Dominican Rosary Meditations
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How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock
James Blair Historical Review Volume 9 Issue 2 Article 4 2019 How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock Nicholas Arata Boston College, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/jbhr Part of the History Commons Recommended Citation Arata, Nicholas (2019) "How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock," James Blair Historical Review: Vol. 9 : Iss. 2 , Article 4. Available at: https://scholarworks.wm.edu/jbhr/vol9/iss2/4 This Article is brought to you for free and open access by the Journals at W&M ScholarWorks. It has been accepted for inclusion in James Blair Historical Review by an authorized editor of W&M ScholarWorks. For more information, please contact [email protected]. Arata: How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock Nicholas Arata The First World War’s extensive use of trench warfare exposed soldiers to some of industrialized war’s greatest horrors. In such a hellish environment, one would think that such horrors would corrupt a soldier’s faith in his Christian beliefs. How could a loving God allow such atrocities to occur? However, not only did faith help countless soldiers through the war, but Christianity helped relieve the symptoms of war neuroses, such as “shell-shock.” Armies across Europe used chaplains to give soldiers a religious guide, and those chaplains provided a religious outlet for the common soldier. -
Abbess-Elect Envisions Great U. S. Benedictine Convent Mullen High to Take Day Pupils Denvircatholic Work Halted on Ten Projects
Abbess-Elect Envisions Great U. S. Benedictine Convent Mother Augustina Returns to Germany Next Month But Her Heart Will Remain in Colorado A grgantic Benedioine convent, a St. Walburga’s of ser of Eichstaett. That day is the Feast of the Holy Name In 1949 when Mother Augustina visited the German as Abbess will be as custodian and distributor of the famed the West, is the W jo c h o p e envisioned by Mother M. of Mary, a name that Mother Augustina bears as'' a nun. mother-house and conferred with the late Lady Abbess Ben- St. Walburga oil. This oil exudes from the bones of the Augustina Weihermuellcrp^perior of St. Walbutga’s con The ceremony will be held in St. Walburga’s parish church edicta, whom she has succeeejed, among the subjects con saint, who founded the Benedictine community and lived vent in South Boulder, as she prepares to return to Ger and the cloistered nuns of the community will witness it sidered wJs the possibility of transferring the heart of the 710-780. Many remarkable cures have been attributed many to assume her position as, Lady Abbess at the mother- ffom their private choir. order to America if Russia should:overrun Europe! to its use while seeking the intercession o f St. Walburga. house of her community in Eidistaett, Bavaria. That day, just two months hence, will mark the first At the great St. Walburga’s mother-house in Eich 'Those who have heard Mother Augustina in one of her Mother Augustina’s departure for Europe is scheduled time that an American citizen ,has returned to Europe to staett, she will be superior of 130 sisters. -
Works by Tolkien, Contemporary and Renaissance Drawings, And
Press Contacts Noreen Khalid Ahmad 212.590.0310 [email protected] Shaili Shah 212.590.0311 [email protected] Works by Tolkien, Contemporary and Renaissance Drawings , and Photography on View This Winter at the Morgan New York, NY, Thursday, December 6, 2018 — The 2019 winter season at the Morgan Library & Museum continues to celebrate visual artists and writers whose experimental methods and innovative creative processes have transformed our understanding of drawing, illustration, writing, and photography. Over the course of January and February, the Morgan will open a series of varied exhibitions, ranging from a look at the creative enterprise of J.R.R. Tolkien, to a focused examination of unconventional practices in contemporary drawing, to the first display in the United States of the storied photography collection of the National Gallery of Canada, to a survey of celebrated early Italian Drawings from our collection. By Any Means: Contemporary Drawings from the Morgan January 18, 2019 through May 12, 2019 Contemporary approaches to drawing are often experimental and expansive. By absorbing and building upon the legacy of avant-garde experimentation in the first half of the twentieth century, artists from the 1950s to the present have pushed beyond the boundaries of traditional draftsmanship through their use of chance, unconventional materials, and new technologies. Emboldened by the accessibility, scale, Stephen Vitiello (b. 1964), Speaker Drawing and relative affordability of paper, and informed by the (22.06), 2006, Pigment and spray fixative. The Morgan Library & Museum. Gift of an developments of Cubist, Futurist, Dada, and Surrealist anonymous donor, 2012.41. Photography by Steven H. -
The Holy Rosary
THE HOLY ROSARY INTRODUCTORY PRAYERS Sign of the Cross (leader) In + nomine Patris, et Filii, et Spiritus Sancti. Amen Apostle’s Creed (leader) I believe in God, the Father Almighty, Creator of heaven and earth; and in Jesus Christ, His only Son, our Lord, Who was conceived by the Holy Spirit, born of the Virgin Mary; suffered under Pontius Pilate, was crucified, died and was buried. (all) He descended into hell; on the third day He rose again from the dead; He ascended into heaven, and is seated at the right hand of God the Father Almighty; from there He will come to judge the living and the dead. I believe in the Holy Spirit, the holy catholic Church, the communion of Saints, the forgiveness of sins, the resurrection of the body, and life everlasting. Amen. Pater Noster (leader) Pater noster, qui es in caelis, sanctificetur nomen tuum. Adveniat regnum tuum. Fiat voluntas tua, sicut in caelo et in terra. (all) Panem nostrum quotidianum da nobis hodie, et dimitte nobis debita nostra sicut et nos dimittimus debitoribus nostris. Et ne nos inducas in tentationem, sed libera nos a malo. Amen. Ave Maria (x3) (leader) Ave Maria, gratia plena, Dominus tecum. Benedicta tu in mulieribus, et benedictus fructus ventris tui, Iesus. (all) Sancta Maria, Mater Dei, ora pro nobis peccatoribus, nunc, et in hora mortis nostrae. Amen. Gloria Patri (leader) Gloria Patri, et Filio, et Spiritui Sancto. (all) Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen. Intentions Let us bind our prayers to the Immaculate Heart of Mary and offer this Rosary to the Immaculate Conception, Patroness of the United States; our patron, St. -
Palm Sunday of Lent Sorrowful Mysteries of the Rosary
Palm Sunday of Lent Sorrowful Mysteries of the Rosary Sign of the Cross The Apostles’ Creed Leader: I believe in God, the Father almighty, Creator of heaven and earth, and in Jesus Christ, his only Son, our Lord, who was conceived by the Holy Spirit, Bow born of the Virgin Mary, suffered under Pontius Pilate, was crucified, died and was buried; He descended into hell; on the third day he rose again from the dead; He ascended into heaven, and is seated at the right hand of God the Father almighty; from there he will come to judge the living and the dead. Participants: I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and life everlasting. Amen. The Our Father Leader: Our Father who art in heaven, hallowed be thy name; thy Kingdom come, thy will be done on earth as it is in heaven. Participants: Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us; and lead us not into temptation, but deliver us from evil. Amen. The Hail Mary (pray 3 times for opening prayers) Leader: Hail, Mary, full of grace, the Lord is with thee. Blessed art thou among women and blessed is the fruit of thy womb, Jesus. Participants: Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen The Glory Be Leader: Glory be to the Father and to the Son and to the Holy Spirit, Participants: as it was in the beginning Is now, and ever shall be world without end. -
The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14Th-16Th Centuries
The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries: Images of Intergeneration Relationships By Welleda Muller The Representations of Elderly People in the Scenes of Jesus’ Childhood in Tuscan Paintings, 14th-16th Centuries: Images of Intergeneration Relationships By Welleda Muller This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Welleda Muller All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9049-9 ISBN (13): 978-1-4438-9049-6 This book is dedicated to all of my colleagues and friends from MaxNetAging: Inês Campos-Rodrigues, Kristen Cyffka, Xuefei Gao, Isabel García-García, Heike Gruber, Julia Hoffman, Nicole Hudl, Göran Köber, Jana Kynast, Nora Mehl, and Ambaye Ogato. TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Acknowledgments .................................................................................... xiii Introduction ................................................................................................ -
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Portrait of Elisabetta Gonzaga oil on wood, 52.50 x 37.30 cm Florence, Galleria degli Uffizi, 1503 – 1504 ca. Like the painting depicting the Young Man with an Apple, this painting dates from Raffaello’s younger years, when he attended and served the court of Urbino. Raffaello was still just a child when his father Giovanni Santi, who under Duke Federico was the intellectual of the court and trusted on all matters artistic, held a theatrical play to celebrate the wedding of Guidobaldo, the Duke of Urbino’s heir, to Elisabetta Gonzaga. The painting arrived in the Medici collections, and thence to the Uffizi, as part of the dowry for Vittoria della Rovere’s wedding in 1631. It depicts the young woman dressed richly in clothes woven with gold, characterised by a refined, aristocratic elegance. A headdress in the portentous form of a scorpion rests on the lady’s forehead. The depiction of the landscape in the background is particularly poetic, with the light of the rising sun touching the strips of cloud in the sky and the rocky path over to the right. Young Man with an Apple painting on wood, 47.40 x 35.30 cm Florence, Galleria degli Uffizi, 1503 – 1504 ca. Arriving in Florence from Urbino as part of Vittoria della Rovere’s dowry upon her marriage to the Grand Duke of Tuscany, this painting probably depicts a member of the Urbino court, perhaps the teenaged figure of Francesco Maria della Rovere himself. The boy is presented to us in the role of Paris. Like the hero in the myth, he holds the symbolic fruit in his right hand, destined for the most beautiful of the ladies who we must imagine competing before him. -
Total Consecration to Jesus Through Mary
Saint Louis-Marie de Montfort’s Total Consecration to Jesus Through Mary Choose a day for the Consecration To begin, choose the date of a Marian Feast on which to make the consecration. Whichever Feast you choose will determine the date to begin a 33-day period of spiritual preparation, i.e., you follow spiritual exercises for 33 days, and the next day will be the Marian Feast on which you consecrate yourself. Below is a list of Marian Feasts which are the same on both the traditional and Novus Ordo calendars: Feast / Start of Marian Feast You've Chosen Consecration 33-day Plan Day Apparition of the Immaculate 9 Jan 11 Feb Virgin Mary at Lourdes 20 Feb 1 The Annunciation 25 Mar 13 Jun Our Lady of Mt. Carmel 16 Jul 13 Jul The Assumption 15 Aug 6 Aug Nativity of the Blessed Virgin Mary 8 Sep 13 Aug Our Lady of Sorrows 15 Sep 19 Oct Presentation of the Blessed Virgin Mary 21 Nov 5 Nov Immaculate Conception 8 Dec 9 Nov Our Lady of Guadalupe 12 Dec 1 21 Feb when February has 29 days. The Feast of the Annunciation is the Feast that St. Louis de Montfort recommends most of all as it is this Feast that commemorates God Himself taking on flesh and, thereby, subjecting even Himself to trust in and dependency on Our Lady Recommendation: To read St. Louis de Montfort’s True Devotion to Mary either before beginning the Consecration or in conjunction with it. Begin the 33-Day Preparation for Consecration Now begins the 33-day period of exercises. -
Challenges Old and New
Issue no. 23 - December 2015 CHALLENGES OLD AND NEW Our association was founded in defiance of the violent destruction of the Via dei Georgofili bombing. Twenty-two years have now passed since that initial collective reaction of civic pride and compensation, and over the years the kinship and solidarity between the Amici degli Uffizi and the Gallery’s executives has grown ever stronger. A unity matured in the last eight years also thanks to the presence and the essential, precious encouragement of director Antonio Natali. With him the Amici degli Uffizi’s patronage has become bold, to say the least: each and every restoration, exhibition, renovation, donation and intervention within the museum has always been a path of knowledge and enrichment, of shared visions and affections, a continuous challenge for new projects for the betterment of the museum. Natali involved us in the most arduous undertakings for a patron: from the past seemingly hopeless restorations of the Madonna della Gatta by Federico Barocci and of the Adoration of the Shepherds by Gerrit van Honthorst -reduced even today to a mere flash of light on the canvas – to the current restoration of the masterpiece Adoration of the Magi by Leonardo, we continue our mission to support the museum with unwavering determination, without any vanity nor expecting honors or returns, true to our vocation to support the artistic heritage of our museum. I could make a long list of accomplishments, a series of happy occasions and achievements attained by the profitable cooperation with our friend Natali. I prefer instead to remember our brief meetings stolen to the work routine to discuss projects and exhibit ideas; our trip to the United States in 2006 when our strong core of Florentine members was supplemented by the branch “Friends of the Uffizi Gallery”, that has since been gathering resources among generous American donors: our long discussions that have always resulted in a positive outcome, further acquisitions and enrichment of the artistic wealth of our museum. -
Rosary Novenas to Our Lady
ROSARY NOVENAS TO OUR LADY to Our jQady By CHARLES V. LACEY With Preface by REV. RAYMOND R LAWRENCE BENZIGER A division of Benziger Bruce & Glencoe, Inc. Beverly Hills 3 4 5 6 7 8 9 CGr 80 79 78 77 76 Copyright, 1926, 1954, by Benziger Brothers, Inc. Printed in U.S.A. Nihil Obstat. John M. A. Fearns, S.T.D., Censor Librorum Imprimatur. + Francis Cardinal Spellman, Archbishop of New York New York, September 30, 1954 To MARY Mother of God and Queen of the Holy Rosary in devout memory of The Very Rev. Monsignor WILLIAM L. LIDDY (+ February 16, 1924) "Tigsary J\[ovenas PREFACE MONSIGNOR BENSON, in one of his early novels, gave us a beautiful expla- nation of the Rosary. An old nun is trying to make the devotion clear to a young Protestant girl. The enquirer asks: **How can prayers said over and over again like that be any good?" Mistress Margaret was silent for a moment. "I saw young Mrs. Martin last week," she said, '''with her little girl in her lap. She had her arms around her mother's neck, and was being rocked to and fro; and every time she " rocked she said 'Oh, mother.' "But, then," said Isabel, after a moment's silence, "she was only a child." " 'Except ye — " become as little children ' quoted Mistress Margaret softly—"you see, my Isabel, we are nothing more than children with God and His Blessed Mother. To say, 'Hail Mary, Hail Mary,' is the best way of telling her how much we love her. -
The Santo Spirito Altarpiece
conclusion The Santo Spirito Altarpiece Santo Spirito’s choir altarpieces appear to have been the objects of a highly self-conscious and purposive intentionality. That intentionality was certainly aimed at meeting the expectations of its chapel patrons. At the same time, it ensured that images were deployed strategically in the choir so as to serve the programmatic goals of the convent’s Augustinian Hermit friars—asserting the friars’ authority, recreating the old church within the fabric of the new, helping fashion the choir into a Marian sacred space that reflected the friars’ otherworldly aspirations, and providing the material for devotional and medi- tational praxis. In 1505, Raffaellino del Garbo painted his Madonna and Child Enthroned with Saints John the Evangelist, Lawrence, Stephen, and Bernard (the Segni al- tarpiece) (fig. 8.1) for the chapel of Bernardo di Stefano Segni in the left arm of the choir. Although roughly square like the other altarpieces of the choir, Del Garbo’s painting was larger than those works and included four rather than two saints. Its cinquecentesque putti, multi-tiered composition and volu- metric figures reflect the influence of Fra Bartolomeo and Leonardo. Despite these innovations, the painting’s symmetrical composition recalls other choir altarpieces in several respects: the foreground saints John the Evangelist and Bernard of Clairvaux are positioned close to the picture plane and the smooth ground is a nonspecific tan. In addition, Saints Lawrence and Stephen, depicted as beautiful and virtu- ally identical young men in embroidered dalmatics, are placed on either side of Mary’s throne. The position and appearance of the two saints assimilates them to the equally identical adolescent angels that flank Mary’s throne in the earlier altarpieces of the left arm, a device that helps mitigate the aberrant presence of four saints within the panel.1 In the altar-frontal below, two an- gels reproduce the gesture of the altarpiece’s putti by pulling aside a curtain to display the figure of the chapel’s dedicatee, Saint Lawrence. -
The Patriotic Rosary - for the Consecration of Our Nation
The Patriotic Rosary - For the Consecration of our Nation Come Holy Spirit For the Conversion of our Nation’s Capital - The Apostle’s Creed For the Holy Father – The Our Father For Bishops, Priests, and Religious - Three Hail Mary’s For the Conversion of our Country - Glory Be The First Mystery Choose from the Joyful, Sorrowful, Luminous, or Glorious Mysteries. “No one can rejoice more than I do at every step the people of this great country take to preserve the Union, establish good order and government, and to render the nation happy at home and respectable abroad. No country upon earth ever had it more in its power to attain these blessings than United America. Wondrously strange then, and much to be regretted indeed would it be, were we to neglect the means, and to depart from the road which Providence has pointed us, so plainly; I cannot believe it will ever come to pass. The Great Governor of the Universe has led us too long and too far on the road to happiness and glory, to forsake us in the midst of it. By folly and improper conduct, proceeding from a variety of causes, we may now and then get bewildered; but I hope and trust that there is good sense and virtue enough left to recover the right path before we shall be entirely lost.” George Washington, June 29, 1788 For the Presidency of the United States of America – The Our Father Before each of the 10 Hail Mary pray - “We plead the Blood of Jesus over ___________ and every soul in that state.” Substitute one of the following states into the blank: Alabama, Arkansas , Connecticut, Georgia, Alaska, California, Delaware, Arizona, Colorado, and Florida.