The Poet at the Breakfast Table (Volume I)
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Rectv Powered by レコチョク 配信曲 覧(アーティスト名ヨミ「は」 )
RecTV powered by レコチョク 配信曲⼀覧(アーティスト名ヨミ「は」⾏) ※2021/7/19時点の配信曲です。時期によっては配信が終了している場合があります。 曲名 歌手名 アワイロサクラチル バイオレント イズ サバンナ It's Power of LOVE バイオレント イズ サバンナ OH LOVE YOU バイオレント イズ サバンナ つなぐ バイオレント イズ サバンナ I'M DIFFERENT HI SUHYUN AFTER LIGHT [Music Video] HYDE INTERPLAY HYDE ZIPANG (Japanese Version) HYDE feat. YOSHIKI BELIEVING IN MYSELF HYDE FAKE DIVINE HYDE WHO'S GONNA SAVE US HYDE MAD QUALIA [Japanese Version] HYDE LET IT OUT HYDE 数え切れないKiss Hi-Fi CAMP 雲の上 feat. Keyco & Meika, Izpon, Take from KOKYO [ACOUSTIC HIFANA VERSION] CONNECT HIFANA WAMONO HIFANA A Little More For A Little You ザ・ハイヴス Walk Idiot Walk ザ・ハイヴス ティック・ティック・ブーン ザ・ハイヴス ティック・ティック・ブーン(ライヴ) ザ・ハイヴス If I Could Change Your Mind ハイム Summer Girl ハイム Now I'm In It ハイム Hallelujah ハイム Forever ハイム Falling ハイム Right Now ハイム Little Of Your Love ハイム Want You Back ハイム BJ Pile Lost Paradise Pile I Was Wrong バイレン 100 ハウィーD Shine On ハウス・オブ・ラヴ Battle [Lyric Video] House Gospel Choir Waiting For The Sun Powderfinger Already Gone Powderfinger (Baby I've Got You) On My Mind Powderfinger Sunsets Powderfinger These Days [Live In Concert] Powderfinger Stumblin' [Live In Concert] Powderfinger Take Me In Powderfinger Tail Powderfinger Passenger Powderfinger Passenger [Live At The 1999 ARIA Awards] Powderfinger Pick You Up Powderfinger My Kind Of Scene Powderfinger My Happiness Powderfinger Love Your Way Powderfinger Reap What You Sow Powderfinger Wake We Up HOWL BE QUIET fantasia HOWL BE QUIET MONSTER WORLD HOWL BE QUIET 「いくらだと思う?」って聞かれると緊張する(ハタリズム) バカリズムと アステリズム HaKU 1秒間で君を連れ去りたい HaKU everything but the love HaKU the day HaKU think about you HaKU dye it white HaKU masquerade HaKU red or blue HaKU What's with him HaKU Ice cream BACK-ON a day dreaming.. -
Arranged Mafia Marriage Chapter 1 BPOV I Feel Like I Am Always Running from Someone
Arranged Mafia Marriage Chapter 1 BPOV I feel like I am always running from someone. I can feel their eyes watching me. My name is Bella Swan; I am 16 years old and a sophomore in high school. My father is Charlie Swan is Mafia lord and his best friend Carlisle Cullen is his partner in crime who I have heard a lot about over the years. My mother is Renee Swan she is definitely one the sweetest mother's in the world but she can be your worst nightmare if you get on her bad side. I have four older siblings Sam, Jacob, Rose, and Alice. I am the baby of the family which also means I get the most unwanted attention and my siblings have a hard time accepting that I'm not a little girl anymore, I am almost an adult. My ex-boyfriend Chris was murdered when I was 15 years old. He was definitely the sweetest boyfriend you could have, I loved him and wanted to marry him in the future, but that will never happen with him. Many people want me for my families' money, but he wanted me for who I was. The mafia life is what I grew up with living in New York; I learned you can't trust anyone outside of the family except for the Cullen's. I also didn't trust people because of what I had dealt with the past sixteen years. Which brings me here in Chicago at Mr. Cullen's house, my father announced to me last week that I was arranged to be married to Mr. -
Ralph Waldo Emerson and the Ever-Evolving Art of Self
RALPH WALDO EMERSON AND THE EVER-EVOLVING ART OF SELF-RELIANT READING BY THEODORE REND BARTON A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English December 2012 Winston-Salem, North Carolina Approved by: Eric Wilson, Ph.D., Advisor Barry Maine, Ph.D., Chair Omaar Hena, Ph.D. My efforts and their results are dedicated to my grandmothers Irene Sauban and Jeanne Barton whose lives demonstrated the magnanimous effects of constant reading, and also to my brother William Barton who never hesitates to read from the text of the world. ii ACKNOWLEDGEMENTS This project and I are indebted to innumerable people for their love, support, and patience. I will always have indefatigable gratitude for my time with Eric Wilson, and for his indelible influence on my intellectual development while at Wake Forest University and in London. It must be rare that a graduate student is given the opportunity to study with a mentor whom he truly admires and looks up to, and I am cognizant of how lucky I’ve been. Similarly, it’s difficult to express the extent of my appreciation for Omaar Hena, but it’s clear that Wake is unbelievably lucky to employ him for what is certain to be a ground breaking and distinguished career in post-colonial studies. I also must thank my Cal. State professors Chad Luck, Margaret Doane, Cynthia Cotter, and Julie Sophia Paegle for preparing me for the rigors of graduate school and for their encouragement. -
Mary Moody Emerson
MARY MOODY EMERSON GAVE HIGH COUNSELS. IT WAS THE PRIVILEGE OF CERTAIN BOYS TO HAVE THIS IMMEASURABLY HIGH STANDARD INDICATED TO THEIR CHILDHOOD; A BLESSING WHICH NOTHING ELSE IN 1 EDUCATION COULD SUPPLY. 1. This description was created by Elizabeth Hoar and would appear on Miss Mary Moody Emerson’s tombstone. HDT WHAT? INDEX T N A M U R Y A A M I T A 2 MISS MARY “POLLY” MOODY EMERSON WALDO’S RELATIVES “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY 2. “Tnamurya” and “Amita” were names used by Waldo Emerson to mask or minimize the influence upon him of his Aunt Mary. HDT WHAT? INDEX A M I T A T N A M U R Y A Table of Altitudes Yoda 2 ' 0 '' Lavinia Warren 2 ' 8 '' Tom Thumb, Jr. 3 ' 4 '' Lucy (Australopithecus Afarensis) 3 ' 8 '' Hervé Villechaize (“Fantasy Island”) 3 ' 11'' Charles Proteus Steinmetz 4 ' 0 '' Mary Moody Emerson per FBS (1) 4 ' 3 '' Alexander Pope 4 ' 6 '' Benjamin Lay 4 ' 7 '' Dr. Ruth Westheimer 4 ' 7 '' Gary Coleman (“Arnold Jackson”) 4 ' 8 '' Edith Piaf 4 ' 8 '' Queen Victoria with osteoporosis 4 ' 8 '' Linda Hunt 4 ' 9 '' Queen Victoria as adult 4 ' 10 '' Mother Teresa 4 ' 10 '' Margaret Mitchell 4 ' 10 '' length of newer military musket 4 ' 10'' Charlotte Brontë 4 ' 10-11'' Tammy Faye Bakker 4 ' 11'' Soviet gymnast Olga Korbut 4 ' 11'' jockey Willie Shoemaker 4 ' 11'' Henri de Toulouse-Lautrec 4 ' 11'' Joan of Arc 4 ' 11'' Bonnie Parker of “Bonnie & Clyde” 4 ' 11'' Harriet Beecher Stowe 4 ' 11'' Laura Ingalls Wilder 4 ' 11'' a rather tall adult Pygmy male 4 ' 11'' Gloria Swanson 4 ' 11''1/2 Clara Barton 5 ' 0 '' Isambard Kingdom Brunel 5 ' 0 '' Andrew Carnegie 5 ' 0 '' Thomas de Quincey 5 ' 0 '' Stephen A. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
ROCHELLE SCHIECK Founder, Qoya Movement Praise for Rochelle Schieck’S QOYA: a Compass for Navigating an Embodied Life That Is Wise, Wild and Free
“The Qoya were the sacred women of the Inka, daughters of the Sun, the ones chosen to uplift humanity to our grandest and greatest possibilities. Rochelle accomplishes this great task in this stunning book.” —Alberto Villoldo, PhD, author of Shaman, Healer, Sage and One Spirit Medicine Q YA A Compass for Navigating an Embodied Life that is Wise, Wild and Free ROCHELLE SCHIECK Founder, Qoya Movement Praise for Rochelle Schieck’s QOYA: A Compass for Navigating an Embodied Life that is Wise, Wild and Free “Through the sincere, witty, and profound sharing of her own life experiences, Rochelle reveals to us a valuable map to recover one’s joy, confidence, and authenticity. She shows us the way back to love by feeling gratitude for one’s own experiences. She offers us price- less tools and practices to reconnect with our innate intelligence and sense of knowing what is right for us. More than a book, this is a companion through difficult moments or for getting from well to wonderful!” —Marcela Lobos, shamanic healer, senior staff member at the Four Winds Society, and co-founder of Los Cuatro Caminos in Chile “Qoya represents the future – the future of spirituality, femininity, and movement. If I’ve learned anything in my work, it is that there is an awakening of women everywhere. The world is yearning for the balance of the feminine essence. This book shows us how to take the next step.” —Kassidy Brown, co-founder of We Are the XX “Rochelle Schieck has made her life into a solitary vow: to remem- ber who she is – not in thought or theory – but in her bones, in the truth that only exists in her body. -
The Saylor Foundation 1 Ralph Waldo Emerson's “The Poet”
Ralph Waldo Emerson’s “The Poet” While now best known as a philosopher, essayist, and lecturer, Emerson, at different times in his career, avowed that he saw himself first and foremost as a poet. First appearing in his collection Essays: Second Series (1844), “The Poet” marks Emerson’s most sustained attempt at defining the vocation of the poet and his central importance within Emerson’s broader philosophical thought. Like all of Emerson’s essays, “The Poet” is difficult to summarize as it moves from point to point, working more through suggestiveness and the reworking of similar ideas in slightly different formulations rather than through sustained argument. Certain chief ideas stand out, however, echoing Emerson’s comments throughout his career on the role of art in human life—the celebration of intuition and inspiration over learning and technique; the connections among the material universe of nature, the individual mind, and the divine, universal, spiritual truth; and a tension between an egalitarian emphasis on the capacity of every human to access this truth and his exaltation of the few who most fully provoke or lead the rest to see the truth. One of Emerson’s most famous phrases appears early in “The Poet,” placing him squarely within Romanticism’s emphasis on organic, as opposed to imposed, form: “For it is not meters, but a meter-making argument that makes a poem,--a thought so passionate and alive that like the spirit of a plant or an animal it has an architecture of its own, and adorns nature with a new thing.” While most of Emerson’s poetry was fairly conventional in its form, in terms of meter and rhyme, stanzaic construction, etc., he emphasizes the form should follow from the inspiration, the feeling, or thought that creates the poem and gives it life. -
Actualizing Identity, Self-Actualization in Emily Dickinson's Poetry
Journal of Novel Applied Sciences Available online at www.jnasci.org ©2014 JNAS Journal-2014-3-3/337-343 ISSN 2322-5149 ©2014 JNAS Actualizing Identity, Self-Actualization in Emily Dickinson’s Poetry Nasim Zahedi Doost1* and Leila Baradaran Jamili2 1- MA Student of English Language and Literature, Islamic Azad University, Boroujerd Branch, Iran 2- Assisstant Professor of English Language and Literature, Islamic Azad University, Boroujerd Branch, Iran Corresponding author: Nasim Zahedi Doost ABSTRACT: Searching for or actualizing identity is to become what one truly is, indeed, self- actualization refers to the fact of using one’s ability to achieve the meaning of life as much as he can. Having a strong identity, which helps people to be successful in their life, needs a strong self-confidence. Actualizing identity helps man to find a sense of selfhood resulting in or leading to a sense of self- actualization. In this sense, Emily Elizabeth Dickinson (1830-1886), the American poet, who was greatly influenced by Ralph Waldo Emerson’s (1803-1882) doctrine of self-reliance, attempts to reach self- actualization. Dickinson’s poems, offering the power and completeness of self, show a theme of selfhood, autonomy and self-actualization. For instance, “The Soul Selects her own Society,” “On a Columnar Self, You’ll Know it,” and “I’m Ceded—I’ve Stopped Being Their’s—” are some of her famous poems, which contain a lot of signs of actualizing identity and self-actualization; they also emphasize the soul’s power. The present paper uses the theory of self-actualization by Abraham Harold Maslow (1908- 1970) and Carl Rogers (1902-1987), to challenge and analyze different aspects of actualization, and self-actualization in Dickinson’s poetry. -
Emerson's Poetic Theory
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2013 Awaiting the Seer: Emerson's Poetic Theory Rachel Radford [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the American Literature Commons Recommended Citation Radford, Rachel, "Awaiting the Seer: Emerson's Poetic Theory" (2013). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1606 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. The University of Tennessee Awaiting the Seer: Emerson’s Poetic Theory Rachel Radford First Reader: Dr. Coleman Second Reader: Dr. Griffin English 498 April 26, 2012 Radford 1 Who could stand among the ranks of Homer, Milton, and Shakespeare as America’s poet? Who could found a great American literary tradition? These questions reflected the eighteenth century concern about the state of American literature. William Cullen Bryant, an internationally acclaimed poet after the publication of Poems in 1821, was one who addressed these issues (Baym, “Bryant” 1044). In 1825 Bryant was invited to give a series of lectures on poetry before the New York Athenaeum (Bryant 3). The third of these lectures focused on the development of poetry in America as compared to its development in other places and times, responding to critics who questioned the ability of poetry to emerge in a time where “the progress of reason, of science, and of the useful arts has a tendency to narrow the sphere of imagination” (24). -
The Normal Review, a Literary and Arts Publication, Fall 2013
Montclair State University Montclair State University Digital Commons The Normal Review Student Publications Fall 2013 The Normal Review, A Literary and Arts Publication, Fall 2013 The Normal Review Follow this and additional works at: https://digitalcommons.montclair.edu/normalreview Recommended Citation The Normal Review, "The Normal Review, A Literary and Arts Publication, Fall 2013" (2013). The Normal Review. 3. https://digitalcommons.montclair.edu/normalreview/3 This Book is brought to you for free and open access by the Student Publications at Montclair State University Digital Commons. It has been accepted for inclusion in The Normal Review by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. THE NORMALNORMAL REVIEW FALL 2013 1 The Normal Review A Literary Arts Publication Montclair State University Fall 2013 Cover art: “Hope” by Rihana Shah Cover design by Moses Maiello Logo by Moses Maiello Copyright © 2013 The Normal Review Montclair State University Dickson Hall 125 Montclair, NJ 07043 A Media Organization of the English Department at Montclair State University, Inc. All Rights Reserved Printed by: B&B Press 24 Cokesbury Road, Suite 11 Lebanon, NJ 08833 For more information, visit: www.thenormalreview.com or email: [email protected] The Normal Review Executive Board Co-Editor in Chief Co-Editor in Chief Michael Keane Diane Mangru Poetry Editor Prose Editor Jessica Freeland Vincent Limbo Secretary Art Director Ryan Oxild Moses -
Reconciling Christian and Transcendentalist Philosophies in the Poetry of Jones Very Kirsten Ridlen Bridgewater State University
Undergraduate Review Volume 11 Article 19 2015 Divining Very: Reconciling Christian and Transcendentalist Philosophies in the Poetry of Jones Very Kirsten Ridlen Bridgewater State University Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the Literature in English, North America Commons Recommended Citation Ridlen, Kirsten (2015). Divining Very: Reconciling Christian and Transcendentalist Philosophies in the Poetry of Jones Very. Undergraduate Review, 11, 108-113. Available at: http://vc.bridgew.edu/undergrad_rev/vol11/iss1/19 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2015 Kirsten Ridlen "Christianity," as Emerson writes, "became a Mythos as [did] Divining Very: the poetic teaching of Greece and of Egypt, before" (Emerson 235). Of this subjugation of the individual to a singular deity, Reconciling Christian Emerson says, and Transcendentalist Once man was all; now he is an appendage, a nuisance. Philosophies in the Poetry And because the indwelling Supreme Spirit cannot wholly be got rid of, the doctrine of it suffers this of Jones Very perversion, that the divine nature is attributed to one or two persons, and denied to all the rest, and denied with fury. The doctrine of inspiration is lost; the base KIRSTEN RIDLEN doctrine of the majority of voices usurps the place of the doctrine of the soul. Miracles, prophecy, poetry, n July 15, 1838, Ralph Waldo Emerson gave his the ideal of life, the holy life, exist as ancient history address to the graduating class of Harvard's Divinity merely; they are not in the belief, nor in the aspiration School. -
Songliste Koreanisch (Juli 2018) Sortiert Nach Interpreten
Songliste Koreanisch (Juli 2018) Sortiert nach Interpreten SONGCODETITEL Interpret 534916 그저 널 바라본것 뿐 1730 534541 널 바라본것 뿐 1730 533552 MY WAY - 533564 기도 - 534823 사과배 따는 처녀 - 533613 사랑 - 533630 안녕 - 533554 애모 - 533928 그의 비밀 015B 534619 수필과 자동차 015B 534622 신인류의 사랑 015B 533643 연인 015B 975331 나 같은 놈 100% 533674 착각 11월 975481 LOVE IS OVER 1AGAIN 980998 WHAT TO DO 1N1 974208 LOVE IS OVER 1SAGAIN 970863기억을 지워주는 병원2 1SAGAIN/FATDOO 979496 HEY YOU 24K 972702 I WONDER IF YOU HURT LIKE ME 2AM 975815 ONE SPRING DAY 2AM 575030 죽어도 못 보내 2AM 974209 24 HOUR 2BIC 97530224소시간 2BIC 970865 2LOVE 2BORAM 980594 COME BACK HOME 2NE1 980780 DO YOU LOVE ME 2NE1 975116 DON'T STOP THE MUSIC 2NE1 575031 FIRE 2NE1 980915 HAPPY 2NE1 980593 HELLO BITCHES 2NE1 575032 I DON'T CARE 2NE1 973123 I LOVE YOU 2NE1 975236 I LOVE YOU 2NE1 980779 MISSING YOU 2NE1 976267 UGLY 2NE1 575632 날 따라 해봐요 2NE1 972369 AGAIN & AGAIN 2PM Seite 1 von 58 SONGCODETITEL Interpret 972191 GIVE IT TO ME 2PM 970151 HANDS UP 2PM 575395 HEARTBEAT 2PM 972192 HOT 2PM 972193 I'LL BE BACK 2PM 972194 MY COLOR 2PM 972368 NORI FOR U 2PM 972364 TAKE OFF 2PM 972366 THANK YOU 2PM 980781 WINTER GAMES 2PM 972365 CABI SONG 2PM/GIRLS GENERATION 972367 CANDIES NEAR MY EAR 2PM/백지영 980782 24 7 2YOON 970868 LOVE TONIGHT 4MEN 980913 YOU'R MY HOME 4MEN 975105 너의 웃음 고마워 4MEN 974215 안녕 나야 4MEN 970867 그 남자 그 여자 4MEN/MI 980342 COLD RAIN 4MINUTE 980341 CRAZY 4MINUTE 981005 HATE 4MINUTE 970870 HEART TO HEART 4MINUTE 977178 IS IT POPPIN 4MINUTE 975346 LOVE TENSION 4MINUTE 575399 MUZIK 4MINUTE 972705 VOLUME UP 4MINUTE 975332 WELCOME