Boston Symphony Orchestra Concert Programs, Summer, 2011
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June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
DIE LIEBE DER DANAE July 29 – August 7, 2011
DIE LIEBE DER DANAE July 29 – August 7, 2011 the richard b. fisher center for the performing arts at bard college About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space; and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, operetta, film, and cabaret; and the Bard Music Festival, which celebrates its 22nd year in August, with “Sibelius and His World.” The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. ©2011 Bard College. All rights reserved. Cover Danae and the Shower of Gold (krater detail), ca. 430 bce. Réunion des Musées Nationaux/Art Resource, NY. Inside Back Cover ©Peter Aaron ’68/Esto The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein Honorary Patron Martti Ahtisaari, Nobel Peace Prize laureate and former president of Finland Die Liebe der Danae (The Love of Danae) Music by Richard Strauss Libretto by Joseph Gregor, after a scenario by Hugo von Hofmannsthal Directed by Kevin Newbury American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Rafael Viñoly and Mimi Lien Choreography by Ken Roht Costume Design by Jessica Jahn Lighting Design by D. -
Negotiating Care Across Borders &Generations: an Analysis of Care
Negotiating Care Across Borders & Generations: An Analysis of Care Circulation in Filipino Transnational Families in the Chubu Region of Japan by MCCALLUM Derrace Garfield DISSERTATION Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in International Development GRADUATE SCHOOL OF INTERNATIONAL DEVELOPMENT NAGOYA UNIVERSITY Approved by the Dissertation Committee: ITO Sanae (Chairperson) HIGASHIMURA Takeshi KUSAKA Wataru Approved by the GSID Committee: March 4, 2020 This dissertation is dedication to Mae McCallum; the main source of inspiration in my life. ii Acknowledgements Having arrived at this milestone, I pause to reflect on the journey and all the people and organizations who helped to make it possible. Without them, my dreams might have remained unrealized and this journey would have been dark, lonely and full of misery. For that, I owe them my deepest gratitude. First, I must thank the families who invited me into their lives. They shared with me their most intimate family details, their histories, their hopes, their joys, their sorrows, their challenges, their food and their precious time. The times I spent with the families, both in Japan and in the Philippines, are some of the best experiences I have ever had and I will forever cherish those memories. When I first considered the possibility of studying the family life of Filipinos, I was immediately daunted by the fact that I was a total stranger and an ‘outsider’, even though I had already made many Filipino friends while I was living in Nagano prefecture in Japan. Nevertheless, once I made the decision to proceed and started approaching potential families, my fears were quickly allayed by the warmth and openness of the Filipino people and their willingness to accept me into their lives, their families and their country. -
Dissertation
DISSERTATION Titel der Dissertation Dr. Marcel Prawy - Pionier und Wegbereiter des Musicals vom Broadway nach „Good Old Europe“ Verfasserin Mag. Wilhelmine Brandtner angestrebter akademischer Grad Doktorin der Philosophie (Dr.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 092 317 Dissertationsgebiet lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Prof. Dr. Hilde Haider 2 Diese Arbeit widme ich der Künstlerin Olive Moorefield - Mach. 3 4 Die Zeit war reif für das Musical, mit guten Geschichten, origineller 1 Musik, einem schlagkräftigen Team: Prawy ante portas! 1 Marcel Prawy erzählt aus seinem Leben. S. 113 (Beitrag des Bühnenbildners Walter von Hoesslin). 5 ABKÜRZUNGEN: AB Archivbox DEA Deutschsprachige Erstaufführung DS Durchschlag (TS DS - Typoskript Durchschlag) E - Musik Ernste Musik ISB Information Services Branch M Musik und B (Buch) n.k. (noch) nicht katalogisiert NL Nachlass ÖEA Österreichische Erstaufführung ÖTM Österreichisches Theatermuseum SS Sommersemester (WS Wintersemester) Thewi Institut für Theater-, Film- und Medienwissenschaft UA Uraufführung U - Musik Unterhaltungsmusik USIS US Information Service wibi HSS Wienbibliothek im Rathaus - Handschriftensammlung wibi DSS Wienbibliothek im Rathaus - Druckschriftensammlung ( wibi - „wienbibliothek im rathaus“ - Kleinschreibung siehe offizielle Rathaus - Informationsfolder ). ZPH Zuwachsprotokoll (1298 für Nachlass Marcel Prawy) 6 INHALTSANGABE Marcel Prawy - Pionier und Wegbereiter des Musicals vom Broadway nach „Good Old Europe“ 1. Einleitung - „Lernet Amerika lieben!“ Seite 12 2. Marcel Prawy - Biographie „in nuce“ - „Musik ist mein Leben - Melodien vergesse ich nicht“ Seite 17 3. Geschichte des Musicals: 3.1. Das amerikanische Musical - Etymologie, Historie und Charakteristika eines (multi)- kulturellen Phänomens Seite 20 4. Vorgeschichte des Musicals amerikanischer Provenienz Seite 23 4.1. Die Minstrel Show Seite 23 4.2. Der Jazz Seite 25 4.3. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
Deep Sea Drilling Project Initial Reports Volume 56 & 57
7. SITE 436: JAPAN TRENCH OUTER RISE, LEG 56 Shipboard Scientific Party1 HOLE 436 deep-water sediments. Volcanic vitric ash is a major component of the sediment, and there are several dis- Date Occupied: 1 October 1977 (1500) crete ash layers. In the Pliocene section we encountered Date Departed: 6 October 1977 (1340) an increased number of ash layers, reflecting increased ash falls due to the peak in volcanic activity on the Time on Hole: 4 days, 22.7 hours Japanese Islands during this period. Overall, however, Position: 39°55.96'N, 145°33.47'E the lithology of the Pliocene sediments, consisting of Water Depth (sea level): 5240 corrected meters, echo-sound- diatom-rich hemipelagic deposits, is similar to those of ing the Pleistocene. The Pliocene-Miocene boundary oc- Water Depth (rig floor): 5250 corrected meters, echo-sound- curs at 220 to 230 meters sub-bottom. In the interval ing from 235 to 312 meters, the sediments become distinctly more lithified but are compositionally similar to the Bottom Felt (meters, drill pipe): 5248 overlying units. The microfossil assemblages are late Penetration: 397.5 meters Miocene and diatoms noticeably rarer. The sedimenta- Number of Cores: 42 tion rate decreases steadily through this interval. Below 312 meters, there is a striking change in the coloration Total Length of Cored Section: 397.5 meters of the sediment. The grayish olive green of the younger Total Core Recovery: 240.8 meters units gives way to a pinkish-tan clay stone. This unit Principal results: belongs to the middle Miocene and is characterized as well by isolated occurrences of rhodochrosite and native The drill hole at Site 436 penetrated to a sub-bottom copper. -
Porgy and Bess» in Oltre Settant’Anni Di Interpretazioni DISCOGRAFIA SU «PORGY and BESS»
1 Giovinezza di «Porgy and Bess» in oltre settant’anni di interpretazioni DISCOGRAFIA SU «PORGY AND BESS» di Aloma Bardi [all’interno di ciascun capitolo, le voci sono elencate secondo l’ordine cronologico delle registrazioni] I. «PORGY AND BESS» NELL’INTERPRETAZIONE DI GEORGE GERSHWIN Gershwin performs Gershwin: Rare recordings, 1931-1935. Registr. dal vivo delle prove di una selezione dell’opera; 19 luglio 1935. Introduction – Summertime (Abbie Mitchell); A woman is a sometime thing (Edward Matthews); Atto I, Scena I, Finale; My man’s gone now (Ruby Elzy); Bess, you is my woman now (Todd Duncan, Anne Brown); George Gershwin, pf., dir. e annunciatore; 18:07; MusicMasters 5062-2-C, 1991. Testimonianza memorabile per respiro melodico, scelta dei tempi e ritegno antisentimentalistico risultanti dalla concezione sinfonica della direzione, che pone le voci nel fitto tessuto strumentale. II. INCISIONI DELL’OPERA In Porgy and Bess, la definizione di opera integrale e di versione definitiva è articolata e richiede una precisazione: l’edizione per voce e pf., l’unica stampata e pubblicamente disponibile (Warner Bros., 1935) non è una riduzione della partitura orchestrale, bensì testimonia la fase precedente a quella dell’orchestrazione ed è legata agli abbozzi manoscritti; Gershwin orchestrò l’opera mentre tale ed. era già in stampa. Il testo definitivo è invece convenzionalmente – e discutibilmente – considerato quello stabilito durante le rappresentazioni del debutto a Broadway, risultante da tagli numerosi e talora estesi, per lo più effettuati allo scopo di abbreviare la durata dello spettacolo e di eliminare difficoltà per gli interpreti o complessità ritenute eccessive in quel particolare contesto. Porgy and Bess. -
Journal of the Conductors Guild
Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F. -
The Orchestra
2017/18 EDUCATION AND COMMUNITY ENGAGEMENT Sounds of Home Young People’s Concert Teacher’s Guide Grades 3–8 February 1, 2018 Arlene Schnitzer Concert Hall, Portland Norman Huynh, conductor Gould: American Salute Márquez: Danzón No. 2 Bernstein: West Side Story Overture Copland: Variations on a Shaker Melody Dvořák: Largo from Symphony No. 9 in E Minor Sam Hyken: Tocatta y Fuga in D Minor Fernández: Batuque John Williams: Hedwig’s Theme Welcome Introduction Program (To listen, click the title) How To Use This Guide Gould: American Salute This guide is designed to accompany the 2017/18 Young People’s Concert, Márquez: Danzón No. 2 “Sounds of Home.” We offer background information on the pieces you will Bernstein: West Side Story Overture hear at the concert, along with a listening guide for each piece and biographical Copland: Variations on a Shaker Melody information about the composers. Dvořák: Largo from Symphony No. 9 in E Minor Also included are introductions to the four families of instruments (strings, Sam Hyken: Tocatta y Fuga in D Minor woodwinds, brass, and percussion) and online resources. It is our hope that Fernández: Batuque utilizing this guide will deepen the concert experience for your students. We John Williams: Hedwig’s Theme encourage you to fit this material into your teaching style and specific student needs. Goals of the Teacher’s Guide usage and concert attendance: Providing this guide online allows teachers to project information to the entire class and access listed websites in the resource section. All materials are developed • Introduce students to live orchestral music. -
Middleboro Gazette Index: 1940 - 1944
Middleboro Gazette Index: 1940 - 1944 A Accidents (continued) Ralph Howes' ankle broken during rush for gas at Standish station, A. Asia Dry Goods Store 07/24/1942:4 Grand opening, 133 Center St (ad), 01/05/1940:8 Five-year-old Gerald Trinque dragged 75 feet by Anthony Gilli's auto, Abatti, "Bozo" 08/28/1942:1 Member of 1940 Rambler baseball team (p), 10/04/1940:1 Arthur Angell injured by falling tree top, 01/15/1943:3 Abbott, Samuel L., Jr. Gerard Richmond falls on pitchfork while playing, 01/15/1943:6 New principal of School Street School, 08/25/1944:4 James William Thayer accidentally swallows a pin, 01/29/1943:7 Abele, Mannert Judith Caswell gets arm caught in wringer washer, 04/02/1943:4 Awarded Navy Cross for action against Japanese, 05/14/1943:1 Maurice Washburn loses three fingers to saw, 04/02/1943:7 Abele, Mannert L. Alfred Crowther fractures finger while repairing auto, 06/25/1943:3 Commander of submarine Grunion presumed lost, 10/09/1942:1 Arsene Berube treated for compound fracture of right arm, 06/25/1943:3 New destroyer named for commander lost in submarine, 04/21/1944:1 Jean Shores thrown off hayrack, dragged by pony, 07/02/1943:1 Abelson, Mrs Joseph Truesdale’s Jersey cow plunges into well, breaks neck, 10/08/1943:1 Husband finds wife dead on kitchen floor, 08/15/1941:4 Selectmen discuss role of dog who allegedly frighten cow, 10/15/1943:1 Abercrombie, A.V. David Noyer breaks arm in jump from steps, 01/28/1944:2 Daughter born, 03/08/1940:3, 4 Carl Carlson buried by avalanche of sand, 04/28/1944:1 Pastor resigns from Rock Village Church, 08/02/1940:1 Four-year-old Shirley Rea falls into river, carried through flume, Takes up duties in Woburn, 09/06/1940:6 05/19/1944:1 Resides in Woburn, 11/29/1940:6 Mrs Charles Weston suffers crushed finger working in yard, Son born, 03/20/1942:4 12/08/1944:10 Accepts call to Congregational church in Providence, 12/25/1942:5 Young boy knocked unconscious by falling ice, 12/22/1944:8 Abercrombie, Lois Ann Acconsia, Peter S. -
2009 Inaugural Media Guide
The 56th Presidential Inauguration Inaugural media guide Produced by the joint congressional committee on inaugural ceremonies January 2009 Table of Contents About the Joint Congressional Committee on Inaugural Ceremonies (JCCIC) JCCIC Members Media Timeline 2009 Inaugural Ceremonies Processions to the Platform Inaugural Program Musical Selections Bios Aretha Franklin Yo-Yo Ma Anthony McGill Gabriela Montero Itzhak Perlman John Williams Elizabeth Alexander Pastor Rick Warren The Reverend Dr. Joseph E. Lowery San Francisco Boys Chorus (SFBC) San Francisco Girls Chorus (SFGC) The United States Army Herald Trumpets The United States Marine Band The United States Navy Band "Sea Chanters‖ Lincoln Bible President’s Room Inaugural Luncheon Program Menu Recipes Painting Inaugural Gifts Smithsonian Chamber Players History of Statuary Hall Event Site Map Images of Tickets Biographies President George W. Bush President – elect Barack Obama Vice President Dick Cheney Vice President - elect Joe Biden Mrs. Laura Bush Mrs. Michelle Obama Mrs. Lynne Cheney Dr. Jill Biden Justices of the Supreme Court U.S. Capitol History and Facts Inaugural History Morning Worship Service Procession to the Capitol Vice President’s Swearing–In Ceremony Presidential Swearing-In Ceremony Inaugural Address Inaugural Luncheon Inaugural Parade Inaugural Ball Inaugural Facts and Firsts AFIC (armed forces inaugural committee) AFIC History & Fact Sheet Joint Congressional Committee on Inaugural Ceremonies (JCCIC) Joint Congressional Committee on Inaugural Ceremonies (JCCIC) The Joint Congressional Committee on Inaugural Ceremonies (JCCIC) plans and executes all Inaugural activities at the United States Capitol, including the Inaugural swearing-in ceremony of the President and Vice President of the United States and the traditional Inaugural luncheon that follows.