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University of Birmingham at School with the Avant Garde
University of Birmingham At School with the avant garde: Grosvenor, Ian; van Gorp, Angelo DOI: 10.1080/0046760X.2018.1451559 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Grosvenor, I & van Gorp, A 2018, 'At School with the avant garde: European architects and the modernist project in England', History of Education. https://doi.org/10.1080/0046760X.2018.1451559 Link to publication on Research at Birmingham portal Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in History of Education on 19/04/2018, available online: http://www.tandfonline.com/10.1080/0046760X.2018.1451559 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Mathematicians Fleeing from Nazi Germany
Mathematicians Fleeing from Nazi Germany Mathematicians Fleeing from Nazi Germany Individual Fates and Global Impact Reinhard Siegmund-Schultze princeton university press princeton and oxford Copyright 2009 © by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW All Rights Reserved Library of Congress Cataloging-in-Publication Data Siegmund-Schultze, R. (Reinhard) Mathematicians fleeing from Nazi Germany: individual fates and global impact / Reinhard Siegmund-Schultze. p. cm. Includes bibliographical references and index. ISBN 978-0-691-12593-0 (cloth) — ISBN 978-0-691-14041-4 (pbk.) 1. Mathematicians—Germany—History—20th century. 2. Mathematicians— United States—History—20th century. 3. Mathematicians—Germany—Biography. 4. Mathematicians—United States—Biography. 5. World War, 1939–1945— Refuges—Germany. 6. Germany—Emigration and immigration—History—1933–1945. 7. Germans—United States—History—20th century. 8. Immigrants—United States—History—20th century. 9. Mathematics—Germany—History—20th century. 10. Mathematics—United States—History—20th century. I. Title. QA27.G4S53 2008 510.09'04—dc22 2008048855 British Library Cataloging-in-Publication Data is available This book has been composed in Sabon Printed on acid-free paper. ∞ press.princeton.edu Printed in the United States of America 10 987654321 Contents List of Figures and Tables xiii Preface xvii Chapter 1 The Terms “German-Speaking Mathematician,” “Forced,” and“Voluntary Emigration” 1 Chapter 2 The Notion of “Mathematician” Plus Quantitative Figures on Persecution 13 Chapter 3 Early Emigration 30 3.1. The Push-Factor 32 3.2. The Pull-Factor 36 3.D. -
Extending Korn's First Inequality to Incompatible Tensor Fields
Poincare´ meets Korn via Maxwell: Extending Korn's First Inequality to Incompatible Tensor Fields Patrizio Neff, Dirk Pauly, Karl-Josef Witsch May 14, 2014 Dedicated to Rolf Leis on the occasion of his 80th birthday Abstract 3 For a bounded domain Ω ⊂ R with Lipschitz boundary Γ and some relatively open Lipschitz subset Γt 6= ; of Γ, we prove the existence of some c > 0, such that c jjT jj 2 3×3 ≤ jjsym T jj 2 3×3 + jjCurl T jj 2 3×3 (0.1) L (Ω;R ) L (Ω;R ) L (Ω;R ) holds for all tensor fields in H(Curl; Ω), i.e., for all square-integrable tensor fields 3×3 3×3 T :Ω ! R with square-integrable generalized rotation Curl T :Ω ! R , having vanishing restricted tangential trace on Γt. If Γt = ;, (0.1) still holds at least for simply connected Ω and for all tensor fields T 2 H(Curl; Ω) which are L2(Ω)-perpendicular to so(3), i.e., to all skew-symmetric constant tensors. Here, both operations, Curl and tangential trace, are to be understood row-wise. For compatible tensor fields T = rv, (0.1) reduces to a non-standard variant of 3 the well known Korn's first inequality in R , namely c jjrvjj 2 3×3 ≤ jjsym rvjj 2 3×3 L (Ω;R ) L (Ω;R ) 1 3 for all vector fields v 2 H (Ω; R ), for which rvn, n = 1;:::; 3, are normal at Γt. On 1 3 arXiv:1203.2744v3 [math.AP] 13 May 2014 the other hand, identifying vector fields v 2 H (Ω; R ) (having the proper boundary conditions) with skew-symmetric tensor fields T , (0.1) turns to Poincar´e's inequality since p 2c jjvjj 2 3 = c jjT jj 2 3×3 ≤ jjCurl T jj 2 3×3 ≤ 2 jjrvjj 2 3 : L (Ω;R ) L (Ω;R ) L (Ω;R ) L (Ω;R ) Therefore, (0.1) may be viewed as a natural common generalization of Korn's first and Poincar´e'sinequality. -
Architectsnewspaper 11 6.22.2005
THE ARCHITECTSNEWSPAPER 11 6.22.2005 NEW YORK ARCHITECTURE AND DESIGN WWW.ARCHPAPER.COM $3.95 GUGGENBUCKS, GUGGENDALES, CO GUGGENSOLES 07 MIAMI NICE LU ARTISTIC Z O GO HOME, LICENSING o DAMN YANKEES 12 Once again, the ever-expanding Guggenheim is moving to new frontiers. TOP OF THE A jury that included politicians, Frank CLASS Gehry and Thomas Krens has awarded 4 the design commission for the newest 17 museum in the Guggenheim orbitto VENTURI AND Enrique Norten for a 50-story structure on a cliff outside Guadalajara, Mexico's sec• SCOTT BROWN ond-largest city. The museum will cost BRITISH TEAM WINS VAN ALEN COMPETITION PROBE THE PAST the city about $250 million to build. 03 EAVESDROP But there is now a far less expensive 18 DIARY range of associations with the Guggenheim 20 PROTEST Coney Island Looks Up brand. The Guggenheim is actively 23 CLASSIFIEDS exploring the market for products that it On May 26 Sherida E. Paulsen, chair of the Fair to Coney Island in 1940, closed in 1968, can license, in the hope of Guggenheim- Van Alen Institute's board of trustees, and but the 250-foot-tall structure was land- ing tableware, jewelry, even paint. An Joshua J. Sirefman, CEO of the Coney marked in 1989. eyewear deal is imminent. Island Development Corporation (CIDC), Brooklyn-based Ramon Knoester and It's not the museum's first effort to announced the winners of the Parachute Eckart Graeve took the second place prize license products but it is its first planned Pavilion Design Competition at an event on of S5,000, and a team of five architects strategy to systematize licensing. -
July, NOTES. the Concluding (June) Number of Volume 14 of the Annals
538 NOTES. [July, NOTES. THE concluding (June) number of volume 14 of the Annals of Mathematics contains the following papers: "On the uni- f ormization of algebraic functions " by W. F. OSGOOD ; " Mani folds of n dimensions," by O. VEBLEN and J. W. ALEXANDER; "Systems of plane curves whose intrinsic equations are analogous to the intrinsic equation of an isothermal system/ ' by H. W. REDDICK; "The probability of the arithmetic mean compared with that of certain other functions of the measure ments," by E. L. DODD; "Cusp and undulation invariants of rational curves/' by J. E. ROWE. THE Paris academy of sciences has awarded the biennial Petit d'Ormay prize of 10000 francs to Professor C. GUICHARD, of the University of Paris, for his contributions to mathematics. THE Belgian academy of sciences announces the following prize problem for the year 1914: "Present a contribution to the study of the properties of analytic functions which cannot take certain values in a given domain." Competing memoirs should be prepared under the usual conditions and be in the hands of the secretary before August 1, 1914. The prize is fr. 1000. AN international committee has recently been formed to promote the establishment of uniform notations in the theories of potential and elasticity by international cooperation. In its first circular the committee requests from astronomers, mathematicians, and physicists replies to the following question: What are the notions and notations in respect of which it is desirable to establish uniformity? The replies will be collated as soon as possible, and a second circular will then be issued inviting suggestions as to the methods by which uniformity may be brought about. -
The Post-War Reconstruction Planning of London: a Wider Perspective
Centre for Environment and Society Research Working Paper series no. 8 The post-war reconstruction planning of London: a wider perspective Peter J Larkham and David Adams The post-war reconstruction planning of London: a wider perspective Peter J Larkham Professor of Planning and David Adams Lecturer in Planning Birmingham School of the Built Environment, Birmingham City University Working Paper Series, no. 8 2011 ISBN 978-1-904839-54-5 © Authors, 2011 Published by Birmingham City University Centre for Environment and Society Research Faculty of Technology, Engineering and the Environment City Centre campus, Millennium Point, Curzon Street, Birmingham, B4 7XG, UK iii CONTENTS Abstract v Acknowledgements v Introduction 1 The context of regional-scale planning 4 The hierarchy of planning for London 6 A hierarchy of planning 6 Greater London Plan 7 MARS 10 RIBA London Regional Reconstruction Committee plan 12 “A plan for ‘Greater London” 13 County of London Plan 14 City of London plans (1) Improvements and Town Planning Committee 17 City of London plans (2): Holden and Holford 20 City of London plans (3) Royal Academy 22 City of London plans (4) Less formal 27 Borough-level plans 29 Overview: planners and planning 31 Conclusions 33 Status of competing plans 34 Material and non-material considerations 35 Scale of activity 36 Implementation: the future 37 References 39 Bibliography and resources 46 iv Illustrations, Tables and Text Boxes Figure 1: Schematic representation of clustering of London-related Planning activity 3 Figure 2: The MARS plan 11 Figure 3: The Trystan Edwards / Hundred New Towns Association plan 14 Figure 4: Map of social and functional areas (the “egg diagram”) 16 Figure 5: North part of ring road looking south, J.D.M. -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
UC Berkeley Room One Thousand
UC Berkeley Room One Thousand Title The Seduction of the Glass Box Permalink https://escholarship.org/uc/item/48g7p0cg Journal Room One Thousand, 1(1) ISSN 2328-4161 Author Ackerly, Katie Publication Date 2013 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Katie Ackerly The Seduction of the Glass Box In 2011, the city of Emeryville, California, recruited five emerging local architects to transform an existing one-story, brick factory building into an innovative arts space that was to become “a focal point for the arts in Emeryville and a regional attraction.” The judges ultimately selected a submission by Jensen Architects featuring a glowing, three-story glass theater as its centerpiece. In the verbal description of the project, the architects make the following explicit claims for the glass theater: 1. A “radically open” building that links stage, building, and city, facilitating “unconventional relationships between artist and audience.” 2. Visual transparency, specifically, that the building acts as “built signage” for the arts center and the city, putting the performances on display. 3. A simple, open plan that lends a contemporary “workshop atmosphere.” In drawings, the simple yet dramatic intervention casts an inspiring newness to the neighborhood without defacing the brick relic of Emeryville’s industrial past. The tone of the presentation was 68 Katie Ackerly straightforward, elegant, and filled with light, both emanating out from the building and filling interior spaces.1 Once the project won the competition and entered design development, it was determined through conversations with the city and performing arts groups that the amount of glass would need to be dramatically reduced. -
University of Birmingham at School with the Avant Garde
University of Birmingham At School with the avant garde: Grosvenor, Ian; van Gorp, Angelo DOI: 10.1080/0046760X.2018.1451559 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Grosvenor, I & van Gorp, A 2018, 'At School with the avant garde: European architects and the modernist project in England', History of Education. https://doi.org/10.1080/0046760X.2018.1451559 Link to publication on Research at Birmingham portal Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in History of Education on 19/04/2018, available online: http://www.tandfonline.com/10.1080/0046760X.2018.1451559 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Oral History Interview with Denise Scott Brown 1990 Oct. 25-1991 Nov
Oral history interview with Denise Scott Brown 1990 Oct. 25-1991 Nov. 9 Scott Brown, Denise, b. 1931 Educator, Author, Architect Philadelphia, Pa. Size: Sound recordings: 10 sound cassettes Transcript: 188 p. Collection Summary: An interview of Denise Scott Brown conducted 1990 Oct. 25-1991 Nov. 9, by Peter Reed, for the Archives of American Art. Scott Brown discusses her family background and growing up in South Africa; her education at the University of Witwatersrand, the Architectural Association, London, a summer school in Venice, sponsored by Congres Internationale d'Architecture Moderne, and the University of Pennsylvania, recalling some of her teachers (including Arthur Korn and Louis Kahn); her first husband, Robert Scott Brown, and their travels throughout Europe and experiences in Pennsylvania; her teaching philosophy and experiences at the University of Pennsylvania, Yale, Harvard, UCLA, and Berkeley; the architecture program at Penn from her perspective as a student and as a member of the faculty; meeting Robert Venturi, their work together, the firm and the difficulties encountered in the 1970s and 1980s, some of their projects such as the National Gallery, London, and the Museum of Fine Arts, Houston, and planning work; publications such as "Complexity and Contradiction," "Urban concepts," "Worm's Eye View," and "Learning from Las Vegas;" postmodern architecture; critics; and her experiences as a woman in the field. Biographical/Historical Note: Denise Scott Brown (1931- ) is an architect of Philadelphia, Pa. This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. -
Postscript: Urban Blind Spots
113 ISSN: 1755-068 www.field-journal.org vol.6 (1) PostScript: Urban Blind Spots Florian Kossak, Tatjana Schneider & Stephen Walker Blind spots exist in every society, culture, and urban fabric. They can be spatial, social, economic, or policy related. On the one hand, blind spots are typically situations or topics that are obscured by other themes; they fall beyond our radar because they are neither considered topical nor pressing enough to be addressed by policy or planning, or picked up in the media. Blind spots are created by particular ways of seeing, which re-iterate a ‘Western’ canon of urban history or an urban discourse that focuses on those global, fast growing metropolises that provide us with a high level of imagery, staggering data and socio-spatial extremes. On the other hand, blind spots also describe necessary locations of informality; places and spaces which are overlooked by the authorities, by planning or other users, and thereby allow for indeterminate, unregulated, informal, non-prescribed and open uses. This is not to suggest that the relative importance or challenge of blind spots is determined by their size, materiality, scale or location. Blind spots also relate to approaches, research and teaching projects, where they play a similar double role, both as a product of obscuration and an opportunity for exploration. Indeed, this double role is inevitable, as blind spots are arguably product and productive of the ways we grasp the world around and beyond us. Accepting the impossibility of the total view, Lewis Mumford noted ‘No human eye can take in this metropolitan 1 Lewis Mumford, The City in History: mass at a glance.’1 Many thinkers have developed metaphors from the Its Origins, Its Transformations, way the eye sees, and applied these to aspects of our broader engagement and Its Prospects (San Diego, with the world. -
Hen Alls Eca E E Ranes E Or Usier Iegfried Eling and the Once T of The
hen alls ecae eranes e orusier iegfried eling and the oncet of the reathingall in Politecnico di Milano olloing the rising elorations into aterial and behavior of the building envelope at the beginning of the twentieth cen- construction technologies architecture is increasingl tury: the hypothesis that besides windows having become walls, walls ushing the oundaries of surface erforance n had become membranes – in their broader definition as breathing, so doing it inestigates intersections eteen the regulating, selectively permeable entities. From here it follows that this uilding eneloe and the hsiolog of reathing discussion envisions to shed fresh light on the biological analogies related to the building envelope, focusing in particular on the work of two of eloring its analog to an organic surface sin or Mies’ contemporary architects – Le Corbusier and Siegfried Ebeling – erane his aer reisits the architectural lite who had both explored the concept of the membrane from within the rature of the earl tentieth centur in articular the architectural context. A closer look at both these responses will illumi- or of e orusier and iegfried eling to discuss nate the biological analogy that designates the building envelope as a ho the iological analogies related to the uilding breathing skin and lives on to the present day through an investigation eneloe in those das a hold the e to a deeer of contemporary architecture into responsive, dynamic façades.5 It is a understanding of its eoling erforance discussion that will seek to understand how the said analogy, in its his- torical precedent, has fostered new methods in the interpretation of the In the early 1920s, a charcoal and graphite drawing signed by Ludwig building envelope, not least in a transition of focus from architectural Mies van der Rohe came to light, featuring a prismatic skyscraper which expression to performance.