Historic Autographs & Manuscripts
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Risk Assessment of the Movement of Firewood Within the United States
United States Department of Agriculture Animal and Plant Health Inspection Service Risk Assessment of the Movement of Firewood within the United States Source: Kosichfirewood.org (artist: Alastair Heseltine) Agency Contact: Plant Epidemiology and Risk Analysis Laboratory Center for Plant Health Science and Technology Plant Protection and Quarantine Animal and Plant Health Inspection Service United States Department of Agriculture 1730 Varsity Drive, Suite 300 Raleigh NC, 27606 Rev.1 20110105 1 Executive Summary Exotic and native forest pests such as Agrilus planipennis (emerald ash borer), Anoplophora glabripennis (Asian longhorned beetle), Dendroctonous ponderosae (mountain pine beetle), Ophiostoma novo-ulmi and O. ulmi (pathogens associated with Dutch elm disease), Cryphonectria parasitica (pathogen associated with chestnut blight), and Geosmithia sp. (pathogen associated with thousand cankers disease of black walnut) cause serious damage to urban and natural forests in the United States. These pests and many others disperse various distances through multiple pathways including movement of nursery stock and firewood. Firewood is a raw forest product that is widely utilized and moved throughout the United States with relatively limited consideration of the potential pests within or the associated risks. We conducted an assessment and examined factors that may affect the risk associated with the movement of firewood such as users, movement, insects and diseases, potential impact to natural and urban forests, and trends in firewood use. From our assessment, we estimate firewood to be a high-risk pathway for the movement of forest pests for the following reasons. • Firewood is a well-known pathway for the movement of wood pests. • The United States requires treatment of all imported firewood, with a few exceptions from Canada and Mexico. -
Rhonda Wilson Award Announced
MEDIA RELEASE Rhonda Wilson Award Announced The 2020 Rhonda Wilson Award has been awarded to Jerry Takigawa receives the following prize package: Jerry Takigawa, for his series Balancing Cultures, which will be • $2,000 cash—provided by Wendy Watriss and Fred Baldwin, on view at the Klompching Gallery in the Fresh Annual Summer and Klompching Gallery. Exhibition, September 9–October 10, 2020. • Photolucida Portfolio Review Place—provided by Photolucida. Thank you to Debra and Darren of the Klompching Gallery, • £1,000 print production voucher—provided by Genesis for creating Fresh 2020 and for establishing and chairing the Imaging, London, UK. Rhonda Wilson Award. My heartfelt gratitude to the award • 5 hours one-on-one consultancy—provided by Debra Klomp judges Natasha Egan, Lisa Volpe, Paul Kopeikin and Andy Ching. Adams, for the appreciation and recognition that this award conveys. I’m truly honored to be chosen from such a diverse and passionate field of artists.—Jerry Takigawa The Rhonda Wilson Award was created to recognize and celebrate the legacy of Rhonda Wilson MBE (1953–2014), an advocate and champion of emerging photographers. She was best known for being the creative force behind the Rhubarb- Rhubarb Portfolio Review Festival, Birmingham, UK. In 2005, she was awarded an MBE, in recognition of her valuable contribution to photography and international trade. The award celebrates new talent in photography, providing the recipient with support, exposure and opportunity to further their career as a fine art photographer. The awardee was chosen from a shortlist of five photographers, selected for exhibition in the Fresh Annual Summer Exhibition at the Klompching Gallery— juried by Darren Ching and Debra Klomp Ching. -
Congressional Reoord-House. '4041
1898. CONGRESSIONAL REOORD-HOUSE. '4041 NAY&--M. directed to intervene at once to stop the war in Cuba to the end and with the Allen, Cockrell, McLaurin, Rawlins, purpose of securing permanent peace and order there and establishing by Bacon, Daniel, Mallory, Roach, the free action of the people thereof a stable and independent government Bate, Harris, Mantle, Stewart, of their own in the Isiand of Cuba; and the President is hereby authorized Berry, Heitfeld, Martin. Teller, and empowered to use the land and naval forces of the United States to exe Butler, Jones, Ark. Mitchell, Turley, cute the purpose of this resolution. Caffery, Jones, Nev. Money, Turner, lN TBE SENATE OF THE UNITED STATES, Cannon, Kenney, Pasco, T!!t'P.ie, _ .Apn116, 1898. Chilton, Lindsay, Pettigrew, White. Resolved That the joint resolution from the House of Representatives Clay, McEnery, Pettus, (H. Res. 23fn entitled" Joint resolution authorizing and directing the Presi NOT VOTING-12. dent of the 'United St-ates to intervene to stop the war in Cuba, and for the Gorman, Murphy, Thurston, Walthall. purpose of establishing a stable and independent government of the people Hoar, Platt, N.Y. Tillman, Wellington, therein," do pass with the following Mills, Smith, Vest, Wetmore. .A.MEND.MENTS: . So the report was agreed to. Strike out all after the resolving clause and insert: First. That the people of the Island of Cuba are,.and of right ought to be, Mr. ALLISON. I move that the Senate adjourn. free and independent- Mr. ELKINS. I move that the Senate adjourn until the day [Applause]- after to-morrow. -
The Battles of Mansfield (Sabine Crossroads) and Pleasant Hill, Louisiana, 8 and 9 April 1864
RICE UNIVERSITY DEAD-END AT THE CROSSROADS: THE BATTLES OF MANSFIELD (SABINE CROSSROADS) AND PLEASANT HILL, LOUISIANA, 8 AND 9 APRIL 1864 by Richard Leslie Riper, Jr. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Thesis Director's Signature Houston, Texas May, 1976 Abstract Dead-End at the Crossroads: The Battles of Mansfield (Sabine Cross¬ roads) and Pleasant Hill, Louisiana, 8 and 9 April 1864 Richard Leslie Riper, Jr. On 8 April 1864 a Union army commanded by Major General Nathaniel P. Banks was defeated by a Confederate army commanded by Major General Richard Taylor at the small town of Mansfield, Louisiana. In Union records the engagement was recorded as the battle of Sabine Crossroads, and the defeat signaled the "high-water mark" for the Union advance toward Shreveport. General Banks, after repeated urging by Major General Henry Hal- leck, General-in-Chief of the Union Army, had launched a drive up the Red River through Alexandria and Natchitoches to capture Shreveport, the industrial hub of the Trans-Mississippi Department. From New Or¬ leans and Berwick, Louisiana, and from Vicksburg, Mississippi, the Fédérais converged on Alexandria. From Little Rock, Arkansas, a Union column under Major General Frederick Steele was to join Banks at Shreve¬ port. Three major infantry forces and the Union Navy under Admiral David D. Porter were to participate in the campaign, yet no one was given supreme authority to coordinate the forces. Halleck's orders were for the separate commands only to co-operate with Banks--a clear viola¬ tion of the principle of unity of command. -
Year of Exhib. Dates of Exhibition Title Of
File Cab.- Drawer File #1: File #2: File #3a: File #4: Year of Exhib. Dates of Exhibition Title of Exhibition or Row/Shelf Objects/Installation Publications Press Background 1941 June 5-September 1 Painting Today and Yesterday in the U.S 19-1 ? Yes Yes ? Masterpieces of Ancient China from Jan 1941 October 19-November 23 Kleijkamp Collection 19-1 ? Yes ? ? Arts of America Before Columbus: 500 B.C. - AD 1942 April 18-June 1500 (Ancient American Art) 19-1 ? Yes Yes ? United Nations Festival and Free France Exhibit Lent by Mr. & Mrs. Walter Arensberg and Edward 1942 May G. Robinson. 19-1 ? ? Yes ? Yes 1942 July 1-July 31 Modern Mexican Painters 19-1 Yes ? ? Five Centuries of Painting lent by Jacob 1943 March 7-April 11 Heimann 19-1 ? No ? ? Paintings, Sculpture, and Lithographs by Arnold 1943 June Ronnebeck 19-1 No No Yes 1943 October 3 - ? America in the War. 19-1 No Yes 1943 November 16-December 7 Paintings by Agnes Pelton 19-1 ? No ? ? 1944 February 9-March 12 Paintings and Drawings by Jack Gage Stark 19-1 ? Yes ? ? Annual Exhibition of the California Watercolor 1944 March 15-April 7 Society 19-1 Yes ? ? ? 1944 April 8-April 30 Paintings by Hilaire Hiler 19-1 Yes ? ? ? 1944 July 8-July 23 Abstract and Surrealist Art in the United States 19-1 ? Yes ? ? 1944 September 5-October 5 First Annual National Competitive Exhibition 19-1 ? Yes ? ? Chinese Sculpture from the I to XII Centuries A.D. from the collection of Jan Kleijkamp and Ellis Monro. (“12 Centuries of Sculpture from Yes (Call# China”) Rare NB 1944 October-November 26 Row 21, Shelf 3 ? 1043.S3) ? ? Charlotte Berend: Exhibition of Paintings in Oil 1944 November 9-December 10 and Watercolor 19-1 ? Yes ? ? 1945 March 11- The Debt to Nature of Art and Education 19-1 ? Yes ? ? Memorial Exhibition: "Philosophical & Allegorical" 1945 March 15-April 11 Paintings by Spencer Kellogg, Jr. -
Finding Aid for The
1 FINDING AID FOR THE ANSEL ADAMS ARCHIVE AG31 Center for Creative Photography The University of Arizona Tucson, AZ 85721-0103 For further information about the archives at the Center for Creative Photography, please contact the Archivist: phone 520-621-6273; fax 520-621-9444 TABLE OF CONTENTS page number Description, Provenance, Restrictions 2 Scope and Content 2-3 Organization of the Collection 3-4 Correspondence 5-25 Correspondence Index 25-30 Biographical materials 30-33 Music related materials 34-36 Activity Files 36-97 Clippings 97 Publications 97-101 Audio-visual Materials 101-106 Memorabilia 106-107 Photographic Materials 107-118 Photographic Equipment 118-122 Appendix A: Periodicals and miscellaneous, by and about Adams Appendix B: Monographs by and about Adams Appendix C: Personal library: monographs by others Appendix D: Index to photographs in the Ansel Adams Archive Ansel Adams Archive, Center for Creative Photography, The University of Arizona 1 2 DESCRIPTION Papers, photographic materials, and memorabilia, 1920s -1984, of Ansel Adams (1902 - 1984), photographer, author, teacher and conservationist. Includes correspondence (1906 - 1984) between Adams and his family, friends, business associates, and other artists; activity files documenting his commercial projects (1930s - 1977); exhibitions (1936 - 1983); his associations with the Sierra Club (1937 - 1984), Friends of Photography (1967 - 1984), and Images and Words Workshop (1967 - 1972); writings, lectures, and interviews (1931 - 1982); publications with Morgan and Morgan (1950 - 1975), 5 Associates (1952 - 1979), and New York Graphic Society (1973 - 1983); photographic materials including work, reproduction, and exhibition prints; printed materials including reproductions of his work in periodicals and a portion of his personal library; audio and visual materials relating to interviews with him; and memorabilia including awards, certificates, equipment, and clothing. -
File #1: File #2: File #3A: File #4: Installation Year of Exhib
File #1: File #2: File #3a: File #4: Installation Year of Exhib. Dates of Exhibition Title of Exhibition Objects/Installation Publications Press Background Photography 1941 June 5-September 1 Painting Today and Yesterday in the U.S Yes Yes Yes No Yes Masterpieces of Ancient China from Jan 1941 October 19-November 23 Kleijkamp Collection ? Yes ? ? No Arts of America Before Columbus: 500 B.C. - AD 1942 April 18-June 1500 (Ancient American Art) ? Yes Yes ? Yes United Nations Festival and Free France Exhibit Lent by Mr. & Mrs. Walter Arensberg and Edward 1942 May G. Robinson. ? No Yes ? No Yes 1942 July 1-July 31 Modern Mexican Painters Yes ? ? No 1943 March 7-April 11 Five Centuries of Painting lent by Jacob Heimann ? No ? ? No Paintings, Sculpture, and Lithographs by Arnold 1943 June Ronnebeck No No Yes No 1943 October 3 - ? America in the War. No Yes No 1943 November 16-December 7 Paintings by Agnes Pelton ? No ? ? No 1944 February 9-March 12 Paintings and Drawings by Jack Gage Stark ? Yes ? ? No Annual Exhibition of the California Watercolor 1944 March 15-April 7 Society Yes Yes ? ? No 1944 April 8-April 30 Paintings by Hilaire Hiler Yes No ? ? No 1944 July 8-July 23 Abstract and Surrealist Art in the United States ? Yes ? ? No 1944 September 5-October 5 First Annual National Competitive Exhibition ? Yes ? ? No Chinese Sculpture from the I to XII Centuries A.D. from the collection of Jan Kleijkamp and Ellis Monro. (“12 Centuries of Sculpture from Yes (Call# China”) Rare NB 1944 October-November 26 ? 1043.S3) ? ? No Charlotte Berend: Exhibition of Paintings in Oil 1944 November 9-December 10 and Watercolor ? Yes ? ? No 1945 March 11- The Debt to Nature of Art and Education ? Yes ? ? No Memorial Exhibition: "Philosophical & Allegorical" 1945 March 15-April 11 Paintings by Spencer Kellogg, Jr. -
7.10 Nov 2019 Grand Palais
PRESS KIT COURTESY OF THE ARTIST, YANCEY RICHARDSON, NEW YORK, AND STEVENSON CAPE TOWN/JOHANNESBURG CAPE AND STEVENSON NEW YORK, RICHARDSON, YANCEY OF THE ARTIST, COURTESY © ZANELE MUHOLI. © ZANELE 7.10 NOV 2019 GRAND PALAIS Official Partners With the patronage of the Ministry of Culture Under the High Patronage of Mr Emmanuel MACRON President of the French Republic [email protected] - London: Katie Campbell +44 (0) 7392 871272 - Paris: Pierre-Édouard MOUTIN +33 (0)6 26 25 51 57 Marina DAVID +33 (0)6 86 72 24 21 Andréa AZÉMA +33 (0)7 76 80 75 03 Reed Expositions France 52-54 quai de Dion-Bouton 92806 Puteaux cedex [email protected] / www.parisphoto.com - Tel. +33 (0)1 47 56 64 69 www.parisphoto.com Press information of images available to the press are regularly updated at press.parisphoto.com Press kit – Paris Photo 2019 – 31.10.2019 INTRODUCTION - FAIR DIRECTORS FLORENCE BOURGEOIS, DIRECTOR CHRISTOPH WIESNER, ARTISTIC DIRECTOR - OFFICIAL FAIR IMAGE EXHIBITORS - GALERIES (SECTORS PRINCIPAL/PRISMES/CURIOSA/FILM) - PUBLISHERS/ART BOOK DEALERS (BOOK SECTOR) - KEY FIGURES EXHIBITOR PROJECTS - PRINCIPAL SECTOR - SOLO & DUO SHOWS - GROUP SHOWS - PRISMES SECTOR - CURIOSA SECTOR - FILM SECTEUR - BOOK SECTOR : BOOK SIGNING PROGRAM PUBLIC PROGRAMMING – EXHIBITIONS / AWARDS FONDATION A STICHTING – BRUSSELS – PRIVATE COLLECTION EXHIBITION PARIS PHOTO – APERTURE FOUNDATION PHOTOBOOKS AWARDS CARTE BLANCHE STUDENTS 2019 – A PLATFORM FOR EMERGING PHOTOGRAPHY IN EUROPE ROBERT FRANK TRIBUTE JPMORGAN CHASE ART COLLECTION - COLLECTIVE IDENTITY -
Read Ebook {PDF EPUB} Don Worth Close to Infinity by Don Worth Don Worth: Close to Infinity by Don Worth
Read Ebook {PDF EPUB} Don Worth Close to Infinity by Don Worth Don Worth: Close to Infinity by Don Worth. Close to Infinity. Autographed Edition Retail: $300. 65 Black and White Laser Fultone Reproductions. 12" x 12.5" ISBN: 0-09616515-6-3. To purchase this item, please follow this link to Fine Art Photography Books at Photography West Graphics. A separate window will open. Don Worth has worked with a quiet perseverance for nearly sixty years creating images that rank him among the most profound photographers of the West Coast School. With his intense and studied focus, Worth has persistently sought an interior reality beyond the material boundaries of his subjects. While surrendering none of the natural organic character, his plants emanate a contemplative energy and finally evoke a spiritual iconography. Worth’s large format landscape photographs are marked by an incisive clarity and quiet meditative aura and often reflect the subtle transformative powers of fog and mist. His unwavering and painstaking dedication has resulted in some of the most beautiful masterworks of twentieth century photography. CLOSE TO INFINITY presents for the first time a collection of Worth’s finest work in a single elegantly bound monograph. Many photographs reproduced here have never been exhibited and were known only to the artist’s closest friends. The addition of this unseen work unveils for the first time the full range of Worth’s genius. A landmark volume, CLOSE TO INFINITY unfolds a stunning array of master prints, revealing a sustained and reverent photographic vision that is as breathtaking as it is profound. -
Ambrose Bierce - Poems
Classic Poetry Series Ambrose Bierce - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ambrose Bierce(24 June 1842 - 26 December 1913) Ambrose Gwinnett Bierce was an American editorialist, journalist, short story writer, fabulist and satirist. Today, he is probably best-known for his short story "An Occurrence at Owl Creek Bridge" and his satirical lexicon The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters" and the sardonic view of human nature that informed his work all earned him the nickname "Bitter Bierce". Despite his reputation as a searing critic, Bierce was known to encourage younger writers, including poet George Sterling and fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events and the theme of war. In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. While traveling with rebel troops, he disappeared without a trace. <b>Biography</b> Bierce was born at Horse Cave Creek in Meigs County, Ohio to Marcus Aurelius Bierce (1799–1876) and Laura Sherwood Bierce. His mother was a descendant of William Bradford. His parents were a poor but literary couple who instilled in him a deep love for books and writing. The boy grew up in Kosciusko County, Indiana, attending high school at the county seat, Warsaw. He was the tenth of thirteen children whose father gave all of them names beginning with the letter "A". In order of birth, the Bierce siblings were Abigail, Amelia, Ann, Addison, Aurelius, Augustus, Almeda, Andrew, Albert, Ambrose, Arthur, Adelia, and Aurelia. -
Albany Directory
CHILD'S ALBANY DIRECTORY, FOR THE YEARS 1834-5. "^ -"-^-''^fttG&n^:-^^^R«*rK-s.-. =-r; " COMPILED BY EDMUND B. CHILD. CONTAINING The names, occupation and place of residence of all heads ef fam ilies, firms, and those doing business in the City, amounting to between SIX and SEVEN THOUSAND, m COBMCT AUHIIITICU JR- itiMOEUElTT. Also much other useful and interesting matter. ALBANY: PRINTED BY E. B. CHILD, No, 6 South Pearl-street* 1834. REMOVALS, CORRECTIONS AND ADDITION AL NAMES, ' Which came too late for insertion in their proper place. gg-Ths purchaser will please mark theje alterations with a pen. *Alleott, Lewis, 31 Union Barnes, Miss, mantuamaker, 83 Washington Bensen, Nicholas, plane maker, res. 48 Howard Bigelow, , 45 Maiden lane Cahill, Thomas, laborer, res. 26 n. Pearl Caldwell, James, laborer, 62 State, boards 32 Maiden-lane Civer, Jacob (Relyca if -Co.), res. 164 Creen Clark, Josiah, office of general intellgence for steam-boats, canal boats, rail roads and stages, at Preston's Reading Room and Recess, 615 s. Market Collins, William, caipenter, 3 Lewis Alley Connell, Patrick, carpenter, boards at Peter Newman's, 51 Beaver Cook, Alfred, printer's joiner, shop Church cor. Lydius, house 4T Lydius Cory, Moses F., 34 Hudson Duncan, Richard, carpenter, res. Hudson cor. William Etridge, William, grocer, 3 Church, house 42 Liberty Flanagan, Joh», foreman Clinton furnace, house 544 s. Market French, Maynard, rotary cooking stove warehouse, 24 State, bouse 157 Washington Genet, W. M., boards at Miss Mott's Hall, John H., wood engraver, 9 Van Tromp. [See Advertise ment] Holmes, Samuel, cartman, rear 282 *. -
BAB Manual EBOOK.Pdf
Contents 1. IntroduCtion to Brother against Brother 5 1.1. Overview 5 1.2. System Requirements 7 1.3. Installing the Game 8 1.4. Uninstalling the Game 8 1.5. Product Updates, Bonus Content and Registering your Game 8 1.6. Game Forums 10 1.7. Technical Support 10 1.8. Multi-player registration 10 2. Loading the Game 10 2.1. Main Menu 11 2.2. “Setup Local Game” Screen 12 3. What You see When the Scenario Begins 12 3.1. Map 13 3.2. Mini-map 14 3.3. Top of Screen 14 3.4. Game Buttons and Menus 15 3.5. Order Of Battle (OOB) Display or “Unit Roster” 20 3.6. Units 20 4. What You see after selectInG a unit 23 4.1. Control Box 23 4.2. Echelon Window 25 4.3. Map 26 5. Unit types, properties and StatuSes 27 5.1. Dynamic Statistics 28 5.2. Static Unit Characteristics 29 5.3. Unit Statuses 29 6. Commanding groups and units 32 6.1. Containers 32 6.2. Commanders 32 6.3. Headquarters Units 33 6.4. The Echelon Window and Commanding Brigades, Divisions, Corps and Armies 34 6.5. Automatic Functions of Corps, Divisions and Brigades 41 6.6. Selecting and Commanding Units 44 6.7. Commanding Independent Units 48 6.8. Automatic Functions of Unit Commanders 49 6.9. Temporary Brigade Attachments 49 6.10. The Effects of Going Out-of-Command 50 6.11. Misinterpreted Commands 51 7. tips on Finding the enemy 51 8. evaluating enemY StrenGth and Fighting CapaCity 52 9.