String Figure Bibliography of Australian Aboriginal and Torres Strait Islander Peoples
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Notes and References
NOTES AND REFERENCES PREFACE 1 In the period of history covered by the present work, the words most commonly used to describe the type of society studied by anthropologists were "primitive" and "savage". Since however, neither of these words can be used without strongly pejorative overtones, I have done my best to avoid them, substituting instead more emotionally neutral words like "aboriginal", "indigenous" and "preliterate". None of these words is perfectly suited to the job at hand and the result may sometimes come out sounding rather oddly. Nonetheless, I would rather be guilty of minor offences of usage than of encouraging Eurocentric prejudice. 2 Peter Lawrence, "The Ethnographic Revolution", Oceanill45, 253-271 (1975). 3 A recent work which makes a start in this direction is Perspectives on the Emergence of Scientific Disciplines, Gerard Lemaine, Roy MacLeod, Michael Mulkay and Peter Weingart (eds.), (The Hague and Chicago, 1977). From our point of view the most inter esting contribution is Michael Worboy's study of British tropical medicine, a discipline which, largely because of its relationship to British imperialism, exhibited a maturation process which bore many similarities to that of British Social Anthropology. 4 Jairus Banaji, ''The Crisis of British Social Anthropology", New Left Review 64, 75 (Nov.-Dec. 1970). 5 E. E. Evans-Pritchard's famous 1940 ethnography on The Nuer, for example, often regarded as the ultimate achievement of British Social Anthropology, presents the Nuer as a self-contained, static and harmoniously-operating group. However, it is evident from a number of things which Evans-Pritchard mentions in passing that, in fact, the Nuer interact so substantially with the neighbouring Dinka people that, instead of reifying "the Nuer" as a self-contained social entity, it may well have been more sensible to write a book about the Nuer-Dinka complex. -
TINDALE, Norman
SOUTH AUSTRALIAN AVIATION MUSEUM SIGNIFICANT AVIATOR PROFILES WGCDR Norman Barnett Tindale Intelligence Officer, WW2 Noted South Australian anthropologist’s unheralded role in World War 2 intelligence Norman Barnett Tindale is one of our lesser-known South Australians who served in World War 2, not in a combat role but in a critical enabling role where he directly contributed to the war effort at both the tactical and strategic levels. And yet, most people would be unaware of his incredible wartime role, his impact and remarkably, but sadly, he did not get much recognition for his service. What makes it even more surprising is that the gentlemen was a noted South Australian Anthropologist who had worked before the war at the South Australian Museum. Norman Barnett Tindale was born 12 October 1900 in Perth. He was the son of a Salvation Army accountant, James Hepburn Tindale and Salvation Army missionary, Mary Jane Barnett. In 1903 the family relocated to Adelaide and then in 1907, to Japan where James Tindale had been selected for an accountant position. In Tokyo, Norman Tindale attended Tsukiji Grammar School, a school for foreign children, and then from 1914, Yotsuya High School, a Japanese government school. After eight years in Japan, the family return to Perth in 1915 and then Adelaide in 1917. Awaiting an opening at the South Australian Museum in entomology, Tindale initially worked as a Library Cadet with the South Australian Public Library before becoming an Entomological Assistant at the SA Museum in 1919. Between the wars, Tindale became one of Australia’s most prolific anthropologists, travelling extensively throughout central Australia. -
Creating White Australia
Creating White Australia Edited by Jane Carey and Claire McLisky SYDNEY UNIVERSITY PRESS Published 2009 by Sydney University Press SYDNEY UNIVERSITY PRESS Fisher Library, University of Sydney www.sup.usyd.edu.au © Individual authors 2009 © Sydney University Press 2009 Reproduction and communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library University of Sydney NSW Australia 2006 Email: [email protected] National Library of Australia Cataloguing-in-Publication entry Title: Creating white Australia / edited by Jane Carey and Claire McLisky. ISBN: 9781920899424 (pbk.) Subjects: White Australia policy. Racism--Australia. Australia--Emigration and immigration--History. Australia--Race relations--History. Other Authors/Contributors: Carey, Jane, 1972- McLisky, Claire. Dewey Number: 305.80094 Cover design by Evan Shapiro, University Publishing Service, The University of Sydney Printed in Australia Contents Contributors ......................................................................................... v Introduction Creating White Australia: new perspectives on race, whiteness and history ............................................................................................ ix Jane Carey & Claire McLisky Part 1: Global -
Diane Bell, the Ngarrindjeri and the Hindmarsh Island Affair: 'Value-Free'
Diane Bell, the Ngarrindjeri and the Hindmarsh Island Affair: ‘Value-free’ ethnography Richard Kimber NgaRRiNDJeRi WURRUWARRIN: a world that is, was, and will be (1998). By Diane Bell, M elbourne 1998. Pp. 688.$29.95. It was my pleasure to be present at the launch of NgaRRiNDjeRi WURRUWARRIN in Alice Springs in 1998. Professor Diane Bell and I had had intermittent friendly associa tions almost from the commencement of her fieldwork in central Australia over two decades ago. By sheer chance, at the very moment she recognised me in a local coffee shop and reintroduced herself, I was recommending a PhD student to read her Daugh ters of the Dreaming (1993 edition). She kindly invited us to what transpired to be a very successful launch. This friendly association of over twenty years, together with my respect for her hard years of work in central Australia, have made it difficult to review the book in question. Some friends might feel that they are obliged to write a glowing tribute, others that they should make an honest attempt to be objective, and to make constructive criticism. I have taken the latter stance, and trust that an honest hard- edged appraisal is preferable to sycophantic approval. The initial appearance and feel of the book is appealing. Even though I found the mix of upper and lower case in the title word NgaRRiNDjeRi irritating, and wondered at the choice of this spelling instead of Narrinyeri, anyone with even the vaguest under standing of Ngarrindjeri country would appreciate Muriel Van Der Byl's cover illustra tion of a pelican against the background of sun, sand-dunes and water. -
Lavin Poster (NHRE 2011)
Exploring the Relations and Collections of A.C. Haddon at the Smithsonian Institution Luke Lavin, Amherst College, Amherst, MA Joshua A. Bell, Department of Anthropology, Smithsonian Institution, Washington, DC What do the National Museum of Natural Histories’ collections from A.C. Haddon’s General Makeup of the Alfred C. Localities of Torres Strait Collections Analysis and Findings: The dugong charm, tobacco pipe, and first voyage (1888-9) to the Torres Strait tell us about Haddon and local Torres Strait related photos show how objects in the Smithsonian collection can be used to aid in communities’ trade relationships and agencies? 4% Haddon Collections at the Western Islands- Badu, Moa, retracing Haddon’s interaction with locals (e.g., Waria and Gabia) and Europeans 9% Mabuiag, Muralug, Giralag, Kiriri, (e.g., Milman and Beardmore) stationed in the area. The histories of these objects, Smithsonian Ngurapai, Waiben, Maurura: 19 Alfred Cort Haddon (1855-1940) went to the Torres Strait Islands in 1888 to examine marine items and their movements, give us a glimpse into the trade relationships between the Background: Northern Islands- Boigu, Buru, biology and reef systems. Transformed by the experience, Haddon returned in 1898 as head of the Cambridge 7% Dauan, Saibai, Daru, Bobo, Parama: seafaring Islanders, New Guineans, and Cape York Aboriginal communities in 4 items Anthropological Expedition, which revolutionized anthropological field methodologies and helped establish British 1% addition to the customs Haddon sought to “salvage” through his work. The objects Eastern Islands- Mer, Dauar, Waier, Social Anthropology (Herle & Rouse 1998). 42% Erub, Ugar: 13 items themselves speak to the transforming material realities of the region, and the ways in which islanders incorporated external materials in their shifting practices (Fig. -
The Ethnographic Experiment in Island Melanesia ♦L♦
Introduction The Ethnographic Experiment in Island Melanesia ♦l♦ Edvard Hviding and Cato Berg Anthropology in the Making: To the Solomon Islands, 1908 In 1908, three British scholars travelled, each in his own way, to the south-western Pacific in order to embark on pioneering anthropological fieldwork in the Solomon Islands. They were William Halse Rivers Rivers, Arthur Maurice Hocart and Gerald Camden Wheeler. Rivers (1864–1922), a physician, psychologist and self-taught anthropologist, was already a veteran fieldworker, having been a member of the Cambridge Torres Strait Expedition for seven months in 1898 (Herle and Rouse 1998), after which he had also carried out five months of fieldwork among the tribal Toda people of South India in 1901–2 (see Rivers 1906). The Torres Strait Expedition was a large-scale, multi-disciplinary effort with major funding, and had helped change a largely embryonic, descrip- tive anthropology into a modern discipline – reflective of the non-anthro- pological training of expedition leader Alfred Cort Haddon and his team, among whom Rivers and C.G. Seligman were to develop anthropological careers. During the expedition, Rivers not only engaged in a wide range of observations based on his existing training in psychology and physiology, but also increasingly collected materials on the social organisation of the Torres Strait peoples, work that ultimately resulted in him devising the ‘genealogical method’ for use by the growing discipline of anthropology, with which he increasingly identified. 2 Edvard Hviding and Cato Berg ♦ The 1908 fieldwork in Island Melanesia which is the focus of this book was on a much smaller scale than the Torres Strait Expedition, but it had 1 a more sharply defined anthropological agenda. -
Accepted: April 15, 2013
MATHEMATICAL ANTHROPOLOGY AND CULTURAL THEORY: AN INTERNATIONAL JOURNAL VOLUME 5 NO. 5 MAY 2013 COMMENT ON DENHAM’S BEYOND FICTIONS OF CLOSURE IN AUSTRALIAN ABORIGINAL KINSHIP PETER SUTTON UNIVERSITY OF ADELAIDE, AND SOUTH AUSTRALIAN MUSEUM [email protected] COPYRIGHT 2013 ALL RIGHTS RESERVED BY AUTHOR SUBMITTED: APRIL 1, 2013 ACCEPTED: APRIL 15, 2013 MATHEMATICAL ANTHROPOLOGY AND CULTURAL THEORY: AN INTERNATIONAL JOURNAL ISSN 1544-5879 SUTTON: COMMENT ON DENHAM’S BEYOND FICTIONS OF CLOSURE WWW.MATHEMATICALANTHROPOLOGY.ORG MATHEMATICAL ANTHROPOLOGY AND CULTURAL THEORY: AN INTERNATIONAL JOURNAL VOLUME 5 NO. 5 PAGE 1 OF 5 MAY 2013 COMMENT ON DENHAM’S BEYOND FICTIONS OF CLOSURE IN AUSTRALIAN ABORIGINAL KINSHIP PETER SUTTON Denham begins his paper on Australian Aboriginal marriage with two diagrams, Figures 1.1 and 1.2, which he describes as ‘canonical mechanical models of Kariera and Aranda kinship’ (p. 4). These are what he calls examples of ‘generational closure’ because they, and so many other similar kinship term charts, indicate ‘systematic bilateral sibling exchange in marriage’ (p. 6 footnote 2). He then goes on to argue, persuasively, that for reasons of human biology, including the need to avoid inbreeding, and because of a significant average age gap between Aboriginal men and their wives under the classical regimes, such closure could not have been practicable. As a result, these societies were in fact more open than closed, as kin networks or groups, than orthodoxy would have us believe. In other words, men could not have, as a general rule, married their actual mothers’ brothers’ daughters as the kinship diagrams purported to describe. -
Thomas Storer's Heart-Sequence: a Formal Approach to String Figure
Thomas Storer’s Heart-Sequence: A Formal Approach to String Figure-Making Eric VANDENDRIESSCHE Paris Diderot University, Sorbonne Paris Cité Science-Philosophy-History, UMR 7219, CNRS, F-75205 Paris, France e-mail: [email protected] Abstract String figure-making is a procedural activity carried out in many societies of oral tra- dition. It consists in producing geometrical forms using a string knotted into a loop. In 1988, an American mathematician, Thomas Storer (1938-2006), published a long article in which he developed several formal approaches of string figure-making. One of these is the Heart-sequence. Passing the string around a finger forms a "loop". The point is then to focus, during the process, on the movements of the loops without taking into account the way the fingers operate to make these loops, and to convert these movements into a mathematical formula. This mathematical approach to string figures allows a new reading of string figure procedures which makes it possible to classify them and is a promising way to carry out a comparative study of string figure corpora. This paper concentrates on string figure algorithms leading to "double-sided lozenge" final figures. Although various different methods in forming such a "double-sided lozenge" can be found in geographically and culturally distant societies, only two classes of heart-sequences will be identified. Key Words: String figures, algorithm, modeling, classification, ethnomathematics. Journal of Mathematics & Culture 119 February 2015 9(1) ISSN - 1558 - 5336 1 Introduction String figure-making consists in applying a succession of operations to a string (knotted into a loop), mostly using the fingers and sometimes the feet, the wrists or the mouth. -
Style and Meaning Anthropology’S Engagement with Art Has a Complex and Uneven History
NICHOLAS THOMAS THOMAS NICHOLAS & CLARK ALISON style and meaning Anthropology’s engagement with art has a complex and uneven history. While style and material culture, ‘decorative art’, and art styles were of major significance for ( founding figures such as Alfred Haddon and Franz Boas, art became marginal as the EDS meaning discipline turned towards social analysis in the 1920s. This book addresses a major ) moment of renewal in the anthropology of art in the 1960s and 1970s. British Essays on the anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, anthropology of art and wrote influentially, especially about issues of style and meaning in art. His powerful, question-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important? style ANTHONY FORGE meaning Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge’s arguments have renewed relevance: they help and edited by scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered. ALISON CLARK & NICHOLAS THOMAS This volume brings together Forge’s most important writings on the anthropology anthropology of art Essays on the of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom Anthony Forge was born in London in 1929. -
The Language of String Figure-Making in a Sepik Society in Papua New Guinea
Vol. 14 (2020), pp. 598–641 http://nflrc.hawaii.edu/ldc http://hdl.handle.net/10125/24964 Revised Version Received: 2 Aug 2020 Talking about strings: The language of string figure-making in a Sepik society in Papua New Guinea Darja Hoenigman The Australian National University The practice of making string figures, often called cat’s cradle, can be found all over the world and is particularly widespread in Melanesia. It has been studied by anthropologists, linguists and mathematicians. For the latter, the ordered series of moves and the resultant string figures represent cognitive processes that form part of a practice of recreational mathematics. Modern anthropology is interested in the social and cultural aspects of string figures, including their associations with other cultural practices, with the local mythology and songs. Despite this clear link to language, few linguists have studied string figures, and those who have, have mainly focused on the songs and formulaic texts that accompany them. Based on a systematic study of string figures among the Awiakay, the inhabitants of Kanjimei village in the Sepik region of Papua New Guinea, with six hours of transcribed video recordings of the practice, this paper argues that studying string figure-making can be an important aspect of language documentation – notjust through the recording and analysis of the accompanying oral literature, but also as a tool for documenting other speech genres through recordings of the naturalistic speech that surrounds string figure-making performances. In turn, analysing the language associated with string figure-making offers valuable insights into the meaning of string figures as understood by their makers. -
The State of Australia's Indigenous Languages – and How We Can Help People Speak Them More Of
The state of Australia's Indigenous languages – and how we can help people speak them more of... Page 1 of 6 Academic rigour, journalistic flair The state of Australia’s Indigenous languages – and how we can help people speak them more often January 21, 2019 5.55am AEDT November 2016 (left to right) Seraine Namundja, Donna Nadjamerrek, Julie Narndal and Cheryl Nadjalaburnburn preparing a new course in Bininj Kunwok, an Indigenous language in the Northern Territory. Provided by Cathy Bow, Author provided The state of Australia’s Indigenous languages – and how we can help people speak them more often January 21, 2019 5.55am AEDT In 1788 there were between 300 and 700 Indigenous languages spoken across Author Australia by millions of people, as shown in anthropologist Norman Tindale’s 1974 map. However in the Australian 2016 Census, only around 160 of these languages were reported as being spoken at home. Jane Simpson And of these, only 13 traditional Indigenous languages are still spoken by children. It Chair of Indigenous Linguistics and Deputy means that in 60 years’ time only 13 of Australia’s languages will be left, unless Director of the ARC Centre of Excellence for the Dynamics of Language, Australian something is done now to encourage these children to keep speaking their language, National University and to encourage children from other language groups to start speaking their heritage languages. Read more: Why do so few Aussies speak an Australian language? In the Australian 2016 Census, nearly 650,000 Australians identified as Indigenous. Of these, around 10% (63,754) reported themselves as speaking an Indigenous language at home (they could also be speaking English and/or another Indigenous language). -
The String Figures of Yirrkalla: a Major Revision
Bulletin ofthe International String Figure Association, Vol.2, xx-xxx, 1995 The String Figures of Yirrkalla: A Major Revision collected by Frederick D. McCarthy, 1948 revised and illustrated by Honor C. Maude, Canberra, Australia, Mark A. Sherman, Pasadena, California Photo of Narau here ABSTRACT Frederick D. McCarthy's collection of string figures, gathered in 1948 among the Yirrkalla aborigines ofArnhem Land, Australia, has been hailed as the largest collection ever assembledfrom a single community. Unfortu nately, less than ten percent of the figures can be made from the instruc tions provided by McCarthy. We have therefore revised McCarthy's text to convey, in conventional terminology, what we believe to have been the method by which each figure was in fact made by his informant. -S^vwple of reduced ^uvcd cropi^^ed d\os>ivccBo\ry -per H.C. MAUDE AND M.A. SHERMAN INTRODUCTION The popularity of string figures among the native inhabitants of Australia was first reported in the 1840's (Cawthorne 1844; Eyre 1845). Since then, several impressive collections have been published, many of which include construction methods (Roth 1902; K. Haddon 1918; Stanley 1926; David son 1941; Mountford 1950; McCarthy 1960). In 1948, Frederick D. McCarthy's spent three months collecting string figures among the Yirrkalla aborigines of Amhem Land, a region located in the northeast comer of Australia's Northern Territory (fig. 1). His collection of 213 figures was published twelve years later in Volume 2 of Records of the American-Australian Scientific Expedition to Amhem Land (pp. 415- 511). Even before its publication, the significance of the collection was of ten cited (Mountford & Walker 1949; McCarthy 1957; McCarthy 1958).