DOCSLIB.ORG

Ambler Theater

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Ambler Theater Previews87A MARCH – MAY 2014 Jim Broadbent & Lindsay Duncan in LE WEEK-END Duncan in LE Jim Broadbent & Lindsay INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofi t Ambler Theater The Ambler Theater is a nonprofi t, tax-exempt 501(c)(3) organization. How can you support ADMISSION AMBLER THEATER the Ambler Theater? MEMBER General ............................................................$10.00 Be a member. Become a member of the Members* .........................................................$5.00 nonprofi t Ambler Theater and Seniors (62+) & show your support for good Young persons (<25). ......................................$7.50 fi lms and a cultural landmark. See back panel for a member- Matinees ship form or join online. Your fi nancial support is tax-deductible. Mon, Tues, Thurs & Fri before 4:30 Make a gift. Sat & Sun before 2:30 .......................................$7.50 Your additional gifts and support make us even better. Your Wed Early Matinee before 2:30 ..........................$6.00 donations are fully tax-deductible. And you can even put your Affi liated Theaters Members** ...........................$6.00 name on a bronze star in the sidewalk! You must present your membership card to obtain membership discounts. Contact our Business Offi ce at (215) 348-1878 x117 or at The above ticket prices are subject to change. [email protected]. *Members’ admission may increase to $6.00 later in 2014. Be a sponsor. Receive prominent recognition for your business in exchange **Affi liated Theaters Members for helping our nonprofi t theater. Recognition comes in a variety The Ambler Theater, the County Theater, and now the Hiway Theater of ways – on our movie screens, in our brochures, and on our in Jenkintown, have affi liated admission benefi ts. Your membership website. Contact us at (215) 348-1878 x112 or at will allow you $6.00 admission at the other theaters. (Members can [email protected]. also attend the Bryn Mawr Film Institute for $7.00.) Get our weekly email notices. Policies We can keep you up-to-date on all our events and scheduling Children under 6 – Children under age 6 will not be admitted to our via our weekly email notices. Visit our website to sign up, and fi lms or programs unless specifi cally indicated. then stay plugged into our latest programming news. Late Arrivals – The Theater reserves the right to stop selling tickets Give us feedback. (and/or seating patrons) after a fi lm has started. Your fi lm experience is the most important thing to us, so we welcome your feedback. Please let us know what we can do Outside Food and Drink – Patrons are not permitted to bring out- better. Call (215) 348-1878, or email us at side food and drink into the theater. [email protected] Accessibility & Hearing Assistance – The Ambler Theater Special thanks. has wheelchair accessible auditoriums and restrooms, and The Ambler Theater receives funding support through is equipped with hearing enhancement devices. (For head- a grant from the Pennsylvania Council on the Arts, a phones, please see the theater manager when you arrive.) state agency funded by the Commonwealth of Penn- Parking sylvania and the National Endowment for the Arts, a Check our web site for parking information: AmblerTheater.org federal agency. We’re Nonprofi t. The Ambler Theater is owned and operated by Ambler Theater, Inc., a 501 (c)(3) tax-exempt, nonprofi t corporation. Contribu- Ambler Theater tions are tax-deductible to the full extent of the law. The offi cial 108 East Butler Ave, Ambler, PA 19002 registration and fi nancial information of Ambler Theater, Inc. may be obtained from the Pennsylvania Department of State by call- 215-345-7855 HOTLINE ing toll-free, within Pennsylvania, 1-800-732-0999. Registration 215-348-1878 Administrative Offi ce does not imply endorsement. AmblerTheater.org PREVIEWS (87) MARCH 1, 2014 PUBLISHED QUARTERLY BY AMBLER THEATER, INC. 108 EAST BUTLER AVENUE, AMBLER, PA 19002-4426 ISSUE NO. 87 MAIN ATTRACTIONS The Grand Budapest Hotel Main Attractions The Grand What main films will play at the Budapest Hotel Ambler? This section lists the Main USA - Wes Anderson - 1 hr 40 min Attractions that we intend to play in the Wes Anderson’s latest film recounts the coming weeks. Additional unlisted films adventures of a legendary concierge, will also become available. This list is played by Ralph Fiennes, at a famous only an educated guess, though, since European hotel in the 1930’s. It involves film release plans often change. the theft of a priceless Renaissance When will these main films play? painting and the battle for a family fortune Scheduling our Main Attractions is week- - all against the backdrop of a suddenly to-week. On Monday, we decide what Le Week-End and dramatically changing Continent. UK - Roger Michell – 1 hr 33 min main films will play starting that Friday. It’s a vibrant and imaginative evocation LE WEEK-END stars Jim Broadbent and On Tuesday and Wednesday, we set the of a bygone era. This is Anderson’s most Lindsay Duncan as a British couple showtimes for the upcoming week and elaborate, lavish-looking picture yet, celebrating their thirtieth wedding then update our website and telephone though still made in his distinct style. anniversary with a weekend getaway hotline. We also send out a weekly email With an extraordinary supporting cast in Paris. As they travel around the city, (which you can receive by signing up including Tilda Swinton, Willem Dafoe, they revisit the highs and lows of their at our website). Sometimes, we book Harvey Keitel, Jude Law, Bill Murray, relationship. It’s a bittersweet, enjoyable a main film a few weeks in advance, Edward Norton, Jason Schwartzman, love story about grown-up people which we post on our website’s “Coming Tom Wilkinson, and Owen Wilson, among tackling real-world issues with wit and Attractions” section. others. For our latest Main Attractions plans, intelligence. visit: AmblerTheater.org (Or call our hotline at 215 345 7855.) MAIN ATTRACTIONS Special programs Visitors Only Lovers Left Alive The Lunchbox USA - Godfrey Reggio - 1 hr 37 min USA – Jim Jarmusch – 2 hr 2 min India - Ritesh Batra – 1 hr 44 min Shot in dazzling black and white and ONLY LOVERS is a heavy dose of cool in English & Hindi w/subtitles presented in 4K, Godfrey Reggio’s wrapped in a hypnotic vampire story. In Mumbai, India, a misdelivered first film in over a decade showcases That’s right, it’s a Jim Jarmusch vampire lunchbox brings together two very his unique visual mastery through a movie. With Tilda Swinton and Tom different people — a neglected housewife series of haunting, dreamlike images Hiddleston as the hippest, most beautiful and a solitary widower on the verge of of faces and hands as they interact vampires ever in a nocturnal reverie that retirement. This beautiful film effortlessly with technological tools. The effect celebrates their centuries-old love affair. weaves themes of gender, class, and is mesmerizing and is perfectly Set in Tangier and Detroit and featuring generational differences into a simple complimented by a new score from stunning cinematography, glorious set love story. Whether it’s cooking a meal, frequent collaborator Philip Glass. design and amazing music, this is the reading a letter, or riding a crowded train, filmmaker’s best work in years. the film’s small moments are precise and completely enchanting. Tim’s Vermeer Belle Limited Engagements USA - Teller - 1 hr 20 min UK - Amma Asante - 1 hr 45 min We try to play each of our Main Tim Jenison, a Texas-based inventor, Gugu Mbatha-Raw takes the title role Attractions films for a full multi-week attempts to solve one of the mysteries alongside Tom Wilkinson, Miranda run. Sometimes, however, we are unable of art: how did 17th century Dutch Richardson, and Emily Watson in this to play a film in a timely or complete master Johannes Vermeer manage movie based on the true story of Dido way, and it becomes a question of either to paint so realistically? Spanning a Elizabeth Belle, the illegitimate, bi-racial squeezing it in or not playing it at all. We decade, Jenison’s adventure takes him daughter of a Royal Navy admiral in then often schedule that film for a couple to Holland, where Vermeer painted, 18th-century Britain. BELLE is a gorgeous of mid-week screenings, called Limited on a pilgrimage to Yorkshire to meet period drama that explores the intertwined Engagements. Make sure that you sign artist David Hockney and eventually relationship between British aristocracy up for our weekly email blast, so that to Buckingham Palace. Presented by and the institution of slavery. you don’t miss these short, last-chance renowned illusionists and professional screenings. debunkers, Penn & Teller. A MBLERT HEATER.ORG 215 345 7855 SpecialH programs SPRING 2014 This Special Programs series contains the fixed schedules for the County Theater, Ambler Theater, and the Hiway Theater. Special Programming Ambler: March 11 Tues 7:30 County: Mar 12 Wed 7:30 Spring 2014 Ambler: Mar 13 Thurs 7:30 In addition to our first-run Main Attractions, we present special programming throughout the year. Our special programs are generally one-time events and include a diverse collection of independent and classic films, film lectures, works from local filmmakers, and Pennypack Sustainability Series American Meat Upstream Color stage productions from London’s 2013 - 1 hr 30 mins - HD Digitial - color - USA 2013 - 1 hr 36 min - DCP - color - USA top performing arts venues. - d: Graham Meriwether d: Shane Carruth AMERICAN MEAT explores chicken, hog and Shane Carruth’s second film is a transcendental Please note that this brochure cattle production in America.
Recommended publications
  • A Sheffield Hallam University Thesis

    A Sheffield Hallam University Thesis

    How do I look? Viewing, embodiment, performance, showgirls, and art practice. CARR, Alison J. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19426/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/19426/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. How Do I Look? Viewing, Embodiment, Performance, Showgirls, & Art Practice Alison Jane Carr A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy ProQuest Number: 10694307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694307 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Declaration I, Alison J Carr, declare that the enclosed submission for the degree of Doctor of Philosophy, and consisting of a written thesis and a DVD booklet, meets the regulations stated in the handbook for the mode of submission selected and approved by the Research Degrees Sub-Committee of Sheffield Hallam University.
  • The Films of Raoul Walsh, Part 1

    The Films of Raoul Walsh, Part 1

    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
  • James Kent Director

    James Kent Director

    James Kent Director Agents Natasha Galloway Associate Agent Talia Tobias [email protected] + 44 (0) 20 3214 0860 Credits Film Production Company Notes THE AFTERMATH Scott Free/Fox Producers: Jack Arbuthnott, Ridley Scott, Malte 2019 Searchlight/BBC Films Grunert Starring: Keira Knightley, Alexander Skarsgard, Jason Clarke TESTAMENT OF Heyday Films Prods: Rosie Alison, David Heyman YOUTH Starring Alicia Vikander, Kit Harington, Taron 2014 Egerton, Emily Watson, Dominic West, Hayley Atwell and Miranda Richardson Documentaries Production Company Notes ONE STRANGE ROCK Nutopia Producer: Darren Aronofsky, Starring: Will Smith 2018 Television Production Company Notes THE CAPTURE II Heyday/BBC/NBC Lead Director. Producers: Rosie Alison, 2021 Kristian Dench, Ben Chanan. Starring: Holliday Grainger, Paapa Essiedu, Ron Perlman. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MOTHER FATHER SON BBC Studios Lead director. 2019 Producers: Hilary Salmon, Lisa Osborne, Alan Poul, Sharon Bloom Starring: Richard Gere, Helen McCrory, Sarah Lancashire, Billy Howle SPARK ABC Pilot 2016 Prods: Ian Sander, Kim Moses Starring Lena Olin, Rege-Gene Page, Tracy Ifeachor AMERICAN CRIME II ABC Prods: John Ridley, Michael MacDonald 2015 Starring Felicity Huffman, Timothy Hutton Regina King 11/22/63 Bad Robot / Warner Prods: JJ Abrams, Bridget Carpenter 2015 Bros TV Starring: James Franco, Chris Cooper, Sarah Gadon THE THIRTEENTH TALE Heyday Films Director. 90min film for BBC2. 2013 Written by Christopher Hampton. Starring Vanessa Redgrave and Olivia Colman *Winner, C21 Media awards 'Best Miniseries'. THE WHITE QUEEN BBC/Starz Lead Director.

  • Summer Classic Film Series, Now in Its 43Rd Year

    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
  • BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M

    BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M

    ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe
  • 213 Nothing Like the South: Aurora Greenway – a Belle

    213 Nothing Like the South: Aurora Greenway – a Belle

    NOTHING LIKE THE SOUTH: AURORA GREENWAY – A BELLE IN EXILE Anca Peiu University of Bucharest Larry McMurtry’s Terms of Endearment has been better known as a 1983 successful silver-screen story than as a 1975 best-selling novel, rather as a multiplereceiver of Academy Awards than as a most accomplished book by a prolific author and Pulitzer Prize winner. My return to it is justified by some recently read essays – neither on the film, nor on the book – but on the Belle and the South (indeed, an archetypal coupling somehow echoing Beauty and the Beast ). As for my title here – it oscillates between two Shakesperean sonnets: Sonnet 130 and Sonnet 3. Both poems appeal particularly to the sense of sight ; they are versions of that type of painting (also fiction) known as a portrait of a lady – who stays the lady even if she defies any canon of lady-likelihood – both as Shakespeare’s (image of the) lover and as McMurtry’s Southern Belle – from My mistress’ eyes are nothing like the sun… Thou art thy mother’s glass, and she in thee Calls back the lovely April of her prime; So thou through windows of thine age shalt see, Despight of wrinkles, this thy golden time… The latter quote opens Larry McMurtry’s novel, as a necessary motto. It evokes a specific traditional relationship: mother-daughter, by the classic symbol of the mirror . It could send us – via Larry McMurtry’s novel – to Katherine Henninger’s astute study of the impact of photography on the Visual Legacies of the South: Picture a southern woman .
  • Winter 2020-21 Edition Contents

    Winter 2020-21 Edition Contents

    Artwork By: Stefanii Adler Winter 2020-21 Edition www.fcaq.k12.ec Contents + Academics / Académico + Health & Entertainment / Salud & Entretenimiento 6 Students Motivation 36 Feel Good List of Season Movies (New Year's, Christmas) 2019 10 Online Classes 38 Blue Light Impact on Eye Sight 12 Quarantine Effect on Grades 40 The Impact Of The Pandemic On Teenagers' Mental Health 42 You Are What You Pollute + Arts & Culture / Arte & Cultura + Special Features / Extras 24 New Clubs!! 46 The Meaning of Christmas 26 Trends you didn't know were Black Born 3 48 Sign Language 28 Why Studying Art is Beneficial 50 The Origin of Christmas Traditions 31 Ballroom Culture 52 Distorting "The Beautiful Game" 31 CAMINU Why Winter Is A Season To Look Forward To 54 and the Upcoming Year 56 How Christmas Is Celebrated Around The World Mauris ligula sollicitudin. Maecenas netus, vivamus mollis dui. vivamus Mauris ligula sollicitudin. Maecenas netus, Winter 2020 | School Views fcaq.k12.ec 3 2018 Academics 2019 Académico 4 Students Motivation Victoria G. 5 Isabella A. Online Classes BÁrbara B. Luciana S. Quarantine Picture by: Veronica Missura Effect On Grades Emilia S. www.alexkoin.com mollis dui. vivamus Mauris ligula sollicitudin. Maecenas netus, Winter 2020-21 | School Views fcaq.k12.ec 5 There are several ways to do this: Victoria Gangotena and Isabella Aliyev Just take a moment for yourself and get the chance to truly feel grateful for everything that surrounds you. Motivational Letter to Students and Teachers Take risks and change your daily routine by doing things that you’ve never done before; for ex- ample, yoga, meditation, drawing, playing an instrument, etc.
  • Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951

    Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951

    Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine,
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien

    Reminder List of Productions Eligible for the 90Th Academy Awards Alien

    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S

    The Green Sheet and Opposition to American Motion Picture Classification in the 1960S

    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
  • Presto in January

    Presto in January

    Media Release: Thursday, December 17, 2015 Presto in January True Detective season 1 starts its investigation on Presto along with new seasons of Ray Donovan, Penny Dreadful and The Americans Presto today announced key programming set to kick off the New Year starting with the critically acclaimed True Detective (season 1). The edge-of-your-seat anthology crime drama is a Presto SVOD exclusive and centres on the lives of Louisiana State Police homicide detectives Rustin "Rust" Cohle (Matthew McConaughey) and Martin "Marty" Hart (Woody Harrelson) and follows a seventeen- year journey of flashbacks where the two detectives recount a murder. With the perpetrator still at large, it’s a race against time for these two men to piece things together and stop the cycle. Also streaming in January, is the third season of tough guy drama, Ray Donovan starring Liev Schreiber, as the title character. Ray is a "fixer" for L.A.’s elite celebrities, athletes and business moguls when they need to make their problems disappear. But no amount of money can mask Ray's past, which continues to haunt him and threatens to destroy everything he has built for himself. Many people are familiar with the classic tales of Dr. Frankenstein and Dorian Gray. Penny Dreadful brings those and other characters into a new light by exploring their origin stories in this psychological thriller that takes place in the dark corners of Victorian London. Presto adds season 2 from January. Finally, The Americans introduces viewers to Philip and Elizabeth Jennings, two KGB spies in an arranged marriage who are posing as Americans during the 1980s.
  • A Reappraisal of Three Character Actors from Hollywood’S Golden Age

    A Reappraisal of Three Character Actors from Hollywood’S Golden Age

    University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar.