The Changing Dynamics of Social Class, Mobility and Housing in Black Johannesburg1
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Zapiro : Tooning the Odds
12 Zapiro : Tooning The Odds Jonathan Shapiro, or Zapiro, is the editorial cartoonist for The Sowetan, the Mail & Guardian and the Sunday Times, and his work is a richly inventive daily commentary on the rocky evolution of South African democracy. Zapiro’s platforms in the the country’s two largest mass-market English-language newspapers, along with one of the most influential weeklies, give him influential access to a large share of the national reading public. He occupies this potent cultural stage with a dual voice: one that combines a persistent satirical assault on the seats of national and global power with an unambiguous commitment to the fundamentally optimistic “nation-building” narrative within South African political culture. Jeremy Cronin asserts that Zapiro "is developing a national lexicon, a visual, verbal and moral vocabulary that enables us to talk to each other, about each other."2 It might also be said that the lexicon he develops allows him to write a persistent dialogue between two intersecting tones within his own journalistic voice; that his cartoons collectively dramatise the tension between national cohesion and tangible progress on the one hand, and on the other hand the recurring danger of damage to the mutable and vulnerable social contract that underpins South African democracy. This chapter will outline Zapiro’s political and creative development, before identifying his major formal devices and discussing his treatment of some persistent themes in cartoons produced over the last two years. Lines of attack: Zapiro’s early work Zapiro’s current political outlook germinated during the State of Emergency years in the mid- eighties: he returned from military service with a fervent opposition to the apartheid state, became an organiser for the End Conscription Campaign, and turned his pen to struggle pamphlets. -
Blurred Lines
BLURRED LINES: HOW SOUTH AFRICA’S INVESTIGATIVE JOURNALISM HAS CHANGED WITH A NEW DEMOCRACY AND EVOLVING COMMUNICATION TOOLS Zoe Schaver The University of North Carolina at Chapel Hill School of Media and Journalism Advised by: __________________________ Chris Roush __________________________ Paul O’Connor __________________________ Jock Lauterer BLURRED LINES 1 ABSTRACT South Africa’s developing democracy, along with globalization and advances in technology, have created a confusing and chaotic environment for the country’s journalists. This research paper provides an overview of the history of the South African press, particularly the “alternative” press, since the early 1900s until 1994, when democracy came to South Africa. Through an in-depth analysis of the African National Congress’s relationship with the press, the commercialization of the press and new developments in technology and news accessibility over the past two decades, the paper goes on to argue that while journalists have been distracted by heated debates within the media and the government about press freedom, and while South African media companies have aggressively cut costs and focused on urban areas, the South African press has lost touch with ordinary South Africans — especially historically disadvantaged South Africans, who are still struggling and who most need representation in news coverage. BLURRED LINES 2 TABLE OF CONTENTS Chapter I: Introduction A. Background and Purpose B. Research Questions and Methodology C. Definitions Chapter II: Review of Literature A. History of the Alternative Press in South Africa B. Censorship of the Alternative Press under Apartheid Chapter III: Media-State Relations Post-1994 Chapter IV: Profits, the Press, and the Public Chapter V: Discussion and Conclusion BLURRED LINES 3 CHAPTER I: Introduction A. -
DOORNFONTEIN and ITS AFRICAN WORKING CLASS, 1914 to 1935*• a STUDY of POPULAR CULTURE in JOHANNESBURG Edward Koch a Dissertati
DOORNFONTEIN AND ITS AFRICAN WORKING CLASS, 1914 TO 1935*• A STUDY OF POPULAR CULTURE IN JOHANNESBURG Edward Koch I A Dissertation Submitted to the Faculty of Arts University of the witwatersrand, Johannesburg for the Degree of Master of Arts. Johannesburg 1983. Fc Tina I declare that this dissertation is my own, unaided work. It is being submitted for the degree of Master of Arts in the University of the Wlj Witwaterirand Johanneaourg. It has not been submitted before for any H 1 9 n degree or examination- in any other University. till* dissertation is a study of the culture that was made by tha working people who lived in the slums of Johannesburg in the inter war years. This was a period in which a large proportion of the city's black working classes lived in slums that spread across the western, central and eastern districts of the central city area E B 8 mKBE M B ' -'; of Johannesburg. Only after the mid 1930‘s did the state effectively segregate the city and move most of the black working classes to the municipal locations that they live in today. The culture that was created in the slums of Johannesburg is significant for a number of reasons. This culture shows that the newly formed 1 urban african classes wore not merely the passive agents of capitalism. These people were able to respond, collectively, to the conditions that the development of capitalism thrust them into and to shape and influence the conditions and pro cesses that they were subjected to. The culture that embodied these popular res ponses was so pervasive that it's name, Marabi, is also the name given by many people to the era, between the two world wars, when it thrived. -
Dr Abu Baker ‘Hurley’ Asvat
Dr Abu Baker ‘Hurley’ Asvat This article was published on South African History Online South African History online (SAHO) is a non-partisan people’s history institution. It was established in June 2000 as a non-profit Section 21 organisation, to address the biased way in which South Africa’s history and heritage, as well as the history and heritage of Africa is represented in educational and cultural institutions. Abstract The article is a biography of Dr Abu Baker ‘Hurley’ Asvat, better known as the people’s doctor, from his childhood in Vrededorp to his medical study and political activism as part of a Pan Africanist Congress (PAC)-aligned students group. More importantly the article brings to light the significant role the peoples’ doctor played in non-racial cricket and his emergence as a vital figure in Sowto’s life and politics. Key words: Dr Abu Baker ‘Hurley’ Asvat, Azania People’s Organization, Black Consciousness (BC), medical activism, non-racialism The ‘People’s Doctor’ ‘He struggled to liberate society from oppression. He gave his life so that others may have a better life. He was a true patriot as a man of unity in the struggle against apartheid. His sacrifices were not in vain as his principles, beliefs and action touched many communities and helped to restore the dignity of destitute people’ (Prayer for Dr. Asvat, 2010). Childhood and Schooling On 23 February 1943, Abu Baker Asvat was born in Vrededorp(Fietas), South Africa.He spent his youth in Fietas, playing football and cricket on the playing grounds near his house. -
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project STEVE McDONALD Interviewed by: Dan Whitman Initial Interview Date: August 17, 2011 Copyright 2018 ADST TABLE OF CONTENTS Education MA, South African Policy Studies, University of London 1975 Joined Foreign Service 1975 Washington, DC 1975 Desk Officer for Portuguese African Colonies Pretoria, South Africa 1976-1979 Political Officer -- Black Affairs Retired from the Foreign Service 1980 Professor at Drury College in Missouri 1980-1982 Consultant, Ford Foundation’s Study 1980-1982 “South Africa: Time Running Out” Head of U.S. South Africa Leadership Exchange Program 1982-1987 Managed South Africa Policy Forum at the Aspen Institute 1987-1992 Worked for African American Institute 1992-2002 Consultant for the Wilson Center 2002-2008 Consulting Director at Wilson Center 2009-2013 INTERVIEW Q: Here we go. This is Dan Whitman interviewing Steve McDonald at the Wilson Center in downtown Washington. It is August 17. Steve McDonald, you are about to correct me the head of the Africa section… McDONALD: Well the head of the Africa program and the project on leadership and building state capacity at the Woodrow Wilson international center for scholars. 1 Q: That is easy for you to say. Thank you for getting that on the record, and it will be in the transcript. In the Wilson Center many would say the prime research center on the East Coast. McDONALD: I think it is true. It is a think tank a research and academic body that has approximately 150 fellows annually from all over the world looking at policy issues. -
Live Music Audiences Johannesburg (Gauteng) South Africa
Live Music Audiences Johannesburg (Gauteng) South Africa 1 Live Music and Audience Development The role and practice of arts marketing has evolved over the last decade from being regarded as subsidiary to a vital function of any arts and cultural organisation. Many organisations have now placed the audience at the heart of their operation, becoming artistically-led, but audience-focused. Artistically-led, audience-focused organisations segment their audiences into target groups by their needs, motivations and attitudes, rather than purely their physical and demographic attributes. Finally, they adapt the audience experience and marketing approach for each target groupi. Within the arts marketing profession and wider arts and culture sector, a new Anglo-American led field has emerged, called audience development. While the definition of audience development may differ among academics, it’s essentially about: understanding your audiences through research; becoming more audience-focused (or customer-centred); and seeking new audiences through short and long-term strategies. This report investigates what importance South Africa places on arts marketing and audiences as well as their current understanding of, and appetite for, audience development. It also acts as a roadmap, signposting you to how the different aspects of the research can be used by arts and cultural organisations to understand and grow their audiences. While audience development is the central focus of this study, it has been located within the live music scene in Johannesburg and wider Gauteng. Emphasis is also placed on young audiences as they represent a large existing, and important potential, audience for the live music and wider arts sector. -
I REJUVENATING the DWINDLING IMAGE of ORANGE GROVE
REJUVENATING THE DWINDLING IMAGE OF ORANGE GROVE THROUGH THE APPLICATION OF PLACE BRANDING TECHNIQUES by Dean Harding Student number: (17600675) Submitted in partial fulfillment of the requirements for the degree BA Honours in GRAPHIC DESIGN in the module RESEARCH PRACTICE B (REPR8412) At Vega, an educational brand of The Independent Institute of Education (IIE) Supervisor: Taryn King Co-Supervisor: Ria van Zyl Date: 18 June 2018 i DECLARATION BY CANDIDATE I, Dean Harding, declare that the proposal submitted for the qualification Bachelor of Arts(Honours) in Graphic Design at Vega Design School is my own work and it is original work that has not been previously been submitted to any other institution of higher education. I further declare that all sources cited or quoted are indicated and acknowledged by means of a comprehensive list of references, and that I: 1. Understand what plagiarism is. 2. Acknowledge that it is an offence to plagiarise. 3. Understand that all work submitted has to be originally my own work. 4. Recognise patch work as a serious form of plagiarism. Signature Date: 25 May 2018 ii ABSTRACT Orange Grove has faced a general decline over the last 25 years. This research report looks at finding workable place branding techniques and strategies that could rejuvenate the image of Orange Grove. The primary research method was photographic ethnography. Two large panoramas were created and formed the framework of the visual analysis. The findings highlighted the need for a community noticeboard or pause area. An extremely vibrant and productive informal sector exists, with 10 groups of vendors and a number of places of worship. -
The Case of Ellis Park, Johannesburg, 1900S–1930S Louis Grundlingh* Abst
Historia 62, 2, November 2017, pp 27-45 Transforming a wasteland to a premium sporting arena: The case of Ellis Park, Johannesburg, 1900s–1930s Louis Grundlingh* Abstract One of the aims of Johannesburg’s British controlled town council after the South African War (1899-1902) was to provide open public leisure spaces for its white citizens. The establishment and development of Ellis Park as a major sport centre was one of these endeavours. In 1908 the council bought disused land in New Doornfontein, taking the first step towards achieving this grand vision, namely the construction of a swimming bath that met all the requirements for an international tournament. The First World War interrupted any further development but the 1920s witnessed impressive expansion to include tennis courts, cricket pitches and rugby football grounds. By the end of the 1920s the council and the Transvaal Rugby Football Union that was a key stakeholder in the development, could proudly claim that they had achieved their dream of establishing an international sports arena for Johannesburg. Ellis Park became a significant urban marker, a symbol of prestige for the fast growing city as well as in the transformation of Johannesburg’s urban fabric into a modern city. Key words: Sports development; swimming; tennis; rugby football; cricket; town council; Transvaal Rugby Football Union. Opsomming Na die Suid-Afrikaanse Oorlog (1899-1902) was een van die doelstellings van Johannesburg se Brits-beheerde Stadsraad om voorsiening te maak vir openbare ontspanningsruimtes vir die blanke stadsburgers. Die vestiging en ontwikkeling van Ellis Park as ’n omvangryke sport sentrum was een van hierdie pogings. -
THE ORDER of APPEARANCES Urban Renewal in Johannesburg Mpho Matsipa
THE ORDER OF APPEARANCES Urban Renewal in Johannesburg By Mpho Matsipa A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Nezar Alsayyad, Chair Professor Greig Crysler Professor Ananya Roy Spring 2014 THE ORDER OF APPEARANCES Urban Renewal in Johannesburg Mpho Matsipa TABLE OF CONTENTS Abstract i Acknowledgements ii List of Illustrations iii List of Abbreviations vi EAVESDROPPING 1 0.1 Regimes of Representation 6 0.2 Theorizing Globalization in Johannesburg 9 0.2.1 Neo‐liberal Urbanisms 10 0.2.2 Aesthetics and Subject Formation 12 0.2.3 Race Gender and Representation 13 0.3 A note on Methodology 14 0.4 Organization of the Text 15 1 EXCAVATING AT THE MARGINS 17 1.1 Barbaric Lands 18 1.1.1 Segregation: 1910 – 1948 23 1.1.2 Grand Apartheid: 1948 – 1960s 26 1.1.3 Late Apartheid: 1973 – 1990s 28 1.1.4 Post ‐ Apartheid: 1994 – 2010 30 1.2 Locating Black Women in Johannesburg 31 1.2.1 Excavations 36 2 THE LANDSCAPE OF PUBLIC ART IN JOHANNESBURG 39 2.1 Unmapping the City 43 2.1.1 The Dying Days of Apartheid: 1970‐ 1994 43 2.1.2 The Fiscal Abyss 45 2.2 Pioneers of the Cultural Arc 49 2.2.1 City Visions 49 2.2.2 Birth of the World Class African City 54 2.2.3 The Johannesburg Development Agency 58 2.3 Radical Fragments 61 2.3.1 The Johannesburg Art in Public Places Policy 63 3 THE CITY AS A WORK OF ART 69 3.1 Long Live the Dead Queen 72 3.1.2 Dereliction Can be Beautiful 75 3.1.2 Johannesburg Art City 79 3.2 Frontiers 84 3.2.1 The Central Johannesburg Partnership 19992 – 2010 85 3.2.2 City Improvement Districts and the Urban Enclave 87 3.3 Enframing the City 92 3.3.1 Black Woman as Trope 94 3.3.2 Branding, Art and Real Estate Values 98 4 DISPLACEMENT 102 4.1 Woza Sweet‐heart 104 4.1.1. -
Soweto, the S“ Torybook Place”: Tourism and Feeling in a South African Township Sarah Marie Kgagudi University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Soweto, The s“ torybook Place”: Tourism And Feeling In A South African Township Sarah Marie Kgagudi University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Linguistics Commons, Music Commons, and the Social and Cultural Anthropology Commons Recommended Citation Kgagudi, Sarah Marie, "Soweto, The s“ torybook Place”: Tourism And Feeling In A South African Township" (2019). Publicly Accessible Penn Dissertations. 3320. https://repository.upenn.edu/edissertations/3320 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3320 For more information, please contact [email protected]. Soweto, The s“ torybook Place”: Tourism And Feeling In A South African Township Abstract This dissertation deals with the role of tour guides in creating and telling the story of Soweto – a township southwest of Johannesburg, South Africa. The ts ory speaks of a place afflicted by poverty because of its history of segregation during apartheid but emerging out of these struggles to lead its nation in a post-apartheid culture. I argue that Soweto’s story was created out of a governmental mandate for the township to become one of Gauteng’s tourism locations, and out of a knowledge that the transformation story from apartheid to a ‘rainbow nation’ would not sell in this context. After being created, Soweto’s story was affirmed through urban branding strategies and distributed to tourism markets across the world. It is a storybook – a narrative with a beginning, a climax, and an ending; it is easily packaged, marketed and sold to individuals from across the world, and this is done through the senses and emotions. -
New Directions for Urban Policy-Making in South African Cities: the Case of Joburg 2040
New directions for urban policy-making in South African cities: The case of Joburg 2040 Dissertation Submitted in Fulfilment of the Degree: Master of Management by Dissertation Faculty of Commerce, Law and Management: Wits School of Governance, University of the Witwatersrand Supervisors: Professor David Everatt and Dr Caryn Abrahams 2017 Zayd Ebrahim 0407937N DECLARATION I, ZAYD EBRAHIM, hereby declare that the work submitted here is the result of my own investigation and that all citations, references and borrowed ideas have been duly acknowledged. I further declare that this work is submitted for the first time at the Wits School of Governance, University of the Witwatersrand towards a Master of Management by Dissertation and that it has never been submitted to any other university/faculty for the purpose of obtaining a degree. ___________________ Signature ___________________ Date i ACKNOWLEDGEMENTS Writing this dissertation was an enriching experience. It has provided me with a renewed enthusiasm, to continue strategizing and planning for one of the most dynamic, resolute and enigmatic metropolitan cities in the world. As an ‘insider’ possessing knowledge that ‘outsiders’ find it hard to possess, the experience of undertaking this research challenged my own positionality and reflexivity. Whilst the binary of insider/outsider may be helpful, the dual role of a researcher and employer is incompatible. This dissertation will undoubtedly help guide the directions that I continue to take in my journey of future investigations. I am grateful for undertaking this exercise to uncover my ‘researcher identity’ during this process. I am grateful to my wife, Salmah, for her enduring support, belief and sacrifice, and for allowing me to realise that this dissertation may not be the most important thing in this world! I am equally grateful to my children, Hamzah and Muhammed Zidan, my parents and brother for their continued support. -
South Africans Recently Walked Through Johannesburg City In
JUNE 2016 / FREE! A CAXTON PUBLICATION HISTORICAL FUN AT GOOD FASHIONISTA CELEBRATE BUILDING 312 LUCK BABARR 412 ON A SAFARI 612 YOUTH DAY 1012 www.citybuzz.co.za City Buzz @CityBuzzJHB citybuzzjhb South Africans recently walked ‘IT‘IT ISIS through Johannesburg city in 20,20, WEWE celebration of Constitution Hill’s signifi cant AREARE FREE’FREE’ milestone. SEE PAGE 2 2 • June 2016 CITYBUZZ Con Hill tackles fees CITY REPORTER Ramogale of the Human Rights [email protected] Commission, among others. Wits SRC president Nompendulo With student and youth issues at the Mkatshwa explained why it was so heart of the ongoing Constitutional important to hold an event of this type debate, university leaders and and get the conversation started. “We influential minds from across Gauteng need to understand the Constitution,” made time to gather for a student said Mkatshwa. “What does it actually forum at Constitution Hill. speak of ? Let’s talk about its pros and Student leaders from across Wits cons, let’s properly analyse and get to University campuses, dignitaries the roots of the Constitution in order and invited guests launched the first for us, as the youth, to advance our #IamConstitution student panel plight – we need to understand the discussion to exchange thoughts and Constitution.” ideas around current social challenges What was most important for the for students in South Africa within Wits students to understand, was the context of the 20th anniversary of the right to equal and adequate South Africa’s Constitution. education as they continue their The students were given the chance fight for tertiary education fees to to engage with some of the most fall and therefore afford all people for 20 years’ influential personalities in South the right to equal opportunities to Africa which included struggle icon Dr study in South Africa – one of the ‘Walking Mathews Phosa and Ruby Ichikowitz, main reasons for the #FeesMustFall CITY REPORTER #IamConstitution is a national South Africa.