The Nearness of You

Total Page:16

File Type:pdf, Size:1020Kb

The Nearness of You Rochester Institute of Technology RIT Scholar Works Theses 10-2017 The Nearness Of You Tianyi Yin [email protected] Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Yin, Tianyi, "The Nearness Of You" (2017). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. The Nearness Of You By Tianyi Yin AN ANIMATED THESIS PRODUCTION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS IMAGING ARTS/COMPUTER ANIMATION SCHOOL OF FILM AND ANIMATION COLLAGE OF IMAGING ARTS & SCIENCES ROCHESTER INSTITUTE OF TECHNOLOGY ROCHESTER, NEW YORK OCTOBER 2017 Committee ______________________________________________________ Brian Larson, Professor/Animation Program Chair School of Film and Animation ______________________________________________________ Mari Blanchard, Lecturer School of Film and Animation ______________________________________________________ Naghmeh Farzaneh, Lecturer School of Film and Animation Abstract The Nearness Of You is an animated 2D graduate thesis film. The entire film, including the credits, is 4 minutes 55 seconds long. The production phase went from September 2016 to May 2017. This is a love story about two mannequins. The story takes place in a European looking city. The male mannequin meets the female mannequin under a romantic scenario.They fall in love as the time pass by. However, in the end, they don’t get to actually end up together. As a result, the male mannequin gets to have a symbolic figure as the female mannequin and they spend the rest of their lives happily ever after. The Nearness Of You is a 2D animation that made out of lots of software, including Adobe Photoshop, Adobe After Effects, Adobe Premiere, TVPaint Animation 11. The final output format is 1080P HD with a high-quality stereophonic track. This thesis is a combination of challenges, creativity, techniques, and strong personal feelings. 2 Table of Contents Abstract.................................................................................................................................. 2 Introduction........................................................................................................................... 5 • Acknowledgments The Nearness Of You Inspiration......................................................................................... 7 • Idea Development • Pre-Visualizing Style Pre-Production.....................................................................................................................10 • Pre-Production in Stages • Storyboard • Animatic • Character Design • Environment Design • Sound Design Production............................................................................................................................24 • Introduction to Production • Character with Background • Animation • Coloring • Improvement • File Management 3 Post-Production....................................................................................................................30 • Compositing • Credits • Fine Edit • Re-export and Release Formats • Sound and Music Critiques and Response.......................................................................................................33 Appendix...............................................................................................................................34 • Original Proposal • Images from The Nearness Of You • Storyboard 4 Introduction The Nearness Of You was a love story that takes place in a romantic European looking imaginative city. One of the main characters: male mannequin was a goofy but romantic wood made craft shop window display. He liked paper folding. To kill boring time in the shop window, he took strangers he saw every day on the street as his paper folding inspiration. One day, a moving truck arrived. Across the street, there was a new female mannequin in a ballet shop. For the male mannequin, it was love at first sight. He made a paper fold female mannequin to show his love. They fell in love slowly as time passing by. One day, the female mannequin somehow got to step out of the shop window. She pulled the male mannequin out and they started to dance on the street. Without the constraint of the shop window, they spent romantic time together. However, all of a sudden the moving truck took the female mannequin away. It turned out the whole romantic getaway was just an illusion in his head. Without being able to keep the emotion inside, the male mannequin set on the floor and starts to cry. Cause by the trembling, the female mannequin paper man fell down in front of him. He picked the paper man up and stared at it affectionately. Finally, he found a way out to have her by his side: glued the little paper man on the shop window glass so he would be able to see her across the street the whole time even only as a symbol. 5 Acknowledgments During the several months of me making this film, I received a lot of help and support. The first person I would like to thank was my thesis chair advisor Brian Larson. He was truly an amazing teacher from every perspective. Not only he had been giving me ideas to make the story better but also been pushing me forward along the way. He also never gave up on me. As a student, it was truly lucky to have a teacher like him in life. The next person I would love to give my thankfulness was one of my committee members, Mari Blanchard. She helped on one of the critical technical problems that I had. Afterward, my coloring production rate went on to another level which also made the production much faster. She was also a great artist. I was amazed by her painting when I saw it the first time in her office. The last committee member I would like to thank was Naghmeh Farzaneh. She was very generous with giving me lots of interesting ideas. Aside from the thesis, she also helped me a lot in my personal life, which on some level was more important than the thesis. Next, I would love to give my appreciation to two people who helped me on acoustic, Ben Strack and Shoghi Hayes. The film would not be complete without their decent skills. Making an animated film was not only about getting through the process. It was also about knowing having the one you love on the side. I would like to give my special thank to my finance, Nicholas Martin Haefner. He had always been there for me when I needed help either on school work or life. At last but not the least, I would like to thank all my classmates. I had learned so much from them in these three years. 6 The Nearness Of You Inspiration Idea Development Idea development could be long and tough, but it could also be fun and intriguing. After several abandoned ideas, I decided that I wanted to do a love story. Love stories are everywhere. I found the love story type could be one of the easiest but could also be one of the hardest to tell. On one hand, it would be easy to find materials or references online due to the numerous amount of love stories that have already been created. On the other hand, since there are already so many of them, it would be hard to produce one that is original and neoteric. I decided that I want to focus on character-development first, and by knowing the character better, the story would hopefully emerge itself later. I started with the bare bone of knowing the fact that I definitely don't want to do a regular human love story. The animal love story type is also something that I felt not interested in. I wanted to have the base of my main characters to be something new and minority. The website Pinterest was where I would spend a lot of time to look for visual inspirations and that was how I found the right base for my characters: I one day saw a picture of a mannequin that is oddly posed in a dusty bookstore on Pinterest, and suddenly I knew that this is what I was looking for- an old, rustic, awkward looking traditional mannequin to be my main character. After have known a general type of the main character, I spontaneously decided to make 7 the other one also as a mannequin since I believed it would make more sense to have them in the same species. Long distance love story was not what I wanted to tell. On the contrary, I did like the idea of keeping both parties close to each other, but still unable to reach the other one. I believed in that kind of scenario it would create more entanglement between the two characters. A beautiful sad love story like Romeo and Juliet was what I wanted, but less sophisticated plots and blood. A sad ending was also something that I felt strongly about. I thought it would exacerbate the sadness of the story and thus makes the audience to have a stronger reaction towards the film. Overall, I wanted this piece to be something that is more on the blue side. Happy ending made me felt boring and unique since almost everyone was doing that. I wanted this piece to be something that reminds people to think about their lost love, and then miss them in a sad beautiful way. Pre-Visualizing Style As for the general visual style of this story, I decided to use a bright-colored based European looking theme. The reason was I had never tried this kind of approach before so I thought it would be a fun challenge. I had also always interested in the look of old classic European buildings, and I felt it would be perfect as a setting for a tragic love story. Instead of using dark, unsaturated color, I believed a brighter color palette would make the film more animation flavored. Another intention of using a bright-colored palette was to provide a happy illusion at first in this piece, which could make the sad 8 ending more impactive in the end. The Triplets of Belleville, which was one of the animated films I had watched. I believed it would be great to have this piece to be the building/background reference for my thesis.
Recommended publications
  • Daniel Rico-Madrazo
    Daniel Rico-Madrazo EDUCATION University of Southern California August 2017 - May 2020 MFA of Animation and Digital Arts Florida Atlantic University: H.L. Wilkes Honors College August 2013 - May 2017 BA of Liberal Arts and Sciences: Trans- disciplinary Visual Arts Georgetown Atelier PROFILE July 2016 Concept Art Intensive Detail-oriented and highly driven professional with experience working WORK EXPERIENCE collaboratively. Freelance Key/Cleanup Animator Thesis Film ‘Weight’ January 2021-Present CONTACT Corrected rough keys to the director’s specifications Utilized Toonboom Harmony to create clean vector lines 407-927-4906 Lipsynced to audio to ensure the strength of the performance 636 N Hill Pl Re-animated portions that were off model or required a change of Los Angeles, CA character 90012 Assistant Animator ricomadrazo.com Apartment D Films [email protected] August 2020 Prioritized the most necessary scenes for work under a tight deadline Created file structures and organized deliverables according to naming SKILLS convention provided Trackread dialogue and ensured that the timing was frame accurate Storyboarding Kept pace with updating versions of the animatic 2D Animation Teacher’s Assistant 2D Design University of Southern California Traditional Painting August 2018 - May 2020 Guided students through exercises and offered critique on Writing storyboards and animated short films - Provided technical support for the professor Toonboom Harmony Pro Facilitated organizational support and set up out of class meetings Toonboom Storyboard Pro Oversaw all school equipment used by students Adobe Photoshop Adobe Animate Freelance Editor Adobe After Effects Independent Film “A Man’s Destination” Adobe Premiere Pro January 2018 - July 2019 TVPaint Animation Assembled entire film with images provided by the client Clip Studio Paint Created iterations to refine the timing and structure of the transitions within the film Advised the client on timing and tone decisions .
    [Show full text]
  • Tvpaint Animation 9 Pro Crack
    Tvpaint Animation 9 Pro Crack Tvpaint Animation 9 Pro Crack 1 / 4 2 / 4 Houdini is a 3D animation software application developed by Toronto-based SideFX, who ... 4 Rendering; 5 TouchDesigner; 6 Production; 7 See also; 8 References; 9 ... Ajax Animator · Animator Pro · TupiTube · SWFTools · Synfig · OpenToonz ... (Anime Studio) · ParticleIllusion · CrazyTalk · Toon Boom · Toonz · TVPaint. To download serial from the mac app store, you need a mac. Lets go through the ... The bundle identifier for tvp animation 9 pro for mac is fr. Thanks dann petty ... tvpaint animation tvpaint animation, tvpaint animation 11 pro, tvpaint animation free download, tvpaint animation 11 pro free, tvpaint animation 11, tvpaint animation 11 pro free download, tvpaint animation 11 pro crack, tvpaint animation 10 pro free download, tvpaint animation 10 pro crack, tvpaint animation tutorial TVPaint Animation 11 Professional Edition is now available free download fully Cracked, Download TVPaint Animation 11 Pro Crack which lets you animate .... Free Crack Software Download: TVPaint Animation 10 Pro v Cracked ... Tvpaint Animation Pro 10 0 9 torrent download and emule Â Ð ÐµÐ¶Ð¸Ñ 7 1 1 crack · .... Feb 14, 2021 — TVPaint 11 Crack is pro software in digital sketching, drawing, and ... Animation 11.0 Professional Edition Cracked is window 7, 8, 9, 10, Win XP .... Apr 2, 2021 — If I click on "Later" I can use TVPaint.. Sep 9, TVPAINT ANIMATION PRO V9 5 3 BILANGUAGE CRACK FOR XP XFORCE Pro 10 For Mac trail .... TVPAiNT. ANiMATiON 11, 4723 records found, first 100 of them are:Tvpaint Animation Pro 9 5 3 serial key genTvpaint Animation 8.
    [Show full text]
  • Animation På S:T Eriks Gymnasium
    Utbildningsförvaltningen Inför läsåret 2021 2022 S:t Eriks gymnasium ANIMATION PÅ S:T ERIKS GYMNASIUM Utbildningen är till för dig som är intresserad av animation, oavsett om det handlar om 2D- eller 3D- animering. Vi arbetar främst med digitala animationer, berättande och karaktärsarbete och passar dig som funderar på att studera vidare inom animerad film, spelgrafik, illustration eller digitalt bildskapande. Men det passar även dig som vill studera vidare inom många andra områden efter gymnasiet eftersom det estetiska programmet är högskoleförberedande. Animationerna skapas till största delen med hjälp av datorer och digitala ritplattor. Du får lära dig grunderna inom 2D- och 3D-animation och kan sedan välja vilken av dessa tekniker du vill fördjupa dig inom. För att fördjupa kunskaperna läser ni Animation specialisering två gånger, en med fokus på ljud och specialeffekter och en för att skapa ett slutprojekt. Dessutom ingår det kurser i Film- och TV-produktion, Medieproduktion och Estetisk kommunikation. De programvaror vi arbetar mest med är TVPaint Animation, Blender, Adobe Animate, Krita, FireAlpaca, Adobe Photoshop, Adobe Premiere Pro samt Adobe Audition. Du behöver inte ha animerat tidigare för att söka oss, däremot är det en stor fördel om du har erfarenhet av att skapa berättelser och att teckna. Efter att du skickat in din ansökan till Gymnasieantagningen blir du kallad till en intervju där du visar upp ett arbete och förklarar dina tankar. Mer information kring färdighetsprovet finns på baksidan av detta dokument. Läs mer
    [Show full text]
  • Didaktika Animované Tvorby S Využitím Digitálních Technologií
    Disertační práce Didaktika animované tvorby s využitím digitálních technologií Didactics of Animated Art Using Digital Technologies Autor: Mgr. MgA. Pavel Trnka Studijní program: P8206 Výtvarná umění Studijní obor: 8206V102 Multimédia a design Školitel: Prof. Ondrej Slivka ArtD. Oponenti: Prof. Mgr. Ľudovít Labík, ArtD. (oponent) Doc. Vladimír Malík, ArtD (oponent) Zlín, duben 2018 1 Prohlášení: Prohlašuji, že jsem disertační práci na téma Didaktika animované tvorby s využitím digitálních technologií vypracoval samostatně pouze s použitím pramenů a literatury uvedených v seznamu citovaných pramenů a literatury. Ve Zlíně dne 13. 10. 2017 Pavel Trnka 2 Poděkování: Děkuji svému vedoucímu práce, panu profesoru Ondreji Slivkovi ArtD. za trvalou podporu a ryzí přátelský přístup po celou dobu studia. Děkuji paní proděkance Ing. Martině Juříkové, Ph.D. za klíčovou odbornou konzultaci a paní proděkance doc. MgA. Jana Janíková, ArtD. za vynikající kritickou zpětnou vazbu, kterou mi velice pomohla. Dále bych chtěl poděkovat za podporu oběma školám, na kterých působím (SŠ a VOŠ aplikované kybernetiky a UHK), a svým nejbližším v rodinném kruhu. Velmi děkuji všem studentům, které mám velmi rád, že měli trpělivost s mými ne vždy úspěšnými pokusy je učit. Na závěr bych chtěl poděkovat Univerzitě Tomáš Bati, FMK, že mi dala animátorské vzdělání a nikdy mne nepřestala inspirovat a rozvíjet. 3 ANOTACE TRNKA, P. Didaktika animované tvorby s využitím digitálních technologií. Zlín 2017, Disertační práce Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací. Ateliér Animovaná tvorba Vedoucí práce: Prof. Ondrej Slivka ArtD. Klíčová slova: animovaný film, animace, výtvarná výchova, didaktika. animační workshop, animační software, grafický tablet Tato disertační práce se snaží přispět ke zvýšení efektivity výuky animované tvorby (zaměřené na filmový výstup) u nespecializovaných studijních skupin.
    [Show full text]
  • Crack Tv Paint 10 27
    Crack Tv Paint 10 27 1 / 3 Crack Tv Paint 10 27 2 / 3 My uncle has TVPaint 10 and he gave me a copy of it for my birthday and I ... It sounds like your uncle get you an illegal cracked version of the .... TVPaint Animation (also known as TVPaint, TVP, Bauhaus Mirage or NewTek ... Larkman, Brian (October 1991). "TV Paint". Amiga Format. No. 27. ..... An International Standard Serial Number is an eight-digit serial number .... Скажите а есть ли ссылки на сайты для скачивания TVPaint Animation 10 Pro 10.0.16? 5. Нравится ... Роман, а вот у меня вопрос, скачать скачал, а куда папку crack девать? Нравится ... Alexey Yakushev 27 ноя 2014 в 17:54. Кто даст .... tesa UK Professional Decorating Crack Cover Tape, 10 m x 50 mm ... Didn't need to do anything else special just taped and painted with Matt White paint. It's now ... in paint. 27 February 2018 .... Fire TV Stick with all-new Alexa Voice Remote.. Tvpaint 11 Crack Mac Osinstmankhttp://urlgoal.com/ikvhu. ... /blog/complete-dmetry-model-anya-sets-10-and-11-aka-freastern- ella-zip .... Buy DRYLOK 30507 Masonry Crack Filler Cartridge, 10.5-Ounce, Gray: Everything Else ... KILZ Interior/Exterior Basement and Masonry Waterproofing Paint, White, 1-gallon ... DRYLOK 00924 Fast Plug, 10-Pound ... Price, $5.28$528, $5.49$549, $27.94$2794, $7.98$798, $5.84$584, $10.28$1028. Shipping ..... Movies, TV. 16+ tvpaint Coupon Codes And Promos Available. Jeremy Knapp2019/10/27 100pcs Black Paper Gift Tags with Free 100 Root Natural Jute Twine(Water ...
    [Show full text]
  • Paperless 2D Animation in Production
    Paperless 2D animation in production Maximilian Michael Krichenbauer BACHELORARBEIT Nr. 0710238038-A eingereicht am Fachhochschul-Bachelorstudiengang Medientechnik und Design in Hagenberg im Juli 2010 Diese Arbeit entstand im Rahmen des Gegenstands Animation im Wintersemester 2009/2010 Betreuer: Jürgen Hagler, MA. ii Erklärung Hiermit erkläre ich an Eides statt, dass ich die vorliegende Arbeit selbst- ständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt und die aus anderen Quellen entnommenen Stellen als solche gekennzeichnet habe. Hagenberg, am 25th February, 2010 Maximilian Michael Krichenbauer iii Contents Erklärung iii Preface vi Abstract viii 1 Technological progress of 2-D animation 1 1.1 2-D Animation in Production . .1 1.1.1 The Animation Pipeline . .1 1.1.2 Division of labor and best practices . .2 1.1.3 Innovations and mechanization . .3 1.2 Early years . .3 1.2.1 Animation without electronic devices . .4 1.3 Xerography . .4 1.4 Video . .6 1.4.1 Line testing . .6 1.4.2 Video Reels . .6 1.5 3-D computer graphics . .7 1.5.1 3-D computer graphics in hand drawn animation . .7 1.5.2 3-D animation as an competitor . .8 1.6 Digital Ink&Paint . .8 1.7 Paperless Animation . 10 1.7.1 Digital drawing and painting . 10 1.7.2 Fields of digital 2-D animation . 11 2 Paperless Animation techniques 13 2.1 Advanced working environment . 13 2.1.1 Computers as a workplace . 14 2.1.2 Integration and co-operation . 14 2.1.3 Digital art creation .
    [Show full text]
  • Example-Based Expressive Animation of 2D Rigid Bodies Marek Dvorožňák, Pierre Bénard, Pascal Barla, Oliver Wang, Daniel Sýkora
    Example-Based Expressive Animation of 2D Rigid Bodies Marek Dvorožňák, Pierre Bénard, Pascal Barla, Oliver Wang, Daniel Sýkora To cite this version: Marek Dvorožňák, Pierre Bénard, Pascal Barla, Oliver Wang, Daniel Sýkora. Example-Based Ex- pressive Animation of 2D Rigid Bodies. ACM Transactions on Graphics, Association for Computing Machinery, 2017, 36 (4), pp.10. 10.1145/3072959.3073611. hal-01514619 HAL Id: hal-01514619 https://hal.inria.fr/hal-01514619 Submitted on 26 Apr 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Example-Based Expressive Animation of 2D Rigid Bodies MAREK DVOROŽŇÁK, Czech Technical University in Prague, Faculty of Electrical Engineering PIERRE BÉNARD, LaBRI (UMR 5800, CNRS, Univ. Bordeaux), France PASCAL BARLA, Inria Bordeaux Sud-Ouest, France OLIVER WANG, Adobe Research DANIEL SÝKORA, Czech Technical University in Prague, Faculty of Electrical Engineering (a) style pairs (b) target sequence (c) stylized sequence (d) stroke appearance transfer Fig. 1. Given a small set of exemplars consisting of computer-generated and hand-drawn 2D animation pairs (a), our method transfers to a new target sequence produced by physical simulation (b) both the high-level deformations and fine-scale appearance variations (c) present in the example animations.
    [Show full text]
  • Professional Edition Includes a Full Storyboard Setting That Your All-In-One Software Streamlines the Pre-Production Process
    TVPaint Animation, Storyboard, animatic and layout TVPaint Animation 11 Professional Edition includes a full storyboard setting that your all-in-one software streamlines the pre-production process. Setup your board of choice with a few clicks, sketch out a quick layout, add various notes (dialogues, action…), put a camera in place to define moves (truck What is TVPaint Animation ? in / out, pan…) and edit your storyboard to a soundtrack as an animatic, giving selective durations Created in 1991, TVPaint Ani- to each sequence that match the sound. mation is bitmap-based software de- Once your storyboard is over, publish it as a PDF, export your layout as a PSD or your Professional Edition dicated to the enhanced production of animatic as an AVI or share your work over a local network via the Share Manager. And if you use traditional 2D animation. Its versatile Flix solutions (from The Foundry©), this is great because TVPaint Animation is compatible with their technology offers all necessary tools technology. to create animated projects from pre- liminary sketches and storyboarding, Special effects background painting, camera moves In order to offer the most versatile software ever, our technology includes various special and special effects, to completed hand effects (FX) which are useful in many circumstances : drawn animation through a fast and low- • Moving effects (multiplan camera, keyframer…) cost process. • Colour management (line colorize, colour adjust, histogram…) © 2017 “ANCIEN AND THE MAGIC TABLET” Film Partners This brochure explains how • Calculated effects (particles generator, volumetric light, lens flare…) TVPaint Animation 11 Professional Edition brings many new benefits to the traditional pro- • Keyers (from the most simple to the most complex) cess.
    [Show full text]
  • The Artists Guide to Animal Anatomy Pdf, Epub, Ebook
    THE ARTISTS GUIDE TO ANIMAL ANATOMY PDF, EPUB, EBOOK Gottfried Bammes | 144 pages | 28 Jan 2005 | Dover Publications Inc. | 9780486436401 | English | New York, United States The Artists Guide to Animal Anatomy PDF Book Exploration of sensory impairments associated with C6 and C7 radiculopathies. This cross-platform 2D drawing and animation app is great for bringing your hand-drawn animations to life. The annulus fibrosus is composed of fibrocartilage that can distribute heavy loads placed on the disc. See more Digital art articles. TVPaint Animation is one of the pricier options included in this round-up, but it does offer a trial version, and from what we've seen so far, it's quite powerful and well worth the price. Animation Studios You can scan websites for anime studios to look for jobs. The body region that receives sensation for a particular spinal nerve is called a dermatome. The hours would be long and the pay would be low. Spine J. It depends on how things progress. You can also add sound. We can't promise that, but we can at least hook you up with the animation tool it's used to make the likes of Spirited Away and Howl's Moving Castle, and customised along the way. Here's What That Means. Moving on to the more 'professional' set of tools, TVPaint lets you render fully animated scenes from start to finish. Amsterdam KLIK! The few hours a week Thurlow has for himself is spent animating his own short film project from a mattress on the floor of his closet-sized room.
    [Show full text]
  • Press Kit Summary
    PRESS KIT SUMMARY INTRODUCTION 3. 1. The Official Selection 4. 1.1. The Opening Film 4. 1.2. Feature Films 4. 1.3. The Closing Film 5. 1.4. Short Films 6. 2. Futuranima 7. 3. Focus 10. 4. Events 12. 5. Anima + 12. 6. Juries and Prizes 13. 7. Press Info 15. 2 ANIMA 2016 INTRODUCTION ANIMA: TAKE 35... ACTION! Anima 2016, the Brussels International Animation Festival, will be taking over Flagey for ten days to celebrate the world of animation. It’ll be happening at Flagey in Brussels from 5th to 14th February, but also in and around different theatres in Flanders and Wallonia. IN A FEW FIGURES Ten days in which the public will be able to ANIMA IS: discover the best in the last year’s production of features and short films for children and also a vast 35 Festivals programme for adults. In addition to the national and international competition for short films and 21 yet-to-be-released features numerous screenings of feature films, Anima is 37 short films in also offering a series of conferences during the the international competition professional Futuranima days, and other highlights 27 graduation films like the opening ceremony, the Animated Night, the Cartoon d’Of screening and the announcement of in the international competition the prize winners. 40 short films selected for the Animated Night This year, Anima is rolling out the red carpet 30 short films for British and Japanese animation. These two in the national competition countries have differing traditions but an equal amount of talent and there’ll be a host of events to celebrate this focus: a Special Japan evening, a drawn concert based on the typically British world of Alice in Wonderland orchestrated by illustrator Hervé Bourhis, a screening to celebrate the 40th birthday of Aardman Animations, conferences, an exhibition, theme screenings and lots of guests.
    [Show full text]
  • Resume Jeroen Koffeman
    Resume Jeroen Koffeman Personalia Name: Jeroen Koffeman Adress: Zakkendragerssteeg 45 Zip Code: 3511 AA Tel: 0644792487 Website: www.KoffCreative.com E-mail: [email protected] Date of birth: 27-1-1990 Place of birth: Emmeloord Nationality: Dutch Commissions 2013 Willem van Oranje, Selfie Client: House of Visual Culture in Breda. Techniques: Xsense Motion capture suit , MVN Studio, Zbrush, Maya, Aftereffects. 2012-2013 Quiz Animations for the Dutch tv-show 2voor12 Client: VARA Techniques: Tvpaint, Blender, Zbrush, Aftereffects, 2014 Afvalwaterbeheer in één hand Client: Waterschap Zuiderzeeland Funny infographic about the polder boards 2d animation and direction 2015 Woezel & Pip, Seizoen 3 Client: Illuster bv Rigging en Animatie 2015 Woezel & Pip, Op zoek naar de sloddervos (Feature film) Client: Illuster bv and Tom de Mol Productions Head Rigging, also did some effects animations 2015 Cultivating Probability, videoinstallatie met motion capture animatie Client: Marjolijn Dijkman Motion Capture en 3d animatie 2016 Prospects of Interception, videoinstallatie met 3d animatie Client: Marjolijn Dijkman 3d animatie 2016-2018 My Magic Pet Morphle Client: Van Merwijk Producties Rigging, (some) animation and Software development 2017 The amazing inventures of Zac and Smart-E Educational animation series for Kunskapsskolan Client: HammerSmith Hardmen Media Rigging, direction and animation of c.a 20 3-minute animations in Moho. 2017 Film: 2020 Client: Robert Glas Kinekt-sensor depth recording, file handling and software guidance in Unity3d Workshops and Presentations 2016 and 2017 Xsense motion capture workshop for animation students. Client: akv. St. Joost 2014 Xsense motion capture presentation during Value Increased by Visual Design(VIVID) International Conference, Podium Bloos, Breda. Client: akv.
    [Show full text]
  • Animation (ANI) 1
    Animation (ANI) 1 ANI 155 | CINEMA 4D WORKSHOP | 2-2.25 quarter hours ANIMATION (ANI) (Undergraduate) This course focuses on Maxon's CInema 4D, a 3D package that is the ANI 101 | ANIMATION FOR NON-MAJORS | 4 quarter hours standard for 3D motion graphics and title design work. The class will (Undergraduate) include demonstrations and workshops on the fundamentals of Cinema Course introduces a variety of basic animation techniques for cinema 4D and CINEWARE, a plugin that acts as a bridge between After Effects and gaming, such as hand-drawn, cutout, stop-motion and (very basic) and C4D. Tutorial topics will include: user interface, modeling, materials, 3D, with an emphasis on the use of computer technology. Examples lighting, cameras, 3D type, and compositing. Examples of work done by of diverse animation genres and styles (experimental, cartoon, anime, industry professionals will be examined each week. PREREQUISITE(S): special effects, computer games) from different cultures will be screened None. and discussed. Students will explore the unique qualities of the medium ANI 201 | ANIMATION I | 4 quarter hours through a series of hands-on projects that can be adapted to their own (Undergraduate) personal interests. They will learn about professional animation process This course is an introduction to the art and practice of animation. It is (storyboard and animatic) during the production of a final project that a studio-based class, which will emphasize learning through process, encourages them to consider the role and potential of animation in our experimentation and creation. Students will explore the limitless society. possibilities of animated motion in the context of cinema, computer ANI 105 | MOTION GRAPHICS FOUNDATIONS | 4 quarter hours games and the Internet.
    [Show full text]