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Choosing a Mixed Methods Design
04-Creswell (Designing)-45025.qxd 5/16/2006 8:35 PM Page 58 CHAPTER 4 CHOOSING A MIXED METHODS DESIGN esearch designs are procedures for collecting, analyzing, interpreting, and reporting data in research studies. They represent different mod- R els for doing research, and these models have distinct names and procedures associated with them. Rigorous research designs are important because they guide the methods decisions that researchers must make dur- ing their studies and set the logic by which they make interpretations at the end of studies. Once a researcher has selected a mixed methods approach for a study, the next step is to decide on the specific design that best addresses the research problem. What designs are available, and how do researchers decide which one is appropriate for their studies? Mixed methods researchers need to be acquainted with the major types of mixed methods designs and the common variants among these designs. Important considerations when choosing designs are knowing the intent, the procedures, and the strengths and challenges associated with each design. Researchers also need to be familiar with the timing, weighting, and mixing decisions that are made in each of the different mixed methods designs. This chapter will address • The classifications of designs in the literature • The four major types of mixed methods designs, including their intent, key procedures, common variants, and inherent strengths and challenges 58 04-Creswell (Designing)-45025.qxd 5/16/2006 8:35 PM Page 59 Choosing a Mixed Methods Design–●–59 • Factors such as timing, weighting, and mixing, which influence the choice of an appropriate design CLASSIFICATIONS OF MIXED METHODS DESIGNS Researchers benefit from being familiar with the numerous classifications of mixed methods designs found in the literature. -
Fashion Designers' Decision-Making Process
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 Fashion designers' decision-making process: The influence of cultural values and personal experience in the creative design process Ja-Young Hwang Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Art and Design Commons Recommended Citation Hwang, Ja-Young, "Fashion designers' decision-making process: The influence of cultural values and personal experience in the creative design process" (2013). Graduate Theses and Dissertations. 13638. https://lib.dr.iastate.edu/etd/13638 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Fashion designers’ decision-making process: The influence of cultural values and personal experience in the creative design process by Ja -Young Hwang A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Apparel, Merchandising, and Design Program of Study Committee: Mary Lynn Damhorst, Co-Major Professor Eulanda Sanders, Co-Major Professor Sara B. Marcketti Cindy Gould Barbara Caldwell Iowa State University Ames, Iowa 2013 Copyright © Ja Young Hwang, 2013. All rights -
Architectural Thought Experiments, Verisimilitude and Argumentation in Predicting Architectural Quality
Design Research Society DRS Digital Library DRS Biennial Conference Series DRS2006 - Wonderground Nov 1st, 12:00 AM Architectural Thought Experiments, Verisimilitude and argumentation in predicting architectural quality J.L. Heintz Delft University of Technology, DElft, Netherlands | Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Heintz, J. (2006) Architectural Thought Experiments, Verisimilitude and argumentation in predicting architectural quality, in Friedman, K., Love, T., Côrte-Real, E. and Rust, C. (eds.), Wonderground - DRS International Conference 2006, 1-4 November, Lisbon, Portugal. https://dl.designresearchsociety.org/drs- conference-papers/drs2006/researchpapers/23 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. 0081 Architectural Thought Experiments, Verisimilitude and argumentation in predicting architectural quality J.L. Heintz Delft University of Technology, DElft, Netherlands | [email protected] Introduction One of the most common models1 of design consists of three steps – analysis, synthesis and evaluation – bound together in a cyclical pattern (Lawson, 1980). This corresponds well with our notions of design at many levels: That of a single designer working at his or her computer, analyzing some small -
The Contribution of Typography and Information Design to Health Communication
The contribution of typography and information design to health communication Book or Report Section Accepted Version Walker, S. (2017) The contribution of typography and information design to health communication. In: Cooper, R. and Tsekleves, E. (eds.) Design for health. Routledge, pp. 92- 109. ISBN 9781472457424 Available at http://centaur.reading.ac.uk/66530/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Routledge All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Thematic Unit: Communication Design for Public Health The contribution of typography and information design to health communication abstract This chapter is about the role that information design, and typography and graphic communication play in effective public health communication. It introduces the way that information designers work, particularly in relation to what have been called ‘functional texts’ – those that enable people to take some kind of action, or to better understand something. Examples of late-nineteenth- and early-twentieth-century printed ephemera are used to draw attention to the ways that language and visual presentation work together to enhance the meaning of a particular message. The role of pictures in health communication is discussed with reference to Isotype and the work of Otto and Marie Neurath. -
Design Thinker Profile: Creating and Validating a Scale for Measuring
Antioch University AURA - Antioch University Repository and Archive Student & Alumni Scholarship, including Dissertations & Theses Dissertations & Theses 2017 Design Thinker Profile: Creating and Validating a Scale for Measuring Design Thinking Capabilities Dani Chesson Antioch University - PhD Program in Leadership and Change Follow this and additional works at: http://aura.antioch.edu/etds Part of the Art and Design Commons, Business Administration, Management, and Operations Commons, Industrial and Organizational Psychology Commons, Leadership Studies Commons, Management Sciences and Quantitative Methods Commons, and the Organizational Behavior and Theory Commons Recommended Citation Chesson, Dani, "Design Thinker Profile: Creating and Validating a Scale for Measuring Design Thinking Capabilities" (2017). Dissertations & Theses. 388. http://aura.antioch.edu/etds/388 This Dissertation is brought to you for free and open access by the Student & Alumni Scholarship, including Dissertations & Theses at AURA - Antioch University Repository and Archive. It has been accepted for inclusion in Dissertations & Theses by an authorized administrator of AURA - Antioch University Repository and Archive. For more information, please contact [email protected], [email protected]. THE DESIGN THINKER PROFILE: CREATING AND VALIDATING A SCALE FOR MEASURING DESIGN THINKING CAPABILITIES DANI CHESSON A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy October, 2017 This is to certify that the Dissertation entitled: THE DESIGN THINKER PROFILE: CREATING AND VALIDATING A SCALE FOR MEASURING DESIGN THINKING CAPABILITIES prepared by Dani Chesson is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change. -
Fashion Adopters and Fashion Followers
Design Research Society DRS Digital Library DRS2012 - Research: Uncertainty Contradiction DRS Biennial Conference Series Value Jul 1st, 12:00 AM Perceptions toward Specific-Product Types and Product Cues – Fashion adopters and fashion followers Osmud Rahman Ryerson University Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Rahman, O. (2012) Perceptions toward Specific-Product Types and Product Cues – Fashion adopters and fashion followers, in Israsena, P., Tangsantikul, J. and Durling, D. (eds.), Research: Uncertainty Contradiction Value - DRS International Conference 2012, 1-4 July, Bangkok, Thailand. https://dl.designresearchsociety.org/drs-conference-papers/drs2012/researchpapers/114 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. DRS 2012 Bangkok Chulalongkorn University Bangkok, Thailand, 1–4 July 2012 Perceptions toward Specific-Product Types and Product Cues – Fashion adopters and fashion followers Osmud RAHMAN Ryerson University Abstract It is evident that consumers have higher level of fashion innovativeness (e.g., fashion adopters/leaders) are more likely to consume and display a new product at the early stage of its lifecycle (Kang and Park-Poaps, 2010). Thus, it is imperative for fashion practitioners to understand this consumer group in order to offer better products, develop effective marketing strategies and ultimately increase the sales. In this study, three product types (t-shirt, evening dress and socks) and ten product cues (four extrinsic cues and six intrinsic cues) were used to examine how fashion adopters and followers perceive and evaluate these products and what product cues may significantly affect their purchasing decision. -
Changing Cultures of Design Identifying Roles in a Co-Creative Landscape
Changing Cultures of Design Identifying roles in a co-creative landscape Marie Elvik Hagen Department of Product Design Norwegian University of Science and Technology ABSTRACT The landscape of design is expanding and designers today are moving from expert practice to work with users as partners on increasingly complex issues. This article draws up the lines of the emerging co-creative design practice, and discusses the changing roles of the designer, the user as a partner, and design practice itself. Methods and tools will not be considered, as the roles will be discussed in terms of their relations. The co-design approach breaks down hierarchies and seeks equal participation. Research suggests that the designer needs to be responsive or switch tactics in order to take part in a co-creative environment. A case study exploring co-creative roles complements the theory, and finds that the designer role needs to be flexible even when having equal agency as partners and other stakeholders. Sometimes it is necessary to lead and facilitate as long as it is a collaborative decision. Bringing users in as partners in the process changes the design culture, and this article suggests that Metadesign can be the holistic framework that the design community need in order to understand how the different design practices are connected. KEYWORDS: Co-design, Co-creativity, Roles in the Design Process, Participatory Design, Metadesign, Cultures of participation, Design Agenda 1. INTRODUCTION This article seeks to examine how the role of the designer, the role of the user and the role The landscape of design is changing. -
User-Centered System Design in an Aging Society: an Integrated Study on Technology Adoption by Chaiwoo Lee
User-Centered System Design in an Aging Society: An Integrated Study on Technology Adoption by Chaiwoo Lee M.S. in Industrial Engineering, Seoul National University (2010) B.S. in Industrial Engineering, Seoul National University (2008) Submitted to the Engineering Systems Division in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Engineering Systems at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2014 © 2014 Massachusetts Institute of Technology. All rights reserved. Signature of Author ................................................................................................................................... Engineering Systems Division May 23, 2014 Certified by ............................................................................................................................................... Olivier L. de Weck Professor, Engineering Systems Division and Department of Aeronautics and Astronautics Committee Chair Certified by ............................................................................................................................................... Joseph F. Coughlin Senior Lecturer, Engineering Systems Division Director, MIT AgeLab Thesis Advisor Certified by ............................................................................................................................................... Maria C. Yang Associate Professor, Engineering Systems Division and Department of Mechanical Engineering Committee Member Certified by .............................................................................................................................................. -
Industrialdesign
National Endowment for the Arts I N D U S T R I A L D E S I G N A Competitive Edge for U.S. Manufacturing Success in the Global Economy I N D U S T R I A L D E S I G N A Competitive Edge for U.S. Manufacturing Success in the Global Economy April 2017 National Endowment for the Arts 400 7th Street SW Washington, DC 20506 Telephone: 202-682-5400 arts.gov Produced by Office of Programs and Partnerships, Design Program Jason Schupbach, Director of Design Programs, National Endowment for the Arts Content by Heidi Sheppard, Advisor for Technology Collaborations, National Institute for Standards and Technology, Manufacturing Extension Partnership; Courtney Spearman, Design Specialist, Office of Programs and Partnerships, NEA; and Katryna Carter, Design Consultant, Office of Programs and Partnerships, NEA Other Staff Contributors: Don Ball, Assistant Director - Publications, Office of Public Affairs, NEA; Bonnie Nichols, Operations Research Analyst, Office of Research and Analysis, NEA. Designed by Katryna Carter For their valuable assistance with this report, the NEA Design Program would like to thank the following people: Daniel Martinage, Industrial Designers Society of America; Susan Page Estes and Paul Hatch, DesignHouse; all those who were interviewed; and Laska Hurley, Office of Programs and Partnerships. 202-682-5496 Voice/TTY (a device for individuals who are deaf or hearing-impaired) Individuals who do not use conventional print materials may contact the Arts Endowment’s Office for Accessibility at 202-682-5532 to obtain this publication in an alternate format. This publication is available free of charge in PDF format at arts.gov. -
Theory Construction in Design Research. Criteria, Approaches, and Methods
Design Research Society DRS Digital Library DRS Biennial Conference Series DRS2002 - Common Ground Sep 5th, 12:00 AM Theory construction in design research. Criteria, approaches, and methods. K. Friedman Norwegian School of Management, Oslo, Norway Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Friedman, K. (2002) Theory construction in design research. Criteria, approaches, and methods., in Durling, D. and Shackleton, J. (eds.), Common Ground - DRS International Conference 2002, 5-7 September, London, United Kingdom. https://dl.designresearchsociety.org/drs-conference-papers/ drs2002/researchpapers/28 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. Theory construction in design research. Criteria, approaches, and methods. K. Friedman Norwegian School of Management, Oslo, Norway Abstract Design involves creating something new or transforming a less desirable situation to a preferred situation. To do this, designers must know how things work and why. Understanding how things work and why requires explanation, and it sometimes requires prediction. To explain and predict, we must construct and test theories. Theories are propositions or sets of propositions that allow us to analyze or explain subjects. Some theories are complex and sophisticated. Others are simple. Theory can be described in many ways. In its most basic form, a theory is a model. It is an illustration describing how something works by showing its elements in their dynamic relationship to one another. -
Design Research Quarterly Volume 2 Issue 1
Design Research Society DRS Digital Library Design Research Quarterly DRS Archive 1-1-2007 Design Research Quarterly Volume 2 Issue 1 Peter Storkerson Follow this and additional works at: https://dl.designresearchsociety.org/design-research-quarterly Recommended Citation Storkerson, Peter, "Design Research Quarterly Volume 2 Issue 1" (2007). Design Research Quarterly. 2. https://dl.designresearchsociety.org/design-research-quarterly/2 This Book is brought to you for free and open access by the DRS Archive at DRS Digital Library. It has been accepted for inclusion in Design Research Quarterly by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. V.2:1 January 2007 www.designresearchsociety.org Design Research Society ISSN 1752-8445 Paolo Astrade Wonderground 2007 Plenary: Sociedade de Geografia de Lisboa Perspectives on Table of Contents: 3 Forty Years of Design Research Design Nigel Cross 7 Simplicity Per Mollerup 16 Design Thinking Nigel Cross Charles Owen Forty Years of 28 Wonderground and Forward Design Research p. 3 Chris Rust 29 Seven New Fellows of the Design Research Society ICM Report: 30 BRAZIL: 7th P&D Brazilian Conference on Research and Development in Design Daniela Büchler Per Mollerup Design Conference Calendar: Simplicity p. 7 31 Upcoming Events Worldwide Artemis Yagou Call for Papers: 6 Emerging Trends in Design Research 2007 IASDR conference, Hong Kong 15 Shaping the Future? 9th International Conference on Engi- neering and Product Design Ed. Creative Makers Newcastle upon Tyne UK Domain Invention Charles Owen 32 Livenarch Contextualism in Architecture Design Thinking: Trabzon Turkey Notes on Its Analysis Synthesis Nature and Use p . -
Typography Within the Israeli Linguistic Landscape
Xavier University of Louisiana XULA Digital Commons Faculty and Staff Publications Summer 8-2015 DESIGN RESEARCH: TYPOGRAPHY WITHIN THE ISRAELI LINGUISTIC LANDSCAPE Shayna Tova Blum Xavier University of Louisiana, [email protected] Follow this and additional works at: https://digitalcommons.xula.edu/fac_pub Part of the Anthropological Linguistics and Sociolinguistics Commons, Critical and Cultural Studies Commons, Cultural History Commons, Discourse and Text Linguistics Commons, Graphic Communications Commons, Graphic Design Commons, Intellectual History Commons, International and Intercultural Communication Commons, Jewish Studies Commons, Modern Languages Commons, Near and Middle Eastern Studies Commons, Other Languages, Societies, and Cultures Commons, Reading and Language Commons, Semantics and Pragmatics Commons, Social History Commons, Sociology Commons, Typological Linguistics and Linguistic Diversity Commons, and the Urban Studies and Planning Commons Recommended Citation Blum, Shayna Tova, "DESIGN RESEARCH: TYPOGRAPHY WITHIN THE ISRAELI LINGUISTIC LANDSCAPE" (2015). Faculty and Staff Publications. 48. https://digitalcommons.xula.edu/fac_pub/48 This Article is brought to you for free and open access by XULA Digital Commons. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of XULA Digital Commons. For more information, please contact [email protected]. DESIGN RESEARCH: TYPOGRAPHY WITHIN THE ISRAELI LINGUISTIC LANDSCAPE Abstract: A linguistic landscape signifies language used within