Für Sonntag, 21

Total Page:16

File Type:pdf, Size:1020Kb

Für Sonntag, 21 InfoMail 22.10.15: Buch CONVERSATIONS WITH McCARTNEY /// MANY YEARS AGO InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken. Hallo M.B.M.! Hallo BEATLES-Fan! PAUL McCARTNEY-Buch CONVERSATIONS WITH McCARTNEY Weitere Info und/oder bestellen: Einfach Abbildung anklicken Donnerstag, 24. September 2015: PAUL McCARTNEY-Buch CONVERSATIONS WITH McCARTNEY. 28,90 € Autor: Paul Du Noyer. Verlag: Hodder & Stoughton General Division, Großbritannien. Gebundenes Buch. Format: 24 cm x 16,4 cm; 368 Seiten; englischsprachig. Inhalt: Things He Said Today; Rocker With A Lolly Ice; How To Become A Beatle; The Toppermost; It Started To Be Art; My Dark Hour; Rage Against The Machine; The Astronaut And The Moon; Starting From Scratch; Soaring; Wings Folded; Of Frogs And Firemen; Thank's A Great Idea, Eddie!; British Light Music; John; Unfinished Business; Apollo C. Vermouth; A Pot Of Gold; This Magic Experiment; Beyond The Smile; Living Is Easy With Nice Clothes; Heaven And Earth; Punks And Rivals; If I Were Not Upon The Stage; Another Wide Prairie; More Cowbell; Do It Now; Fallibility; Linda; Love. Finale - Fifty Favourites. Acknowledgements; Index; List Of Illustrations. Pressetext: In June 1989, Paul Du Noyer was contacted by PAUL McCARTNEY's office in London and asked to interview the star as they had met once before and enjoyed a good report. In the years that followed, Paul Du Noyer continued to meet, interview and work for PAUL McCARTNEY on a regular basis, producing magazine articles, tour programmes, album liner notes, press materials and website editorial. It's likely that Du Noyer has spent more hours in formal, recorded conversation with McCARTNEY than any other writer. CONVERSATION WITH McCARTNEY is the culmination of Du Noyer's long association with McCARTNEY and his music. It draws from their interview sessions across 35 years, coupling McCartney's own, candid thoughts with his observations and analysis. Beatles Museum: Nachdem Paul Du Noyer im Jahr 1989 positiv über PAUL McCARTNEY berichtet hat, wird er im Juni 1989 von McCARTNEYs Büro in London gefragt, ob er PAUL interviewen möchte. Von da an führt Paul Du Noyer etliche Interviews mit McCARTNEY und arbeitet (sporadisch?) für ihn im Bereich Pressearbeit, schreibt aber auch für Tourprogrammbroschüren. Das Interview, welches er mit McCARTNEY über dessen Album KISSES ON THE BOTTOM führt, ist Bestandteil des Booklets. (Das Album erschein im Februar 2012). Das Buch CONVERSATION WITH McCARTNEY beinhaltet Auszüge aus einigen der vielen Interviews, die Du Noyer in den letzten 35 Jahren mit McCARTNEY führte. (Im Pressetext wir DU NOYER als der Journalist genannt, der die meisten Interviews mit PAUL McCARTNEY geführt hat.) Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel und Rainer Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr; manchmal auch bis 20.00 Uhr: 0345-2903900 Ab Bestellwert 50 Euro übernehmen wir die Portokosten Angebote freibleibend und so lange der Vorrat reicht. Fehler vorbehalten. Angebot gilt meistens längere Zeit aber nicht auf Dauer. Die InfoMails archivieren wir auf Dauer auf unserer Internetseite. IT WAS MANY YEARS AGO TODAY: 22. Oktober Dienstag, 22. Oktober 1974: JOHN LENNON-LP WALLS AND BRIDGES wird in USA vergoldet. Freitag, 22. Oktober 1999: PAUL McCARTNEY-Single und Single-CD NO OTHER BABY in England. Samstag, 22. Oktober2005: YOKO ONO anlässlich ihrer Ausstellung in Passau. Impressum: Beatles Museum, Alter Markt 12, 06108 Halle (Saale) Telefon / phone: 0345-2903900, Fax: 0345-2903900; Email: [email protected]; Internet: www.BeatlesMuseum.net Geöffnet: dienstags bis sonntags und an Feiertagen (außer Weihnachten und Jahreswechsel) jeweils 10.00 bis 18.00 Uhr (nach Absprache auch später - oder morgens früher) Zusätzliche Öffnungszeiten für Gruppen und Schulklassen auf Anfrage; auch abends. Geschlossen: Heiligabend/Weihnachten und Silvester/Neujahr. Publikation: BEATLES-Heft "THINGS": monatlich oder öfter: 6 THINGS 22,50 Euro / 12 THINGS 45,00 Euro / 24 THINGS 85,00 Euro / 36 THINGS 119,00 Euro - ohne automatische Verlängerung (nur nach Absprache). Umsatzsteuer-Identifikationsnummer gemäß Paragraf 27 a Umsatzsteuergesetz: DE 206 782 106 .
Recommended publications
  • FLAME TREE MUSIC PORTAL Extends the Reach of the Flame Tree Music Books
    FLAME TREE PUBLISHING NEW TITLES & BACKLIST 2020 FLAME TREE MUSIC • Page 36 FLAME TREE PUBLISHING NEW TITLES & BACKLIST 2020 FLAME TREE MUSIC • Page 37 Pack of 3 books, shrink-wrapped, with a bellyband • Each 64pp book is paperback, with a stitched spine FLAME TREE • Chord and How to Play books are full colour inside MUSIC • Journals contain blank, ruled pages with chord boxes and manuscript paper Easy to Use • Internet links to flametreemusic.com Great for travel, quick access Easy to use, slim and adaptable, the Pick Up & Play offer free audio access to hear the at home, planning for and playing 3-Pack Kits will fit in a bag, or within easy Piano Sheet Music chords and scales. with others reach, as a constant companion. Rock Icons Jake Jackson Jake Jackson Definitive Encyclopedias 3-BOOK WORKING KIT FOR GUITAR 3-BOOK WORKING KIT FOR PIANO & KEYBOARD An essential aid to learning and making notes when playing the guitar, An essential aid to learning and making notes when playing the keyboard, writing songs and working with others. The Guitar Chords book gives 4 writing songs and working with others. The Piano & Keyboard Chords chords per key, plus an extra chord section for variations. book gives left- and right-hand chords, plus an extra section for variations. The Play Guitar book covers all essentials to help you start up quickly, The Play Piano & Keyboard book covers all essentials to help you start or refresh your memory, with scales for solos and basic techniques up quickly, or refresh your memory, with scales and modes explained.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
    Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien.
    [Show full text]
  • John Lennon, “Revolution,” and the Politics of Musical Reception John Platoff Trinity College, [email protected]
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Trinity College Trinity College Trinity College Digital Repository Faculty Scholarship Spring 2005 John Lennon, “Revolution,” and the Politics of Musical Reception John Platoff Trinity College, [email protected] Follow this and additional works at: http://digitalrepository.trincoll.edu/facpub Part of the Music Commons JOM.Platoff_pp241-267 6/2/05 9:20 AM Page 241 John Lennon, “Revolution,” and the Politics of Musical Reception JOHN PLATOFF A lmost everything about the 1968 Beatles song “Revolution” is complicated. The most controversial and overtly political song the Beatles had produced so far, it was created by John Lennon at a time of profound turmoil in his personal life, and in a year that was the turning point in the social and political upheavals of the 1960s. Lennon’s own ambivalence about his message, and conflicts about the song within the group, resulted in the release of two quite 241 different versions of the song. And public response to “Revolution” was highly politicized, which is not surprising considering its message and the timing of its release. In fact, an argument can be made that the re- ception of this song permanently changed the relationship between the band and much of its public. As we will see, the reception of “Revolution” reflected a tendency to focus on the words alone, without sufficient attention to their musical setting. Moreover, response to “Revolution” had much to do not just with the song itself but with public perceptions of the Beatles.
    [Show full text]
  • Strawberry Fields Forever and Sixties Memory Stephen Daniels
    Suburban pastoral: Strawberry Fields forever and Sixties memory Stephen Daniels To cite this version: Stephen Daniels. Suburban pastoral: Strawberry Fields forever and Sixties memory. cultural geogra- phies, SAGE Publications, 2006, 13 (1), pp.28-54. 10.1191/1474474005eu349oa. hal-00572170 HAL Id: hal-00572170 https://hal.archives-ouvertes.fr/hal-00572170 Submitted on 1 Mar 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. cultural geographies 2006 13: 28-54 Suburban pastoral: Stravwberry Fieldsforever and Sixties memory Stephen Daniels School of Geography, University of Nottingham As a cultural period the 1960s is produced through overlapping forms of social memory in which private and public recollections overlap. In both sound and imagery, pop music, particularly that of the Beatles, is a principal medium of memory for the period. For the period from 1965, the progressive aspects of pop music, particularly in sonic and lyrical complexity, expressed a retrospective, pastoral strain that was itself a form of memory of other periods and places, of childhood and country life. The Beatles double-A-sided single Strawberiy Fieldsforever/Penny Lane, released in February 1967, epitomizes these complexities in a suburban version of pastoral, recalling the Liverpool childhoods of songwriters John Lennon and Paul McCartney.
    [Show full text]
  • Suburban Pastoral: Strawberry Fields Forever and Sixties Memory Daniels, Stephen
    www.ssoar.info Suburban pastoral: Strawberry Fields forever and Sixties memory Daniels, Stephen Postprint / Postprint Zeitschriftenartikel / journal article Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: www.peerproject.eu Empfohlene Zitierung / Suggested Citation: Daniels, S. (2006). Suburban pastoral: Strawberry Fields forever and Sixties memory. Cultural Geographies, 13(1), 28-54. https://doi.org/10.1191/1474474005eu349oa Nutzungsbedingungen: Terms of use: Dieser Text wird unter dem "PEER Licence Agreement zur This document is made available under the "PEER Licence Verfügung" gestellt. Nähere Auskünfte zum PEER-Projekt finden Agreement ". For more Information regarding the PEER-project Sie hier: http://www.peerproject.eu Gewährt wird ein nicht see: http://www.peerproject.eu This document is solely intended exklusives, nicht übertragbares, persönliches und beschränktes for your personal, non-commercial use.All of the copies of Recht auf Nutzung dieses Dokuments. Dieses Dokument this documents must retain all copyright information and other ist ausschließlich für den persönlichen, nicht-kommerziellen information regarding legal protection. You are not allowed to alter Gebrauch bestimmt. Auf sämtlichen Kopien dieses Dokuments this document in any way, to copy it for public or commercial müssen alle Urheberrechtshinweise und sonstigen Hinweise purposes, to exhibit the document in public, to perform, distribute auf gesetzlichen Schutz beibehalten werden. Sie dürfen dieses or otherwise use the document in public. Dokument nicht in irgendeiner Weise abändern, noch dürfen By using this particular document, you accept the above-stated Sie dieses Dokument für öffentliche oder kommerzielle Zwecke conditions of use. vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an.
    [Show full text]
  • Paul Mccartney
    Paul McCartney PAUL DU NOYER PAUL McCARTNEY VYŠEHRAD Mým rodičům Z anglického originálu Conversations with McCartney, vydaného nakladatelstvím Hodder & Stoughton v Londýně v roce 2015, přeložil Ladislav Šenkyřík Obálku, vazbu a grafickou úpravu navrhl Vladimír Verner Odbornou revizi provedl Václav Kozuk Redigoval Jiří Stárek Odpovědný redaktor Martin Žemla E-knihu vydalo nakladatelství Vyšehrad, spol. s r. o., v Praze roku 2016 jako svou 1542. publikaci Vydání v elektronickém formátu první (podle prvního vydání v tištěné podobě) Doporučená cena E-knihy 240 Kč Nakladatelství Vyšehrad, spol. s r. o. Praha 3, Víta Nejedlého 15 e-mail: [email protected] www.ivysehrad.cz Paul Du Noyer: Conversations with McCartney Copyright © Paul Du Noyer 2015 Translation © Ladislav Šenkyřík, 2016 ISBN 978 -80 -7429 -780-9 Tištěnou knihu si můžete zakoupit na www.ivysehrad.cz Úvod © Já opravdu nechci být žijící legenda. Dal jsem se na to, abych nemusel chodit do práce. A mohl balit holky. A pár holek jsem sbalil a do práce jsem chodit nemusel, takže to mám vlastně pořád stejně. Paul McCartney Nejblíž smrti jsem se v životě ocitl při záchvatu astmatu v dětství. Ležel jsem tenkrát v jedné liverpoolské nemocnici s kyslíkovou maskou na obli- čeji a se sluchátky na uších. V rádiu pouštěli bez přerušování celou novou desku Beatles Abbey Road. Když tedy někteří lidé označují hudbu skupiny za „životodárnou“, chápu to velmi doslovně. V té chvíli jsem si zničehonic uvědomil, jak strašně je mám rád a jak strašně chci žít. Psal se rok 1969. Načež se ti mizerové nadobro rozešli. Odpustil jsem jim, pochopitelně, a zaujatě a pozorně sledoval jejich só- lové kariéry.
    [Show full text]
  • Early Beatles History: 1940-1964 Birth of the Beatles
    MOVIES ABOUT THE BEATLES Early Beatles History: 1940-1964 Birth of The Beatles In 1978, Elvis – The Movie premiered on American television. The pro- duction was a dramatization of Elvis Presley’s life, featuring Kurt Rus- sell as Elvis. His unexpected death the year before had revived the public interest in ‘The King,’ and countless biographies invaded the market. The movie spawned several fictional and/or biographical films about po- pular culture icons, such as Buddy Holly (The Buddy Holly Story, 1978) and The Beatles (Birth of The Beatles, 1979). In the 1980s and 1990s, only a handful of pop biographies were successful at the box office, i. e. Luis Valdez’ La Bamba (1987) about Richie Valens, Oliver Stone’s The Doors (1991) and Iain Softley’s Backbeat (1993). More recently, Holly- wood has produced a string of highly successful TV and cinema biogra- phies of musical heroes. The most notable films and series are The Rat Pack (1998) about the lives and times of Frank Sinatra, Dean Martin, and Sammy Davis Jr., Ray (2004) about Ray Charles, Stoned (2005) about The Rolling Stones’ Brian Jones, and – again – Elvis (2005). Starting with Birth of The Beatles, The Beatles’ history has been dramatized in various forms for television as well as for the cinema. While The Beat- les’ early group history has been dealt with in Birth of The Beatles (1979), Backbeat (1993), and In His Life: The John Lennon Story (2000), John Lennon’s private life was explored in John and Yoko: A Love Story (1985) and The Hours and Times (1991).
    [Show full text]
  • Für Sonntag, 21
    BeatlesInfoMail (wöchentlich plus einmal im Monat als „monatlich“): 08.11.20: BEATLES-Angebote /// BEATLES-Termine /// BEATLES-Magazin THINGS MANY YEARS AGO /// Aktuelle Veröffentlichungen _______________________________________________________________________________________________ BeatlesInfoMail (wöchentlich): Sonntag 8. Nov. 2020 Termine / Beatles-Magazin THINGS / MANY YEARS AGO / Angebote für M.B.M.s und Fans, denen wir die täglichen und wöchentlichen BeatlesInfoMails zuschicken dürfen InfoMails verschicken wir auf Wunsch an alle, deren E-Mail-Adresse vorliegt. täglich = alle Neuerscheinungen und alle Angebote / wöchentlich = Termine und einige Angebote / monatlich = die wöchentliche SonntagsInfoMail zum Monatswechsel. Wichtig ist uns, dass wir in Kontakt bleiben - also bitte ab und zu melden. Bei länger zurückliegenden Kontakten, melden wir uns nur noch wöchentlich oder monatlich. Alter Markt 12, 06108 Halle (Saale); Telefon / phone: 0345-2903900 / WhatsApp 0179-4284122 / Fax: 0345-2903908 E-Mail: [email protected] / Internet: www.BeatlesMuseum.net Geöffnet: dienstags bis sonntags und an Feiertagen (außer Weihnachten und Jahreswechsel) jeweils 10.00 bis 18.00 Uhr (nach Absprache auch später - oder morgens früher) Zusätzliche Öffnungszeiten für Gruppen und Schulklassen auf Anfrage; auch abends. Geschlossen: Heiligabend/Weihnachten und Silvester/Neujahr. Betrachte diese InfoMail (wie alle anderen auch) also auch als einen Info-Service vom Beatles Museum! Und wenn wir Dir ab und zu mal etwas zuschicken dürfen - bestens!! Und wenn wir Dir bereits unser Beatles-Magazin zuschicken oder künftig zuschicken dürfen - allerbestens!!! _______________________________________________________________________________________________ Hallo M.B.M.s*, hallo BEATLES-Fans! *M.B.M. = Mitglied im Beatles Museum (wenn THINGS zugeschickt werden darf). I want to tell you: Das Beatles Museum ist derzeit noch geöffnet. Die Sachlage scheint nicht ganz klar, ob wir im November 2020 schließen müssen.
    [Show full text]
  • Brian Epstein by Anthony Decurtis the Beatles’Visionary Manager Took the Fab Four to “The Toppermost of the Poppermost.”
    Brian Epstein By Anthony DeCurtis The Beatles’visionary manager took the Fab Four to “the toppermost of the poppermost.” AS TIME GOES BY, SUCCESSES OF THE PAST, PARTICULARLY groundbreaking ones, often come to seem inevitable. The more com­ prehensively a band reshapes the world, the more difficult it is to imag­ ine what the world looked like before it was so dramatically remade. So the question arises from our contemporary perspective: Who could not have foreseen the earth-shattering potential of the early Beatles? It was all right there, after all: their obvious musical genius; those har­ monies, original songs, and impeccable taste in covers; their raw rock & roll energy combined with irresistible pop charm. Not to mention their good looks, intelligence, youth, ambition, and a fierce work ethic. Who couldn’t have known that the Beatles were destined to conquer and transform the world? ^ The answer to that question, of course, is just about everybody, with one notable exception: Brian Epstein. As the Beatles’ manager and tireless promoter, Epstein displayed much more than an eye for talent, though that was certainly one aspect of his gift. Indeed, he was motivated by something much more rare and ineffable: an unshakeable belief in them as artists and as people. ^ Yes, the Beatles already had garnered fans before Epstein experienced his Paul-on-the-road-to-Damascus moment, while watching them per­ form during one of their frenzied lunch-hour sets at the Cavern Club in Liverpool. They had incited passion in their hometown, as well as at raucous club residencies in Hamburg, Germany.
    [Show full text]
  • John Lennon, “Revolution,” and the Politics of Musical Reception
    Trinity College Trinity College Digital Repository Faculty Scholarship Spring 2005 John Lennon, “Revolution,” and the Politics of Musical Reception John Platoff Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/facpub Part of the Music Commons JOM.Platoff_pp241-267 6/2/05 9:20 AM Page 241 John Lennon, “Revolution,” and the Politics of Musical Reception JOHN PLATOFF A lmost everything about the 1968 Beatles song “Revolution” is complicated. The most controversial and overtly political song the Beatles had produced so far, it was created by John Lennon at a time of profound turmoil in his personal life, and in a year that was the turning point in the social and political upheavals of the 1960s. Lennon’s own ambivalence about his message, and conflicts about the song within the group, resulted in the release of two quite 241 different versions of the song. And public response to “Revolution” was highly politicized, which is not surprising considering its message and the timing of its release. In fact, an argument can be made that the re- ception of this song permanently changed the relationship between the band and much of its public. As we will see, the reception of “Revolution” reflected a tendency to focus on the words alone, without sufficient attention to their musical setting. Moreover, response to “Revolution” had much to do not just with the song itself but with public perceptions of the Beatles. Their ri- vals the Rolling Stones, the only other rock group of comparable impor- tance in the musical life of the 1960s, released “Street Fighting Man” in the same summer of 1968.
    [Show full text]
  • Paul Du Noyer
    PAUL DU NOYER PAUL McCARTNEY VYŠEHRAD Mým rodičům Paul Du Noyer: Conversations with McCartney Copyright © Paul Du Noyer 2015 Translation © Ladislav Šenkyřík, 2016 ISBN 978 ‑80 ‑7429 ‑749‑6 Úvod © Já opravdu nechci být žijící legenda. Dal jsem se na to, abych nemusel chodit do práce. A mohl balit holky. A pár holek jsem sbalil a do práce jsem chodit nemusel, takže to mám vlastně pořád stejně. Paul McCartney Nejblíž smrti jsem se v životě ocitl při záchvatu astmatu v dětství. Ležel jsem tenkrát v jedné liverpoolské nemocnici s kyslíkovou maskou na obli‑ čeji a se sluchátky na uších. V rádiu pouštěli bez přerušování celou novou desku Beatles Abbey Road. Když tedy někteří lidé označují hudbu skupiny za „životodárnou“, chápu to velmi doslovně. V té chvíli jsem si zničehonic uvědomil, jak strašně je mám rád a jak strašně chci žít. Psal se rok 1969. Načež se ti mizerové nadobro rozešli. Odpustil jsem jim, pochopitelně, a zaujatě a pozorně sledoval jejich só‑ lové kariéry. Vyrostl jsem a stal se ze mě hudební publicista. Měl jsem štěstí, že jsem při mnoha příležitostech mohl vést rozhovory s Paulem McCart‑ neym. John Lennon zemřel dřív, než se mi s ním podařilo setkat, což po‑ važuji za svoji největší profesní smůlu. S Paulem jsme ale dobře vycházeli. Tak vznikla tato knížka. Posbíral jsem naše rozhovory z nejrůzněj‑ ších setkání a uspořádal je do jednolitého vyprávění. Doufám, že z něj vystoupí hudební příběh Paula McCartneyho podaný jeho vlastními slovy a doplněný nemnoha mými komentáři. Během dlouhé celoživotní kariéry vyprodukoval ohromující dílo, které ve všech svých polohách vždy odmění pozorného posluchače.
    [Show full text]