DOCSLIB.ORG

Zapsplat.Com, Nd, WAV File

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zapsplat.Com, Nd, WAV File Everyone Works Cited “4x footsteps walking across wooden creaky floor.” ZapSplat.com, n.d., WAV file. “10_Writing.wav.” Freesound.org, 28 February 2019, WAV file. “Airport ambience – arrivals hall – London Stansted airport 2.” ZapSplat.com, n.d., WAV file. “Atmosphere.wav.” Freesound.org, 29 January 2017, WAV file. “Backpack Rummaging.” Freesound.org, 11 December 2017, WAV file. “Ballpoint pen writing signature.” ZapSplat.com, n.d., WAV file. “Basket coffin casket lid open or close with a creaking sound. Version 1.” ZapSplat.com, n.d., WAV file. Batista Santo, Pedro. “Sword-01.” Freesound.org, 29 April 2008, WAV file. Bird Creek. “Pas de Deux.” Cinematic Free Music, 10 March 2020, Mp3 file. “Bell with Crows.” Freesound.org, 8 June 2019, Mp3 file. Boden, Dan. “Macedon is ours.” Youtube Audio Library, n.d., Mp3 file. Boden, Dan. “Orison.” Youtube Audio Library, n.d., Mp3 file. “Body or body part fall to ground.” ZapSplat.com, n.d., WAV file. “Book Flipping Sound.” YouTube Audio Library, 23 March 2020, Mp3 file. Borgeois, Brent. “Going my Way.” Cinematic Free Music, 6 March 2020, Mp3 file. Candeel, Piet. “Funeral bells.mp3.” Freesound.org, 6 July 2011, WAV file. “Car, radio static through speaker, tuning through stations.” ZapSplat.com, n.d., WAV file. “Church bell ringing in small village, Germany.” ZapSplat.com, n.d., WAV file. “Coins.” Freesound.org, 18 January 2013, WAV file. “Cloth money pouch with coins in drop on carpeted floor 1.” ZapSplat.com, n.d., WAV file. “Dark ominous scary hit.” ZapSplat.com, n.d., WAV file. “Designed thunder crack 4.” ZapSplat.com, n.d., WAV file. “DOOR_MJH_01.WAV.” Freesound.org, 19 May 2011, WAV file. “Dreamy, heavenly cartoon harp and choir glissando.” ZapSplat.com, n.d., WAV file. “EnterExit.wav.” Freesound.org, 6 May 2010, WAV file. Evans, Grant. “Thunder Sound FX.” Soundbible.com, 5 December 2012, WAV file. “Flipping through a book.mp3.” Freesound.org, 4 September 2019, Mp3 file. Ford, Caroline. “Drop Sword.” Soundbible.com, 26 August 2009, WAV file. Gandhi, Aakash. “Dance of the U Boat.” Cinematic Free Music, 17 February 2019, Mp3 file. Gandhi, Aakash. “Spirit of the Dead.” Youtube Audio Library, n.d., Mp3 file. “Harp Glissando Down.aiff.” Freesounds.org, 5 August 2018, AIFF file. “Heavy breathing.” Freesound.org, 11 December 2018, WAV file. “Heavy Thunder Strike - no Rain - QUADRO.wav.” Freesound.org, 6 November 2018, WAV file. “Jacket Rustling.wav.” Freesound.org, 16 April 2011, WAV file. Karoń, Tobiasz “unfa.” “Deafening Whispers.” Freesound.org, 16 April 2013, Flac file. Koenig, Mike. “Birds After Rain Sound.” Soundbible.com, 28 May 2011, WAV file. Koenig, Mike. “Jingle Sound of Keys.” Soundbible.com, 9 May 2009, WAV file. Koenig, Mike. “Tornado Siren Sound.” Soundbible.com, 3 October 2009, WAV file. Lebowitz, Dan. “Birds in Flight.” Youtube Audio Library, n.d., Mp3 file. Maxwell, Doug. “Church Bell Celebration.” Youtube Audio Library, n.d., Mp3 file. McDonald, Dren. “The Phantom Journey of the Dundee Star.” Cinematic Free Music, 15 February 2020, Mp3 file. “Old wooden staircase walking.wav.” Freesound.org, 30 December 2018, WAV file. “Outdoor Summer Ambience.” YouTube Audio Library, 20 September 2014, Mp3 file. Perceptu, Cognito. “Arriving home.wav.” Freesound.org, 8 August 2012, WAV file. “Radio Static.” Freesound.org, 22 January 2015, WAV file. “Radio_static.wav.” Freesound.org, 11 July 2012, WAV file. “Radio Tuning Sound Effect.” YouTube Audio Library, 1 December 2014, Mp3 file. “Running Sound Effect.” YouTube Audio Library, 13 June 2010, Mp3 file. Silent Partner. “Lurking.” Cinematic Free Music, 5 March 2020, Mp3 file. Simion, Daniel. “Poker Chips.” Soundbible.com, 2 May 2018, WAV file. Sir Cubworth. “Brass Chorale and Motet.” Youtube Audio Library, n.d., Mp3 file. Sir Cubworth. “Ritual Cathedral.” Youtube Audio Library, n.d., Mp3 file. Spence. “Hovering Thoughts.” Youtube Audio Library, n.d., Mp3 file. Spence. “News Room News.” Youtube Audio Library, n.d., Mp3 file. Shaw, Jonathan. “Church Bells, Approaching, A.wav.” Freesound.org, 1 February 2018, WAV file. Shaw, Jonathan. “Footsteps, Light Mud, A.wav.” FreeSound.org, 26 November 2015, WAV file. Swift, James. “Birds Chirping 01 - Down small park lane.” Freesound.org, 30 March 2013, WAV file. “Thunder Clap Sound.” Soundbible.com, 17 May 2009, WAV file. “Thunder Clap Sound Effect.” YouTube Audio Library, 21 October 2016, Mp3 file. “Thunder Sound Effect.” YouTube Audio Library, 14 August 2012, Mp3 file. “Thunder.ogg.” Freesound.org, 2 August 2014, Ogg Vorbis file. Vibe Mountain. “Clover 3” Cinematic Free Music, 10 March 2020, Mp3 file. Vinay, Kie. “Coins-Money_7.” Freesound.org, 9 April 2020, Mp3 file. .
Load more

Recommended publications
  • Communications
    Oracle Enterprise Session Border Controller with Zoom Phone Premise Peering ( BYOC) and Verizon Business SIP Trunk Technical Application Note COMMUNICATIONS Disclaimer The following is intended to outline our general product direction. It is intended for information purposes only, and may not be incorporated into any contract. It is not a commitment to deliver any material, code, or functionality, and should not be relied upon in making purchasing decisions. The development, release, and timing of any features or functionality described for Oracle’s products remains at the sole discretion of Oracle. 2 | P a g e Contents 1 RELATED DOCUMENTATION ............................................................................................................................... 5 1.1 ORACLE SBC ........................................................................................................................................................................ 5 1.2 ZOOM PHONE ....................................................................................................................................................................... 5 2 REVISION HISTORY ................................................................................................................................................. 5 3 INTENDED AUDIENCE ............................................................................................................................................ 5 3.1 VALIDATED ORACLE VERSIONS .......................................................................................................................................
    [Show full text]
  • THE FUTURE of IDEAS This Work Is Licensed Under a Creative Commons Attribution-Noncommercial License (US/V3.0)
    less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page i THE FUTURE OF IDEAS This work is licensed under a Creative Commons Attribution-Noncommercial License (US/v3.0). Noncommercial uses are thus permitted without any further permission from the copyright owner. Permissions beyond the scope of this license are administered by Random House. Information on how to request permission may be found at: http://www.randomhouse.com/about/ permissions.html The book maybe downloaded in electronic form (freely) at: http://the-future-of-ideas.com For more permission about Creative Commons licenses, go to: http://creativecommons.org less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iii the future of ideas THE FATE OF THE COMMONS IN A CONNECTED WORLD /// Lawrence Lessig f RANDOM HOUSE New York less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iv Copyright © 2001 Lawrence Lessig All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Random House and colophon are registered trademarks of Random House, Inc. library of congress cataloging-in-publication data Lessig, Lawrence. The future of ideas : the fate of the commons in a connected world / Lawrence Lessig. p. cm. Includes index. ISBN 0-375-50578-4 1. Intellectual property. 2. Copyright and electronic data processing. 3. Internet—Law and legislation. 4. Information society. I. Title. K1401 .L47 2001 346.04'8'0285—dc21 2001031968 Random House website address: www.atrandom.com Printed in the United States of America on acid-free paper 24689753 First Edition Book design by Jo Anne Metsch less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page v To Bettina, my teacher of the most important lesson.
    [Show full text]
  • Intelligibility of Selected Speech Codecs in Frame-Erasure Conditions
    NTIA Report 17-522 Intelligibility of Selected Speech Codecs in Frame-Erasure Conditions Andrew A. Catellier Stephen D. Voran report series U.S. DEPARTMENT OF COMMERCE • National Telecommunications and Information Administration NTIA Report 17-522 Intelligibility of Selected Speech Codecs in Frame-Erasure Conditions Andrew A. Catellier Stephen D. Voran U.S. DEPARTMENT OF COMMERCE November 2016 DISCLAIMER Certain commercial equipment and materials are identified in this report to specify adequately the technical aspects of the reported results. In no case does such identification imply recommendation or endorsement by the National Telecommunications and Information Administration, nor does it imply that the material or equipment identified is the best available for this purpose. iii PREFACE The work described in this report was performed by the Public Safety Communications Research Program (PSCR) on behalf of the Department of Homeland Security (DHS) Science and Technology Directorate. The objective was to quantify the speech intelligibility associated with selected digital speech coding algorithms subjected to erased data frames. This report constitutes the final deliverable product for this project. The PSCR is a joint effort of the National Institute of Standards and Technology and the National Telecommunications and Information Administration. v CONTENTS Preface..............................................................................................................................................v Figures.........................................................................................................................................
    [Show full text]
  • Input Formats & Codecs
    Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS:
    [Show full text]
  • Public Mobile Spec Sheet
    Highlights 3.5" IPS touchscreen and slide out QWERTY keyboard with large separated keys for easy typing Android 4.0 (Ice Cream Sandwich) featuring Google Play™ with access to Technical Specifications thousands of Android Apps 1 GHz Qualcomm Snapdragon® processor for fast access to apps and web surfing 3.2 MP camera with flash and video camcorder Talk Time: Up to 8.58 hours Eco Mode – a battery power management application Standby Time: Up to 215 hours Times will vary based on user settings, feature use and network configuration. Additional Features Battery Type: Google Mobile™ services including Google Play™, Google Search™, Google 1500 mAh Lithium ion (Li-Ion) Maps™, Google Talk™, Google Calendar™, Google +™, Google Latitude™, Gmail™, and YouTube™ Display: Siren Music Ready – an unlimited music download service with subscription ® 3.5" capacitive touchscreen, HVGA IPS LCD Preloaded with EZ Wi-Fi - quick and automatic access to wireless Wi-Fi hotspots* (480 x 320 pixels) Dedicated capacitive “Menu” button for easy access to application-specific features ® Swype – a faster and easier way to type Operating System Full HTML browser Android™ 4.0 (Ice Cream Sandwich) Integrate your address book with Gmail, Exchange, and Facebook™ Corporate (Exchange ActiveSync) and personal (POP3 & IMAP) email Chipset: Media player and high-quality video streaming at 30 fps MSM8655 @ 1GHz (QUALCOMM Snapdragon Accelerometer, Proximity Sensor, Ambient Light Sensor, Digital Compass processor) Voice recognition - speaker independent Multiple language
    [Show full text]
  • Speech Codec Intelligibility Testing in Support of Mission-Critical Voice Applications for LTE
    NTIA Report 15-520 Speech Codec Intelligibility Testing in Support of Mission-Critical Voice Applications for LTE Stephen D. Voran Andrew A. Catellier report series U.S. DEPARTMENT OF COMMERCE • National Telecommunications and Information Administration NTIA Report 15-520 Speech Codec Intelligibility Testing in Support of Mission-Critical Voice Applications for LTE Stephen D. Voran Andrew A. Catellier U.S. DEPARTMENT OF COMMERCE September 2015 DISCLAIMER Certain commercial equipment and materials are identified in this report to specify adequately the technical aspects of the reported results. In no case does such identification imply recommendation or endorsement by the National Telecommunications and Information Administration, nor does it imply that the material or equipment identified is the best available for this purpose. iii PREFACE The work described in this report was performed by the Public Safety Communications Research Program (PSCR) on behalf of the Department of Homeland Security (DHS) Science and Technology Directorate. The objective was to quantify the speech intelligibility associated with a range of digital audio coding algorithms in various acoustic noise environments. This report constitutes the final deliverable product for this project. The PSCR is a joint effort of the National Institute for Standards and Technology and the National Telecommunications and Information Administration. v CONTENTS Preface..............................................................................................................................................v
    [Show full text]
  • Polycom Telepresence and G.719
    G.719: The First ITU-T Standard for Full-Band Audio April 2009 1 White Paper: G.719: The First ITU-T Standard for Full-Band Audio INTRODUCTION degradation of the audio. Since telepresence rooms can seat several dozens of people—for example, the Audio codecs for use in telecommunications face more largest Polycom® RealPresence™ Experience severe constraints than general-purpose media (RPX™) telepresence solution has 28 seats— codecs. Much of this comes from the need for advanced fidelity and multichannel capabilities are standardized, interoperable algorithms that deliver required that allow users to acoustically locate the high sound quality at low latency, while operating with speaker in the remote room. Unlike conventional low computational and memory loads to facilitate teleconference settings, even side conversations and incorporation in communication devices that span the noises have to be transmitted accurately to assure range from extremely portable, low-cost devices to interactivity and a fully immersive experience. high-end immersive room systems. In addition, they must have proven performance, and be supported by Going beyond the technology aspects, ITU-T also an international system that assures that they will stressed in its decision the importance of extending continue to be openly available worldwide. the quality of remote meetings to encourage travel reduction, which in turn reduces greenhouse gas Audio codecs that are optimized for the special needs emission and limits climate change. of telecommunications have traditionally been introduced and proven starting at the low end of the THE HISTORY OF THE G.719 STANDARD audio spectrum. However, as media demands increase in telecommunications, the International Polycom thrives through collaboration with partners, Telecommunication Union (ITU-T) has identified the and has delivered joint solutions with Microsoft, IBM, need for a telecommunications codec that supports full Avaya, Cisco, Nortel, Broadsoft, and numerous other human auditory bandwidth, that is, all sounds that a companies.
    [Show full text]
  • State-Of-The-Art of Audio Perceptual Compression Systems
    State-of-the-Art of Audio Perceptual Compression Systems Estado del Arte de los sistemas de Compresión de Audio Perceptual Marcelo Herrera Martínez, Ana María Guzmán Palacios Abstract Resumen n this paper, audio perceptual compression n este trabajo se describen los sistemas de systems are described, giving special attention compresión de audio perceptual, con espe- to the former one: The MPEG 1, Layer III, in cial atención al último modelo disponible: El I short, the MP3. Other compression technolo- E MPEG 1 Layer III, en definitiva, el MP3. Así gies are described, especially the technologies mismo, se describen y evalúan otras tecnolo- evaluated in the present work: OGG Vorbis, WMA (Windows gías de compresión, especialmente las siguientes tecnologías: Media Audio) from Microsoft Corporation and AAC (Audio OGG Vorbis, WMA (Windows Media Audio) de Microsoft Coding Technologies). Corporation y AAC (Audio Coding Technologies). Keywords: Audio Signal, Compression, Frecuency mapping, Palabras clave: señal de audio, compresión, mapeo Frecuencia, MP3, MPEG3, Quantization, SBR, WMA. MP3, MPEG3, cuantificación, SBR, WMA Recibido: Abril 30 de 2013 Aprobado: Noviembre 19 de 2013 Tipo de artículo: Artículo de revisión de tema, investigación no terminada. Afiliación Institucional de los autores: Grupo de Acústica Aplicada – Semillero de investigación Compresión de Audio. Facultad de Ingeniería. Universidad de San Buenaventura sede Bogotá. Los autores declaran que no tienen conflicto de interés. State-of-the-Art of Audio Perceptual Compression Systems These high compression ratios are achieved due to the Introduction possibility of discarding components from the signal due to The storage and reproduction of sound has evolved since irrelevancies (masking) and redundancies (entropic coding).
    [Show full text]
  • Acorn: Adaptive Coordinate Networks for Neural Scene Representation
    acorn: Adaptive Coordinate Networks for Neural Scene Representation JULIEN N. P. MARTEL*, DAVID B. LINDELL*, CONNOR Z. LIN, ERIC R. CHAN, MARCO MONTEIRO and GORDON WETZSTEIN, Stanford University, USA Fig. 1. Adaptive coordinate networks for neural scene representation (acorn), can fit signals such as three-dimensional occupancy fields with high accuracy. Here we demonstrate fitting a 3D occupancy field where inputs to the model are continuous coordinates in space, and outputs are the occupancy atthose positions. acorn optimizes a partition of space while training by allocating more blocks to regions with fine details. Shown here are two detailed 3D scenes obtained with our architecture, Lucy from the Stanford 3D Scanning Repository and a detailed model of a dragon as well as their optimized decompositions at the end of training. Neural representations have emerged as a new paradigm for applications significantly faster and better than previous techniques; it reduces training in rendering, imaging, geometric modeling, and simulation. Compared to times from days to hours or minutes and memory requirements by over an traditional representations such as meshes, point clouds, or volumes they order of magnitude. can be flexibly incorporated into differentiable learning-based pipelines. CCS Concepts: • Computing methodologies Artificial intelligence; While recent improvements to neural representations now make it possible → Image representations; Shape representations; Hierarchical repre- to represent signals with fine details at moderate resolutions (e.g., for images sentations; Image processing; Image compression. and 3D shapes), adequately representing large-scale or complex scenes has proven a challenge. Current neural representations fail to accurately Additional Key Words and Phrases: Neural Signal Representation represent images at resolutions greater than a megapixel or 3D scenes with more than a few hundred thousand polygons.
    [Show full text]
  • Polycom® UC Software 5.8.1 Applies to Polycom® VVX® Business Media Phones, Polycom® VVX® Business IP Phones, and Polycom® Soundstructure® Voip Interface Phones
    RELEASE NOTES UC Software 5.8.1 | September 2018 | 3725-42646-013B Polycom® UC Software 5.8.1 Applies to Polycom® VVX® Business Media Phones, Polycom® VVX® Business IP Phones, and Polycom® SoundStructure® VoIP Interface Phones Polycom announces the release of Polycom® Unified Communications (UC) Software, version 5.8.1. This document provides the latest information about this release. Contents What’s New . 2 New Features and Enhancements . 3 Configuration File Enhancements . 5 Security Updates . 5 Install . 5 Version History . 8 Language Support . 13 Resolved Issues . 14 Known Issues . 17 Recommendations . 17 Limitations . 18 Get Help . 18 The Polycom Community . 18 Copyright and Trademark Information . 19 Polycom, Inc. 1 Release Notes UC Software Version 5.8.1 What’s New Polycom Unified Communications (UC) Software 5.8.1 is a release for Open SIP and Skype for Business deployments. These release notes provide important information on software updates, phone features, and known issues. Polycom UC Software 5.8.1 supports the following Polycom endpoints. Support for Lync 2010 is limited to testing of basic call scenarios. Microsoft support of Lync and Skype for Business is documented on Microsoft's website. Microsoft does not currently support IP phones on Lync 2010. For information, see IP Phones on Microsoft Support. Phone Support Skype for Skype for Business Business Phone Model On-Premises Online Open SIP VVX 101 business media phone No No Yes VVX 201 business media phone Yes Yes Yes VVX 300/301/310/311 business media phones Yes Yes Yes VVX 400/401/410/411 business media phones Yes Yes Yes VVX 500/501 business media phones Yes Yes Yes VVX 600/601 business media phones Yes Yes Yes VVX 1500 business media phone No No Yes VVX 150 business IP phone No No Yes VVX 250 business IP phone Yes No Yes VVX 350 business IP phone Yes No Yes VVX 450 business IP phone Yes No Yes VVX D60 Wireless Handset and Base Station No No Yes SoundStructure VoIP Interface phone Yes Yes Yes Polycom UC Software 5.8.1 supports the following Polycom accessories.
    [Show full text]
  • Investigatory Voice Biometrics Committee Report Development Of
    1 2 3 4 5 6 7 8 9 Investigatory Voice Biometrics Committee Report 10 11 Development of a Draft Type-11 Voice Signal Record 12 13 09 March, 2012 14 15 Version 1.8 16 17 18 Contents 19 Summary ................................................................................................................................................................ 3 20 Introduction ............................................................................................................................................................ 3 21 Investigatory Voice Committee Membership ............................................................................................................ 5 22 Definitions of Specialized Terms Used in this Document .......................................................................................... 5 23 Relationship Between the Type-11 Record and Other Record Types and Documents ............................................... 8 24 Some Types of Transactions Supported by a Type-11 Record ................................................................................. 8 25 Scope of the Type-11 Record ................................................................................................................................ 10 26 Source Documents ............................................................................................................................................... 11 27 Administrative Metadata Requirements.................................................................................................................
    [Show full text]
  • Music Performance and Instruction Over High-Speed Networks
    A POLYCOM WHITEPAPER Music Performance and Instruction over High-Speed Networks October 2011 A POLYCOM WHITEPAPER Music Performance and Instruction over High-Speed Networks Introduction High-speed IP networks are creating opportunities for new kinds of real-time applications that connect artists and audiences across the world. A new generation of audio-visual technology is required to deliver the exceptionally high quality required to enjoy remote performances. This paper describes how the Manhattan School of Music (MSM) uses Polycom technology for music performance and instruction over the high-speed Internet2 network that connects schools and universities in the United States and other countries around the world. Due to the robustness of the technology, MSM has recently started using it over commodity broadband networks, too. There are four major challenges to transmitting high-quality music performances over IP networks: (1) true acoustic representation, (2) efficient and loss-less compression and decompression that preserves the sound quality, (3) recovery from IP packet loss in the network, and (4) lowest latency possible to enable a seamless and transparent virtual learning environment. This paper analyzes each of these four elements and provides an overview of the mechanisms developed by Polycom to deliver exceptional audio and video quality, and special modifications for the Music Mode in Polycom equipment. Music Performance and Instruction at Manhattan School of Music Manhattan School of Music’s use of live, interactive video conferencing technology (ITU-T H.323 and H.320) for music performance and education began in 1996. At that time, the world- renowned musical artist and distinguished MSM faculty member, Pinchas Zukerman, brought the concept of incorporating live, two- Figure 1 - Pinchas Zukerman at Canada Art Centre Teaches a Student in way audio-visual communication into the Zukerman Performance New York over Video Program at the School.
    [Show full text]