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Thomas Storer's Heart-Sequence: a Formal Approach to String Figure
Thomas Storer’s Heart-Sequence: A Formal Approach to String Figure-Making Eric VANDENDRIESSCHE Paris Diderot University, Sorbonne Paris Cité Science-Philosophy-History, UMR 7219, CNRS, F-75205 Paris, France e-mail: [email protected] Abstract String figure-making is a procedural activity carried out in many societies of oral tra- dition. It consists in producing geometrical forms using a string knotted into a loop. In 1988, an American mathematician, Thomas Storer (1938-2006), published a long article in which he developed several formal approaches of string figure-making. One of these is the Heart-sequence. Passing the string around a finger forms a "loop". The point is then to focus, during the process, on the movements of the loops without taking into account the way the fingers operate to make these loops, and to convert these movements into a mathematical formula. This mathematical approach to string figures allows a new reading of string figure procedures which makes it possible to classify them and is a promising way to carry out a comparative study of string figure corpora. This paper concentrates on string figure algorithms leading to "double-sided lozenge" final figures. Although various different methods in forming such a "double-sided lozenge" can be found in geographically and culturally distant societies, only two classes of heart-sequences will be identified. Key Words: String figures, algorithm, modeling, classification, ethnomathematics. Journal of Mathematics & Culture 119 February 2015 9(1) ISSN - 1558 - 5336 1 Introduction String figure-making consists in applying a succession of operations to a string (knotted into a loop), mostly using the fingers and sometimes the feet, the wrists or the mouth. -
The String Figures of Yirrkalla: a Major Revision
Bulletin ofthe International String Figure Association, Vol.2, xx-xxx, 1995 The String Figures of Yirrkalla: A Major Revision collected by Frederick D. McCarthy, 1948 revised and illustrated by Honor C. Maude, Canberra, Australia, Mark A. Sherman, Pasadena, California Photo of Narau here ABSTRACT Frederick D. McCarthy's collection of string figures, gathered in 1948 among the Yirrkalla aborigines ofArnhem Land, Australia, has been hailed as the largest collection ever assembledfrom a single community. Unfortu nately, less than ten percent of the figures can be made from the instruc tions provided by McCarthy. We have therefore revised McCarthy's text to convey, in conventional terminology, what we believe to have been the method by which each figure was in fact made by his informant. -S^vwple of reduced ^uvcd cropi^^ed d\os>ivccBo\ry -per H.C. MAUDE AND M.A. SHERMAN INTRODUCTION The popularity of string figures among the native inhabitants of Australia was first reported in the 1840's (Cawthorne 1844; Eyre 1845). Since then, several impressive collections have been published, many of which include construction methods (Roth 1902; K. Haddon 1918; Stanley 1926; David son 1941; Mountford 1950; McCarthy 1960). In 1948, Frederick D. McCarthy's spent three months collecting string figures among the Yirrkalla aborigines of Amhem Land, a region located in the northeast comer of Australia's Northern Territory (fig. 1). His collection of 213 figures was published twelve years later in Volume 2 of Records of the American-Australian Scientific Expedition to Amhem Land (pp. 415- 511). Even before its publication, the significance of the collection was of ten cited (Mountford & Walker 1949; McCarthy 1957; McCarthy 1958). -
Figuras Em Cordéis Dos Índios Karaj Á
Chang Whan RERU Figuras em cordéis dos índios Karaj á Dissertaçao de Mestrado em História da Arte Universidade' f.ederal do füo de laneiro Centro de Letra� e Artes Escola de BeJas Arte� Mestrado em r listória e C ríti.cd da Arte 1998 CHANG WHAN RERU Figuras em cordéis dos índios Karajá Dissertação de mestrado em História da Arte - Area de concentração em Antropologia da Arte. Orientadora: ProP Dra Regina F’olo Müller. Universidade Federal do Rio de Janeiro Centro de Letras e Artes Escola de Belas Artes Mestrado em História da Arte T\O 1998 \ CHANG, Whan Rem - Figuras em cordéis dos índios Karajá. Rio de Janeiro, UFRJ, EBA, 1998. ix, 130 p. Dissertação: Mestre em História da Arte (Antropologia da Arte) 1. Jogos e brinquedos 2. Figuras em cordéis 3. índios Karajá 4. Processo l údico I. Universidade Federal do Rio de Janeiro II. Título u CHANG WHAN RERU Figuras em Cordéis dos índios Karajá Dissertação submetida ao corpo docente do Mestrado em História da Arte da Escola de Belas Artes da Universidade Federal do Rio de Janeiro como parte dos requisitos necessários para a obtenção do grau de mestre. Ou ProF Dr“ Regina Polo M üller Universidade Estadual de Campinas /jdUí. ^ Profd^ DC Rosza W. Vei Zoladz Universidade Federal do Rio de Janeiro PifaFDr. Rogé|ri <bMedekds iversidade Federal do Rio aedí neiro Rio de Janeiro julho de 1998 ia Agradecimentos Ao indigenista João Américo Peret, amigo de longas datas, por apontar-me o reru, objeto deste estudo. À saudosa professora Maria Heloisa Fénelon Costa, minha primeira orientadora, pela atenção e estímulo na fase inicial do trabalho de pesquisa. -
String Figure Bibliography (3Rd Edition, 2000)
CdbY^W 6YWebU 2YR\Y_WbQ`Xi #bT5TYdY_^ 9^dUb^QdY_^Q\ CdbY^W 6YWebU 1cc_SYQdY_^ CdbY^W 6YWebU 2YR\Y_WbQ`Xi Third edition 1`eR\YSQdY_^_VdXU 9^dUb^QdY_^Q\CdbY^W6YWebU1cc_SYQdY_^ IFSA ISFA Press, Pasadena, California Copyright © 2000 by the International String Figure Association. Photocopying of this document for personal use is permitted and encouraged. Published by ISFA Press, P.O. Box 5134, Pasadena, California, 91117, USA. Phone/FAX: (626) 398-1057 E-mail: [email protected] Web: www.isfa.org First Edition: December, 1985 (Bulletin of String Figures Association No. 12, Tokyo) Second Edition: May, 1996 Third Edition: January, 2000 Library of Congress Catalog Card Number: 00-102809 ISBN 0-9651467-5-8 $19.95 Foreword It is with great pleasure that I introduce the third edition of String Figure Bibliography, compiled by Dr. Tom Storer. Over 500 new entries have been added since the second edition appeared in 1996. Of the 1862 total entries, 341 include illustrations of string figures and instructions for making them, 372 include illustrations only, and 19 include instructions only (no illustrations). The remaining entries document other aspects of string figures as described below. Each entry is prefaced by a symbol that identifies the type of information it contains: ⇒ An arrow indicates that the cited work includes both string figure illustra- tions and instructions.These are, of course, the classic source documents of the string figure literature, highly sought after by anyone wishing to pursue comparative studies or augment their personal repertoire of figures. A square indicates that the cited work includes instructions for making string figures, but lacks illustrations. -
A New Symbolic Writing for Encoding String Figure Procedures
A New Symbolic Writing for Encoding String Figure Procedures Eric Vandendriessche∗ University of Paris Science-Philosophy-History, UMR 7219, CNRS, F-75205 Paris, France February 27, 2020 Abstract In this article, we present a new symbolic writing for encoding string figure processes. This coding system aims to rewrite the string figure procedures as mathematical formulae, focusing on the operations implemented through these procedures. This formal approach to string figure making practices has been developed in order to undertake a systematic comparison of the various string figure corpora (at our disposal), and their statistical treatment in particular. Key Words: String figures, operations, procedures, coding system, modeling. 1 Introduction From the first scientific studies on string figure-making practices—from the 19th century and onwards—a number of anthropologists have attempted to devise suitable and efficient nomen- clatures to record the procedures involved in the making of such figures. The first published nomenclature by Cambridge anthropologists William H. R. Rivers and Alfred C. Haddon (1902), has been used and refined by ethnographers like Diamond Jenness (1886-1969), Honor Maude (1905-2001), James Hornell (1865-1949), and many others who have collected string figures in different societies throughout the 20th century. This method of writing down string fig- ures processes has been further standardized thanks to the work of string figure experts (like ∗CNRS & Université de Paris, Lab. SPHERE, UMR 7219, Case 7093, 5 rue Thomas Mann, 75205 PARIS CEDEX 13, FRANCE. e-mail: [email protected]. 1 Mark Sherman, Will Wirt, Philip Noble, Joseph D’Antoni, among others), all of them mem- bers of the International String Figure Association (ISFA). -
Since Childhood Suddenly Appeared on Her Hands. Incidently, When I
Dec. 10,1997 Mrs. Honor Maude Roonas 40-42, Mountain View Hostel P.O. Box 61 Narrabundah, ACT 2604 Dear Honor: What a pleasure it was to speak with you recently and the learn that all is well with you and Harry. Please thank Kaye for responding so patiently to all my queries about your well-being, and for not laughing at my atrocious American accent. In August I attended a symposium on Rapa Nui (Easter Island) held here in the States, and presented a paper on string figures which, much to my surprise, was very well received. After the lecture one professor asked whether anyone had studied Tuamotuan string figures. Of course I was able to cite your book with Emory and to brag about how I've known you for 15 years, which made me feel important. But the most gratifying moment occurred when Mr. Kon-Tiki himself (Thor Heyerdahl) approached me after the lecture to tell me that he photographed an islander making a "good luck" string figure just prior to their famous attempt in 1955 to move a moai (massive stone statue) using only logs and ropes. I knew in advance that he would be there but never dreamed I would have the privilege of speaking with him face to face, a moment I will never forget. I also had the pleasure of meeting Grant McCall, who spoke quite highly of you and Harry. I didn't know that his wife adored string figures, having collected 60 figures at Easter Island during their fieldwork. However, it appears that all her notes were lost in a fire not long ago, a real pity. -
Cabineta Quarterly of Art and Culture Issue 23 Fruits Us $10 Canada $15
A QUARTERLY OF ART AND CULTURE ISSUE 23 FRUITS CABINET US $10 CANADA $15 UK £7 inside this issue tutti Frutti season Fall 2006 Fran Beauman • Mats Bigert • Ellen Birrell • Irene Cheng • Robert Connelly • Brian Dillon • Fallen Fruit • Joshua Glenn • Adam Leith Gollner • Mister Justice Horace Gray • Sabrina Gschwandtner • Jeffrey Kastner • Chris Kubick • Kavior Moon • Sina Najafi • Celeste Olalquiaga • Frances Richard • Barry Sanders • Andrew F. Smith • Christopher Turner • Larry Tye • Anne Walsh • McKenzie Wark • Margaret Wertheim • Anna Von Mertens cabinet Cabinet is a non-profit 501 (c) (3) magazine published by Immaterial Incorporated. 55 Washington St, # 327 Our survival is dependent on support from foundations and generous individuals, Brooklyn NY 11201 USA such as you (flattery is apparently a very good tactic for this sort of thing). Please tel + 1 718 222 8434 consider supporting us at whatever level you can. Contributions to Cabinet are fax + 1 718 222 3700 fully tax-deductible for those who pay taxes to Uncle Sam. Donations of $25 or email [email protected] more will be acknowledged in the next possible issue, and those above $100 will www.cabinetmagazine.org be acknowledged for four consecutive issues. Checks should be made out to “Cabi- net” and sent to our office address. Please mark the envelope, “Life’s not a bowl of Fall 2006, issue 23 cherries but this will help.” Editor-in-chief Sina Najafi Cabinet wishes to thank the following visionary foundations and individuals for Senior editor Jeffrey Kastner their support of our activities during 2006. Additionally, we will forever be indebted Editors Jennifer Liese, Christopher Turner to the extraordinary contribution of the Flora Family Foundation from 1999 to UK editor Brian Dillon 2004; without their generous support, this publication would not exist. -
Horace Jayne - Wikipedia
Horace Jayne - Wikipedia https://en.wikipedia.org/wiki/Horace_Jayne Horace Fort Jayne (5 March 1859, Philadelphia, Pennsylvania – 9 July 1913, Wallingford, Pennsylvania)[1] was an American zoölogist and educator. Biography Works See also References External links Dr. Jayne in 1899. He was the son of patent medicine millionaire Dr. David Jayne (1799-1866) and Hannah Fort Jayne (1827–1904).[2] He was educated at the University of Pennsylvania (A.B., 1879; M.D., 1882), and studied biology at the universities of Leipzig and Jena in 1882–1883, and at Johns Hopkins for a year. In 1884 he was appointed professor of vertebrate morphology at The Wistar Institute of Anatomy and Biology, and became a director of the institute. He was a professor of zoölogy at the University of Pennsylvania from 1894 to 1905, secretary of Penn's biological faculty (1884–1889), and dean of Penn's college faculty (1889–1894). He became a trustee of Drexel Institute, and served as co-editor of several scientific journals.[3] He married ethnologist Caroline Furness Jayne (1873–1909), and they had two children. Their son, Horace H. F. Jayne (1898–1975), became the first curator of Chinese art at the Philadelphia Museum of Art, and later was director of the University of Pennsylvania Museum of Archaeology and Anthropology, and vice director of the Metropolitan Museum of Art. Abnormalities Observed in the North American Coleoptera (1880) Revision of the Dermestidœ of North America (1882) Mammalian Anatomy (1898) He was also the author of many scientific papers.[1] Horace Jayne House Lindenshade (Wallingford, Pennsylvania) 1 von 2 13.02.2020, 14:06 Horace Jayne - Wikipedia https://en.wikipedia.org/wiki/Horace_Jayne 1. -
Frank Furness Mini Tour
FRANK FURNESS MINI TOUR We hope you enjoy this self-guided tour of a small selection of extant Frank Furness designed buildings. These, and more, are featured on our popular tour "Frank Furness: A Talk and a Walk." We'll schedule the full walking tour led by one of our knowledgable guides as soon as we're able. FIRST UNITARIAN CHURCH OF PHILADELPHIA 2125 Chestnut Stret 1883, tower removed 1920s Furness' father, Rev. William Henry Furness, commissioned the design of the congregation's third home from his architect son. Photo: First Unitarian Church of Philadelphia Reverend Furness believed that for a church, bold design and bright colors are appropriate – even if the sermon was boring, the architecture would keep the congregants awake. The rose window at the northern end is believed to be the first Tiffany window installed in Philadelphia. The window at the southern end is by Furness’s student friend from the Hunt days, John LaFarge. The floral windows on the east side are also by Tiffany. Image: Athenaeum of Philadelphia Page 1 FRANK FURNESS MINI TOUR ROBERT LEWIS HOUSE 123 South 22nd Street 1886 George Thomas wrote and entry on this structure for the SAH Archipedia: "This house is a compendium of Furness's favorite devices of the 1880s. Hallmarks are the massively rusticated stone base, strikingly original wrought-iron rails and grilles, and the crowning overhanging copper dormer hood above a patterned brick facade that sets the stage for the wildly asymmetrical side bay whose dramatically undercut brackets, “missing” on the left side, are evidence of Furness's maniera. -
Jews and Unitarians Reform Faith and Architecture In
The Pennsylvania State University The Graduate School School of Humanities BUILDING LIBERAL RELIGION: JEWS AND UNITARIANS REFORM FAITH AND ARCHITECTURE IN NINETEENTH-CENTURY PHILADELPHIA A Dissertation in American Studies by Matthew F. Singer © 2016 Matthew F. Singer Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2016 The dissertation of Matthew F. Singer was reviewed and approved* by the following: Simon J. Bronner Distinguished Professor of American Studies and Folklore Dissertation Adviser Chair of Committee Gregory A. Crawford Interim Director of the School of Humanities John Haddad Professor of American Studies and Popular Culture Anne A. Verplanck Associate Professor of American Studies and Heritage Studies Simon J. Bronner Director, American Studies Doctoral Program *Signatures are on file in the Graduate School ii ABSTRACT “Building Liberal Religion: Jews and Unitarians Reform Faith and Architecture in Nineteenth-Century Philadelphia” fuses family, social, intellectual, and religious histories with material culture analysis to document, interpret, and explore the achievements of the ecumenical network that developed between Victorian Philadelphia’s community of Americanizing and liberalizing Jews and Unitarians. The locus of this network was the relationship that developed between the Reverend William Henry Furness (1802–1896) of the First Unitarian Church of Philadelphia and the progressive Rabbi Marcus Jastrow (1829–1903) of Congregation Rodeph Shalom soon after the rabbi’s arrival in Philadelphia in 1866. This network expanded and continued for some sixty years among the clerics’ families, congregations, colleagues, and friends. Through his singular talents, vision, and the prolificness, the Reverend’s son Frank Furness (1802–1896) translated the reformist theological, philosophical, social, and aesthetic sensibilities that shaped the ministry of his father and the rabbinate of Marcus Jastrow into ecclesiastical, cultural, educational, commercial, and domestic structures and their furnishings. -
String Figure Bibliography of Australian Aboriginal and Torres Strait Islander Peoples
String Figure Bibliography of Australian Aboriginal and Torres Strait Islander Peoples Ken Edwards ISFA Press Author Ken Edwards has studied health and physical education, environmental science and sports history. He has taught health and physical education at both primary and secondary school level and has been a Head of Health and Physical Education at various schools. Ken has been an academic at QUT and Bond University and is now an Associate Professor in Sport, Health and Physical Education at USQ (Springfield Campus). String Figure Bibliography of Australian Aboriginal and Torres Strait Islander Peoples by Ken Edwards Copyright © 2011 by Ken Edwards. Photocopying of this e-book for personal use is permitted and encouraged. ISBN: 978-0-9651467-2-2 Published by: ISFA Press Pasadena, California, USA Acknowledgements I would like to express appreciation to Tim Edwards who contributed towards compiling, recording and checking the information in the bibliography. Tim is a currently a practising medical practitioner. Special thanks to Mark Sherman for his support and valued assistance in making corrections, additions and other suggestions for improving the work. This bibliography on string figures is dedicated to Aboriginal and Torres Strait Islander peoples in recognition of their ‘ownership’ of play and movement traditions. Table of Contents Acknowledgements Preface ......................................................... 1 Introduction ................................................ 2 Terminology ................................................... -
Program Book
T HE P RESERVATION A LLIANCE ’ S EIGHTEENTH ANNUAL PRESERVATION ACHIEVEMENT A18WARDS M AY 2011 The Preservation Alliance for Greater Philadelphia The Preservation Alliance for Greater Philadelphia actively promotes the appreciation, protection, and appropriate use and development of the Philadelphia region’s historic buildings, communities and landscapes. Board of Directors Staff Walter Gallas Director, Northeast Field Office Officers John Andrew Gallery National Trust for Historic Preservation Katherine A. Dowdell, AIA Executive Director Jeff Groff Chair Patrick Hauck Director of Public Programs Susan Glassman Director of Neighborhood Preservation Winterthur Museum and Country Estate Vice Chair Programs Stephen D. Marshall Melissa Jest Robert J. Hotes, AIA, LEED AP Secretary Neighborhood Preservation Program Preservation Committee, Co-Chair Coordinator Philadelphia Chapter of the American Christophe Terlizzi Institute of Architects Treasurer Benjamin Leech Director of Advocacy Janet S. Klein Directors Holly Keefe Board Member Leonidas Addimando Director of Membership Development Pennsylvania Historical and Museum Commission Peter C. Benton, AIA Amy E. McCollum Vital Neighborhoods Interim Project Director John G. Carr Rachel Royer, LEED AP Joseph P. Charles Development Director Grand Jury Awards Panel Anchor Health Properties Sally Elk Randal Baron Linda A. Galante, Esq. Assistant Historic Preservation Officer Lori Salganicoff Marian A. Kornilowicz, Esq. Philadelphia Historical Commission Historic Preservation Coordinator Lower Merion Conservancy Eugene Lefevre Scott Doyle Randall F. Mason, PhD Preservation Specialist Paul Steinke General Manager Andrew Palewski Pennsylvania Historical and Museum Commission Reading Terminal Market Corporation Harry Schwartz, Esq. Rebecca Stoloff Ron Emrich Thomas J. Sugrue Preservation Consultant Rev. Mark Kelly Tyler Diane-Louise (D-L) Wormley EIGHTEENTH ANNUAL PRESERVATION ACHIEVEMEN T 18AWARDS Tuesday, May 17, 2011 CRYSTAL TEA ROOM, THE WANAMAKER BUILDING 100 E.