DOCSLIB.ORG

December 1921) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 1921) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1921 Volume 39, Number 12 (December 1921) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 39, Number 12 (December 1921)." , (1921). https://digitalcommons.gardner-webb.edu/etude/40 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. DECfEMBEB 1921 Page 769 THE ETUDE Musical Gifts w SS1“Ss®®ISk.= ^SS^=iSS'' phoadelphu^ T1J£fVDORE PRESSER CO^ ™ The Special Holiday C musical literature^ e*belov.^re the^best^b^oma..*^ - r.v, biographit fob. the pianist. , ff-SSS “ode^.DCompos6it?ons by Moshowski Rhythm, ' . co,. sfsiltic »o™vsr ot”,w);“ Favorite lompo^iionsT^ Mozart'. lEtton” ^rom^Piano'worhs' W BiS iness°MMiualC fotWuSo Teachers gg sElreiSgas PaHor^^d^Sb^®1 lflarchesS *. • Piano Player-e Reperto.re . • popular Parlot AUninion Popular Recital Repertoire. Rachmaninoff Album • — •••• DECEMBER 1921 Page 77l\ THE ETUDE e 770 DECEMBER 1921 ~ ®Ijtrtg-®Ijirii Annual Ijoltiag (!Dtt>r nf difta for HlitHii: IGonprs OFFER POSITIVELY EXPIRES JAN. 1, 1922 THE PRICES GIVEN ARE FOR CASH WITH ORDER SPECIAL HOLIDAY CASH PRICES=THIS —TRANSPORTATION CHARGES PREPAID THE PRICES GIVEN ARE FOR CASH WITH ORDER of Music. Shop Early by Mail — Save Time and Money -TRANSPORTATION CHARGES PREPAID Many Suggestions for the Teacher, Student and Lover Send All Orders for These “Holiday Offers’’ to None of These Publications Will be Sent “On Sale” Theo. Presser Co., Philadelphia, Pa. ij —-jdH at These Special Holiday Prices GROVE’S DICTIONARY of Child’s Own Book of Great Musicians MUSIC and MUSICIANS PIANO PLAYING WITH PIANO By THOMAS TAPPER Regular Price 20 Cen with the AMERICAN SUPPLEMENT Holiday Cash Price, 12 cents each, postpaid FI LARGE VOLUMES, BOUND IN CLOTH, STAMPED IN GOLD QUESTIONS ANSWERED A Unique Series of Biographies for Children CARUSO SCHUMANN-HEINK GALLI-CURCI IPFARRAR BISPHAM By JOSEF HOFMANN Regular Price, $2-00' BACH HANDEL MENDELSSOHN SCHUMANN m BEETHOVEN HAYDN MOZART VERDI Great Singers on the Art of Singing Holiday Cash Price, $1.35 CHOPIN LISZT SCHUBERT WAGNER By JAMES FRANCIS COOKE Regular Price $ Holiday Cash Price $1.50 Postpaid A Great Virtuoso’s Guide to Modern A notable work i _— Jt of the great Pianoforte Playing . The book is handsmely illus this work possible. We can interested in vocal ai .._ct!ons°forabilndingtCare given1’SatTwhen* completecMhe "child can point With Choir and Chorus Conducting—Latest Edition! book most aptly named: The Child's Own Book- of Great Musicians. By F. W. WODELL Regular Price, $2.00 A Splendid Gift for a Musician. Specially Priced, $20.00 Holiday Cash Price, $1.35 postpaid sciln^e Albums for the Singer complete manual of information^on the organization, management, training and conducting “SKs&ssfasr 1 Great Pianists on the Art of ’*■..Buy Yourself a Set on Easy Tei )0 will bring this set to you and the balance may be paid in mo Piano Playing Standard History of Music w.*srDFK„p.-. Study A History That Has Pleased ! gSBaSSfEasMi I Stories of Standard Teaching Pieces of Average Ability I Albums for Pianists Albums for the Violinist Pronouncing Dictionary of MusicalJTerms ^ ^ POPULAR RECITAL REPERTOIRE .rJsF'Ss— Nn musician's library is co^Sfwfth^uTtWs^rsLclat, up-date work. A clear and exact Descriptive Analyses of Piano Works madef°rVi°- Regular SSS" “ 40 eeuU ReTwenty-seve.r pieces of a^showy 'nature. vSSg&ttSZ?™' th^works'of3the great" m for Violin and Piano STANDARD AMERICAN ALBUM Pocket Dictionary of Musical Terms Regular Price 90 cent. Holiday C«h Pr Re MerUo “o7u5sTper medium’ grade^numb'ert Regular J.H7!cf.f av^'^^^a^SfW present ** ktJLX ** Price The Petite Library thg ^^"oF!D^»FnStpiSau' Albums for the Organist £a5 Regular Pri^^ S5BS*. ,L2. Regular Price $1.50 Holiday Cad. Price 90 cent. ByThmi^ Price $K^lr,17S AMERICAN COMPOSERS’ ALBUM ByThi^^^$S!Sr,1*7S jstgas'ter inT “■ ss estecf’in mus^cf1 *° ^ RegdarPrice^^^Lb-tUO tw^^^r^^ia^seventy' Masters and Their Music By W. S. B. Mathews Regular Price $2.00 can^composersl^A^credit'^o'^Arnerican "music! Gallery of E to Please Proficient Pianists By ^Holiday* Cash Price*6^^er.tsf"pcstpSd'”** Regular P,,^0GAN Richard ■Wagner-His Lifeand Works^ By A' Holiday Cash Price $L^^t£ld“ ^ Gallery of Four-Hand Piano Life Stories of Great Composers Pictures from Lives of Great Composers Well-known Piano Solos and How to ‘ .VSVfittSZ By Thom« Tap^per ^ $ Play Them By cha^H.^WUkinson^ ^2’°° as- Jrg-ssSafIMwii SliiilHs The First Violin ByS.^an E. M. Bowman ReguRegular PricJ$1.25 sMiSSSM * Holiday Cash Price 85 centscents, postpaid ^^WHceToS^*1-00 Education of the Music Teacher ByA-E^Cash Price ByThHdid^PriM$KSe$1-75 I A volume of 224 pages, that tells what a teacher must know to achieve success. MUSIC ROLLS and SATCHELS, MUSICAL CALENDARS, Great Masters THEODORE PRESSER CO. MUSICAL PICTURES, MUSICAL GAMES and Other Gift B” AI-Hea Crawford CoXe$a„d Alice Chapin 1710-1712-1714 CHESTNUT STREET 1 he Found on Holiday Cash Price $1.00, postpaid PHILADELPHIA, PA. "ir ters,Aaddressed ”0 * in^t^^-0yabUreadingt0^ mm* mm* ■ANNUAL SUBSCRIPTION, $2.00 THE ETUDE DECEMBER, 1921 _ Single Copies 25 Cents VOL. XXXIX, No. 12 Christmas Again think of the thousands who had the best of all there was to have and who have never made use of it. For nearly forty years The Etude has been privileged to To think that one cannot advance technically after the join in the Christmas rejoicings of its vast assemblage of friends awe of twenty or thirty is absurd. De Pachmann virtually in all parts of the globe. revolutionized his technic after he was fifty; it called for enorm¬ How beautiful, how rich, how lovely seem the words: ous work, but he was willing to pay the price. If you feel “Merry Christmas” that the technical barriers are too high, then remember that in this year 1921! How redolent are these words of holly, fir there are manv other musical channels in which you may move and mistletoe ! How they chime with good cheer! How bright ahead as fast as your energy and persistance will propel you. they shine with Yuletide radience! The main thing is to get about it. Wipe yesterday from It was very hard to keep a smile in “Merry Christmas” vour mind as the waves wipe the images from the sand. Today four years ago. (Gracious ! is it four years since those dreadful is the thing, whether you are eighteen or eighty. Forget Whit¬ days?) Through all the mad struggle music did more than tier’s morose lines, and remember this beautiful thought from anything else to keep us sweet, and fortify our hopes for the revival of that brotherhood which is the definition of Christi¬ Longfellow: anity in its highest sense. Ah, nothing is too late— Christmas—the hour of supreme joy, the glad day of the Cato learned Grech at eighty; Sophocles wrote his grand “Oedi¬ year, when trouble is forgotten and hate banished! Music does pus” and Simonides , much to make it that. Bore off the prize of verse from his compeers. See to it that music gladdens your own Christmas. In this When each had numbered more than four score years; issue Lieutenant Commander Sousa, who has reason for great And Theophrastus at four score and ten Christmas rejoicing because of his splendid recovery from what Had begun his “Characters of Men." might easily have been a fatal accident, tells why “Music, Is Ax Chaucer at Woodstock, with the nightingales. Ideal Christmas Present.” Note that he does not mean At sixty wrote the “Canterbury Tales." merely gifts of pieces, records, books, etc., but gifts of lessons, Goethe at Weimar, toiling to the last. instruments, tickets for performances, scholarships, everything Completed “Faust" when eighty years were past. pertaining to music. Get your friends and pupils to read his What then? Shall we sit idly dozen and say. pertinent and original remarks. It will help to make your whole The night hath come; it is no longer day? year more musical. Again, Christmas is never Christmas without the real For age is opportunity no less Christmas spirit of brotherhood. How can we send out our Than youth itself, though in another dress. Christmas greetings so that Etude friends in London, Buenos And as the evening twilight fades away. Aires, Paris, Nome, Melbourne, Munich, Johannesburg, Van¬ The sky is filled with stars invisible by day. couver, Rome, Toronto, Vienna, Calcutta, Dublin, Tokio, Shanghai, Petrograd, Christiania, Auckland or in every city, town and hamlet in our own blessed homeland will really feel The Music of the Ancients that vie would like to shake them by the hand, look into their When we get right down to facts we know little or nothing eves and say with all our hearts: of what the music of the ancients really was. We know that A Happy Christmas To Everyone of You. they had music, that they enjoyed music, and that AVy had many instruments which are represented by similar inistiu- Never Too Late ments to-day.
Load more

Recommended publications
  • Saison Du Théâtre De La Licorne Scène Conventionnée D'intérêt National Art, Enfance, Jeunesse
    CANNES 2020/21 UNE PROGRAMMATION MAIRIE DE CANNES SAISON DU THÉÂTRE DE LA LICORNE SCÈNE CONVENTIONNÉE D'INTÉRÊT NATIONAL ART, ENFANCE, JEUNESSE cannes.com / 1 ÉDITO LES RENCONTRESDE CANNES 2020 LITTÉRAIRES 19, 20 et 21 novembre CINÉMATOGRAPHIQUES 23 au 29 novembre ARTISTIQUES 2 et 3 décembre DÉBATS 4, 5 et 6 décembre Mairi d Cannes - Communicatio - Août 2020 - Août - Communicatio d Cannes Mairi 15x21 rencontresdecannes.indd 1 19/08/2020 14:57 ÉDITO LES LA LICORNE MET EN SCÈNE LE SPECTACLE VIVANT POUR LES FAMILLES ET FÊTE LA CULTURE DE PROXIMITÉ RENCONTRESDE Le Théâtre municipal de La Licorne ouvre Les spectacles présentés cette saison 2020 ses portes à une nouvelle saison artistique 2020-2021 sont autant d’occasions de et culturelle de proximité, qualitative, rencontres pour les familles et la jeunesse CANNES préparée et proposée par la Mairie de de notre ville qui nous permettent de nous Cannes et ses partenaires. élever au-delà de notre condition, de nous arracher à notre humeur du moment, Aller au théâtre est un acte volontaire, de construire des souvenirs qui nous l’expression d’un désir, d’un esprit curieux marqueront. LITTÉRAIRES de découverte, le choix d’accéder à un univers nouveau. Jules Renard écrivait dans son Journal : 19, 20 et 21 novembre « Nous voulons de la vie au théâtre, et du Au théâtre, comme au cinéma, on rit, on théâtre dans la vie ». C’est cette polarité pleure, on applaudit la performance. C’est que nous vous proposons de partager tout tout un public, porté par la magie de ce qui au long de cette année, en compagnie des CINÉMATOGRAPHIQUES se passe sur scène, qui communie à une artistes professionnels, qui se produiront émotion collective.
    [Show full text]
  • 2020-2021 Season Changes
    CONTACT Amanda J. Ely FOR IMMEDIATE RELEASE Director of Audience Development [email protected] 757-627-9545 ext. 3322 VIRGINIA OPERA REVISES SCHEDULE OF 2020–2021 SEASON PRODUCTIONS: OPENER RIGOLETTO CANCELLED; REVISED TRIO OF PERFORMANCE OFFERINGS TO BEGIN FEBRUARY 2021 WITH DOUBLE BILL LA VOIX HUMAINE/GIANNI SCHICCHI TO REPLACE COMPANY DEBUT OF COLD MOUNTAIN; MOZART’S THE MARRIAGE OF FIGARO AS SCHEDULED; AND THE PIRATES OF PENZANCE RESCHEDULED TO APRIL 2021 Virginia Opera makes major changes to offerings and events in continuing response to effects of COVID-19 Hampton Roads, Richmond, Fairfax, VA (June 30, 2020)—Today, Virginia Opera, The Official Opera Company of the Commonwealth of Virginia, announces an overhaul of the company’s previously announced main stage opera schedule for the 2020-2021 “Love is a Battlefield” season due to ongoing effects and circumstances surrounding the COVID-19 pandemic. A number of revisions affecting every facet of the company’s operations both on and off stage were required, including debuting the 2020–2021 Season offerings in February 2021, with an attenuated three-production statewide schedule between February 5, and April 25, 2021. Giuseppe Verdi’s Rigoletto, formerly the company’s lead-off October 2020 production, will not be performed; Gilbert and Sullivan’s The Pirates of Penzance will be rescheduled from November 2020 to April 2021; and the VO season will now begin in February 2021 with the change of a double bill featuring Francis Poulenc’s La Voix Humaine and Giacomo Puccini’s Gianni Schicchi performed in place of Jennifer Higdon and Gene Scheer’s Cold Mountain.
    [Show full text]
  • La Voix Humaine: a Technology Time Warp
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • 2018 BAM Next Wave Festival #Bamnextwave
    2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts.
    [Show full text]
  • Comment Traduire Une Chanson Populaire Française En Néerlandais ?
    Comment traduire une chanson populaire française en néerlandais ? Mémoire de bachelor dans le cadre des études de la Langue et la Culture française , Université d’Utrecht. Michelle Hugens 4212088 Avril 2016 Sous la direction de dr. J. Berns 1 Table des matières 1. Introduction ..................................................................................................................................... 4 2. Théories de traduction de chansons ............................................................................................... 5 2.1. Le pionnier ............................................................................................................................... 5 2.2. Le principe de ´respect´ d´Andrew Kelly ................................................................................. 5 2.2.1. Respectez les rythmes ..................................................................................................... 6 2.2.2. Trouvez et respectez le sens ........................................................................................... 6 2.2.3. Respectez le style ............................................................................................................ 7 2.2.4. Respectez les rimes ......................................................................................................... 7 2.2.5. Respectez le son .............................................................................................................. 7 2.2.6. Respectez le public visé ..................................................................................................
    [Show full text]
  • IN PRACTICE Transport/Tape, and These Are Luxuries Few of Us Can Afford with PCM-1610S and PCM- 1630S
    something we do not really need. Tandy make some inexpensive moulded 2 -way headphone splitter leads which can be rewired with a couple of XLRs to make reliable headphone socket -to -line driver leads -I have not always had the best of luck with home-made headphone -to- two-XLR leads, they seem to fall apart at the jack end after a couple of months. The best setting corresponding to our normal headroom practice was with the headphone output level set to around 3 o'clock (ie slightly below maximum) and the input levels to give unity gain overall in-to out. In the fullness of time I shall probably change a feedback resistor in the headphone output amplifier to reduce the gain, so we can operate the line -out with the headphone volume control set to maximum, which is easier to set consistently. These interfacing details will be nothing new to those experienced with the Sony PCM-Fl or 701, and although unbalanced, they cause few troubles. Metering is via horizontal fluorescent bargraphs, with 0 dB on the display corresponding to 2 dB below peak-bits (digital end-stop). A red over light tells you when you have gone over the top, and the 2 dB 'overlap' is very helpful in optimising peak recording level. Having the audio processing and tape transport in one box about the same size as a sophisticated R-DAT domestic video cassette deck (it weighs just under 12 kg) is much more convenient than lugging around a PCM-1630 and U- matic. With two DATs on a session one has automatically a full backup of A/D and D/A circuitry as well as tape - IN PRACTICE transport/tape, and these are luxuries few of us can afford with PCM-1610s and PCM- 1630s.
    [Show full text]
  • Record Dedicated to Serving the Needs of the Music & Record Worldindustry
    record Dedicated To Serving The Needs Of The Music & Record worldIndustry May 11, 1969 60c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD -.A.11111111." LOVE MI TONIGHT TON TOWS Tom Jones, clicking on Young -HoltUnlimited have JerryButlerhas a spicy Bob Dylan sings his pretty stateside TV these days, a new and funky ditty and moodyfollow-up in "I Threw ftAll Away" (Big shouldscoreveryheavily called "Young and Holtful" "Moody Woman" (Gold Sky, ASCAP), which has with"Love Me Tonight" (Dakar - BRC, BMI), which Forever-Parabut, BMI(,pro- caused muchtalkinthe (Duchess, BMI)(Parrot hassomejazzandLatin duced by Gamble -Huff (Mer- "NashvilleSkyline"elpee 40038(. init (Brunswick 755410). cury 72929). (Columbia 4-448261. SLEEPER PICKS OF THE WEEK TELLING ALRIGHT AM JOE COCKER COLOR HIM FATHER THE WINSTONS Joe Cocker sings the nifty The Winstons are new and Roy Clark recalls his youth TheFive Americans geta Traffic ditty that Dave will make quite a name for on the wistful Charles Az- lot funkier and funnier with Mason wrote, "FeelingAl- themselveswith"Color navour - Herbert Kretzmer, "IgnertWoman" (Jetstar, right" (Almo, ASCAP). Denny Him Father"(Holly Bee, "Yesterday,When I Was BMI(, which the five guys Cordell produced (A&M BMI), A DonCarrollPra- Young"(TRO - Dartmouth, wrote (Abnak 137(. 1063). duction (Metromedia117). ASCAP) (Dot 17246). ALBUM PICKS OF THE WEEK ONUTISNINF lUICICCIENS GOLD "Don Kirshner Cuts 'Hair' " RogerWilliams plays "MacKenna's Gold," one of Larry Santos is a newcomer is just what the title says "HappyHeart" andalso the big summer movies, has with a big,huskyvoice I hree Records from 'Hair' withHerbBernsteinsup- getsmuchivorymileage a scorebyQuincy Jones and a good way with tune- plying arrangements and from "Those Were the and singing byJoseFeli- smithing.
    [Show full text]
  • La Traviata Stagione D’Opera 2013 / 2014 Giuseppe Verdi La Traviata
    G L a i 1 u t r s a e v p i p a e t a V e r d i S t a g i o n e d ’ O p e r a LaGiutsrepapevVeiradi ta 2 0 1 3 / 2 0 1 4 Stagione d’Opera 2013 / 2014 La traviata Melodramma in tre atti Libretto di Francesco Maria Piave Musica di Giuseppe Verdi Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Sabato 7 dicembre 2013, ore 18 REPLICHE dicembre Giovedì 12 Ore 20 - Turno D Domenica 15 Ore 20 - Turno B Mercoledì 18 Ore 20 - Turno A Domenica 22 Ore 15 - Turno C Sabato 28 Ore 20 - Turno E Martedì 31 Ore 18 - Fuori abbonamento gennaio Venerdì 3 Ore 20 - Turno N Anteprima dedicata ai Giovani LaScalaUNDER30 Mercoledì 4 dicembre 2013, ore 18 In copertina: La traviata di Giuseppe Verdi. Regia e scene di Dmitri Tcherniakov, costumi di Yelena Zaytseva, luci di Gleb Filshtinsky. Allestimento realizzato per l'inaugurazione della stagione scaligera 2013-14, rendering di una delle scene ideate da Dmitri Tcherniakov. SOMMARIO 5 La traviata. Il libretto 34 Il soggetto Emilio Sala Argument – Synopsis – Die Handlung ––࠶ࡽࡍࡌ Сюжет 46 L’opera in breve Emilio Sala 48 ...la musica Claudio Toscani 53 Splendeurs et misères des courtisanes in terra italina Antonio Rostagno 71 Fisiologia della Traviata Emilio Sala 93 Eros e charitas nella Traviata Paolo Gallarati 131 Un mondo a parte Benedetta Craveri 147 Nota sull’edizione della Traviata Daniele Gatti 149 “Di quell’amor...” (Note di regia) Dmitri Tcherniakov 154 La traviata alla Scala dal 1859 al 2008 Andrea Vitalini 203 Daniele Gatti 205 Dmitri Tcherniakov 206 Gleb Filshtinsky 207 Yelena Zaytseva 208 La traviata.
    [Show full text]
  • High-Fidelity-1955-J
    www.americanradiohistory.com the flPJ that's 7 -WAYS BETTER than ever! IMPROVED BALANCE between high and low Audio Devices now offers you a new and frequencies without sacrificing low- frequency output. vastly superior professional sound recording tape, at NO INCREASE IN PRICE NEW MOISTURE- REPELLENT BINDER with lower coefficient of friction. Absolutely eliminates tape squeal under hot, humid conditions. Runs Here's a radically improved sound recording tape, per- well even on machines badly out of tension ad- fected after long research in Audio Devices laboratories - justment. a tape that sets completely new standards of performance. NEW ANTI -TACK AGENT virtually eliminates Any one of the seven new and improved features listed po<sihility of sticking on hot erase and record here would be important news to the tape recordist. Col heads. Especially important to owners of older lectively, they spell a degree of perfection heretofore un- type machines. attainable in any magnetic recording tape! NEW DRIER -TYPE FORMULA greatly reduces Such a premium quality product could easily justify a l danger of oxide rub -off, even on dirty heads. premium price. But it has been made standard for all i Keeps clean heads clean. Audiotape, on plastic base or Mylar* polyester film -and j is available at previous standard prices. * IMPROVED HOT SLITTING of standard plastic hase. Edges of tape cleaner and smoother than Try the new Audiotape -test it- compare it with any other ever, danger of tear or breakage greatly reduced. product on the market. It will speak for itself! NEW LOW BACKGROUND NOISE through DuPont Trade Mara better dispersion of finer oxide particles.
    [Show full text]
  • Digital Audio Systems
    Digital Audio Systems While analog audio produces a constantly varying voltage or current, digital audio produces a non-continuous list of numbers. The maximum size of the numbers will determine the dynamic range of the system, since the smallest signal possible will result from the lowest order bit (LSB or least significant bit) changing from 0 to 1. The D/A converter will decode this change as a small voltage shift, which will be the smallest change the system can produce. The difference between this voltage and the voltage encoded by the largest number possible (all bits 1’s) will become the dynamic range. This leads to one of the major differences between analog and digital audio: as the signal level increases, an analog system tends to produce more distortion as overload is approached. A digital system will introduce no distortion until its dynamic range is exceeded, at which point it produces prodigious distortion. As the signal becomes smaller, an analog system produces less distortion until the noise floor begins to mask the signal, at which point the signal-to-noise ratio is low, but harmonic distortion of the signal does not increase. With low amplitude signals, a digital system produces increasing distortion because there are insufficient bits available to accurately measure the small signal changes. There is a difference in the type of interference at low signal levels between analog and digital audio systems. Analog systems suffer from thermal noise generated by electronic circuitry. This noise is white noise: that is, it has equal power at every frequency. It is the “hiss” like a constant ocean roar with which we are so familiar.
    [Show full text]
  • March 1923) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1923 Volume 41, Number 03 (March 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 03 (March 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/699 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ETU D E ,MUS I C MAGAZINE ! MARCH 19 23 25 cents a Copy Theodore Presser Co. $2.00 a Year Philadelphia, Pa. PRESSER’S MUSICAL MAGAZINE New Music Book Publications Presenting Exceptional New Material For l MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT,^ AND ALL MUSIC LOVERS. Teachers, Students, Performers and Music Lovers 2gS3H&'S£SKt EntCrephUadc,Cp°hnia/P:.S, “ieA«6if &3. UtC' °’ * Copyright, 1922, by Theodore Presser Co., for U. S. A. and Great Britain 1712 Chestnut Street, Philadelphia, Pa. Printed in the United States of America FROM THE FAR EAST PLAYER’S BOOK EIGHT SONGS FROM GREEN TIMBER Lyrics by Charles O. Roos The World of Music U\tr& iHflWwt WOODSY CORNER TALES AND TUNES sssssm £L For Little Piano Players ISSEIS mmst mmm ALBUM OF TRANSCRIPTIONS BILBRO’S KINDERGARTEN JUNIOR COLLECTION of ANTHEMS BOOK By H.
    [Show full text]
  • SAA Early Born Digital Formats
    Early born-digital audio formats (Slide Notes) Compiled by George Blood SLIDE 1 GBA logo SLIDE 2 GBA logo audio SLIDE 3 GBA audio video SLIDE 4 SSA logo SLIDE 5 SSA presents SLIDE 6 Title Slide Early born-digital audio formats SLIDE 7 First Commercially Available Formats: PCM-1 PCM-10 PCM-F1 PCM1600/1610/1630 ...DAT As a practical matter, I'll be speaking about the last three of these early formats. Unless you work for a record label, it is highly unlikely you'll see PCM-1 or PCM-10 tapes. In 25 years I've only seen one PCM-10. (Hint, it plays like a PCM1600, but uses a PCM-F1 decoder). SLIDE 8 citation: "The Dawn of Commercial Digital Recording" ARSC Journal, Tom Fine There are earlier formats, mostly based on data recorders or custom hardware. For an excellent introduction to this Jurassic period of digital recording, see Tom Fine's article in the Spring 2008 issue of the Journal of the Association for Recorded Sound Collections. SLIDE 8b Principles of Digital Audio, Ken Pohlman As with most materials we face in preservation, it helps to understand the properties of our quarry. I'm going to do a very brief introduction to digital audio. For anyone who wishes to dig deeper, I highly recommend this book. Ken's writing his extremely clear. You can look up individual topics, or read entire chapters. It is a standard desk reference at my facility. SLIDE 9a Quantization "The process of converting analog signals to digital." syn: digitization For our purposes, in preservation, we are talking about Pulse Code Modulation: PCM.
    [Show full text]