American Concert Field ^.’Ii American Achievements in the World Ofmusic Fcieaut^ Iietta May Mfhenrv Cla$Sic Dancing

Total Page:16

File Type:pdf, Size:1020Kb

American Concert Field ^.’Ii American Achievements in the World Ofmusic Fcieaut^ Iietta May Mfhenrv Cla$Sic Dancing 1 ne JDiiiDoaru January 31, 1925 American Concert Field ^.’ii American Achievements in the World ofMusic Fcieaut^ Iietta May MfHenrv Cla$SiC Dancing (CotBtnanicationM to 149} BroaJway, Srw York, S. Y.J Orchestra Situation Four American Compositions Chicago Civic Opera Unchanged Awaiting Meeting Accepted by Josiah Zuro With Federation Committee Moves to Boston Joslah Zuro, conductor of the Sunday Symphonic Society, of New York, has - Many and varied are the rumors con- accepted four new orchestral composi- OO cernmg the symphony orchestra situation rions submitted In hlj contest for Ameri¬ 99 1 eriOrmanceS CjlNCn LJuring fn New York Citv as the result of the can cojnposers. Three of these manu¬ Run of 1 1 14 Weeks at Audi- Remand by the As.sociated Musicians of scripts will be performed publicly at the . ' . New lork that the New \ork Symphony free concerta given bi-weekly in the tOriUm in Ohicago and the Philharmonic increase the waees Criterion Theater in New York City, and of its memljers employed by those or- one Mill be given at an invitation re¬ , TO-™.,. .. chestras. The demand is that the men hears^ for the composer and his friends. Chicago, Jan, 2i>,—The swan song of pe paid $25 more a week, and when the The first selections to be presented are the 1»24- _j season of the Chicago Civic formal notice was served on the directors announced as two songs by Evelyn Opera was sung at the Auditorium last these orchestras their representatives Be-ckman, a native of Philadelphia but night with as the fare- poinwd out that the cost of any such Tales of Hoffman now residing in New York, and these well opera until the next regular season, increase must necessarily further add to will be sung on February 1 by Mme. Two hours before daybreak this morn- the present enormous deficits each or- Itaymonde Delaunois of the Metroptolitan ing the entire company of artishs, or- chestra had at the close of every season, Cpera Company, and at the following chestra, chorus ballet and technical and and that if the demand was insisted concert, February 15, an Orchestral executive staffs boarded two social upon it would mean the personnel of Suite by Frederick Stahlberg, conductor trains to Boston, where a fortnight of the orchestra would have to be decreased and composer, will be performed. opera will be sung in the Boston Opera or fewer concerts given, or perhaps both House. of these measures of reducing expenses During the weeks in Chicago at would need to be utillBed. Prominent Concert Artists the Auditorium 99 perforrnances were Committees were appointed to represent given out of a repertoire that included each orchestra, also the American Fed- To Broadcast From New York j French and eration of Musicians, and George Hamer English. V erdi led in the number of per- and Paul Sharrow were chosen for the While the argument pro and con as i « ^rmances sung, being five in number, York Svmphony with R. M. Willson. to the effect radio has on concert bust- v operas were given, a. Edison snd Morris Tartas as the three nesa .continues merrily, each week sees ^ while Rossini, Flotow, W agner, Gounod, representatives for the Philharmonic Or- .nouncements^ of prominent artists to Charpentier, Dehbes. Bizet, Massenet, chestra, and these men will, with James/'.P'’?8Tani8.1:: Gustave 't Mouesorgsky and Saint-Saens all had Lawnhan, Sam Finkelstein and Edward; Langenus, famous clarinetist, a member - presented In varying number, Canavan of the American Federation o/ of tne Philharmonic Orchestra, also the ^ . _ _ New York Cftiicber Music Society, was Margaret Sittig, vlolin^lst, is a young The past opera season was replete with Musicians, meet with Mr. Damrosch, ArA exceptional social splendor, marked by thur Judson and D, E. Porter. No dale luxurious stege settings and investitures has as yet been set for the discussion ol_ In which the I avly-Oukrainsky ballet the contemplated contract as several of big part. , the managers are on tour with their or- and instructor is scheduled to give a ® ® 2/ Toti Dal Monte, Olga Forrai, Helen chestras. but at the American Federation most interesting program of piano music, rifL Vn Freund and Elvira Hidalgo were the so- pf Musicians’ headquarters it was In- and on'tbat'same evening the Philhar- ,1" pranoB who made their debut with the t'mated to The Billboard representative monic Orchestra of New York will broad- xvvv^^^rif critl^sms^ on this recital— civic opera this season. sopranos that it would likely take place within the <ast Its concert for students, while on Sun- *^‘^oro* musicianship in the company were Leila Barr, Alice next fortnight. The contracts now held bv 7e^or**^f ’ Ouf^Sfe^tronofita^^^'to^iTi^ sound intelligence were evident ihni- P’Hermanoy, Mary Gard^. Elizabeth the New York Symphony and the Phll- I ProKram. She deserves to be Kerr. Florence MacBeth. Edith Mason, harmonic Orchestra with the American u ^^Ooletto and heard again." S’eto York rime#: "E-tab- Mary McCormlc, Claudia Muzlo, Grazlella Federation of Musicians expires at th^. Isabel Marsh, lyric soprano, will iished herself In the favor of her audience Pareto and Rosa Raisa. close of this season and the new contract be heard in a group of songs. Partic- py ^ fiuent mechanism and g.ive form Augusta. Lenska, Gladys Swarthout under discussion will Involve the years iilarly on the evening of January 29 will an^ color to the portraval of various and Flora Perinl were mezzo-sopranos 1925 and 1926. those of the radio world who enjoy moods.” Eveninfj World': "A forceful making their dehut and the others in cnamber inusic have a delightful eve- player of sure technique and intonation.** that arm of the company were Anna Cor- lung as the Victor Company will broad- Miss Sittig. altho still quite voung. has rentl, Maria Claeasens, Louise Homer, cast a concert by the Flonzaley Quartet, studied for a long time in this country, Kathr>-n Meisle and Cyrena Van Gor¬ widely known for their programs of also in Europe, and in the past few sea- don. rhamber music. Others to be heard dur- sons has appeared as a memlx-r of the Antonie Cortis and Ivan Dneproff were ing the week are Louise Vermont, con- Sittig Trio, which is composed of her tenors appearing with the company__ this__ The coming weeks will be busy ones tralto; Alice Sievers, pianist; Sylvia brother, a cellist, and her father, a season for the first time. Other tenors for many artists under the management Kramer, Etta Stein and Irwin E. Has- pianist. During 1924 she gave recitals were Fernand Ansseau, Charles Hackett,■■ of the Wolfsohn Musical Bureau. Albert selL in Europe, appearing in Bremen. Berlin. Forrest Lament, Charles Marshall,__ Jose Spalding, American violinist, will spend Dresden and Munich also In Amsterdam. Mojica, Ludovico Olivero, Alfrei'‘d Piccaver the month of February on the^Pacific Pavinta 5>lcrng Cnntrarr where she was soloist with Willem Men- and Tito Schlpa. Coast and will play a concert almost - , gelberg’s Orchestra, and several of these Mariano Stabile and Douglas Stanberry ‘Very day in the month. Alexander With MuSlCianS at NcW Scalc cities are negotl.ating for return enpage- were the two baritones mf-'.-’.-„laking their'.1..;. Brallowsky, Russian pianist, plaj'S a re- _____ ments. A recital will be given by Miss debut and others were Georges Baklanoff," • • “ turn engagement In Boston on January Sittig In Boston on February 9 and William Beck, Desire Defrere. Ce.sare 30,. and- Washington will hoar him on Negotiations for a new wage scale for several other recPals are announced Formichl, Gildo Morelato, Giacomo Rimini Fe^uaryr' 4 in a recital, also as soloist the orchestral musicians for ih- summer during February, and she will also he and Joseph Schwarz. with the Chicago Symphony Orchestra on opera at Ravlnia Park, Chicago, have heard with the Trio in Montrlalr. N. J . Among the* bassos Antonio Nlcollch February 5 and 6. Ooeilia Hansen, too. been under way for some time between on February 6; In Philadelphia February was the only new one. The veterans were will have a busy month, and among en- the president of the Chicago Federation 13 and on March 16 a return engagement Feodor Chaliapin. Edouard Cotreuil, Al- pagemefits booked for her are concerts of Musicians and Louis Eck.stein, prcsl- will be played In Boston at a concert e.xander Kipnis, Virgilio Lizzari and Vit¬ in Cincinnati. Buffalo. Minneapolis, dent of the Ravinia company and dl- to be given in President Coolidge's torio Trevisan. Wtlkes-Barre and Albany. Margaret re..tor of the opera company, and a de- church, Among the conductors who made Matzenauer at the close of her duties at cision was reached a few days ago. This debuts was Henry G. Weber. Associated_ the Metropolitan left immediately for a decision granted the request of the men r'lnrtnnxri Svmr»hnnv Arfordcd with Maestro Giorgio I’olacco in the di¬ concert tour which will take her to Bos- for an Increased scale and under the new ovnij^iiuiiy rxvvwiu « rection of the opera season were Pietro ton. where she appears as soloist at a contract the 50 musicians from the Chi- NlUCb PfJISC Ofl 1 ODf CiminI, Roberto Moranzoni. Dino Bigalll, pair of concerts with the Boston Sym- cago Symphony Orchestra who play dur- _ Charles Lauv.-ers, Frank St. Ijeser, phony Orchestra; also she will be one ing the summer at Ravinia were given The Cincinnati Symphony Orchestra Giacomo Spadoni and Isaac Van Grove, of the- soloists with the fociety of the an increase of $12 a week for the 1925 while on its mid-summer tour won assistants.
Recommended publications
  • Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN
    UNIVERSITY MUSICAL SOCIETY CHARLES A. SINK. PRESIDENT EARL V. MOORE. MUSICAL DIRECTOR Ninth Concert 1928-1929 Complete Series 1716 FIFTIETH ANNUAL Choral Union Concert Series HILL AUDITORIUM ANN ARBOR, MICHIGAN YELLY D'ARANYI, Violinist assisted by AMY COREY FISCHER, Pianist Wednesday Evening, February 20, 1929, at 8:15 PROGRAM CIACONNA Vttali a. ANDANTE, C major Bach b. GAVOTTE, E major Back BAGATELLE IN D Gatty PASSEPIED Delibes-Gruenberg LA VIDA BREVE DeFalla-Kreiselr HUNGARIAN DANCE • Brahms-Joachim TZIGANE Ravel Management: Annie Friedberg, Nezv York. The piano used is a Baldwin (OVER) fcgfr^ KX »" ARS LONGA VITA BREVIS I V&&f$@9Cz& I THIRTY-SIXTH Annual May Festival FOUR DAYS SIX CONCERTS May 22, 23, 24, 25,1929 For the closing event in the Semi-Centenary Concert Series of the University Musical Society, the following distinguished artists and organizations have been engaged: EDITH MASON, Prima Donna Soprano, Chicago Civic Opera Company JEANNETTE VREELAND, Distinguished American Soprano SOPHIE BRASLAU, Renowned American Contralto MARION TELVA, Contralto, Metropolitan Opera Company RICHARD CROOKS, Tenor, Premier American Concert Artist PAUL ALTHOUSE, Tenor, Metropolitan Opera Company LAWRENCE TIBBET, Baritone, Metropolitan Opera Company RICHARD BONELLI, Baritone, Chicago Civic Opera Company BARRE HILL, Baritone, Chicago Civic Opera Co. WILLIAM GUSTAFSON, Bass, Metropolitan Opera Company JOSEF HOFMANN, Russian Pianist EFREM ZIMBALIST, Hungarian Violinist THE CHICAGO SYMPHONY ORCHESTRA, Frederick Stock, Conductor THE UNIVERSITY CHORAL UNION, Earl V. Moore, Conductor CHILDREN'S FESTIVAL CHORUS, Jiiva Higbee, Conductor CHORAL WORKS: Samson and Delilah, by Saint Saens; The New Life, by Wolf Ferrari; The Requiem, by Brahms; The Hunting of the Snark (Children), by Boyd.
    [Show full text]
  • Eljnral Mtttntt £>*Rt?0 3
    UNIVERSITY- MUSICAL-SOCIETY (Eljnral Mtttntt £>*rt?0 3 Forty-Seventh Season Seventh Concert Vo* ?S —————No. CCCCXXXXII Complete Series — p « Detroit Symphony Orchestra •* OSSIP GABRILOWITSCH, Conducting •HUl Aufcttnrtam. Atm Arbor, IHirtjigan /^ MONDAY, MARCH 8, 1926, AT EIGHT O'CLOCK PROGRAM J| as Overture to the Opera "Oberon" Weber Fifth Symphony in C minor, Op. 67 Beethoven Allegro con brio Andante con moto 8$ Allegro (Scherzo); Trio Allegro Prelude and Love Death from the Opera "Tristan and Isolde"... Wagner <*§ Capriccio Espagnol, Op. 34 Rimsky-Korsakov J§i Alborada Jj£$ Variazioni Rfo Alborada j*g Scena e conto gitano c™ Fandango asturiano 85 (OVER) $£ raffftfft K^ AR Sa ON G A'VITA'BREVI S j ^^5^t^«^^5 THIRTY-THIRD ANNUAL MAY FESTIVAL EARL V. MOORE, Musical Director Six Concerts Four Days May 19, 20, 21, 22 ARTISTS, ORGANIZATIONS, AND PROGRAMS (Subject to Change) First Concert—Wednesday Evening, May 19 SOLOISTS LOUISE HOMER Contralto Metropolitan and Chicago Civic Operas CHICAGO SYMPHONY ORCHESTRA Frederick Stock, Conductor PROGRAM OVERTURE, "Im Fruhling" Goldmark ARIA MMU. HOMSR SYMPHONY IN B MINOR Chausson Intermission ARIA MME. HOMER "THE PLANETS" .Hoist ARIA MME. HOMER DANCES FROM "PRINCE IGOR" Bbrodine Second Concert—Thursday Evening, May 20 SOLOISTS MARIE SUNDELIUS Soprano Metropolitan Opera JEANNE LAVAL Contralto American Oratorio Singer CHARLES STRATTON Tenor Distinguished American Artist THEODORE HARRISON Baritone Authoratative "Elijah" UNIVERSITY CHORAL UNION ) _ . ,7 „ r , . CHICAGO SYMPHONY ORCHESTRA f hMl W' Moore> Conductor PROGRAM ELIJAH Mendelssohn An Oratorio with words from Holy Script CAST Theodore Harrison Elijah Marie Sundelius The Widow Charles Stratton Obadiah Jeanne Laval An Angel Third Concert—Friday Afternoon, May 21 SOLOISTS ALBERT SPAULDING Violinist CHILDREN'S FESTIVAL CHORUS J.
    [Show full text]
  • Choral Union Concert Series HILL AUDITORIUM ANN ARBOR
    UNIVERSITY MUSICAL SOCIETY CHARLES A. SINK. PRESIDENT EARL V, MOORE. MUSICAL DIRECTOR -~HE^» ion*-- Tenth Concert 1928-1929 Complete Series 1725 FIFTIETH ANNUAL Choral Union Concert Series HILL AUDITORIUM ANN ARBOR. MICHIGAN DETROIT SYMPHONY ORCHESTRA ALFRED HERTZ, Guest Conductor Monday Evening, March 11, 1929, at 8:15 PROGRAM SIXTH SYMPHONY, IN B MINOR, OP. 74 (PATHETIQUE) Tschaikovsky I Adagio; Allegro non troppo; Andante Allegro vivo II Allegro con grazia III Allegro molto vivace (March) IV Adagio Iamentoso INTERMISSION OVERTURE TO "RIENZI" Wagner SCHERZO FROM "A MIDSUMMER NIGHT'S DREAM" Mendelssohn TONE POEM. "DEATH AND TRANSFIGURATION/' OP. 24 R. Srauss JEFFERSON B. WEBB, Mgr. The Mason & Hamlin is the official piano of the Detroit Symphony Society. (OVER) ARS LONGA VITA BREVIS .,,, ••• • ••!!- «.VfgjRfr^.ftt THIRTY-SIXTH Annual May Festival FOUR DAYS SIX CONCERTS May 22, 23, 24, 25,1929 For the closing event in the Semi-Centenary Concert Series of the University Musical Society, the following distinguished artists and organizations have been engaged: EDITH MASON, Prima Donna Soprano, Chicago Civic Opera Company JEANNETTE VREELAND, Distinguished American Soprano SOPHIE BRASLAU, Renowned American Contralto MARION TELVA, Contralto, Metropolitan Opera Company RICHARD CROOKS, Tenor, Premier American Concert Artist PAUL ALTHOUSE, Tenor, Metropolitan Opera Company LAWRENCE TIBBET, Baritone, Metropolitan Opera Company RICHARD BONELLI, Baritone, Chicago Civic Opera Company BARRE HILL, Baritone, Chicago Civic Opera Co. WILLIAM GUSTAFSON, Bass, Metropolitan Opera Company JOSEF HOFMANN, Russian Pianist EFREM ZIMBALIST, Hungarian Violinist THE CHICAGO SYMPHONY ORCHESTRA, Frederick Stock, Conductor THE UNIVERSITY CHORAL UNION, Earl V. Moore, Conductor CHILDREN'S FESTIVAL CHORUS, Juva Higbee, Conductor CHORAL WORKS: Samson and Delilah, by Saint Saens; The New Life, by Wolf Ferrari; The Requiem, by Brahms; The Hunting of the Snark (Children), by Boyd.
    [Show full text]
  • Anderson Playbill Collection, 1927-1946, Undated
    Archives & Special Collections UA2015.03 Anderson Playbill Collection Dates: 1927-1946, Undated Creator: Anderson Family Extent: 0.25 linear feet Level of description: Folder Processor & date: Matthew Norgard, June 2017 Administration Information Restrictions: None Copyright: Consult archivist for copyright information Citation: Loyola University Chicago. Archives & Special Collections. Anderson Playbill Collection, 1927-1946, Undated. Box #, Folder #. Provenance: The collection was donated by James Anderson to the Loyola University Chicago Archives & Special Collections on February 20, 2015. It was collected by his mother and grandmother. Separations: None See Also: Carrigan Collection, McEnany Collection, Autograph Collection, Kunis Collection, Stagebill Collection, Geary Collection, Anderson Collection, Schor Collection Scope and Content The Anderson Playbill collection consists .25 linear feet of playbills spanning the years 1927-1946 and are for operas, ballets, musicals and plays that were performed at Chicago theaters. Included are two publications, one a pamphlet containing an excerpt from the Atlantic Monthly on all male performances and the other reviews are from the Harold Examiner. The series are arranged alphabetically. Series Series 1: Publications, 1930-1936, Box 1 This series contains two publications, All Men Performance by Lewen Price and a copy of the Harold Examiner newspaper. Series 2: Chicago Theatre Playbills, 1927-1946, Box 1 The Chicago theatre playbill series includes playbills from ballets, plays, musicals and
    [Show full text]
  • LHAT 40Th Anniversary National Conference July 17-20, 2016
    Summer 2016 Vol. 39 No. 2 IN THE LEAGUE OF HISTORIC AMERICAN THEATRES LEAGUE LHAT 40th Anniversary National Conference 9 Newport Drive, Ste. 200 Forest Hill, MD 21050 July40th 17-20, ANNUAL 2016 (T) 443.640.1058 (F) 443.640.1031 WWW.LHAT.ORG CONFERENCE & THEATRE TOUR ©2016 LEAGUE OF HISTORIC AMERICAN THEATRES. Chicago, IL ~ JULY17-20, 2016 ALL RIGHTS RESERVED. Greetings from Board Chair, Jeffery Gabel 2016 Board of Directors On behalf of your board of directors, welcome to Chicago and the L Dana Amendola eague of Historic American Theatres’ 40th Annual Conference Disney Theatrical Group and Theatre Tour. Our beautiful conference hotel is located in John Bell the heart of Chicago’s historic theatre district which has seen FROM it all from the rowdy heydays of Buffalo Bill’s Wild West Show to Tampa Theatre Randy Cohen burlesque and speakeasies to the world-renowned Lyric Opera, Americans for the Arts Steppenwolf Theatre and Second City. John Darby The Shubert Organization, Inc. I want to extend an especially warm welcome to those of you Michael DiBlasi, ASTC who are attending your first LHAT conference. You will observe old PaPantntaggeses Theh attrer , LOL S ANANGGELEL S Schuler Shook Theatre Planners friends embracing as if this were some sort of family reunion. That’s COAST Molly Fortune because, for many, LHAT is a family whose members can’t wait Newberry Opera House to catch up since last time. It is a family that is always welcoming Jeffrey W. Gabel new faces with fresh ideas and even more colorful backstage Majestic Theater stories.
    [Show full text]
  • CELEBRATING SIGNIFICANT CHICAGO WOMEN Park &Gardens
    Chicago Women’s Chicago Women’s CELEBRATING SIGNIFICANT CHICAGO WOMEN CHICAGO SIGNIFICANT CELEBRATING Park &Gardens Park Margaret T. Burroughs Lorraine Hansberry Bertha Honoré Palmer Pearl M. Hart Frances Glessner Lee Margaret Hie Ding Lin Viola Spolin Etta Moten Barnett Maria Mangual introduction Chicago Women’s Park & Gardens honors the many local women throughout history who have made important contributions to the city, nation, and the world. This booklet contains brief introductions to 65 great Chicago women—only a fraction of the many female Chicagoans who could be added to this list. In our selection, we strived for diversity in geography, chronology, accomplishments, and ethnicity. Only women with substantial ties to the City of Chicago were considered. Many other remarkable women who are still living or who lived just outside the City are not included here but are still equally noteworthy. We encourage you to visit Chicago Women’s Park FEATURED ABOVE and Gardens, where field house exhibitry and the Maria Goeppert Mayer Helping Hands Memorial to Jane Addams honor Katherine Dunham the important legacy of Chicago women. Frances Glessner Lee Gwendolyn Brooks Maria Tallchief Paschen The Chicago star signifies women who have been honored Addie Wyatt through the naming of a public space or building. contents LEADERS & ACTIVISTS 9 Dawn Clark Netsch 20 Viola Spolin 2 Grace Abbott 10 Bertha Honoré Palmer 21 Koko Taylor 2 Jane Addams 10 Lucy Ella Gonzales Parsons 21 Lois Weisberg 2 Helen Alvarado 11 Tobey Prinz TRAILBLAZERS 3 Joan Fujisawa Arai 11 Guadalupe Reyes & INNOVATORS 3 Ida B. Wells-Barnett 12 Maria del Jesus Saucedo 3 Willie T.
    [Show full text]
  • National 4-H Congress Chicago, Illinois
    National 4-H Congress in Chicago DRAFT COPY – November 2017 National 4-H Congress Chicago, Illinois 4-H Congress in Chicago DRAFT COPY Page 1 of 178 November 2017 National 4-H Congress in Chicago DRAFT COPY – November 2017 Table of Contents Introduction 5 In the Beginning 6 First Annual Club Tour 7 1920 Junior Club Tour 9 Let =s Start a Committee 12 The 1921 Junior Club Tour 13 Rally at the 'Y' 16 Visit to the Packing Plants 17 Swift & Company 17 Morris & Company 18 The Wilson Banquet 18 Mr. Wilson's Address 19 Wednesday BLoop Day 20 National 4-H Club Congress - The 1920s 20 1922 20 1923 22 1924 23 1925 24 1926 27 1927 29 1928 31 1929 34 National 4-H Club Congress - The 1930s 35 1930 35 1931 36 1932 39 1933 43 1934 44 1935 46 1936 46 1937 47 1938 48 1939 49 National 4-H Congress - the 1940s 50 1940 and 1941 51 1942 51 1943 53 1944 54 1945 55 1946 58 1947 60 1948 61 1949 62 National 4-H Congress - the 1950s 62 1950 63 1951 64 1952 67 1953 70 1954 71 1955 74 1956 76 1957 77 1958 78 1959 79 National 4-H Congress - the 1960s 81 1960 81 1961 82 1962 83 1963 85 4-H Congress in Chicago DRAFT COPY Page 2 of 178 November 2017 National 4-H Congress in Chicago DRAFT COPY – November 2017 1964 86 1965 86 1966 88 1967 89 1968 90 1969 92 National 4-H Congress - the 1970s 96 1970 96 1971 98 1972 102 1973 105 1974 107 1975 108 1976 109 1977 110 1978 112 1979 114 National 4-H Congress - The 1980s 115 1980 115 1981 116 1982 119 1983 121 1984 123 1985 124 1986 125 1987 126 1988 127 1989 128 National 4-H Congress - The 1990s 129 1990 129 1991 129 1992 130 1993 130 1994 130 Congress Traditions and Highlights 130 Opening Assembly 130 Sunday Evening Club/Central Church Special 4-H Services 131 Firestone Breakfast 131 National Live Stock Exposition Parade 132 National 4-H Dress Revue 132 National Awards Donor Banquets and Events 132 "Pop" Concert with the Chicago Symphony 134 Auditorium Theater Concerts 135 Congress Tours 136 Thomas E.
    [Show full text]
  • Guide to the Playbill and Program Collection 1843-1979
    University of Chicago Library Guide to the Playbill and Program Collection 1843-1979 © 2008 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Historical Note 3 Scope Note 4 Related Resources 5 Subject Headings 5 INVENTORY 5 Series I: Playbills and Theatre Documents 5 Subseries 1: Chicago Theater 5 Subseries 2: Scrapbooks 35 Subseries 3: General Theater 37 Series II: Frances Moore Collection 56 Series III: Music and Dance Performances and Public Programs 64 Series IV: Oversize 78 Series V: Addenda 84 Descriptive Summary Identifier ICU.SPCL.PLAYBILLSPROGRAMS Title Playbill and Program. Collection Date 1843-1979 Size 68.75 linear feet (126 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains primarily posters, programs, and souvenir books from 19th-century public performances and Playbill and Showbill magazines from the 20th century. Also contains musical performance programs for amateur recitals, operas, and ballets. A smaller number of programs are included for lectures, memorials, and tributes. Collection highlights performances in Chicago, New York, and Boston, but also includes material from other regions of the United States and Europe. Contains the Frances Moore Collection of Playbills, Showbills, and performance programs, 1940s-1970s. Also includes scrapbooks, movie programs, film stills, and radio broadcast scripts Information on Use Access No restrictions. Open for research. Citation When quoting material from this collection, the preferred citation is: Playbill and Program. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Historical Note The Playbill and Program Collection represents a diverse body of material which falls under the general heading of 'public performance' in the 19th and 20th centuries.
    [Show full text]
  • Black Music Research Newsletter, Fall 1987
    Columbia College Chicago Digital Commons @ Columbia College Chicago Center for Black Music Research: Black Music Research Newsletter Publications Fall 9-1-1987 Black Music Research Newsletter, Fall 1987 Samuel Floyd Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cbmrnews Part of the Arts and Humanities Commons, and the Education Commons Recommended Citation Floyd, Samuel, "Black Music Research Newsletter, Fall 1987" (1987). Center for Black Music Research: Black Music Research Newsletter. 25. https://digitalcommons.colum.edu/cbmrnews/25 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Center for Black Music Research: Black Music Research Newsletter by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. BLACK MUSIC RESEARCH NEWSLETTER. C B \I R COLUMBIA COLLEGE CHICAGO Vol. 9, No. 2 ISSN Number 0271-3799 Fall 1987 Chicago's Jazz Trail: 1893-1950 by Dempsey/. Travis, Chicago, [llinois Chicago's 1893 World Columbian Ex­ The Haitian Pavilion was an in­ or mentally drained while working in position was the magnet that attracted cubator for jazz music; it was there that Sedalia or St. Louis, he would return hundreds of black itinerant musicians, Scott Joplin and others discovered that to Chicago to be rejuvenated by the entertainers, intellectuals, and hustlers many of their fellow black musicians beauty of Lake Michigan, the smell of to its doorsteps. They all came to had developed musical skills in isola­ the stockyards, and the sounds of the Abraham Lincoln's city by the lake in tion from each other in various sections honky tonks in the red-Llght district.
    [Show full text]
  • Chicago Venue Portfolio
    CHICAGO VENUE PORTFOLIO 1750 W. LAKE STREET | CHICAGO, IL 60612 [email protected] | 773.880.8044 | PARAMOUNTEVENTSCHICAGO.COM Paramount Events is ready to help you plan a spectacular event with a delicious SET THE menu, but to truly make an impact, the perfect backdrop is absolutely essential. SCENE We have connections at some of the best venues in Chicago, including The Lakewood and HighGround, our own private spaces that guarantee dedicated service and personalized attention. You’re welcome to explore the following pages, but don’t forget – we’re here for you! We know every location inside and out and will be happy to offer our suggestions as a guide. ENJOY! TABLE OF CONTENTS 360 Chicago 4 Douglas Park Cultural & Community Center 36 Millennium Park Studio 6F 103 63rd Street Beach House 5 Dovetail Brewery 37 Choral Room 70 Studio Manarchy 104 A New Leaf 6 drumBAR 38 Harris Theater Rooftop Terrace 71 The Accelerated Center 105 Anita Dee Charters 7 East Park Tower 39 Jay Pritzker Pavilion Stage 72 The Geraghty 106 Aragon Ballroom 8 Elawa Farm 40 Moonlight Studios 73 The Joinery 107 Artifact Events 9 Firehouse Chicago 41 Morgan Manufacturing 74 The Lakewood 108 Auditorium Theatre of Roosevelt University 10 Floating World Gallery 42 Morgan’s on Fulton 75 The Laugh Factory 109 Bentley Gold Coast 11 Garfield Park Conservatory 43 Murphy Auditorium 76 The Library and Conference Suites 110 Berger Park 12 Goodman Theatre 44 National Hellenic Museum 77 The Lytle House 111 Beth-El 13 Gruen Galleries 45 Newberry Library 78 The Rookery 112 Block 37 14 Harold Washington Library Center 46 Nike Store Downtown 79 The Tavern Club at 333 113 B’NAI Jehoshua Bethelohim (BJBE) 15 Harris Theatre 47 Noah’s 80 Tiffany & Co.
    [Show full text]
  • Terry Helgesen Collection
    152 N. York St., 2nd Floor, Elmhurst, IL 60126 historictheatres.org Finding Aid for the TERRY HELGESEN COLLECTION Acc. #: xx-005 Future Additions Expected: No Finding Aid creation: August 17, 2010 Size: 10.5 linear feet (approx.) Abstract The Terry Helgesen Collection contains 26 oversize scrapbooks, some correspondence, several draft chapters of a book on theatres, and an oil painting of a young Terry Helgesen. The scrapbooks consist of photographs and drawings of theatres collected by THS member Terry Helgesen with his descriptions of the theatres and other information such as number of seats, architect, opening and closing dates, renovation and demolition dates, and other notable facts. Background Information Terry Helgesen (1914-1995) was a pianist who played on stage in the waning days of presentation houses (a short stage show followed by a movie) as well as in nightclubs. Terry was also a THS Founding member and the 1979 Member of the Year. He was born in Seattle, WA but his family moved to Santa Barbara, CA when he was still very young. He was tutored in piano by Roger Clerbois and Joseph Hoffman, among others. Terry entered vaudeville (variety entertainment with a mixture of comedy, song and dance) in a “tyke” act called “Terry and Ty” with Terry playing a miniature piano and Ty doing a quick-step. Though Terry started as part of an act, he later changed to accompaniment and played on the Orpheum, Fanchon & Marco and Publix circuits. During his travels he sought out newspapers and photographers who had images of theatres which he purchased and assembled into scrapbooks.
    [Show full text]
  • Chicago | Venue Portfolio
    CHICAGO2015 VENUE PORTFOLIO 1932 W. LAKE STREET CHICAGO, IL 60612 [email protected] 773.880.8044 PARAMOUNTEVENTSCHICAGO.COM Paramount Events is ready to help you plan a spectacular event with a delicious SET menu, but to truly make an impact, the perfect backdrop is absolutely essential. THE We have connections at some of the best venues in Chicago, including The Smith on Lake, our own private space that guarantees dedicated service and personalized attention. SCENE You’re welcome to explore the following pages, but don’t forget – we’re here for you! We know every location inside and out and will be happy to offer our suggestions as a guide. ENJOY! 19th Century Club 1 Glessner House Museum 41 Parliament 82 TABLE OF 1st Ward at Chop Shop 2 Goodman Theatre 42 Peggy Notebaert Nature Museum 83 CONTENTS 345 North 3 Harold Washington Library Center 43 Pittsfield Building 84 360 Chicago 4 Harris Theater 44 Pleasant Home 85 63rd Street Beach House 5 Highland Park Community House 45 Portfolio Annex 86 A New Leaf 6 Hilton | Asmus Contemporary 46 Prairie Production 87 Anita Dee Charters 7 Hinsdale Community House 47 Primitive Art 88 Aragon Ballroom 8 Humboldt Park & Boat House 48 Pritzker Military Museum & Library 89 Atrium Events at Architectural Artifacts 9 Ida Noyes Hall at University of Chicago 49 Promontory Point 90 Auditorium Theater 10 Ignite Glass Studio 50 Ravenswood Event Center 91 Bentley Gold Coast 11 International House at University of Chicago 51 Redmoon Theater 92 Berger Park 12 International Museum of Surgical Science
    [Show full text]