Académie 3, 1965

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Académie 3, 1965 Oil and photo emulsion on canvas 165 x 115 cm Private collection, Turin The photographic canvas – achieved by overlapping two negatives – portrays the artist in a slightly curved position before a blank canvas, in the role of the painter at work. On the canvas Paolini made a pictorial gesture with blue oil (whose brand is referred to in the title), so as to create a paradox: the sign of the colour drops down behind the painter, while the canvas before him remains perfectly blank. The actual application of colour on the canvas – the artist’s physical gesture, the concrete trace on the pictorial support – has no other purpose than to evoke the absence of a relationship (or the refusal of a direct relationship) between the artist and his painting. Before the canvas the painter confronts himself critically with the act of painting; rather than subordinating the canvas to his gesture, he chooses to wonder about the very concept of painting and the painting. In addition to the use of the photograph, the introduction of the figure of the artist and his relationship with the work is the main theme of Paolini’s output in 1965. “Photography gives me the opportunity to expand the language and thus include the gestures and the very figure of the author in my exploration”.1 1 The artist in G. Celant, Giulio Paolini, New York: Sonnabend Press, 1972, pp. 47-48 (reprinted in G. Celant (ed.), Giulio Paolini 1960-1972, Milan: Fondazione Prada, 2003, p. 148). Cf. also the works entitled 1421965 (1965) and 1/25 (1965) recorded in the "Works/Public Collections/France/Paris/Musée national d’art moderne” and “Works/Public Collections/Italy/Rivoli and Turin” sections, respectively, in this website. Exhibition chronology and bibliography cf. M. Disch, Giulio Paolini. Catalogo ragionato 1960-1999, Milan: Skira editore, 2008, vol. 2, p. 888, cat. no. 82. © Maddalena Disch .

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Giulio Paolini QUI DOVE SONO (HERE WHERE I
Giulio Paolini QUI DOVE SONO (HERE WHERE I AM) Galleria Christian Stein Corso Monforte 23, Milan September 30, 2020-January 16, 2021 The Galleria Christian Stein presents a solo exhibition by Giulio Paolini (Genoa, 1940) entitled Qui dove sono (Here Where I Am), a reference to a work in the show and a homage to the Galleria Christian Stein, where Paolini exhibited for the first time over fifty years ago, in 1967, at the branch in Turin, and has continued to do so regularly throughout his career, most recently in 2016. The exhibition at the gallery on Corso Monforte is made up of five works, three of which were created expressly for the occasion. Sculpture and photography, suitably elaborated in Paolini’s language, tell a story that turns around myth, classical antiquity and history; the images on display are shrouded in an absolute dimension of time, remote from the realities of the present day. In the work located at the center of the room, In volo (Icaro e Ganimede) (In Flight [Icarus and Ganymede], 2019-20), the plaster cast of Ganymede, copy of a marble sculpture by Benvenuto Cellini (1500-71), stands on a high base. The youth is holding two wings made of gilded cardboard to evoke his flight to Olympus. In fact the myth of Ganymede is founded on the beauty of the young man, to whom Zeus, king of the gods, takes a fancy, abducting him in the form of an eagle and carrying him off to Olympus to be his lover. On the ground a square sheet of transparent material offers glimpses of fragments of a photographic image of the sky together with a reproduction of the figure of Icarus from the picture Daedalus and Icarus (1799) by the French painter Charles Paul Landon (1761-1826).
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