Visual Arts and the Law: a Bibliography, Part II Gail I

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Visual Arts and the Law: a Bibliography, Part II Gail I Hastings Communications and Entertainment Law Journal Volume 10 | Number 3 Article 6 1-1-1988 Visual Arts and the Law: A Bibliography, Part II Gail I. Winson Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Gail I. Winson, Visual Arts and the Law: A Bibliography, Part II, 10 Hastings Comm. & Ent. L.J. 885 (1988). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol10/iss3/6 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Visual Arts and the Law: A Bibliography, Part II by GAIL I. WINSON* Contents I. BOOK S ................................................. 886 A. General ............................................ 886 B. Aid to the Arts ................................... 889 C. Art as an Investment ............................. 890 D. Artists ..... ................................ 890 E. Artists' Contracts ................................. 890 F. Artists' Handbooks ............................... 891 G. Auctions ........................................... 893 H. Bibliographies ..................................... 893 I. Copyright .......................................... 894 J. Cultural Policy .................................... 894 K. First Amendment Issues ......................... 896 L. Forgeries, Fakes, and Frauds .................... 896 M. International Movement of Art .................. 898 N. Legislation ......................................... 899 0. Moral Rights ...................................... 900 P. Museums .......................................... 900 Q. Nonprofit Organizations .......................... 901 R. Taxation ........................................... 902 S. Theft .............................................. 903 II. LEGAL INSTITUTE PROGRAM MATERIALS .... 904 A. ABA Forum Committee on Entertainment and Sports Law ........................................ 904 B. ALI-ABA Committee on Continuing Professional Education ........................... 904 B.A., Moravian College, 1966; M.S., Drexel University, 1971; J.D., University of Florida, 1979; Member of the Florida Bar and the State Bar of California; Adjunct Assistant Professor of Law and Associate Law Librarian, Hastings College of the Law. The author wishes to thank the following students: Laurence Andrews, second- year student, for his research assistance on Part II of the bibliography, Joseph Bochner, second-year student, Jan Van Dusen, third-year student, and Marjorie O'Toole, 1987 graduate, for their research assistance on Part I of the bibiliography, published in Volume 10.2 of COMM/ENT. HASTINGS COMM/ENT L. J. [Vol. 10:885 C. M iscellaneous ..................................... 905 D. Practising Law Institute .......................... 905 III. SELECTED U.S. DOCUMENTS ...................... 907 A. Abandoned Shipwrecks .......................... 907 B. Artists' Rights ........................... 909 C. Berne Convention ................................ 909 D. Cultural Property ................................. 910 E. Federal Aid to the Arts .......................... 911 F. Taxation ........................................... 914 G. UNESCO Convention ............................ 914 H. War Treasures ........ , ........................... 916 I. W ork for Hire ..................................... 918 I. BOOKS A. General Adams, Laurie. Art on TriaL" From Whistler to Rothko. New York: Walker, 1976. 236 pp. Includes bibliographical references. Arnold-Baker, Charles. PracticalLaw for Arts Ad- ministrators. Eastbourne, E. Sussex, Eng.: John Offord Publishers, 1983. 200 pp. Cochrane, Diane. This Business of Art New York: Watson-Guptill Publications, 1978. 256 pp. Bibliog- raphy: p. 249. Crawford, Tad. Legal Guide for the Visual Artist. Rev. ed. New York: Madison Square Press, 1987. 213 pp. Bibliography: p. 205. Written for the artist; covers all aspects of the business of creating and marketing works of art, including copyright, moral rights, sales of original art, dealings with galleries, agents and museums, and taxation. Includes model forms and agreements throughout. DuBoff, Leonard D. Art Law in a Nutshell. St. Paul, Minn.: West Publishing Co., 1984. 335 pp. CON- TENTS: Art: The Customs Definition; Art: Inter- national Movement; Art: The Victim of War; Art as an Investment; Auctions; Authentication; Insur- ance; Tax Problems; Collectors and Dealers; The Working Artist; Aid to the Arts; Tax Problems; Artists; Copyright; Moral and Economic Rights; Freedom of Expression; Museums. DuBoff, Leonard D. The Deskbook of Art Law. Wash- 1988] VISUAL ARTS AND THE LAW ington, D.C.: Federal Publications, 1977. 1345 pp. Bibliography: pp. 1279-312. 1984 Supplement. [1703 pp.] Bibliography: [6 pp.]. DuBoff, Leonard D., Domestic and International South Hackensack, N.J.: Rothman, 1975. 627 pp. Includes bibliographical references. A compilation of material presented by thirty-two scholars at a two-day conference sponsored by the National En- dowment for the Arts, the American Society of In- ternational Law, the Oregon Arts Commission, Northwestern School of Law of Lewis and Clark College, and Oregon Volunteer Lawyers for the Arts. The conference, held in March, 1974, covered "counseling the artist," "international law and the arts," and "the authentication of art." Duffy, Robert E. Art Law RepresentingArtists, Deal- ers, and Collectors. New York: Practising Law In- stitute, 1977. 517 pp. CONTENTS: Commercial Transactions in Fine Art; Auctions; The Artist and Copyright; Tax Problems of Artists; Artists' Royal- ties; Artists' Moral Rights; The Artists and the First Amendment; Preservation and International Transport of Art and Cultural Property; Dealing in Fine Art; The Art Collector; Public Support for the Arts. Entertainment,Publishing and the Arts Handbook. New York: Clark Boardman, 1983. Annual. Feldman, Franklin; Stephen E. Weil, and Susan Duke Biederman. Art Law: Rights and Liabilities of Cre- ators and Collectors. Boston, Mass.: Little, Brown, 1986. 2 vols. 1410 pp. Bibliography: vol. 2, pp. 717-21. Successor to Art Works: Law, Policy, Practice. CONTENTS: Volume 1: The Right of Expression; Reproduction Rights; Relationships with Art Deal- ers; Commissioned Works; Moral Right; Other Leg- islation Protective of Artists; The Artist's Estate. Volume 2: Private Sales; Public Sales; Claims by Third Parties; Claims against Third Parties; Chari- table Contributions; Art as a "Collectible" Asset. Hodes, Scott. Legal Rights in the Art and Collectors' Worl Legal Almanac Series, No. 56. Dobbs Ferry, HASTINGS COMM/ENT L. J. [Vol. 10:885 N.Y.: Oceana Publications, 1986. 149 pp. Includes forms. CONTENTS: Commercial Art Transaction; Art Forgery; Legal Invasions of Rights; Copyright Protections; Tax Planning and the Artist; The Art Collector and Taxes; Insurance Matters; Interna- tional Movement of Art. Hodes, Scott, foreword by Harold Haydon. What Every Artist and Collector Should Know About the Law. New York: Dutton, 1974. 268 pp. Forms: pp. 189-265. Law & The Arts-Art & The Law. Tem Horwitz, ed., (and Timothy Patenode, assn't ed.) Chicago, Ill.: Lawyers for the Creative Arts, 1979. 228 pp. In- cludes bibliographical references. INCLUDES: "Visual Arts & The Law," by Clarence S. Wilson, Jr., pp. 82-116. Merryman, John Henry and Albert E. Elsen. Law, Ethics, and the Visual Arts. 2d ed. Philadelphia, Pa.: University of Pennsylvania Press, 1987. 2 vols. 756 pp. A collection of cases and materials. Read- ings include excerpts from such varied sources as legislative documents, law review articles and un- published papers. CONTENTS: Volume 1: Plun- der, destruction, and reparations; The Illicit International Trade in Art: Who Owns the Past?; The Artist's Rights in the Work of Art; Artistic Freedom and Its Limitation. Volume 2: The Artist and the Real World; The Collector; Museums. Merryman, John Henry and Albert E. Elsen. Law, Ethics, and the Visual Arts. Cases and Materials. New York: Mathew Bender, 1979. 2 vols. looseleaf. Bibliography: vol. 1. Although superseded for the most part by Law, Ethics, and the Visual Arts (2d ed., 1987), by the same authors, this edition con- tains some material omitted from the later edition. Milrad, Aaron and Ella Agnew. The Art World: Law, Business & Practicein Canada.Toronto; New York: Merritt Publishing, 1980. 204 pp. Norwick, Kenneth P. and Jerry Simon Chasen with Henry R. Kaufman. The Rights of Authors and Art- ists: The Basic ACLU Guide to the Legal Rights of 1988] VISUAL ARTS AND THE LAW Authors and Artists. An American Civil Liberties Union Handbook. Toronto; New York: Bantam Books, 1984. 208 pp. Includes bibliographical references. Simpson, Shane. The Visual Artist and the Law. Syd- ney, Austl.: Law Book Co., 1982. 182 pp. Bibliogra- phy: pp. 169-73. The Visual Artist and the Law. Rev. ed. Praeger Spe- cial Studies in U.S. Economic, Social, and Political Issues. Arts Law Study, No. 1. New York: Praeger Publishers, 1974. 87 pp. Includes bibliographical references. B. Aid to the Arts Feld, Alan L., Michael O'Hare and J. Mark Davidson Schuster. Patrons Despite Themselves: Taxpayers and Arts Policy. A Twentieth Century Fund
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