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Géza Perneczky Géza Perneczky NETWORK ATLAS Works and Publications by the People of the First Network Volume 1: A - N A Historical Atlas for the Post-Fluxus Movements as Mail Art, Visual Poetry, Copy Art, Stamp Art & Other Relative Trends with Addresses, Projects, Publications & Exhibition Events (Unedited manuscript) * Update: April 2003. © Geza Perneczky Soft Geometry, Cologne 2 3 It's very important for me to say that I consider my occupation as an artist as very small and insignificant but at the same time as one of great dignity. I mean the refusal to accept compromisses with power, no matter of what kind it is, and the rejection of the use of art and the artistic work as its instrument... Es muy importante para mí expresar que el ejercicio de mi profesión artística lo veo como una actividad muy modesta, pero con mucha dignidad a la vez. Me refiero a la actitud de rechazo de todo compromiso con el poder, cualquiera que sea, y de la utilización de la actividad creadore como instrumento de él... Es ist für mich sehr wichtig zu sagen, daß ich meine künstlerische Tätigkeit als sehr bescheiden betrachte, gleichzeitig aber als eine von großer Würde. Ich meine damit das Zurückweisen von Kompromissen mit der Macht, egal welcher Art sie ist, und das Zurückweisen der Benutzung der Kunst und der künstlerischen Tätigkeit als ihr Instrument... (Guillermo Deisler: Some events... ) 4 1 a Collective de Arte Postale» Faculdade de Filosofia. Arapongas Brasil 1978 → °1 a Collective de Arte Postale. Doc. List of 29 parts. 1978 «A 1. Waste Paper Comp. Ltd.» (Hazel Jones & Michael Leigh) → Leigh !Aakoun, Pjotr Dr.! (Peter Moreels) 6 rue de la Croix Rouge. Pecq, B-7740 Belgium 1992 ↑ Changed addresses, the order of which is not clear: 6 rue Sainte Caip, 18 rue des Soeurs Noires, nc 84 Chausse de Renaix, 5 Terasse de la Modeleine, all in Tournei, B-7500, ............................................................................................................................................................. ^Ekstraktion (Mail Art magazine, after the start in the form of unbound or stitched A/5 assembling, ~20 p. 30-100 copies, 1984-, ir.) ^#1, #3, #1984, #Nov, 1985 ^Frenetic. Un simply regard (Mag. Mail Art compilation. A/5. phc., 16 p. 1985-, ir.) ^#1 ^Collective Brainwash (A/5 assembling in envelope {30}, 1986, #1 only?) ^#1 Our Brains in Blue Water (June 1986, 23 parts.) ^Invitation to the 2nd issue (not realized): Agri-Culture Aarssen, Ruud v. / Joseph, Robert / → Rook, G. J. de, Van Dortmondnstr. 19. Arnhem, Netherlands 1971 Bloknoot (Mag. with visual poetry & concept art, also assembling issues {125-150}. U D, Mayor, H. W. Kalkmann, P. Finch, J. Valoch, M. Nannucci, C. Padín, J. Urban, P. Stembera & others. A/4, offset, ~100 p. or: A/4 material collected and fixed into letter files of 35x25 cm. 1970-72, 3-4x yearly?) Abajkovics, Péter → Leopold Bloom Abbot, Steve 545 Ashbury, N° 1. San Francisco, CA-94117 USA 1981 ^Soup. A pineering journal of newest development in writing & the art. (A generous edited magazine with many visual matter. Cut A/4, offset, ~50 p. 1981-, y?) ^#2 Ackerman, Al (!Blaster!) 425 East 31st St. Baltimore, MD-21218 USA 1997 ↑ 2407 Maryland #1. Baltimore, MD-21218 -“- 1995 ↑ 208 Rout St. San Antonio, TX-78209 -“- 1990 ↑ 137. Burr Rd. San Antonio, TX-78209 -“- 1988 ↑ P. O: Box 15035 San Antonio, TX-78212 -“- 1985 ↑ 1220 SE. 30 Portland, OR-97214 -“- 1978 ↑ 2623 S. E. Belmont Portland, OR-97214 -“- 1975 ............................................................................................................................................................. ^The Laughing Postman (Mag. Each issue focused on a specific aspect or personality of Mail Art. A witty contribution to problems and theories of under- ground art trends. Letter, phc., ~10-20 p. 1975-81?, #1-8?) Portland ^#11 ^Maître Ling & autres histoires. (Prose, translated by Philippe → Billé, 80 p.) La Tête Reposée, Plein Chaut, Bassac, F-16120, 1975 ^Ask Ling (Mag. in the form of series of open letters to friends and artists, Letter & digest size, phc., ~4-20 p. 1980-, irregular numbering!) San Antonio ^#37, 38, 45 Confessions of an American Ling Master (6 stories including the Bread Doll Fancier / In Hellish Benares / The Squid Boys of Terre Haute. Book, Publishers Group South West – Allihies, Bantry, West Cork, Ireland, 1984) +Smile (Mag. with handmade cover, 1984, #1) Neoist Study Centre, San Antonio ^Emils 69 (Smile mutant [anagramm] by !Dr. Emil Steiner!, digest, phc., 12 p. 1984? #1), Portland ^The Wire (Mag. Smile mutant. Digest, phc., 18 p. 1984, #1 only?) Editor: !Sharon Wysocki! Progressive Press. 7320 Colonial, Dearborn Heights, MI-48127 ^Birk Neark. Karen Eliot's own magazine. (Mag. A pamphlet about the → Smile mania. Digest, phc., 20 p. 1985? #1) Mad Dog Press / San Antonio Rotational Situationism. „Levi-Strauss“ Style (Essay) In: PhotoStatic (→ Dunn), N° 40, Dec. 1989, 1509-1511 p. 5 ^Proud Cray (Prose, 28 p.) → Feh! Press, New York, n.d. (~1993-94) ^The Blaster Al Ackerman Omnibus (Collected texts, 228 p.) → Feh! Press, 1995 U → Neoism / Literature: István → Kántor: Some of the Monty Cantsins. ~ Source: (Gerald Simonsen's letter to Géza Perneczky): « ...The guy has published over 5000 different magazines in the past 20 years, always works while hearing a Ling Pillow case over his head through which he constantly slumps slurps Mogan David wine, holds several degrees in philosophy and mathematics, smokes Fatima cigarettes, runs a clinic for disturbed people out the back of his house, and sleeps in a coffin. I have know the good Doctor for nearly 20 years. I even testified as a character witt- ness at the trial. In the past several I have worked for him as a bodyguard when he has found it nessary to travel. Lectures, autograph parties, ect. I hope this helps you in what ever you are looking for...» (1775 Cliff Rd. Eagan MN-55122, July 12, '89) Al Ackerman: Letter to Géza Perneczky, Dec. 30, 1988. Quoted in: Perneczky: A Háló. Ed. Héttorony, Budapest, 1991. (Original English text: 299-230 p.) and Géza Perneczky: The Magazine Network. The trends of alternative art in the light of their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993.179 p. Reprinted in: The Blaster Al Ackerman Omnibus, 1995, 121-122 p. In this letter, Ackerman describes his very intensive small magazine editorship activity and mentions the following titles: Gnom Club News, Clark Ashton Smith Fellowship Newsletter, Scientific Electri- city, The Gulf Bulletins, The Other Room Magazine, Drunkard R.N.S., Dummysm, 14 Secret Masters of the World Intelligencer, Oral Suctions Magazine, White Worm Review, Harry Bates Club Magazine, Do You Have Crabs?, Wire, Edgar Allan Poe Inspirator, Ask Ling, Davy Crockett's Misteryous Son, Unowned Worlds, The Keeper, Whap!, Hidden Love Romances, The Shrunken Heads Collector, Moon- head News, Parking Lot Reporter. Al Ackerman: Lettre à Géza Perneczky / Lettre à Philippe Billé In: Maître Ling & autre histoires. Translated into French by Ph. Billé. La Tête Reposée / Plein Chant, Bassac, F-16120, 1995. 69-71 and 72-73 p. Literature: John Held Jr.: Al Ackerman (An interview of the almost mythical mailartist) In: N D, # 15, 1991. 29-33 p. Géza Perneczky: The Magazine Network. The trends of alternative art in the light of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. «...As for the people sharing my mailbox, yes, I have a few aliases. It has been suggested that I attend Pseudononymous Anonymous on a frequent basis. The Blaster (→ Ackerman) recently sent me a suitable annotated copy of the most recent issue of the Multiple Personality Disorder Journal. This is wild exaggeration. There is Edward R. Gonzo, the Slightly Warped journalist. There is also Ace The Postcard Pal, which was an accidental postle wraparound of the name of the shop I owned, The Postcard Palace. He is a collector of Kalkala and exaggeration postcards. Some names were given to me; Wingo Fruitpunch... Any Salyer gifted me with Rasta Bob Gnarly... Sidney Lurcher comes into play as the excruciatingly bad poet... Felino Zepellini was created for my Italian-American Correspondents... (Ruud → Janssen: Mail-Interview with Rudi → Rubberoid. TAM-960140. 1996) Vittore → Baroni: Al Ackerman. In: Arte Postale. Guida al network della corris- pondenza creativa. (Text: Italian) AAA Editori. Bertiolo, 1997. 120-121 p. «Adalbert Stifter Verein» Hochstrasse 8 München, D-818669 Germany 1991 ^Böhmische Dörfer, Cat.: 23x17 cm., offset with 16 colour images, 64 p. Exh.: Ostdeutsche Galerie, Regensburg / Museum, Cesky Krumlov. 1991 Adams, Jim c/o Kwantlen College, Box 9030 Surrey, V3T 5H8 Canada 1992 ^UFO Celebration. Inv. 1992 6 Adamus, Karel Dudelská 685 / 13. Trinec VI. CZ-739 61 Czech 1990 ↑ 689 š 13. / Okr. Frydek-Mistek Trinec VI. Czechoslovakia 1984 ↑ 739 61. / Okr. Frydek-Mistek Trinec VI. CS-685 13 -“- 1978 ............................................................................................................................................................. Envelope works by cuting, punching & collageing, all in size of 11x22 cm. horz., used as correspondence material from 1970-1972 ~ Literature: Karel Adamus: Poems Pictures. In: Und, #8. (→ Käsmayr) Edition & Verlag Boczkowski, D-3500 Kassel, Kirchhainer Strasse 3. 1971. Adler, Jeremy (The Nat. Poetry Centre) 21 Earls Copurt Square, London, SW5 United Kingd. 1974 A, AB, ABC... (Unbound envelope mag. for vis. poetry with a title that expands from issue to issue. A/4, phc. & offset, 1974?-, ir. ) The
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