Fall 2009 Feature: Celebrate the Reader|
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Ulrich Buch Engl. Ulrich Buch Englisch
Stockhausen-Stiftung für Musik First edition 2012 Published by Stockhausen-Stiftung für Musik 51515 Kürten, Germany (Fax +49-[0] 2268-1813) www.stockhausen-verlag.com All rights reserved. Copying prohibited by law. O c Copyright Stockhausen-Stiftung für Musik 2012 Translation: Jayne Obst Layout: Kathinka Pasveer ISBN: 978-3-9815317-0-1 STOCKHAUSEN A THEOLOGICAL INTERPRETATION BY THOMAS ULRICH Stockhausen-Stiftung für Musik 2012 TABLE OF CONTENTS Preliminary Remark .................................................................................................. VII Preface: Music and Religion ................................................................................. VII I. Metaphysical Theology of Order ................................................................. 3 1. Historical Situation ....................................................................................... 3 2. What is Music? ............................................................................................. 5 3. The Order of Tones and its Theological Roots ............................................ 7 4. The Artistic Application of Stockhausen’s Metaphysical Theology in Early Serialism .................................................. 14 5. Effects of Metaphysical Theology on the Young Stockhausen ................... 22 a. A Non-Historical Concept of Time ........................................................... 22 b. Domination Thinking ................................................................................ 23 c. Progressive Thinking -
54 by Paul Griffiths As Is Well Known, Hugo Vernier
Formulae and Spectra The Quiet Pioneering of Jonathan Harvey, 1967-73 by Paul Griffiths As is well known, Hugo Vernier, in his poetry collection Le Voyage d’hiver (1864), anticipated celebrated works by Stéphane Mallarmé, Arthur Rim- baud, Paul Verlaine, and many more.1 Readers may therefore need to be assured that, in making similar claims for Jonathan Harvey, this essay is dealing with a composer who had a real existence. Happily, the Jonathan Harvey Collection held by the Paul Sacher Stiftung contains abundant evidence of that existence, including, besides scores and sketches, a hardback notebook (henceforth HN) the composer seems to have kept by him throughout his adult life, in order to catalogue his works, at one end of the book, and, at the other, inverted, to jot down notes on his reading and creative ideas. Dates appear infrequently among those notes, though of course the succession is some indication of chronology. We can thus be sure it was before July 5, 1967, that Harvey proposed venturing into a domain that would be of lasting importance to him, that of electronic music. This first potential step involved the foundation instru- ment of Stockhausen’s Momente – one of two Stockhausen works he had witnessed at Darmstadt the previous summer in the films by Luc Ferrari, the other being Mikrophonie I. His project now was his Cantata II, and the note in question asks “Electronic organ?” The answer was to be in the negative, but the impression left by those Stockhausen experiences remained, as revealed in the note of the later date just mentioned, which has to be quoted in full: 5.7.67 Noh Play setting. -
Early Infant Formula Feeding Impacts Urinary Metabolite Profile at 3
nutrients Article Early Infant Formula Feeding Impacts Urinary Metabolite Profile at 3 Months of Age Fernanda Rosa 1,2 , Kelly E. Mercer 1,2, Haixia Lin 1,2, Clark R. Sims 1,2 , Lindsay M. Pack 1, Grace Goode 1, Thomas Badger 1, Aline Andres 1,2,* and Laxmi Yeruva 1,2,3,* 1 Arkansas Children’s Nutrition Center, Little Rock, AR 72202, USA; [email protected] (F.R.); [email protected] (K.E.M.); [email protected] (H.L.); [email protected] (C.R.S.); [email protected] (L.M.P.); [email protected] (G.G.); [email protected] (T.B.) 2 Department of Pediatrics, University of Arkansas for Medical Sciences, Little Rock, AR 72202, USA 3 Arkansas Children’s Research Institute, Little Rock, AR 72202, USA * Correspondence: [email protected] (A.A.); [email protected] (L.Y.); Tel.: +1-501-364-2419 (L.Y.) Received: 30 October 2020; Accepted: 18 November 2020; Published: 20 November 2020 Abstract: There is a growing consensus that nutritional programming may persist and influence risk for several chronic diseases in adulthood. In the present study, we used urinary metabolic analysis in assessing diet effects on early-life metabolism. Urine samples from healthy three-month-old infants fed human milk (HM; n = 93), cow’s milk-based infant formula [MF; n = 80], or soy protein-based infant formula (SF; n = 76) were analyzed with an untargeted metabolomics approach using GC-TOF MS. PLS-DA and ANOVA analyses were performed using MetaboAnalyst (v4.0). A total of 150 metabolites differed significantly among the feeding groups, including dietary-specific patterns of urinary metabolites of sugars, sugar alcohols, amino acids, and polyphenols. -
MELOS-ETHOS'97 INTERNATIONAL FESTIVAL of CONTEMPORARY MUSIC November 7-16,1997 Bratislava
MELOS-ETHOS'97 INTERNATIONAL FESTIVAL OF CONTEMPORARY MUSIC November 7-16,1997 Bratislava Member of the European Conference of Promoters of New Music 4tfl INTERNATIONAL FESTIVAL OF CONTEMPORARY MUSIC Member of the European Conference of Promoters of New Music 7-16 November 1997 Bratislava . ,"'".* tgf*' ^''fe lt 1 ff it;€*« The festival is supported by the Slovak Ministry of Culture and by KALEIDOSCOPE programme of the Commission of the European Communities The organizers express their warmest gratitude towards all institutions and companies !cr their support and assistance 'VnB ^ MAIN ORGANIZER National Music Centre - Slovkoncert Art Agency CO-ORGANIZERS Slovak Music Union Association of Slovak Composers Slovak Philharmonic Slovak Radio Music Fund WITH THE ASSISTANCE OF Institut Francais, Bratislava Association Francais d'Action Artistique (AFAA) Austrian Embassy, Bratislava Goethe-lnstitut, Bratislava United States Information Service, Bratislava The Czech Centre, Bratislava ISCM — Slovak Section The Polish institute, Bratislava Bulgarian Cultural and Information Centre, Bratislava Municipality of the Capital of the Slovak Republic Bratislava Istropolis, art and congress centre The Soros Center for Contemporary Arts Bratislava Open Society Fund Bratislava FESTIVAL COMMITTEE Vladimir Bokes (chairman) Juraj Benes Nada Hrckova Ivan Marton Peter Zagar Slavka Ferencova (festival secretary) FESTIVAL OFFICE & PRESS AND INFORMATION CENTRE National Music Centre Michalska 10 815 36 Bratislava 2nd floor No. 216 Tel/Fax +421 7 5331373 MobUe phone 0603 430336 iiJfS 4 "Am 1 •-"CERT CALEMDAR Friday • 7 November * 7.30 p.m p. 9 MoyzesHall SLOVAK SLNFONLETTA ZlLLNA JANUSZ POWOLNY conductor MAMMA WIESLER flute ZYGMUNT KRAUZE piano Salva, Knittel, Krauze, Mellnds, Adams Saturday • 8 November • 5.00 p.m. -
Influencias De La Práctica Coreográfica Y Gestual
UNIVERSIDAD DE MÁLAGA FACULTAD DE FILOSOFÍA Y LETRAS TESIS DOCTORAL INFLUENCIAS DE LA PRÁCTICA COREOGRÁFICA Y GESTUAL DE LA COMMEDIA DELL'ARTE EN LA INTERPRETACIÓN MUSICAL DE DER KLEINE HARLEKIN DE KARLHEINZ STOCKHAUSEN Y SUS EFECTOS EN LA MEMORIZACIÓN DE LA PARTITURA SANTIAGO MARTÍNEZ ABAD MÁLAGA, 2015 AUTOR: Santiago Martínez Abad EDITA: Publicaciones y Divulgación Científica. Universidad de Málaga Esta obra está sujeta a una licencia Creative Commons: Reconocimiento - No comercial - SinObraDerivada (cc-by-nc-nd): Http://creativecommons.org/licences/by-nc-nd/3.0/es Cualquier parte de esta obra se puede reproducir sin autorización pero con el reconocimiento y atribución de los autores. No se puede hacer uso comercial de la obra y no se puede alterar, transformar o hacer obras derivadas. Esta Tesis Doctoral está depositada en el Repositorio Institucional de la Universidad de Málaga (RIUMA): riuma.uma.es UNIVERSIDAD DE MÁLAGA Facultad de Filosofía y Letras Departamento de Historia del Arte TESIS DOCTORAL INFLUENCIAS DE LA PRÁCTICA COREOGRÁFICA Y GESTUAL DE LA COMMEDIA DELL'ARTE EN LA INTERPRETACIÓN MUSICAL DE DER KLEINE HARLEKIN DE KARLHEINZ STOCKHAUSEN Y SUS EFECTOS EN LA MEMORIZACIÓN DE LA PARTITURA Málaga, 2015 TESIS DOCTORAL INFLUENCIAS DE LA PRÁCTICA COREOGRÁFICA Y GESTUAL DE LA COMMEDIA DELL'ARTE EN LA INTERPRETACIÓN MUSICAL DE DER KLEINE HARLEKIN DE KARLHEINZ STOCKHAUSEN Y SUS EFECTOS EN LA MEMORIZACIÓN DE LA PARTITURA Doctorando: D. Santiago Martínez Abad Directora: Dra. Dª. Diana Pérez Custodio En el marco de: Departamento de Historia del Arte Facultad de Filosofía y Letras Universidad de Málaga “Es parte de la esencia del arte musical que ocurran más cosas en una obra de lo que puede ser asimilado conscientemente en el momento de la escucha.” Karlheinz Stockhausen “.. -
Adorno, Theodor Wiesengrund, 57–8, 82, 349, 360 Musique
Cambridge University Press 978-1-107-06265-8 — Pierre Boulez Studies Edited by Edward Campbell , Peter O'Hagan Index More Information Index Adorno, Theodor Wiesengrund, 57–8, 82, Bergson, Henri, 71 349, 360 Berio, Luciano, 310 musique informelle,57 Berlioz, Hector, 94, 247, 258, 322, 328 Agrupación Nueva Musica (ANM), 16 Symphonie Fantastique, 319 Amphion, publisher, 30–1, 33 Bernard-Delapierre, Guy, 140 Aprahamian, Felix, 330, 347 Bibliothèque nationale, Paris, 4, 33 Artaud, Antonin, 7–8, 357, 370 Birtwistle, Harrison, 371 Auric, Georges, 4, 247 ...agm ...,94 Bonnefoy, Yves, 94 Bach, Johann Sebastian, 28, 59 Boosey & Hawkes, publisher, 270 Brandenburg Concerto No. 5, 309 Boterdael, Herlin Van, 30, 33 Bakhtin, Mikhail, 61 Boulanger, Nadia, 356 Barrault, Jean-Louis, 12–13, 17, 19, 21, 23, Boulez, Pierre 238, 303–4, see Compagnie ‘A la limite du pays fertile’ [‘At the edge Renaud-Barrault of Fertile Land’], 160 Barthes, Roland, 219 ‘Alea’, 113, 132, 171, 176–9, 186, 192, Fragments d’un discours amoureux,94 210, 297 Bartók, Béla, 21, 29, 315, 328 aleatoricism/controlled chance, 100–4, Music for Strings, Percussion and 123, 133, 172, 186, 188, 190, 192, Celesta,98 285, 343–4 BBC Proms, 312, 314–17, 321–4, 353 and folklore, 7 BBC Symphony Orchestra, 98, 309, Anthèmes, 103, 105 311–25, 328 Anthèmes 1, 233, 297, 358, 368 BBC Third Programme/Radio 3, 306–7, Anthèmes 2, 170, 233, 325, 358 321, 334 ‘...auprès et au loin’ [‘...Near and Beckett, Samuel Far’], 95, 112–13, 210 En attendant Godot, 361 Balinese/Javanese music, 147–8, 169 Beethoven, Ludwig van, 194, 213, 217, 315, blocs sections, 123–9, 131–3, 136, 185 349 blocs/blocs sonores, 73, 111, 114–15, Missa Solemnis, op. -
Karlheinz Stockhausen's Stage Cycle Licht. Musical Theatre of the World
Interdisciplinary Studies in Musicology 8,2009 © Department o f Musicology, Adam Mickiewicz University, Poznan, Poland AGNIESZKA DRAUS (Krakow) Karlheinz Stockhausen’s stage cycle Licht. Musical theatre of the world ABSTRACT: The main idea of the paper is a presentation of the stage cycle Licht, ab sorbing the composer for over one-third of his active creative life. The question arises as to the generic affiliation of Stockhausen’s opus magnum: close to operatic works by Luciano Berio and Mauricio Kagel or to pop productions of works by Philip Glass? Analysing the subject matter and content of Licht, as well as its message and the means of expression employed, it is difficult not to discern the unification, within a single work, of what might appear to be contrasting musical genres and kinds of thea tre (mystery play, expressionist drama, happening). It is worth remembering that the composer himself does not employ any specific generic term except for Opernzyklus. He often, however, refers to the forms and genres of theatre, cultivated in many differ ent parts of the world, which have inspired him (e.g. in Malaysia, Japan, Bali, the USA), and he admits to the evolution of his views on faith. Can the substance of Licht be reduced to a common denominator? Can the heptalogy be called ‘sacred’ theatre? Or - on the contrary - an extremely profane, ‘pagan’ avant-garde spectacle? KEYWORDS: pitch, Karlheinz Stockhausen, stage-cycle, Licht, world-theatre, The Urantia Book, Michael, Eva, Lucifer, formula-composition, Hans Urs von Balthasar Karlheinz Stockhausen composed a total of around 360 works, minor and monumental, vocal and instrumental, in a variety of forms and genres. -
GOP Rules Fight On
edat SEE STORY PAGE 16 The Weather Mostly sunny and very TBEdMLY FINAL warm today and tomorrow. high In upper 80s. Clear' Red Bank, Freehold tonight, high in 60s. I Long Branch I EDITION 20 PAGES Monmoutli County's Outstanding Home Newspaper VOL.95 NO.41 RED BANK. N.J. TUESDAY. AUGUST 22.1972 TEN CENTS iiiiiiniiiiinuiiiiiiuuiBiiiiiuiHiiiiiiiiiuiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiuiimiimiimiHHiuuiiinMnimiimii mniiuiniaminiiniiiiiniiiiiuniuwiiiwinunaiiinmn Holmdel Girds to Battle for Home Rule By HILDY FONTAINE New Jersey municipalities diately. However, he encoun- ing the committee before the pending suit. can't possibly overturn zoning ities will seek to' build up a de- big cities." and the state,in which the tered opposition from Demo- presenting it publicly. "We cannot afford com- rules." fense to and exchange statis- He has sought support from HOLMDEL — A proposal to plaintiff seeks to declare state crats Jonathan P. White and Thus, with a 3-2 vote the placency, ignorance or des- In addition, Mr. Jannuzzo tics between themselves. freeholders, state -senators create a committee of volun- zoiuiig enablingiegislation un- Domenic J. Lucarelli. committee was created, but pair" regarding the suit. Mr. said other municipalities have Mayor Cohen was author- and congressmen As well as teers to work for home rule constitutional Mr. White said he supported no members were appointed Jannuzzo said. said Holmdel is vulnerable to ized to contact mayors of the state assemblymen* and self-determination was Although the committee is home rule, but objected to the to it. Voting in favor of the At the moment, he said, an overturn of the state enabl- four other municipalities and . -
Infant Formula Composition and Educational Performance
Open access Protocol BMJ Open: first published as 10.1136/bmjopen-2019-035968 on 23 July 2020. Downloaded from Infant formula composition and educational performance: a protocol to extend follow- up for a set of randomised controlled trials using linked administrative education records Maximiliane Verfürden ,1 Katie Harron ,1 John Jerrim,2 Mary Fewtrell,1 Ruth Gilbert1 To cite: Verfürden M, Harron K, ABSTRACT Strengths and limitations of this study Jerrim J, et al. Infant formula Introduction The effect of infant nutrition on long- term composition and educational cognition is important for parents and policy makers. ► This study uses seven infant formula trials con- performance: a protocol to However, most clinical trials typically have short follow-up extend follow- up for a set of ducted in England to determine whether a range of periods, when measures of cognition are poorly predictive of randomised controlled trials nutritional interventions during infancy affects edu- later function. The few trials with longer- term follow- up have using linked administrative cational performance. high levels of attrition, which can lead to selection bias, and education records. BMJ Open ► We showcase the research potential of linking ex- in turn to erroneous interpretation of long- term harms and 2020;10:e035968. doi:10.1136/ tant trials to administrative data, which can offer a benefits of infant nutrition. We address the need for unbiased, bmjopen-2019-035968 low cost way to extend follow- up of early nutrition long- term follow- up, by linking measures of educational Prepublication history and trials, maintain high rates of follow-up and safe- ► performance from administrative education records. -
Pretation of Karlheinz Stockhausen's LICHT Ian Parsons
2019 © Ian Parsons, Context 44 (2019): 1–12. The Light Within: A Psychoanalytic Inter- pretation of Karlheinz Stockhausen’s LICHT Ian Parsons In his later philosophical writings, Martin Heidegger put forward the notion of ‘the fourfold’ to describe the human condition: mortals awaiting the gods, dwelling on earth looking to the sky.1 It was a description that captured something of the ubiquitous human curiosity about our own nature and the universe in which we live. It is a curiosity rooted in the temporal and spatial limits of everyday life, and yet looks to, and wonders about, concepts of universality, eternity, and infinity. These are the concepts that Karlheinz Stockhausen sought to navigate in his seven-part opera cycle LICHT (LIGHT) (1977–2003),2 a work that he once described, simply but grandly, as being ‘about God as light in music.’3 Although the symbolism of the God with whom Stockhausen sought to infuse his massive opera cycle was drawn from diverse mythologies, religions, theosophical and esoteric writings, and sometimes even his own dreams, it was nevertheless a God perceived by a composer living in the time and space of everyday late-twentieth-century Germany. As such, LICHT can be understood not just as an exploration of the gods and skies—as Stockhausen conceived it to be—but also of the 1 For an outline of the concepts of Martin Heidegger’s ‘fourfold’ see his essay, ‘Building, Dwelling, Thinking,’ in Poetry, Language, Thought (New York; Sydney: Harper & Row, 1975), 143–61. 2 Stockhausen’s usual practice was to capitalise the titles of his works. -
Stockhausen STIMMUNG & COSMIC PULSES
Stockhausen STIMMUNG & COSMIC PULSES Monday 20 November 2017 7.30pm, Hall Stockhausen STIMMUNG interval 30 minutes Stockhausen COSMIC PULSES Singcircle Gregory Rose bass/director Jacqueline Barron soprano Zoë Freedman soprano Heather Cairncross mezzo-soprano Guy Elliott tenor Angus Smith tenor Rolando Paolo Guerzoni Paolo Rolando Robert Henke laser artist Kathinka Pasveer sound projection Stephen Montague assistant sound projection Reinhard Klose sound engineer Part of Barbican Presents 2017–18 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel. 020 3603 7930) Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Karlheinz Stockhausen was a towering figure the 10th anniversary of Stockhausen’s in the history of 20th- and 21st-century music, death (which falls next month), but also one who literally changed the sound of the 40th anniversary of Singcircle’s first music and the way we listen to it. Tonight’s performance of the work in the Round concert presents two seminal works from House. It is also the last-ever performance opposite ends of his career. It is intended of STIMMUNG by Singcircle. -
Ghosts in the Machine the Making of European Serialism, 1945–1955
Ghosts in the Machine The Making of European Serialism, 1945–1955 Max Owen Erwin Submitted in accordance with the requirements for the degree of Doctor of Philosophy University of Leeds School of Music December 2019 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 3 Acknowledgments It is typical in a work of this length and involvement that numerous individuals make extremely significant contributions which nevertheless fail to pass the threshold required for legal authorship. In deference to a recurring theme in this work, I would like to proceed by acknowledging these individuals systematically. First of all, there are those whose professional obligations necessitated at least degree of oversight on this project – these would include Martin Iddon and Scott McLaughlin, my supervisors, and Matthew Pritchard and Mic Spencer, the examiners for my transfer. All of those involved went above and beyond, and their plentiful feedback helped to make this study what it is. Next, there are those scholars who lent their expertise to various facets of this project, including Gianmario Borio, Seth Brodsky, Georgina Born, Pascal Decroupet, Lois Fitch, Christopher Fox, Björn Heile, Ian Pace, Lauren Redhead, Herman Sabbe, and Derek Scott. I should especially single out Mark Delaere and Laurent Feneyrou, who provided me with copies of their scholarship which was either unpublished or difficult to find.