Faliscan Personal Names
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2005 State Latin Forum Certamen
2007 FJCL Certamen Level I, Round 1 1. Who was the second of the Five Good Emperors? TRAJAN Which of the Five Good Emperors constructed a wall in Scotland? ANTONINUS PIUS Which of the Five Good Emperors rebuilt the Pantheon? HADRIAN 2. Which case is governed by the preposition prō? ABLATIVE Which case is governed by the preposition prae? ABLATIVE Which case is goverrned by the preposition sine? ABLATIVE 3. Give the Latin and English for the motto of New York. EXCELSIOR, EVER UPWARD Give the Latin and English for the motto of North Carolina. ESSE QUAM VIDERI, TO BE RATHER THAN TO SEEM Give the Latin and English for the motto of Kansas. AD ASTRA PER ASPERA, TO THE STARS WITH DIFFICULTIES 4:. What form did Zeus assume when he carried off Europa? A BULL What form did Zeus assume when he seduced Danae? A SHOWER OF LIGHT What form did Zeus assume when he seduced Alcmene? AMPHITRYON 5. What structure in ancient Rome was located in the valley between the Palatine and Aventine hills and hosted chariot races? CIRCUS MAXIMUS What structure in ancient Rome was located between the Palatine and Esquiline hills and hosted gladiatorial combats? COLOSSEUM What structure in ancient Rome, built in 55 B.C., was located in the Campus Martius and hosted theatrical performances? THEATER OF POMPEY 6. From what Latin verb with what meaning do we derive “important?” PORTO, CARRY From what Latin verb with what meaning do we derive “illegible?” LEGO, READ From what Latin verb with what meaning do we derive “amiable?” AMO, LOVE 7. -
“At the Sight of the City Utterly Perishing Amidst the Flames Scipio Burst Into
Aurelii are one of the three major Human subgroups within western Eramus, and the founders of the mighty (some say “Eternal”) “At the sight of the city utterly perishing Aurelian Empire. They are a sturdy, amidst the flames Scipio burst into tears, conservative group, prone to religious fervor and stood long reflecting on the inevitable and philosophical revelry in equal measure. change which awaits cities, nations, and Adding to this a taste for conquest, and is it dynasties, one and all, as it does every one any wonder the Aurelii spread their of us men. This, he thought, had befallen influence, like a mighty eagle spreading its Ilium, once a powerful city, and the once wings, across the known world? mighty empires of the Assyrians, Medes, Persians, and that of Macedonia lately so splendid. And unintentionally or purposely he quoted---the words perhaps escaping him Aurelii stand a head shorter than most unconsciously--- other humans, but their tightly packed "The day shall be when holy Troy shall forms hold enough muscle for a man twice fall their height. Their physical endurance is And Priam, lord of spears, and Priam's legendary amongst human and elf alike. folk." Only the Brutum are said to be hardier, And on my asking him boldly (for I had and even then most would place money on been his tutor) what he meant by these the immovable Aurelian. words, he did not name Rome distinctly, but Skin color among the Aurelii is quite was evidently fearing for her, from this sight fluid, running from pale to various shades of the mutability of human affairs. -
Handout Name Yourself Like a Roman (CLAS 160)
NAME YOURSELF LIKE A ROMAN Choose Your Gender 0 Roman naming conventions differed for men and women, and the Romans didn’t conceive of other options or categories (at least for naming purposes!). For viri (men): Choose Your Praenomen (“first name”) 1 This is your personal name, just like modern American first names: Michael, Jonathan, Jason, etc. The Romans used a very limited number of first names and tended to be very conservative about them, reusing the same small number of names within families. In the Roman Republic, your major options are: Some of these names (Quintus, Sextus, • Appius • Manius • Servius Septimus, etc.) clearly originally referred • Aulus • Marcus • Sextus to birth order: Fifth, Sixth, Seventh. Others are related to important aspects of • Decimus • Numerius • Spurius Roman culture: the name Marcus probably • Gaius • Postumus • Statius comes from the god Mars and Tiberius from the river Tiber. Other are mysterious. • Gnaeus • Publius • Tiberius But over time, these names lost their • Lucius • Quintus • Titus original significance and became hereditary, with sons named after their • Mamercus • Septimus • Vibius father or another male relative. Choose Your Nomen (“family name”) 2 Your second name identifies you by gens: family or clan, much like our modern American last name. While praenomina vary between members of the same family, the nomen is consistent. Some famous nomina include Claudius, Cornelius, Fabius, Flavius, Julius, Junius, and Valerius. Side note: if an enslaved person was freed or a foreigner was granted citizenship, they were technically adopted into the family of their “patron,” and so received his nomen as well. De Boer 2020 OPTIONAL: Choose Your Cognomen (“nickname”) Many Romans had just a praenomen and a nomen, and it was customary and polite to address a 3 person by this combo (as in “hello, Marcus Tullius, how are you today?” “I am well, Gaius Julius, and you?”). -
Cneve Tarchunies Rumach
Classica, Sao Paulo, 718: 101-1 10, 199411995 Cneve Tarchunies Rumach R.ROSS HOLLOWAY Center for Old World Archaeology and Art Brown University RESUMO: O objetivo do Autor neste artigo e realizar um leitura historica das pinturas da Tumba Francois em Vulci, detendo-se naquilo que elas podem elucidar a respeito da sequencia dos reis romanos do seculo VI a.C. PALAVRAS CHAVE: Tumba Francois; realeza romana; uintura mural. The earliest record in Roman history, if by history we mean the union of names with events, is preserved in the paintings of an Etruscan tomb: the Francois Tomb at Vulci. The discovery of the Francois Tomb took place in 1857. The paintings were subsequently removed from the walls and became part of the Torlonia Collection in Villa Albani where they remain to this day. The decoration of the tomb, like much Etruscan funeral art, draws on Greek heroic mythology. It also included a portrait of the owner, Vel Saties, and beside him the figure of a woman named Tanaquil, presumably his wife (this figure has become almost completely illegible). In view of the group of historical personages among the tomb paintings, this name has decided resonance with better known Tanaquil, in Roman tradition the wife of Tarquinius Priscus. The historical scene of the tomb consists of five pairs of figures drawn from Etruscan and Roman history. These begin with the scene (A) Mastarna (Macstma) freeing Caeles Vibenna (Caile Vipinas) from his bonds (fig.l). There follow four scenes in three of which an armed figure dispatches an unarmed man with his sword. -
The Roman Funerary Commemoration of Children
A LIFE UNLIVED: THE ROMAN FUNERARY COMMEMORATION OF CHILDREN A LIFE UNLIVED: THE ROMAN FUNERARY COMMEMORATION OF CHILDREN FROM THE FIRST CENTURY BC TO THE MID-SECOND CENTURY AD By BARBARA NANCY SCARFO, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Barbara Nancy Scarfo, September 2012 M. A. Thesis – B. N. Scarfo; McMaster University – Classics. McMaster University MASTER OF ARTS (2012) Hamilton, Ontario (Classics) TITLE: A Life Unlived: The Roman Funerary Commemoration of Children From the First Century BC to the Mid-Second Century AD AUTHOR: Barbara Nancy Scarfo, B.A. (McMaster University) SUPERVISOR: Dr. Michele George NUMBER OF PAGES: (vii) (128) ii M. A. Thesis – B. N. Scarfo; McMaster University – Classics. ABSTRACT This thesis is concerned with the representation of children on sculptural funerary commemoration, with a focus on freedmen panel reliefs and funerary altars. Although there is evidence found from all regions of the Empire, the majority of the material discussed here is from the city of Rome itself. Representations of young children first appear on freedmen panel reliefs, which date to the end of the Republic and were produced into the first century of the Empire. When this genre declined in popularity at the end of the first century AD, funerary altars emerged as the new, preferred form of commemoration. The goal of this thesis is to show that these two types of funerary monuments reveal much about the children themselves, but also provide insight into the social and cultural identity of their parents. -
A New Examination of the Arch of Marcus Aurelius and Lucius Verus at Oea Rachel Meyers Iowa State University, [email protected]
World Languages and Cultures Publications World Languages and Cultures 2017 A New Examination of the Arch of Marcus Aurelius and Lucius Verus at Oea Rachel Meyers Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/language_pubs Part of the European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, and the History of Gender Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ language_pubs/130. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the World Languages and Cultures at Iowa State University Digital Repository. It has been accepted for inclusion in World Languages and Cultures Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. A New Examination of the Arch of Marcus Aurelius and Lucius Verus at Oea Abstract The ra ch dedicated to Marcus Aurelius and Lucius Verus at Oea was an important component in that town’s building activity. By situating the arch within its socio-historical context and acknowledging the political identity of Oea and nearby towns, this article shows that the arch at Oea far surpassed nearby contemporary arches in style, material, and execution. Further, this article demonstrates that the arch was a key element in Oea’s Roman identity. Finally, the article bridges disciplinary boundaries by bringing together art historical analysis with the concepts of euergetism, Roman civic status, and inter-city rivalry in the Roman Empire. -
A Remark on the Name of the Emperor Lucius Aurelius Verus in Egypt 448 ADAM ŁUKASZEWICZ
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXVI 2013 ADAM ŁUKASZEWICZ A Remark on the Name of the Emperor Lucius Aurelius Verus in Egypt 448 ADAM ŁUKASZEWICZ In documents from Roman Egypt the emperor Lucius Aurelius Verus (AD 161–169)1 appears obviously as co-regent of Marcus Aurelius and is mentioned only together with Marcus Aurelius. In Greek papyri a frequent formula reads: Αὐτοκράτωρ Καῖσαρ Μάρκος Αὐρήλιος ʼΑντωνῖνος Σεβαστὸς καὶ Αὐτοκράτωρ Καῖσαρ Λούκιος Αὐρήλιος Οὐῆρος Σεβαστός.2 The occurrence of Lucius Verus is rare in Egyptian texts. As far as the Egyptian hieroglyphic inscriptions are considered, J. von Beckerath quotes only the examples from R. Lepsius’ Denkmäler.3 The name of Lucius Verus occurs as: Rwky Awrry wr-aA anx-Dt. The names printed in the Denkmäler were copied from three cartouches which are situ- ated on the southern wall in a small western temple of Marcus Aurelius at Philae, in a row together with the cartouches of Marcus Aurelius, with two preserved cartouches containing the titles Αὐτοκράτωρ Καῖσαρ: Awtkrtr Ksrs. Above these cartouches of Marcus Aurelius and Lucius Verus there is a fragment of a Greek inscription with a date (Pharmouthi 30 of an unknown year) referring to the joint rulers: ] κυρίων Αὐτοκρατόρων Φαρμοῦθι λ ἐπ΄ ἀγαθῷ. New instances of the name of Lucius Verus are available now in the publication by J. Hallof.4 They came from Kom Ombo and Philae. The inscriptions can be found in the main temple of Kom Ombo and in the gate of Hadrian at Philae. -
Durham E-Theses
Durham E-Theses A study of the client kings in the early Roman period Everatt, J. D. How to cite: Everatt, J. D. (1972) A study of the client kings in the early Roman period, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10140/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk .UNIVERSITY OF DURHAM Department of Classics .A STUDY OF THE CLIENT KINSS IN THE EARLY ROMAN EMPIRE J_. D. EVERATT M.A. Thesis, 1972. M.A. Thesis Abstract. J. D. Everatt, B.A. Hatfield College. A Study of the Client Kings in the early Roman Empire When the city-state of Rome began to exert her influence throughout the Mediterranean, the ruling classes developed friendships and alliances with the rulers of the various kingdoms with whom contact was made. -
Livy's Early History of Rome: the Horatii & Curiatii
Livy’s Early History of Rome: The Horatii & Curiatii (Book 1.24-26) Mary Sarah Schmidt University of Georgia Summer Institute 2016 [1] The Horatii and Curiatii This project is meant to highlight the story of the Horatii and Curiatii in Rome’s early history as told by Livy. It is intended for use with a Latin class that has learned the majority of their Latin grammar and has knowledge of Rome’s history surrounding Julius Caesar, the civil wars, and the rise of Augustus. The Latin text may be used alone or with the English text of preceding chapters in order to introduce and/or review the early history of Rome. This project can be used in many ways. It may be an opportunity to introduce a new Latin author to students or as a supplement to a history unit. The Latin text may be used on its own with an historical introduction provided by the instructor or the students may read and study the events leading up to the battle of the Horatii and Curiatii as told by Livy. Ideally, the students will read the preceding chapters, noting Livy’s intention of highlighting historical figures whose actions merit imitation or avoidance. This will allow students to develop an understanding of what, according to Livy and his contemporaries, constituted a morally good or bad Roman. Upon reaching the story of the Horatii and Curiatii, not only will students gain practice and understanding of Livy’s Latin literary style, but they will also be faced with the morally confusing Horatius. -
Pompeii and Herculaneum: a Sourcebook Allows Readers to Form a Richer and More Diverse Picture of Urban Life on the Bay of Naples
POMPEII AND HERCULANEUM The original edition of Pompeii: A Sourcebook was a crucial resource for students of the site. Now updated to include material from Herculaneum, the neighbouring town also buried in the eruption of Vesuvius, Pompeii and Herculaneum: A Sourcebook allows readers to form a richer and more diverse picture of urban life on the Bay of Naples. Focusing upon inscriptions and ancient texts, it translates and sets into context a representative sample of the huge range of source material uncovered in these towns. From the labels on wine jars to scribbled insults, and from advertisements for gladiatorial contests to love poetry, the individual chapters explore the early history of Pompeii and Herculaneum, their destruction, leisure pursuits, politics, commerce, religion, the family and society. Information about Pompeii and Herculaneum from authors based in Rome is included, but the great majority of sources come from the cities themselves, written by their ordinary inhabitants – men and women, citizens and slaves. Incorporating the latest research and finds from the two cities and enhanced with more photographs, maps and plans, Pompeii and Herculaneum: A Sourcebook offers an invaluable resource for anyone studying or visiting the sites. Alison E. Cooley is Reader in Classics and Ancient History at the University of Warwick. Her recent publications include Pompeii. An Archaeological Site History (2003), a translation, edition and commentary of the Res Gestae Divi Augusti (2009), and The Cambridge Manual of Latin Epigraphy (2012). M.G.L. Cooley teaches Classics and is Head of Scholars at Warwick School. He is Chairman and General Editor of the LACTOR sourcebooks, and has edited three volumes in the series: The Age of Augustus (2003), Cicero’s Consulship Campaign (2009) and Tiberius to Nero (2011). -
Aristocratic Identities in the Roman Senate from the Social War to the Flavian Dynasty
Aristocratic Identities in the Roman Senate From the Social War to the Flavian Dynasty By Jessica J. Stephens A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in the University of Michigan 2016 Doctoral Committee: Professor David Potter, chair Professor Bruce W. Frier Professor Richard Janko Professor Nicola Terrenato [Type text] [Type text] © Jessica J. Stephens 2016 Dedication To those of us who do not hesitate to take the long and winding road, who are stars in someone else’s sky, and who walk the hillside in the sweet summer sun. ii [Type text] [Type text] Acknowledgements I owe my deep gratitude to many people whose intellectual, emotional, and financial support made my journey possible. Without Dr. T., Eric, Jay, and Maryanne, my academic career would have never begun and I will forever be grateful for the opportunities they gave me. At Michigan, guidance in negotiating the administrative side of the PhD given by Kathleen and Michelle has been invaluable, and I have treasured the conversations I have had with them and Terre, Diana, and Molly about gardening and travelling. The network of gardeners at Project Grow has provided me with hundreds of hours of joy and a respite from the stress of the academy. I owe many thanks to my fellow graduate students, not only for attending the brown bags and Three Field Talks I gave that helped shape this project, but also for their astute feedback, wonderful camaraderie, and constant support over our many years together. Due particular recognition for reading chapters, lengthy discussions, office friendships, and hours of good company are the following: Michael McOsker, Karen Acton, Beth Platte, Trevor Kilgore, Patrick Parker, Anna Whittington, Gene Cassedy, Ryan Hughes, Ananda Burra, Tim Hart, Matt Naglak, Garrett Ryan, and Ellen Cole Lee. -
New Latin Grammar
NEW LATIN GRAMMAR BY CHARLES E. BENNETT Goldwin Smith Professor of Latin in Cornell University Quicquid praecipies, esto brevis, ut cito dicta Percipiant animi dociles teneantque fideles: Omne supervacuum pleno de pectore manat. —HORACE, Ars Poetica. COPYRIGHT, 1895; 1908; 1918 BY CHARLES E. BENNETT PREFACE. The present work is a revision of that published in 1908. No radical alterations have been introduced, although a number of minor changes will be noted. I have added an Introduction on the origin and development of the Latin language, which it is hoped will prove interesting and instructive to the more ambitious pupil. At the end of the book will be found an Index to the Sources of the Illustrative Examples cited in the Syntax. C.E.B. ITHACA, NEW YORK, May 4, 1918 PREFACE TO THE SECOND EDITION. The present book is a revision of my Latin Grammar originally published in 1895. Wherever greater accuracy or precision of statement seemed possible, I have endeavored to secure this. The rules for syllable division have been changed and made to conform to the prevailing practice of the Romans themselves. In the Perfect Subjunctive Active, the endings -īs, -īmus, -ītis are now marked long. The theory of vowel length before the suffixes -gnus, -gna, -gnum, and also before j, has been discarded. In the Syntax I have recognized a special category of Ablative of Association, and have abandoned the original doctrine as to the force of tenses in the Prohibitive. Apart from the foregoing, only minor and unessential modifications have been introduced. In its main lines the work remains unchanged.