or fantasy, subgenre, such childhood fantasy classics as Lewis Carroll’s type of work (such as drama, novel, novella, series, Alice’s Adventures in Wonderland (1865) and L. or story), time and location of plot, and date of first Frank Baum’s The Wonderful Wizard of Oz (1900) publication. The main body of each essay contains to such pioneering science-fiction works as H. G. “The Story” which summarizes the work’s plot and Wells’s The War of the Worlds (1898) and modern identifies major characters, and “Analysis” which science-fiction and fantasy classics as Robert Hein- offers a critical interpretation of the title and iden- lein’s The Moon Is a Harsh Mistress (1966) and J. R. tifies literary devices and themes used in the work. R. Tolkien’s Lord of the Rings trilogy (1954-1955). Readers will find several reference tools at the Among other prominent writers whose works end of Volume 3: are included are Isaac Asimov, Arthur C. Clarke, Frank Herbert, John Crowley, Ellen Kushner, and • Annotated bibliography arranged by subject; C. -
QUEEN of the DAMNED Written by Scott Abbott and Michael Petroni
QUEEN OF THE DAMNED Written by Scott Abbott and Michael Petroni Based on the novel by Anne Rice FADE IN: 1 EXT. LAFAYETTE CEMETERY (NEW ORLEANS) - NIGHT 1 An empty breeze blows across a deserted cemetery. We hear the sound of FOOTSTEPS APPROACHING, then nineteenth- century boots ENTER FRAME. We FOLLOW them strolling past the headstones and mausoleums. The sound of a HORSE and CARRIAGE ECHOES in the distance. VOICE (V.O.) There comes a time for every vampire when the idea of eternity becomes momentarily unbearable... As we REACH an old stone tomb, the boots leap up and OUT OF FRAME. PAN UP to reveal: A FIGURE stands steadily atop the roof of the tomb, silhouetted against the moon like a large, black bird. VOICE (V.O.) The wounds suffered from love and failed friendships don't heal like a human's, but seem to only gape larger. The longing to be mortal returns, a longing for finiteness. A beat as the indistinct figure gazes out at the night... CUT TO: 2 OMITTED 2 & & 3 3 4 EXT. TOMB - CONTINUOUS ACTION 4 The figure enters an alabaster tomb and closes the door. VOICE (V.O.) In 1883 I suffered such a spell and decided to cease feeding on blood. Just lie in the earth and let time return to its natural state... As the WIND PICKS UP, the LEAVES of a fledgling vine growing up the side of the tomb begin to RATTLE FASTER and FASTER, until curiously, time seems to speed up. Night passes to day and back to night. -
Download Blood and Gold, Anne Rice, Random House LLC, 2001
Blood and Gold, Anne Rice, Random House LLC, 2001, 0375414215, 9780375414213, 471 pages. The Vampire Chronicles continue with Anne Rice’s spellbinding new novel, in which the great vampire Marius returns. The golden-haired Marius, true Child of the Millennia, once mentor to The Vampire Lestat, always and forever the conscientious foe of the Evil Doer, reveals in his own intense yet inti-mate voice the secrets of his two-thousand-year existence.Once a proud Senator in Imperial Rome, kidnapped and made a “blood god” by the Druids, Marius becomes the embittered protector of Akasha and Enkil, Queen and King of the vampires, in whom the core of the supernatural race resides.We follow him through his heartbreaking abandonment of the vampire Pandora. Through him we see the fall of pagan Rome to the Emperor Constantine and the horrific sack of the Eternal City itself at the hands of the Visigoths. Bravely, Marius seeks a new civilization in the midst of glittering Constantinople, only to meet with the blood drinker Eudoxia. We see him ultimately returning to his beloved Italy, where after the horrors of the Black Death, he is restored by the beauty of the Renaissance. We see him become a painter living dangerously yet happily among mortals, giving his heart to the great Botticelli, to the bewitching courtesan Bianca, and to the mysterious young apprentice Armand.Moving from Rome to Florence, Venice, and Dresden, and to the English castle of the secret scholarly order of the Talamasca, the novel reaches its dramatic finale in our own time, deep in the jungle where Marius, having told his life story, seeks some measure of justice from the oldest vampires in the world.From the Hardcover edition. -
Luque Brugué, Laura; Martín Alegre, Sara. Disempowering the Witch : a Patriarchal Portrait of the Witch in Anne Rice’S ’The Lives of the Mayfair Witches’
This is the published version of the article: Luque Brugué, Laura; Martín Alegre, Sara. Disempowering the witch : a patriarchal portrait of the witch in Anne Rice’s ’The lives of the Mayfair witches’. 2018. 65 p. This version is available at https://ddd.uab.cat/record/186513 under the terms of the license DEPARTAMENT DE FILOLOGIA ANGLESA I DE GERMANÍSTICA DISEMPOWERING THE WITCH: A PATRIARCHAL PORTRAIT OF THE WITCH IN ANNE RICE’S THE LIVES OF THE MAYFAIR WITCHES Laura Luque i Brugué Supervisor: Dr. Sara Martín Alegre MA in Advanced English Studies: Literature and Culture 25th July 2017 Contents 0. Introduction: Reclaiming the Witch ............................................................................. 1 1. From Strong Women to Damsels in Distress: Disempowered Witches in The Lives of the Mayfair Witches ........................................................................................................ 12 1.1 The Gothic in The Lives of the Mayfair Witches .................................................. 13 1.2. A Disempowered Gothic Heroine: Portraying the Witch in The Lives of the Mayfair Witches ........................................................................................................................ 19 2. Eroticizing abuse: Rowan’s exploitation in The Lives of the Mayfair Witches .......... 32 2.1 The Female Gothic: Perpetuating Stereotypes of Women’s Sexuality ................. 33 2.2. Rowan’s Exploitation: The Representation of Rape as an Erotic Fantasy .......... 35 2.3. The Eroticized Language of Abuse: