High Court of Delhi Advance Cause List
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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
No. of Questions: 15 Correct: ______Full Mark: 15 Wrong: ______Time: 15 Min Mark Secured: _____
DAILY CURRENT AFFAIR QUIZ DAILY CURRENT AFFAIR QUIZ : ( 17 SEPTEMBER TO 18 SEPTEMBER 2019) No. of Questions: 15 Correct: ________ Full Mark: 15 Wrong: ________ Time: 15 min Mark Secured: _____ 1. Name the country which defeated and was flagged Off at Jaisalmer Military Argentina by 95-75 to win the Basketball station. World Cup held in Beijing, China. a) Rudrashila a) The United States b) Aadharshila b) Australia c) Kalidharshila c) France d) Takshila d) Spain e) Amritshila e) Poland 6. Name the (Retired) Lieutenant General who 2. Former judge of the Andhra Pradesh High has been appointed as the head of the UN Court, Justice ___________________, has mission in Hodeidah, Yemen by United been appointed as Andhra Pradesh’s first Nations Secretary-General. Lokayukta after its bifurcation in 2014. a) Michael Lollesgaard a) Yogeshwar Dayal b) Thomas L. Baptiste b) P.Chandra Reddy c) David Barno c) P. Lakshmana Reddy d) Abhijit Guha d) Sundaram Sundaram Nain e) Ricardo Sanchez e) Saiyed Sagir Ahmed 7. “Great Ganga Run-2019″ was recently 3. Union Minister for Environment and Forest organised to create awareness about River and Information & Broadcasting recently Ganga. The marathon was flagged off in? flagged off a “Jaldoot vehicle”, a travelling a) Mathura exhibition in which of the following places? b) New Delhi a) Hyderabad c) Kanpur b) Pune d) Haridwar c) Gandhinagar e) Allahabad d) Jaipur 8. United Nations observes International Day e) Chennai for the Preservation of the Ozone Layer 4. Name the Film editor who has movies like every year. What was the theme of the day Iqbal, Ek Hasina Thi and Mardaani to his for 2019? credit, passed away recently. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
The Home and the World: Women and Gender in South Asia WAGS 207 Fall 2011 Webster 220
The Home and the World: Women and Gender in South Asia WAGS 207 Fall 2011 Webster 220 Amrita Basu Krupa Shandilya 301 Cooper House 30E Johnson Chapel x2942 x5464 Office hours: Wednesdays: 4-6 pm Office hours: M/W.:10-11 am Course Materials Books for Purchase: Available from Food for Thought Books, 106 N. Pleasant Street, Amherst 413.253.5432 Rabindranath Tagore, Home and the World Rokeya Sakhawat Hussain, Sultana’s Dream Mahasweta Devi, Imaginary Maps Amitav Ghosh, River of Smoke Books for purchase are marked P on the syllabus. All other required readings for this course can be found on E-Reserve (E) and/or in the Course Reader packet – Multilith. The Multilith is not a required purchase but is highly recommended. To buy it, you will need to submit a Multilith Order Form for Course Materials found on the WAGS homepage. Estimated cost is $35-50. You will receive an e-mail when it arrives. Films are marked (F). We will be discussing the following films over the course of the semester: Chokher Bali (dir. Rituparno Ghosh) Mother India (dir. Mehboob Khan) Khamosh Pani (dir. Sabiha Sumar) Hazaaron Khwaishein Aisi (dir. Sudhir Mishra) Satta (dir. Madhur Bhandarkar) The Terrorist (dir. Santosh Sivan) (F) Fire (dir. Deepa Mehta) Sarkar (dir. Ram Gopal Varma) Khuda ke Liye (dir. Sohaib Mansoor) Films will be streamed on the course website under the e-reserves tab. Please plan to see them before we discuss them. Course Requirements 1. We expect you to attend class regularly and inform us by email if you miss a class. -
Anant Agarwal
MIT 150 | Anant Agarwal INTERVIEWER: It's Friday, August 28th, 2015. I'm Chris Boebel and I'm here at MIT with Anant Agarwal. Anant is a pioneer in computer architecture and a professor of electrical engineering at MIT. He's also the founding CEO of edX. The online learning destination established in 2012 is a joint partnership by MIT and Harvard. Anant taught the very first edX course from MIT on circuits and electronics which drew 155,000 students from 162 countries. He has also served as the director of CSAIL, the Computer Science and Artificial Intelligence Laboratory at MIT. Anant is also an entrepreneur. He has co-founded and led the development of a number of successful companies, including Tilera, Virtual Machine Works, and Oxygen. Anant has received multiple recognitions for his teaching and research. He is a member of the National Academy of Engineering, a fellow of the American Academy of Arts and Sciences, and a fellow of the Association of Computer Machinery. He holds a Ph.D from Stanford University and a bachelor's degree from the Indian Institute of Technology at Madras. So welcome, Anant. Thanks for coming today. Thanks for sitting down with us. AGARWAL: Oh, thank you for having me. INTERVIEWER: So in reading your biography, your life story, it's fascinating that there are these two threads that sort of come together, this sort of thread of education and an interest in education. And then, of course, electrical engineering and computer science. And I'm wondering about the origin story for that. -
Visual Culture in an Indian Metropolis’, in Towards a New Art History: Studies in Indian Art (Essays Presented in Honour of Prof
This manuscript is the penultimate form of the essay as it appeared in the publication cited below. The text is one stage short of the final version agreed upon by the author and editor of the particular publication. If the essay was published in more than one publication, versions of the form it finally assumed are available in the books/anthologies/catalogs listed below. Publication(s): • ‘Visual Culture in an Indian Metropolis’, in Towards a New Art History: Studies in Indian Art (Essays Presented in Honour of Prof. Ratan Parimoo), edited by Shivaji K. Panikkar, Parul Dave Mukherji and Deeptha Achar, D.K. Printworld, Delhi, 2003 Visual Culture in an Indian Metropolis Geeta Kapur and Ashish Rajadhyaksha Prefatory Notes 1. The authors wish to acknowledge the original publication context of this essay. See Geeta Kapur and Ashish Rajadhyaksha, ‘Bombay/ Mumbai 1992-2001’ in Iwona Blazwick (ed.), Century City: Art and Culture in the Modern Metropolis, Tate Publishing, London, 2001 This publication accompanied a major exhibition at the Tate Modern, London (February- April 2001) titled Century City: Art and Culture in the Modern Metropolis. The project set out to examine key moments of cultural creativity in nine cities across the world on the following premise: that at different times in different places through the twentieth century, the energy of the modern metropolis peaked to produce a cultural explosion, where the arts flourished in a dynamic and radical interchange. The reasons for these creative flashpoints are diverse, but each city, at its particular time, can be seen to have become a crucible drawing artists from the city and other regions into an artistic and intellectual ferment. -
High Court of Delhi Advance Cause List
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR TH WEDNESDAY, THE 25 MARCH,2015 INDEX PAGES 1. APPELLATE JURISDICTION 01 TO 52 2. COMPANY JURISDICTION 53 TO 56 3. ORIGINAL JURISDICTION 57 TO 71 4. REGISTRAR GENERAL/ 72 TO 90 REGISTRAR(ORGL.)/ REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL). 25.03.2015 1 (APPELLATE JURISDICTION) 25.03.2015 [Note : Unless otherwise specified, before all appellate side courts, fresh matters shown in the supplementary lists will be taken up first.] COURT NO. 1 (DIVISION BENCH-1) HON'BLE THE CHIEF JUSTICE HON'BLE MR.JUSTICE RAJIV SAHAI ENDLAW FRESH MATTERS & APPLICATIONS ______________________________ 1. W.P.(C) 1346/2015 COURT ON ITS OWN MOTION (AIR RAVI S.S. CHAUHAN,SANJEEV CM APPL. 3878/2015 POLLUTION IN DELHI) RALLI,KAILASH,AJAY ARORA Vs. UNION OF INDIA AND ORS 2. W.P.(C) 2115/2015 SUDHIR MISHRA RITWIKA NANDA AND ROHIT WITH W.P.(C) 1346/2015 Vs. MINISTRY OF HEALTH AND SHUKLA,ZUBEDA BEGUM,ARJUN FAMILY WELFARE AND ORS. PANT,SANJEEV RALLI 3. W.P.(C) 2351/2015 PUSHKAR WALIA YUDHVIR SINGH CHAUHAN,ARUN CM APPL. 4212/2015 Vs. UNION OF INDIA AND ORS BHARDWAJ,AMEET SINGH 4. W.P.(C) 2374/2015 SANJEEV KUMAR O.P. GUPTA,MONIKA ARORA Vs. WINTER GAMES FEDERATION OF INDIA AND ORS AFTER NOTICE MISC. MATTERS ____________________________ 5. W.P.(C) 787/2012 A.K. ASTHANA SALIM AHMED,ANANT KUMAR CM APPL. 10657/2013 Vs. UNION OF INDIA AND ANR ASTHANA,ZUBEDA BEGUM,ANIL SONI,AAGNEY SAIL 6. W.P.(C) 2953/2012 G.HEMA GOWRI LALIET KUMAR,RUCHI Vs. -
National Law University, Delhi Sector-14, Dwarka New Delhi-110078
NATIONAL LAW UNIVERSITY, DELHI SECTOR-14, DWARKA NEW DELHI-110078 ALL INDIA LAW ENTRANCE TEST-2016 (AILET-2016), B.A. LL.B.(HONS.) RESULT Marks Wise S.No. Roll No Name of the Candidate Name of Father/Mother/ Guardian DoB Gender Marks 1 52788 KARAN DHALLA DEEPESH DHALLA 03/02/1998 M 119 2 55979 SHUBHAM JAIN BHUPENDRA JAIN 20/11/1997 M 116 3 56876 VANSH AGGARWAL PAWAN SINGHAL 25/03/1998 M 116 4 63245 ARTH NAGPAL RAJESH NAGPAL 28/08/1997 M 114 5 64122 RIJU SHRIVASTAVA YUGENDRA ARYA 27/04/1998 F 114 6 69185 ROHIL BIPIN DESHPANDE BIPIN GAJANAN DESHPANDE 10/05/1998 M 114 7 70191 ARVIND KUMAR TIWARI AKHILESH CHANDRA TIWARI 03/10/1997 M 114 8 75260 ANUBHUTI GARG ARUN GARG 13/06/1997 F 114 9 63398 EKANSH ARORA RAJESH ARORA 08/01/1997 M 113 10 66089 KARISHMA KARTHIK KARTHIK SUBRAMANIAN 06/04/1998 F 113 11 75266 ANUNA TIWARI SANJAY TIWARI 14/08/1997 F 113 12 77055 ANMOL DHAWAN SANJEEV DHAWAN 29/12/1998 M 113 13 77061 ANUKRITI KUDESHIA ANURODH KUDESHIA 27/09/1997 F 113 14 64048 PRANSHU SHUKLA SANJAY SHUKLA 24/02/1998 M 112 15 71044 NIKHIL SHARMA PRAMOD KUMAR SHARMA 21/01/1997 M 112 16 75365 AVANI AGARWAL SURENDRA KUMAR AGARWAL 28/06/1998 F 112 17 63385 DIVYA KUMAR GARG NITIN GARG 05/04/1998 M 111 18 64071 PRIYANKA CHATURVEDI D. P. CHATURVEDI 20/02/1997 F 111 19 72316 PRITHVI JOSHI ARUN JOSHI 28/10/1998 M 111 20 74213 SHIVAM SINGHANIA SUNIL SINGHANIA 27/02/1998 M 111 21 74227 SHREYA JAIPURIA BIRENDRA JAIPURIA 22/12/1997 F 111 22 77417 SREEDEVI GOPALAKRISHNAN NAIR GOPALAKRISHNAN NAIR 01/07/1997 F 111 23 50911 ANKUR SINGHAL ANIL KUMAR SINGHAL 26/12/1997 -
11 Top Directors for Mumbai Cutting
11 top directors for Mumbai Cutting balleballeradio.blogspot.com/2008/04/11-top-directors-for-mumbai-cutting.html The first of its kind film on Mumbai's various facets Sahara One Motion Pictures' Mumbai Cutting is a film that shows the various facets of Mumbai through the eyes of its 11 writer-directors. Sahara- One Motion Pictures' Mumbai Cutting… A City unfolds is a film directed by 11 Indian directors who are known to weave magic on Indian celluloid, is already making waves internationally with the IFFLA Fest selection. The directors have flown to IFFLA at Los Angeles currently with th Sahara One Motion Pictures' team. The film unfolds various facets of this metro that is known for absorbing newer cultures and merging them into its own. 11 top directors, Sudhir Mishra, Rahul Dholakia, Revati, Rituparno Ghosh, Kundan Shah, Anurag Kashyap, Shashanka Ghosh, Ruchi Narain, Jahnu Barua, Manish Jha, Ayush Raina weild the megaphone in the films that star Soha Ali Khan, Jimmy Shergill, Sonali Kulkarni, Ranvir Shorey, Vinay Pathak, Sushant Singh, Tara Sharma, Tejaswini Kolhapure, Raima Sen, Palash Sen, Shruti Seth, Rahul Dev, Deepak Dobriyal, Dipannita Sharma, Kavita Kaushik, Samrin, Sanjay Narvekar, Mahek Chel among others. The music also lends diverse flavours from Euphoria, Indian Ocean, Ali Azmat, Fuzon, Sanjeev Shrivastav, Jeet Ganguly, Amartya and Papon, with vocals by Shreya Goshal, Shafquat Amanat Ali Khan, Sunidhi Chauhan, Nachiketa, Papon and Ali Azmat. "Sahara-One Motion Pictures looks at promoting Indian talent globally with cutting edge concepts in cinema. Mumbai Cutting is simple one step in that direction," says Seemanto Roy, Head, Sahara One Media And Entertainment. -
In Remembrance of Om Puri and Kundan Shah, the Jio MAMI 19Th Mumbai Film Festival with Star Go Down Memory Lane of Jaane Bhi Do Yaaron
In remembrance of Om Puri and Kundan Shah, the Jio MAMI 19th Mumbai Film Festival with Star go down memory lane of Jaane Bhi Do Yaaron Ranjit Kapoor, Satish Kaushik, Vidhu Vinod Chopra and Sudhir Mishra in conversation with Victor Acharya Jaane Bhi Do Yaaro screening held at PVR ECX Mumbai, 15th October: Jaane Bhi Do Yaaro is a cult comedy film which released in 1983. It is one of Kundan Shah’s notable works. MAMI brings alive the magic of Kundan Shah’s Jaane Bhi Do Yaaro in an interactive session with the team of the film. A screening of the same was hosted at PVR ECX which was followed by a Q&A where the panel comprised of Satish Kaushik, Ranjit Kapoor, Vidhu Vinod Chopra, Sudhir Mishra which was curated by Victor Acharya. The cast shared few sneak peeks and behind the scene stories of the process that went on to become one of the most celebrated films of the industry. Kundan Shah studied direction at FTII in Pune. He is the recipient of the Indira Gandhi Award for Best First Film of a Director for Jaane Bhi Do Yaaro and also the Filmfare Critics Award for Best Movie for Kabhi Haan Kabhi Naa. Om Puri was a Padma Shri recipient. He was an actor who appeared equally in mainstream and independent art films. Puri was an alumni of the National School of Drama where he pursued theatre. He took up further studies in FTII. He has won the National Award, Filmfare Award and many more to his credit. -
3 - Time National Awardwinning Filmmaker Alumnus Sudhir Mishra 2016
nos 006 alft 0025 “There was more glamour in 1979 in Delhi University than there is in the film industry today!” 3 - time National AwardWinning filmmaker alumnus Sudhir Mishra 2016 Atisha Jain Updated: Jan 30, 2016 09:01 IST Sudhir Mishra at the Crime Writer’s Festival in Delhi January 2016 alpix 0605 Photo: Virendra Singh Gosain The idea of meeting Sudhir Mishra, the three-time National Award-winning filmmaker with a 30-year career and a French equivalent of a knighthood is intimidating. The writer-director is known for his hard-hitting, realistic and richly political films. What sort of research do you do to create your characters? I never research. I never make films about things I don’t know. I had lived in Mumbai from 1982-83 till 1990 when I made Dharavi, which is possibly about my experiences in Bombay. I was around when the Emergency happened. I was 16-17 years old, starting college. I knew all the characters – that’s why I say they are my imaginary elder brothers – in the beginning of Hazaaron Khwaishein Aisi; they were all 23-24 at that time. I didn’t have to ask anybody when I started writing Hazaaron... in 1998-99. Your films always have strong female characters… Because those are based on women I know! I grew up with a paternal grandmother who single-handedly took care of five sons. In our household, women were stronger. Even my cousin sisters are far more independent than the guys. Do you think filmmakers depend on a glamorous cast for box office success much more now? There was more glamour in 1979 in Delhi University than there is in the film industry today! A trend in Bollywood you detest. -
For Combined Booklet
2015 Message by the FOUNDER PRESIDENT It is my obsession, junoon and one of the missions of my life that the potential of each one of my students and alumni develops to the fullest. It is always my continuous endeavour to look for new findings, gather experiences and do research to fulfill my above dream. My dear alumni, I wish to share with you, that if I have achieved any success in my professional career, entrepreneurial career and personal life, it is all because of my uncompromising urge to attain the highest success in whatever I pursue. You, my dear alumni, have been my students for many years, have taken breath in an environment, in the air, which has given you the utmost urge to have distinguished identity in your professional/ entrepreneurial and personal career. It is very easy to reach the pinnacle of success – for that, you have to dream big, dream with open eyes and make a roadmap to reach such great heights. That is all. But one thing, while pursuing your mission and goal, you should not deter from your path, no matter, whatever challenges, adversities and difficulties come in your way. I am confident that having the genes of your worthy grand-parents and parents and other noble senior blood relations and having inherited their values and sanskars and this coupled with education at Amity, where the power of Brahmastra “Behavioural Science” has been instilled in you, I am sure each one of my alumni would make a success story and thus, would become pride for their family, for Amity and for the whole nation and would contribute tremendously in making India a Superpower.