You Might Be a Proghole If... 1. the Word "Mellotron"
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Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
King Crimson Improvattakc Volume # 1 Mp3, Flac, Wma
King Crimson iMPRoVaTTaKc Volume # 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: iMPRoVaTTaKc Volume # 1 Country: Russia Released: 2001 Style: Prog Rock MP3 version RAR size: 1990 mb FLAC version RAR size: 1806 mb WMA version RAR size: 1448 mb Rating: 4.9 Votes: 153 Other Formats: MPC MMF FLAC AIFF AC3 TTA WMA Tracklist iMPRoVaTTaKc #1 (including: Daniel Dust / Clueless And Spightly Slack Parts 1&2 / The 1 20:06 Golden Walnut) iMPRoVaTTaKc #2 (including: Some Pussyfooting / Is There Life Out There? / The Law Of 2 26:20 Maximum Distress Parts 1&2 / Wilton Carpet) iMPRoVaTTaKc #3 (including: A Voyage To The Center Of The Cosmos / Providence / Some 3 30:27 More Pussyfooting / Coda) Credits Bass – John Wetton Drums – Bill Bruford Guitar, Mellotron – Robert Fripp Music By – King Crimson Percussion, Other [Allsort] – Jamie Muir Violin, Viola, Mellotron – David Cross Notes © 2001 Discipline Global Mobile. The phonographic copyright in these performances is operated by Discipline Global Mobile on behalf of the artists, wich whom it resides. Discipline Global Mobile accepts no reason for artists to give away such copyright interests in their work by virtue of a "common practice" which is out of tune with the time, was always questionable and is now indefensible. Music by King Crimson. All themes and variations recorded during the European tour 1973-1974 and based on the original concept. Mixed & mastered for DGM at November, 2001. Cover and sleeve design by Collage Gallery. Engineer & editor coordinator Andrew Lipatoff. Issued in a jewel case with clear tray and 4-page booklet. Barcode and Other Identifiers Matrix / Runout: KCIM-39309 Related Music albums to iMPRoVaTTaKc Volume # 1 by King Crimson Robert Fripp - Radiophonics (1995 Soundscapes Volume 1 - Live In Argentina) King Crimson - The ConstruKction Of Light King Crimson - Epitaph King Crimson - THRAK King Crimson - The Deception Of The Thrush (A Beginner's Guide To ProjeKcts) King Crimson - Larks' Tongues In Aspic King Crimson - Absent Lovers (Live In Montreal 1984) King Crimson - USA. -
Progressive Traits in the Music of Dream Theater Thesis Written for the Bachelor of Musicology University of Utrecht Supervised by Professor Karl Kügle June 2013 1
2013 W. B. van Dijk 3196372 PROGRESSIVE TRAITS IN THE MUSIC OF DREAM THEATER THESIS WRITTEN FOR THE BACHELOR OF MUSICOLOGY UNIVERSITY OF UTRECHT SUPERVISED BY PROFESSOR KARL KÜGLE JUNE 2013 1 Table of Contents Chapter 1 – Foreword .......................................................................................................................... 2 Chapter 2: A definition of progressiveness ......................................................................................... 3 2.1 – Problematization ..................................................................................................................... 3 2.2 - A brief history of progressive rock ......................................................................................... 4 2.3 – Progressive rock in the classic age: 1968-1978 ...................................................................... 5 2.4 - A selective list of progressive traits ........................................................................................ 6 Chapter 3: Progressive Rock and Dream Theater ............................................................................... 9 3.1 – A short biography of the band Dream Theater ....................................................................... 9 3.2 - Progressive traits in Scenes from a Memory ......................................................................... 10 3.3 - Progressive traits in ‗The Dance of Eternity‘ ........................................................................ 12 Chapter 4: Discussion & -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality. -
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 By Leon Chisholm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Professor Mary Ann Smart Professor Massimo Mazzotti Summer 2015 Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 Copyright 2015 by Leon Chisholm Abstract Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 by Leon Chisholm Doctor of Philosophy in Music University of California, Berkeley Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyboards to everyday music making, their influence over the ways in which musicians have conceptualized music and, consequently, the music that they have created has received little attention. This dissertation explores how keyboard playing fits into revolutionary developments in music around 1600 – a period which roughly coincided with the emergence of the keyboard as the multipurpose instrument that has served musicians ever since. During the sixteenth century, keyboard playing became an increasingly common mode of experiencing polyphonic music, challenging the longstanding status of ensemble singing as the paradigmatic vehicle for the art of counterpoint – and ultimately replacing it in the eighteenth century. The competing paradigms differed radically: whereas ensemble singing comprised a group of musicians using their bodies as instruments, keyboard playing involved a lone musician operating a machine with her hands. -
Ewolucja Błazna
Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle. -
Metal Storm - Marillion - Somewhere Else Review
Metal Storm - Marillion - Somewhere Else review http://www.metalstorm.ee/pub/review.php?review_id=4193 Are Death Metal Ringtone Alchemy Irish Music You Emo? Send this ringtone to your phone No other band sounds like this. Great Nova Scotia Vacation User: Guest TheEmoQuiz.com right now! Listen now. You'll be satisfied. Packages Plan Your Travel to Nova RingRingMobile.com DVicklund.googlepages.com/AlchemScotia Now Login novascotia.com Register band 6 Search NAVIGATION MARILLION - SOMEWHERE ELSE REVIEW SITE STATS Index | RSS | A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Website Bands: 2374 Musicians: 7117 Home Albums: 9985 FAQ RSS feeds Reviews: 3498 T-shirts Marillion - Somewhere Else Interviews: 312 Promo media 9 April 2007 News: 4207 MS Awards 2006 01. The Other Half Registered users: 13209 Community 02. See It Like A Baby Forum 03. Thankyou Whoever You Are Members 04. Most Toys GOOGLE ADS Contributions 05. Somewhere Else 06. A Voice From The Past Rating: Featured bands 07. No Such Thing 08. The Wound Bands 8.7 09. The Last Century For Man Oh No - I'm Emo Albums 10. Faith Are You Emo? Take Top albums the Quiz! Videos TheEmoQuiz.com Musicians Label: Intact Records Distribution in France: Replica Records News & events News If I have to be honest, I will say that my favorite Marillion's period New releases was and will ever be the one with Fish when the band uses to Upcoming releases release albums like "Misplaced Childhood" or "Clutching At Straws". -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Music DVD Review: Steve Hogarth - H - Naked in the Chapel
http://blogcritics.org/music/article/music-dvd-review-steve-hogarth-h/ Music DVD Review: Steve Hogarth - H - Naked in the Chapel For those who are not already in the know, Steve Hogarth -- or "H" as he is known to hardcore fans -- is the lead vocalist for British progressive rock band Marillion. Faced with the rather daunting task of taking over the reins from Marillion's original vocalist -- the highly theatrical Fish -- Hogarth not only rose to it, but actually helped reinvent Marillion in the process. With his far more personally engaging style, Hogarth in fact took Marillion from their one-time status as a sort of baby Peter Gabriel-era Genesis knockoff to a band who has long since re-established a unique identity for themselves with latter day progressive-pop masterpieces like Marbles . The bottom line is that Marillion now enjoys a smaller, but more devoted fan base than they ever did in the Fish days. And those same fans absolutely love them their boy "H". Which is why a concert DVD like H - Naked in the Chapel presents the sort of problem many a lesser band would actually love to have. For those faithful hardcore Marillion fans, it offers a rare and intimate audience -- think VH1's Storytellers series for the best point of reference here -- with the Marillion frontman. It is, in fact, billed as an "intimate evening of music, rock n' roll diaries, lyrics and conversation" with one and the same. On the other hand, for those living outside of that particular universe, H - Naked in the Chapel could well leave you scratching your heads. -
Cheetahs Moving to Front Royalcrc
Early June, 2007 • Warren County Report • Page Volume 2, Issue 11 · Early June, 2007 Warren FREE County Report #1 Newspaper in Front Royal & Warren County! FDR Lawsuit Page 3 Smedley wins big Page 9 Traister golf Page 9 Cheetahs History of Mountain Home moving Page 23 to Front LOCAL Royal CRC Page 2 MAPPage 26-27 Page 2 • Warren County Report • Early June, 2007 Unlike “true” big cats, the cheetah can purr as it inhales, but Science cannot roar. By contrast, the big cats can roar but cannot purr, except while exhaling. Cheetah Science Facility Groundbreaking in Front Royal structure of the cheetah’s claws is the same as those of other cats; it simply lacks the sheath of skin and fur present in other varieties, and therefore the claws are always visible. With the exception of the dewclaw, the claw itself is also much shorter and straighter than other cats. Adaptations that enable the cheetah to run as fast as it does include large nostrils that allow for optimal oxygen intake, and an enlarged heart and lungs that work together to circulate oxygen efficiently. During a typical chase its respiratory rate increases from 60 to 50 breaths per minute[5]. While running, in addition to hav- ing good traction due to its semi- retractable claws, the cheetah uses its tail as a rudder-like means of steering to allow it to make sharp turns, necessary to outflank prey who often make such turns to Schuyler Shepherd(Unununium272) escape. A cheetah in Serengeti National Park, Tanzania Unlike “true” big cats, the chee- tah can purr as it inhales, but From a release: living in zoos often have signifi- provides wonderful opportuni- the end.