Sunday, September 5, 2021, WDHS Family Update

Total Page:16

File Type:pdf, Size:1020Kb

Sunday, September 5, 2021, WDHS Family Update Sunday, September 5, 2021, WDHS Family Update Hello Everyone, Happy Labor Day Weekend! After the rain on Friday and Saturday morning’s drizzly and dreary start, it was nice to see the sun appear in the afternoon and brighten up things a bit. Even with the mix of clouds and sunshine today, conditions are nearly ideal for Labor Day festivities. In a town like ours that caters to those on vacation, we sometimes do not get the chance to partake in the holiday quite the same way as our visitors but hopefully folks are able to enjoy some time in the outdoors and/or with family and friends. Turning our sights ahead to the week, we add another day of school this week as we ramp up the start of the year. Something that was immediately noticed and felt by staff and students last week was the number of people in the building as compared to when we finished school in June. Our population at the end of the school year was about 550 and roughly 25 students were still in the virtual setting. As of Friday, we are officially hovering around 610 students although there is still some expected fluctuation that typically occurs at the start of every school year. As I shared with the staff Friday morning, I expect we will end up with just under 600 students but that is still 25 more than we were predicting. This underlies how fortunate we are to have the space provided by our still very new high school and how grateful we are to be here. Have a wonderful week, Hugh Covid, Masks, Contact Tracing… At last Monday’s Regular School Board Meeting, the SDWD Board of Education adopted Covid protocols and strategies that the district will use to start the year. The short version is that Masks within SDWD buildings are optional. Please note, however, that masks will remain mandatory on school buses as they fall under the federal mask mandate as a form of public transportation. Schools will also be operating under mostly pre-pandemic operating procedures. However, in the event of a substantive increase in illnesses, close contacts, and transmission within the school, additional layers of precaution may be implemented. The entire document is available in the link below for one’s review. Please take the time to read it carefully. 2021-22 SDWD Covid Return to School Protocols and Strategies I also want to share a concern voiced by one of the board members at the meeting with regards to the potential for targeted harassment of those who are masked by non-mask wearers and vice versa. The high school will not tolerate any form of harassment towards others under any circumstances and that includes one’s personal choice to wear a mask or not. One’s decision is based on individual circumstances that need to be respected. I really don’t anticipate much in the way of this being a concern but believed that preempting the point here is prudent. Before, During and After School Pick-up/Drop-Off Procedures I will leave this section in the update for one more week for those students and families who joined us last week. As we were getting ready to start school last year, we were faced with the unknown of how traffic patterns might work during the busy times of Drop-Off and Pick-Up. During the planning phase of the project, we were excited about the ability to finally separate student driving traffic from the bus loading zones that were a daily source of congestion. To be clear, congestion has not been eliminated at the new location. It is still very busy from 7:40-7:50 AM and from 3:30-3:40 PM. That is simply the nature of many vehicles converging on a single location. Nevertheless, we did settle into a pattern and for the most part this has worked well. As we move into Year 2, I want to inform all our new families, and remind our returning ones, about traffic flow and parking at WDHS. To do that, I have retooled the following sections from last year’s back to school FAQ. I haven’t had a chance to update the photos and while the site is unquestionably a lot greener one year later (not to mention that the Athletic Complex is now finished) the “old” photos still serve adequately. What to before school procedures look like at WDHS? • WDHS opens at 7:15 am. Students arriving prior to this time will need to wait outside. • All students will remain in the commons upon arrival until doors to the classroom wings open at 7:35. • Students may remain in the Commons and hallway soft-seating areas before school but should make there ay to the classes when the warning bell sounds at 7:50 am. What entrances can I use when I come to WDHS? • There are three entrances to the new WDHS Campus (Click for Photo): o The main entrance is located closest to Highway 12/16 (Bottom of the photo) o The middle entrance is only for authorized staff or shipping/receiving. At no time should unauthorized vehicles use this driveway for drop-off, pick-up, parking, or just passing through. o The entrance closest to the railroad tracks is exclusively for buses from 7:15 am until 4:00 PM. o This entrance may be used by spectators attending school activities after 4:00 pm. • Students driving to school and parents dropping off students should all use the main entrance before and after school. Where do students park their cars? • When facing the building, students will use the front parking lot to the left. Staff parking is on the right (Click for Photo). • The parking lot between the school and the athletic fields may be used only by those students attending Zero-Hour Strength and Conditioning. Where do I drop off my student(s) if they are not riding the bus? • The student drop off is directly in front of the main entrance (Click for Photo). • Please use the ‘boulevard’ by pulling up to the entrance in the right lane (when facing the school) and depart using the left lane (Click for Photo). What will after school procedures look like at WDHS? • Students are permitted to congregate/visit in the Commons after school until 3:45 pm, at which pint all students should either exit the building if not part of an authorized after school activity. • Students with cars should immediately exit the building and depart the campus using the main entrance • Under no circumstances is anyone to use the Bus Entrance until after 4:00 pm. • Students being picked up or riding the bus should wait in their respective loading/unloading locations: o Car riders will wait for their ride in front of the building o Bus riders will wait for their buses to arrive outside the north entrance at the bus loading zone. Buses will arrive at the high school beginning around 3:40 pm. Where do I pick my student(s) up after school? (Updated 8/28) • As noted in the section above, the pick-up and drop off location is the same - in front of the main doors (Click for Photo). • Students are dismissed from school at 3:30 PM. 2020-21 Yearbook (Update) There are still many yearbooks that have yet to be picked up by students and I have included reminders in the morning announcements. We reviewed the list last Friday and will start calling down the students and contacting he families of last year’s seniors. We still have several additional copies available for purchase. The price is $50. At the same time, work is already beginning on the 2022 edition and online orders have begun. Yearbooks that are purchased by Sep 17 receive a few “freebies” and a discounted price of $45. Click here for more information. Fall Sports Season (Update) The WDHS Varsity Football team moved to 3-0 last Friday night, soundly defeating Wautoma by a score of 40-6. This is the program’s first 3-0 start since 2013. Congrats to the players and coaches. On Tuesday night, Soccer will host their first game on the new field when they welcome Wautoma. Game time is 6:45 pm. Here’s hoping they can also start their tenure on the home field with a win. Volleyball opens conference play and their first home game of the season on Thursday against Mauston and Golf has a home invitational at Christmas Mountain Resort on Wednesday. Plenty of opportunities to catch WDHS home events this week. As always, one can see all our sports schedules on SDWD Activities Calendar hosted by rSchool. .
Recommended publications
  • Shapeshifting Citizenship in Germany: Expansion, Erosion and Extension Faist, Thomas
    www.ssoar.info Shapeshifting Citizenship in Germany: Expansion, Erosion and Extension Faist, Thomas Veröffentlichungsversion / Published Version Arbeitspapier / working paper Empfohlene Zitierung / Suggested Citation: Faist, T. (2013). Shapeshifting Citizenship in Germany: Expansion, Erosion and Extension. (COMCAD Working Papers, 115). Bielefeld: Universität Bielefeld, Fak. für Soziologie, Centre on Migration, Citizenship and Development (COMCAD). https://nbn-resolving.org/urn:nbn:de:0168-ssoar-51028-5 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the above-stated vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder conditions of use. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an.
    [Show full text]
  • Portrait of Rashid Johnson
    Rosen, Miss. “View a Series of Portraits of Extraordinary Black Artists,” Dazed, June 6, 2017. “Portrait of Rashid Johnson and Sanford Biggers, The Ambassadors”, 2017 oil on canvas painting: 120 5/16 x 85 5/8 inches (305.6 x 217.5 cm) framed: 131 5/16 x 96 11/16 x 4 1/2 inches (333.5 x 245.6 x 11.4 cm)© Kehinde Wiley, courtesy Sean Kelly, New York The Trickster exists in different cultures around the globe: the wily shapeshifter with the power to transform the way we see the world. As an archetype, The Trickster can be found in any walk of life where people must operate according to more than one set of rules, moving seamlessly between the appearance of things and the underlying truth. Artists know this realm well for they are consigned to delve deep below the surface and manifest what they find. Yet their discoveries are not necessarily in line with the status quo; more often than not, they will upset polite society and upend respectability politics by speaking truth to power – quite literally. In the United States, African Americans know this well. Throughout the course of the nation’s history, they have been forced to deal with systemic oppression and abuse in a culture filled with double speak that began with the words “All men are created equal,” penned in the Declaration of Independence by Thomas Jefferson, a man who kept his own children as slaves until his death. Throughout his career, artist Kehinde Wiley has moved smoothly between spheres of influence, using the canon of Western art as a tool of subversion, celebration, and recognition for those who have long been excluded from the narrative.
    [Show full text]
  • The Lantern, 2019-2020
    Ursinus College Digital Commons @ Ursinus College The Lantern Literary Magazines Ursinusiana Collection Spring 2020 The Lantern, 2019-2020 Colleen Murphy Ursinus College Jeremy Moyer Ursinus College Adam Mlodzinski Ursinus College Samuel Ernst Ursinus College Lauren Toscano Ursinus College Follow this and additional works at: https://digitalcommons.ursinus.edu/lantern See P nextart of page the forFiction additional Commons authors, Illustr ation Commons, Nonfiction Commons, and the Poetry Commons Click here to let us know how access to this document benefits ou.y Recommended Citation Murphy, Colleen; Moyer, Jeremy; Mlodzinski, Adam; Ernst, Samuel; Toscano, Lauren; Tenaglia, Gabriel; Banks, Griffin; McColgan, Madison; Malones, Ria; Thornton, Rachel; DeMelfi, Gabby; Worcheck, Liam; Savage, Ryan; Worley, Vanessa; Schuh, Aviva; Bradigan, Emily; Addis, Kiley; Kushner, Shayna; Leon, Kevin; Armstrong, Tommy; Schmitz, Matthew; Drury, Millie; Lozzi, Jenna; Buck, Sarah; Ercole, Cyn; Mason, Morgan; Partee, Janice; Rodak, Madison; Walker, Daniel; Gagan, Jordan; Yanaga, Brooke; Foley, Kate I.; Li, Matthew; Brink, Zach; White, Jessica; Dziekan, Anastasia; Perez, Jadidsa; Abrahams, Ian; Reilly, Lindsey; Witkowska, Kalina; Cooney, Kristen; Paiano, Julia; Halko, Kylie; Eckenrod, Tiffini; and Gavin, Kelsey, "The Lantern, 2019-2020" (2020). The Lantern Literary Magazines. 186. https://digitalcommons.ursinus.edu/lantern/186 This Book is brought to you for free and open access by the Ursinusiana Collection at Digital Commons @ Ursinus College. It has been
    [Show full text]
  • Amazon and IMDB Sued for Not Respecting Elders | Page 1
    Amazon And IMDB Sued FOr Not Respecting Elders | Page 1 Amazon And IMDB Sued FOr Not Respecting Elders By: Jack Greiner on October 19, 2011 on graydon.law Well, sort of. An actress who identifies herself as Jane Doe has sued the Internet Movie Database Web site, and its parent company, Amazon, for revealing her actual age. I’m not making that up. Here’s the actual complaint, which was filed in a federal court in Seattle. In case you haven’t used it, IMDB is a Web site that has detailed information on any movie ever made. I personally love it. I can’t tell you the number of times I’ve watched a movie on TV and wondered who the actor was in some small role, and where I’d seen him before. IMDB has all that information. But I digress. According to the complaint, Jane Doe is of Asian descent, and her given name is difficult for Americans to spell and pronounce. She has for that reason used a stage name throughout her career. She is also very careful not to provide personal information, including her true age. According to the complaint, “[i]n the entertainment industry, youth is king. If one is perceived to be “over-the-hill” i.e., approaching 40, it is nearly impossible for an up-and-coming actress, such as plaintiff, to get work.” IMDB also offers a service called IMDbPro, which offers “industry insider” information to paying customers. Ms. Doe signed up for the service and in so doing, provided her name, birth date and other personal information.
    [Show full text]
  • Atgirls' HAVEN
    celebrating divine PROVIDENCE at GIRLS’ HAVEN September 2019 – Vol. 3 We make maintaining sibling connections a reality at Girls’ Haven. Research suggests that siblings placed WE together experience lower risk of failed placements, fewer moves, and many emotional benefits. Siblings placed together often feel more secure and are able to help each other adjust to their environment. FIGHT. A purpose that is (greater than) as a result. brought to you through the generous contribution of Learn about UBEO, at ubeo.com or call 409.240.2203 www.girlshaveninc.org Since 1994, we have been comprised of an amazing community of people who do. People like you, who see the need and give their resources so this vital work can be accomplished. page02 BOARD of DIRECTORS who we are and the impact of volunteers John Ceravolo Page0 3 PRESIDENT Margueritte Humphrey information VICE PRESIDENT Page and announcements 04 Cary Coffin TREASURER a supporting role Lanell Wilson SECRETARY Page000 5 Richard Malone OFFICER AT LARGE girls’ haven st Matt Gilby Page and 1 responders field day 0006 BOARD DIRECTOR Katherine Ramsey a BOARD DIRECTOR promise kept Page00 8 Marcelo Molfino BOARD DIRECTOR Rozanne Blount q and a: with Amber Clark BOARD DIRECTOR Page000 9 Clay Thomas EXECUTIVE DIRECTOR a word from the executive director EHRHART CHARTER SCHOOL Page1000 Mike Sims SUPERINTENDENT friendly Corina Long Page0 new faces PRINCIPAL 11 th upcoming 25 Page annual gumbo festival 12 OUR MISSION Girls’ Haven seeks to provide a safe, nurturing environment for girls affected by physical, sexual or ONE child…ONE life…a WORLD emotional abuse, neglect, exploitation, abandonment or severe family dysfunction of OPPORTUNITY at GH www.girlshaveninc.org WHO WE ARE Trained professionals that show consistent love and compassion for our residents at Girls’ Haven.
    [Show full text]
  • Ed Jubinville–A Memorial
    VOLUME 3 NUMBER 2 January 1994 ED JUBINVILLE–A MEMORIAL JOE ROARK Letter to me from Ed on 24 March 1990: “I go for a quad in 1938 and continued honing until his death, he kept a journal of bypass the 28th. Keep in touch.” all the public performances in which he demonstrated this nearly lost Ed’s doctor had predicted another seven years of life fol- art. To get an idea of Ed’s control, imagine flexing your right biceps, lowing that operation. Karyn, Ed’s younger daughter, had filed and then while keeping one biceps head flexed, alternately relax and that prediction and had hoped it was accurate. It would not prove to flex the other head. You can imagine that: Ed could do that. be. Perhaps Ed’s most masterful control was over his view- point on life: he loved every waking moment of it, and had you spied Year’s ago when my newslet- him sleeping, probably a smile would ter, Musclesearch, began, the first sub- be accompanying a snore. Even the scriber was Ed Jubinville, who sent me stroke which removed his speech in five times the required money and asked 1981 did not remove his muscle con- for a one year subscription and that I trol. His wife Betty worked with Ed on apply the excess money “for the cause.” regaining his speech and six months led That was my premier letter from Ed. to great improvement Within another During these past few years we have six months. full speech was his again, exchanged many letters, talked at length and he was able again to tell those won- on the phone, and eaten some meals derful stories with a flare that only those together at contest sites.
    [Show full text]
  • 20 Years of Government Responses to the Global Plastic Pollution
    NICHOLAS INSTITUTE FOR ENVIRONMENTAL POLICY SOLUTIONS 20 Years of Government Responses to the Global Plastic Pollution Problem The Plastics Policy Inventory Rachel Karasik, Tibor Vegh, Zoie Diana, Janet Bering, Juan Caldas, Amy Pickle, Daniel Rittschof, and John Virdin Nicholas Institute for Environmental Policy Solutions nicholasinstitute.duke.edu 20 Years of Government Responses to the Global Plastic Pollution Problem The Plastics Policy Inventory Author Affiliations Acknowledgements Rachel Karasik, Tibor Vegh, Amy Pickle and John The authors gratefully acknowledge the valuable Virdin: Duke University Nicholas Institute for peer-review provided by Dr. Karen Raubenheimer, Environmental Policy Solutions Australia National Centre for Ocean Resources and Zoie Diana, Janet Bering, Juan Caldas, and Daniel Security (ANCORS), University of Wollongong, Rittschof: Duke University Nicholas School of the and Prof. Tony Walker, Dalhousie University. Environment Additionally, the study benefited from collabora- tion with Common Seas and guidance provided by Citation Ben Jack, as well as from early suggestions by Neal Karasik, R.,* T. Vegh,* Z. Diana,* J. Bering, J. Tangri, Global Alliance for Incinerator Alternatives. Caldas, A. Pickle, D. Rittschof, and J. Virdin. 2020. 20 Years of Government Responses to the The study drew upon research conducted by Emily Global Plastic Pollution Problem: The Plastics Melvin, Emma Schmaltz, and Zoie Diana as part Policy Inventory. NI X 20-05. Durham, NC: Duke of a Bass Connections Course led by Dr. Meagan University. Dunphy-Daly, Duke University, and support- ed by Dr. Jason Somarelli, Duke University, as *Designates co-first authorship well as by Mengqi Li and Rocky Guzman, led by Prof. Kathinka Furst, Duke Kunshan Universi- ty.
    [Show full text]
  • Stevens' Ruling Carved out Broadcasts As a Safe Haven - Law360
    Stevens' Ruling Carved Out Broadcasts As A Safe Haven - Law360 https://www.law360.com/articles/1179317/print?section=telecom Portfolio Media. Inc. | 111 West 19th Street, 5th floor | New York, NY 10011 | www.law360.com Phone: +1 646 783 7100 | Fax: +1 646 783 7161 | [email protected] Stevens' Ruling Carved Out Broadcasts As A Safe Haven By Kelcee Griffis Law360 (July 17, 2019, 9:39 PM EDT) -- To many in the communications sector, U.S. Supreme Court Justice John Paul Stevens left behind a legacy that preserved broadcast television and radio stations as safe havens for families, penning an influential opinion four decades ago that still guides programming decisions today. Justice Stevens, who died Tuesday at the age of 99, wrote the 1978 decision that affirmed the Federal Communications Commission has modest power to oversee the content that broadcasters air during daytime hours and can fine stations that promote content unsuitable for children. Despite arguments that the oversight impinged on stations’ First Amendment freedoms, Justice Stevens’ decision cast broadcast outlets as a uniquely accessible kind of speech that deserved closer scrutiny. “It’s still the one place where you can have your family watching, knowing there is a legitimate consequence if somebody goes too far,” said Tim Winter, president of the Parents Television Council. As a result, the FCC has been able to warn and fine broadcasters that air "indecent" curse words or nudity during daytime hours, although the agency's attempt to penalize CBS for pop star Janet Jackson’s fleeting breast exposure during the 2004 Super Bowl halftime show flubbed on a technicality.
    [Show full text]
  • Palm Haven Series
    PALM HAVEN SERIES 4591 Sonoma Hwy | Santa Rosa, CA 95409 | 707.527.3838 | hybridprefabhomes.com BUILDING YOUR HOME TO GREEN STANDARDS • Engineered for efficient use of materials • 80% of construction waste reused or recycled • Use of engineered lumber • Low V.O.C. adhesives and paint • Formaldehyde-free insulation • Sealed and tested ducting system • High efficiency toilets • Efficient distribution plumbing system • Mechanical fresh air ventilation system A500CT PALM HAVEN A117 CT 1 BED-1 BATH 492 SQ.FT. PALM HAVEN A102CT 2 BED-1 BATH 710 SQ.FT. PALM HAVEN A500CT 1 BED-1 BATH 682 SQ.FT. PALM HAVEN A501CT 2 BED-2 BATH 868 SQ.FT. PALM HAVEN A541CT 3 BED-2 BATH 868 SQ.FT. PALM HAVEN A5 51 CT 2 BED-1 BATH 930 SQ.FT. PALM HAVEN A506CT 3 BED-2 BATH 930 SQ.FT. PALM HAVEN 2406CT 3 BED-2 BATH 1041 SQ.FT. OPTION KITCHEN PALM HAVEN 2408CT 3 BED-2 BATH 1309 SQ.FT. PALM HAVEN 2410CT 3 BED-2 BATH 1325 SQ.FT. PALM HAVEN A3406CT 3 BED-2 BATH 117 3 SQ.FT. PALM HAVEN 3427CT 2 BED-2 BATH 1280 SQ.FT. PALM HAVEN 3408CT 3 BED-2 BATH 1489 SQ.FT. PALM HAVEN 3437CT 3 BED-2 BATH 1493 SQ.FT. 3410CT PALM HAVEN 3410CT 3 BED-2 BATH 1493 SQ.FT. 3 BED-2 BATH 1580 SQ.FT. PALM HAVEN 3448CT 3 BED-2 BATH 1493 SQ.FT. PALM HAVEN 3428CT 4 BED-2 BATH 1760 SQ.FT. PALM HAVEN SERIES STANDARD FEATURES CONSTRUCTION INTERIOR ELECTRICAL / HEATING / PLUMBING • 2X6 Floor Joists • 1/2” Tape and Texture Drywall Throughout • 100 AMP Exterior Electrical Panel Box • 2x8 Floor Joists on 16-wide Single Section Homes • Hand-Finished Knock-Down Wall Texture • G.F.I.
    [Show full text]
  • Meredith James CV
    JACK HANLEY GALLERY Meredith James (b. 1982 in New York) lives and works in New York, NY Education 2009 MFA, Sculpture, Yale University, New Haven, CT 2004 BA, Harvard University, Cambridge, MA Solo Exhibitions 2017 Commission for the Rose Fitzgerald Kennedy Greenway, Boston, MA 2014 Land Lock, Jack Hanley Gallery, New York, NY 2010 The Invention of Morel Pages 89-91, LaMontagne Gallery, Boston, MA Espalier, Marc Jancou Contemporary, New York, NY Group Exhibitions 2019 Perverse Furniture, Artspace, New Haven, CT 2017 99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, MI 2016 In Practice: Fantasy Can Invent Nothing New, SculptureCenter, Queens, NY 2015 Catalyst: New Projects by Meredith James, Kameelah Janan Rasheed, and Casey Tang, Queens Museum, Queens, NY Finestra Aperta, Jack Hanley Gallery, New York, NY Jane Corrigan, Meredith James, Gloria Maximo, Dasha Shishkin, Feuer/ Mesler, New York, NY The Numbers Don’t Lie, 247365, Brooklyn, NY 2014 EAF14: Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, New York, NY Play, curated by Ragnheiour Gestsdottir and Emily Weiner, Soloway, Brooklyn, NY and The Living Art Museum, Reykjavik, Iceland 2013 Where The Sun Don’t Shine, curated by Jesse Greenberg and MacGregor Harp, Interstate Projects, Brooklyn, NY Videonale 14, Akademie der Künste der Wellt, Cologne, Germany Love, curated by Sharona Eliassaf and Emily Wiener, The Willows, Brooklyn, NY 327 Broome Street New York, NY 10002 (646) 918 6824 jackhanley.com JACK HANLEY GALLERY 2012 Gregory Spears’ Requiem, Galapagos
    [Show full text]
  • Imdb.Com Inc
    Case 3:16-cv-06535-VC Document 91 Filed 02/20/18 Page 1 of 6 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF CALIFORNIA IMDB.COM, INC., Case No. 16-cv-06535-VC Plaintiff, ORDER GRANTING PLAINTIFF'S v. MOTION FOR SUMMARY JUDGMENT AND DENYING XAVIER BECERRA, DEFENDANTS' MOTION FOR SUMMARY JUDGMENT Defendant Re: Dkt. Nos. 78, 79 SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS, Defendant-Intervenor. Assembly Bill 1687 forbids IMDb from publishing certain truthful age-related information about those in the entertainment industry. See Cal. Civ. Code § 1798.83.5 (codifying AB 1687, 2015-16 Reg. Sess. (Cal. 2016)). The Court entered a preliminary injunction to prevent California from enforcing the statute while this litigation was pending because of the strong likelihood that the statute violates the First Amendment. IMDb.com, Inc. v. Becerra, No. 16-CV-06535-VC, 2017 WL 772346 (N.D. Cal. Feb. 22, 2017). California and SAG-AFTRA's arguments on summary judgment do nothing to change the analysis. I. First, California and SAG-AFTRA provide no reason to apply a lower level of judicial scrutiny to the statute than was applied at the preliminary injunction stage. AB 1687 cannot properly be considered a regulation of voluntary commercial contracts Case 3:16-cv-06535-VC Document 91 Filed 02/20/18 Page 2 of 6 rather than a speech restriction. Upon the request of a subscriber to IMDbPro, the law requires IMDb to remove age-related information from its public-facing website, IMDb.com, regardless of the source of the information on IMDb.com.
    [Show full text]
  • Another Story: Women's Dramaturgy and the Circulation of Cultural Values at Mulgrave Road Richard Paul Knowles
    AnOther Story: Women's Dramaturgy and the Circulation of Cultural Values at Mulgrave Road Richard Paul Knowles ABSTRACT Richard Knowles uses Mulgrave Road Co-op Theatre to exemplify women's production, transmission and transforma• tion of cultural values in a rural context. RESUME Richard Knowles se sert de l'exemple du theatre cooperatif de Mulgrave Road pour illustrer le role des femmes dans la production, la transmission et la transformation des valeurs culturelles dans un contexte rural. n an essay first published in 1978 Teresa de new practice and vision of the relation between sub• Lauretis called for "a feminist theory of textual ject and modes of textual production."2 They have de• I production" that was neither a "theory of wom• veloped one model through which Maritime women, en's writing nor just a theory of textuality," but was as theatre workers and as audiences, can take posses• instead a theory of "women as subjects— not commodi• sion of their cultural (re)production, including the con• ties but social beings producing and reproducing cul• struction of gender. tural products, transmitting and transforming cultural Mulgrave Road is not a women's theatre company. values."1 It is neither my purpose nor my place to pro• It was founded as a collective in 1977 by three men- pose such a theory, but it may be useful to examine Michael Fahey, Robbie O'Neill, and Wendell Smith— some of the ways in which women as subjects and and only one woman-Gay Hauser. Rather, it is a tour• social beings— theatre workers, community members, ing company dedicated to producing new work by Nova and audiences—have engaged in the production, trans• Scotians about the Maritimes, primarily north-eastern mission, and transformation of cultural values in the Nova Scotia.
    [Show full text]