POSTER DATA COMPILED by MICHAEL ERLEWINE Copyright

Total Page:16

File Type:pdf, Size:1020Kb

POSTER DATA COMPILED by MICHAEL ERLEWINE Copyright POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ VGC 1968-11-14 H-1 --------- 1968-11-14 / VGC CP001794 / 1816 Sunnyland Special, Birth at Vulcan Gas Company - Austin, TX Benefit: Bail Fund Benefit: Sunnyland Special at Vulcan Gas Co, Austin, TX Artist: Jim Franklin Venue: Vulcan Gas Company Items: Handbill VGC Edition 1 / CP001794 / 1816 Performers: 1968-11-14 1968-11-15: Vulcan Gas Company Sunnyland Special / Birth ------------------------------ VGC 1969-07-11 H --------- 1969-07-11 / VGC CP044902 Georgetown Medical Band at Vulcan Gas Company - Austin, TX Artist: Jim Harter Venue: Vulcan Gas Company Items: Handbill VGC / CP044902 Performers: 1969-07-11 1969-07-12: Vulcan Gas Company Georgetown Medical Band ------------------------------ VGC 1969-07-18 H-1 --------- 1969-07-18 / VGC CP008979 / CP05702 New Noan Hey, Onion Creek at Vulcan Gas Company - Austin, TX Private Notes: Harter Artist: Jim Harter Venue: Vulcan Gas Company Items: Handbill VGC / CP044903 Handbill VGC Edition 1 / CP008979 / CP05702 Performers: 1969-07-18 1969-07-19: Vulcan Gas Company New Noan Hey / Onion Creek / Shiva's Head Band ------------------------------ VGC 1969-08-08 P --------- 1969-08-08 / VGC CP044905 Texas Rangers, Water Brothers at Vulcan Gas Company - Austin, TX Artist: Jim Harter Venue: Vulcan Gas Company Items: Original poster VGC / CP044905 Handbill VGC Edition 1 / Performers: 1969-08-08 1969-08-09: Vulcan Gas Company Texas Rangers / Water Brothers ------------------------------ VGC 1969-08-22 P-1 --------- 1969-08-22 / VGC CP009424 / CS04169 United Gas, Jomo at Vulcan Gas Company - Austin, TX Artist: Jim Harter Venue: Vulcan Gas Company Items: Original poster VGC Edition 1 / CP009424 / CS04169 Original poster VGC Edition 1 / CP008971 / CP05694 Description: Page in booklet VGC Edition 1 / Performers: 1969-08-22 1969-08-23: Vulcan Gas Company United Gas / Jomo / Onion Creek ------------------------------ VGC 1969-09-16 H-1 --------- 1969-09-16 / VGC CP001760 / 1783 Freddie King, Shepard's Bush at Vulcan Gas Company - Austin, TX Artist: Jim Harter Venue: Vulcan Gas Company Items: Handbill VGC Edition 1 / CP001760 / 1783 Description: B&W Performers: 1969-09-19 1969-09-20: Vulcan Gas Company Freddie King / Shepard's Bush / Onion Creek 1969-09-16: New Atlantis 1969-09-17: Water Brothers ------------------------------ VGC 1969-10-01 P-1 --------- 1969-10-01 / VGC CP022226 / XR018 Poco, New Atlantis at Vulcan Gas Company - Austin, TX Artist: Jim Harter Venue: Vulcan Gas Company Items: Original poster VGC Edition 1 / CP022226 / XR018 Handbill VGC Edition 1 / Performers: 1969-10-01 1969-10-08: Vulcan Gas Company Poco / New Atlantis / Water Brothers / Onion Creek / James Cotton Blues Band / Mance Lipscomb / Jomo ------------------------------ VGC 1970 ®-1 --------- 1970 / VGC Vulcan Gas Company - Austin, TX Artist: Jim Harter Venue: Vulcan Gas Company Items: VGC Edition 1 / Performers: 1970: Vulcan Gas Company ------------------------------ VGC 1970 ? P --------- 1970 ? / VGC CP044921 Vulcan Gas Company - Austin, TX Artist: Jim Harter Venue: Vulcan Gas Company Items: Original poster (Original artwork) VGC / CP044921 Performers: 1970 ?: Vulcan Gas Company ------------------------------ 1970-09-02 P --------- 1970-09-02 / Wildfire, Shiva's Head Band at Armadillo WHQ Notes: T - Artist: Jim Harter Venue: Armadillo World Headquarters Items: Original poster / Performers: 1970-09-02: Armadillo World Headquarters Wildfire / Shiva's Head Band ------------------------------ 1970-09-04 P --------- 1970-09-04 / Shiva's Head Band, Kuba at Armadillo WHQ Notes: T - Artist: Jim Harter Venue: Armadillo World Headquarters Items: Original poster / Performers: 1970-09-04 1970-09-05: Armadillo World Headquarters Shiva's Head Band / Kuba ------------------------------ ARM 1971-01-29 P-1 --------- 1971-01-29 / ARM CP002182 / 2173 John Lee Hooker, Storm at Armadillo WHQ Artist: Jim Harter Venue: Armadillo World Headquarters Items: Original poster ARM Edition 1 / CP002182 / 2173 (10-3/16 x 16- 1/4) Performers: 1971-01-29 1971-01-30: Armadillo World Headquarters John Lee Hooker / Storm / Goatleg / East of Earl of Rustin ------------------------------ ARM-4.172 1971-11-05 P-1 --------- 1971-11-05 / ARM 4.172 CP001886 / 1904 Earl Scruggs, Rat Creek at Armadillo World Headquarters - Austin, TX Notes: This item appears in the Art of Rock book, plate no. 4.172 Artist: Jim Harter Venue: Armadillo World Headquarters Promoter: Book: Art of Rock Items: Original poster ARM-4.172 Edition 1 / CP001886 / 1904 (17 x 11) AORPlate: 4.172 Handbill ARM-4.172 Edition 1 / CP008968 / CP05691 AORPlate: 4.172 Performers: 1971-11-05 1971-11-06: Armadillo World Headquarters Earl Scruggs / Rat Creek ------------------------------ 1973 P-1 --------- 1973 / CP008975 / CP05698 Die Gretchen, Drawings and Photographs by Jim Harter Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008975 / CP05698 Performers: 1973: ------------------------------ 1973 P-1 --------- 1973 / CP008981 / CP05704 Die Gretchen Private Notes: Harter * CHECK Artist: Jim Harter Items: Original poster Edition 1 / CP008981 / CP05704 Performers: 1973: ------------------------------ 1974 P-1 --------- 1974 / CP009421 / CS04166 Speleo Press at Speleo Press - Austin, TX Artist: Jim Harter Venue: Speleo Press Items: Original poster Edition 1 / CP009421 / CS04166 Performers: 1974: Speleo Press Speleo Press ------------------------------ DOB 1975 P-1 --------- 1975 / DOB CP009419 / CS04164 Magic Mushroom at Dobie Center - Austin, TX Artist: Jim Harter Venue: Dobie Center Items: Original poster DOB Edition 1 / CP009419 / CS04164 Performers: 1975: Dobie Center Magic Mushroom ------------------------------ 1978 P-1 --------- 1978 / CP009420 / CS04165 Magic Mushroom at Shopping Center - Austin, TX Artist: Jim Harter Venue: Shopping Center Items: Original poster Edition 1 / CP009420 / CS04165 Performers: 1978: Shopping Center Magic Mushroom ------------------------------ 1988-05-01 P-1 --------- 1988-05-01-2 / CP009422 / CS04167 Images of Darkness & Light, A Surealist Apocalypse, Collages by Jim Harter Artist: Jim Harter Items: Original poster Edition 1 / CP009422 / CS04167 Performers: 1988-05-01-29: ------------------------------ 19zz-11-05 H-1 --------- 19zz-11-05 / CP008968 / CP05691 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Handbill Edition 1 / CP008968 / CP05691 Performers: 19zz-11-05 19zz-11-06: ------------------------------ 19zz-12-26 P-1 --------- 19zz-12-26 / CP008967 / CP05690 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008967 / CP05690 Performers: 19zz-12-26 19zz-12-27: ------------------------------ NONE P-1 --------- NONE / CP008976 / CP05699 Homer Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008976 / CP05699 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008951 / CP05674 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008951 / CP05674 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008953 / CP05676 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008953 / CP05676 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008954 / CP05677 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008954 / CP05677 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008955 / CP05678 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008955 / CP05678 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008956 / CP05679 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008956 / CP05679 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008957 / CP05680 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008957 / CP05680 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008959 / CP05682 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008959 / CP05682 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008962 / CP05685 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008962 / CP05685 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008963 / CP05686 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008963 / CP05686 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008965 / CP05688 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008965 / CP05688 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008966 / CP05689 Jim Harter design Private Notes: Harter Artist: Jim Harter Items: Original poster Edition 1 / CP008966 / CP05689 Performers: NONE: ------------------------------ NONE P-1 --------- NONE / CP008969 / CP05692
Recommended publications
  • 1 Is Austin Still Austin?
    1 IS AUSTIN STILL AUSTIN? A CULTURAL ANALYSIS THROUGH SOUND John Stevens (TC 660H or TC 359T) Plan II Honors Program The University of Texas at Austin May 13, 2020 __________________________________________ Thomas Palaima Department of Classics Supervising Professor __________________________________________ Richard Brennes Athletics Second Reader 2 Abstract Author: John Stevens Title: Is Austin Still Austin? A Cultural Analysis Through Sound Supervisors: Thomas Palaima, Ph. D and Richard Brennes For the second half of the 20th century, Austin, Texas was defined by its culture and unique personality. The traits that defined the city ushered in a progressive community that was seldom found in the South. In the 1960s, much of the new and young demographic chose music as the medium to share ideas and find community. The following decades saw Austin become a mecca for live music. Austin’s changing culture became defined by the music heard in the plethora of music venues that graced the city streets. As the city recruited technology companies and developed its downtown, live music suffered. People from all over the world have moved to Austin, in part because of the unique culture and live music. The mass-migration these individuals took part in led to the downfall of the music industry in Austin. This thesis will explore the rise of music in Austin, its direct ties with culture, and the eventual loss of culture. I aim for the reader to finish this thesis and think about what direction we want the city to go in. 3 Acknowledgments Thank you to my advisor Professor Thomas Palaima and second-reader Richard Brennes for the support and valuable contributions to my research.
    [Show full text]
  • Homegrown: Austin Music Posters 1967 to 1982
    Homegrown: Austin Music Posters 1967 to 1982 Alan Schaefer The opening of the Vulcan Gas Company in 1967 marked a significant turning point in the history of music, art, and underground culture in Austin, Texas. Modeled after the psychedelic ballrooms of San Francisco, the Vulcan Gas Company presented the best of local and national psychedelic rock and roll as well as the kings and queens of the blues. The primary 46 medium for advertising performances at the 47 venue was the poster, though these posters were not simple examples of commercial art with stock publicity photos and redundant designs. The Vulcan Gas Company posters — a radical body of work drawing from psychedelia, surrealism, art nouveau, old west motifs, and portraiture — established a blueprint for the modern concert poster and helped articulate the visual language of Austin’s emerging underground scenes. The Vulcan Gas Company closed its doors in the spring of 1970, but a new decade witnessed the rapid development of Austin’s music scene and the posters that promoted it. Austin’s music poster artists offered a visual narrative of the music and culture of the city, and a substantial collection of these posters has found a home at the Wittliff Collections at Texas State University. The Wittliff Collections presented Homegrown: Austin Music Posters 1967 to 1982 in its gallery in the Alkek Library in 2015. The exhibition was curated by Katie Salzmann, lead archivist at the Wittliff Collections, and Alan Schaefer, a lecturer in the Department of English Jim Franklin. New Atlantis, Lavender Hill Express, Texas Pacific, Eternal Life Corp., and Georgetown Medical Band.
    [Show full text]
  • Weird City: Sense of Place and Creative Resistance in Austin, Texas
    Weird City: Sense of Place and Creative Resistance in Austin, Texas BY Joshua Long 2008 Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Human Geography __________________________________ Dr. Garth Andrew Myers, Chairperson __________________________________ Dr. Jane Gibson __________________________________ Dr. Brent Metz __________________________________ Dr. J. Christopher Brown __________________________________ Dr. Shannon O’Lear Date Defended: June 5, 2008. The Dissertation Committee for Joshua Long certifies that this is the approved version of the following dissertation: Weird City: Sense of Place and Creative Resistance in Austin, Texas ___________________________________ Dr. Garth Andrew Myers, Chairperson Date Approved: June 10, 2008 ii Acknowledgments This page does not begin to represent the number of people who helped with this dissertation, but there are a few who must be recognized for their contributions. Red, this dissertation might have never materialized if you hadn’t answered a random email from a KU graduate student. Thank you for all your help and continuing advice. Eddie, you revealed pieces of Austin that I had only read about in books. Thank you. Betty, thank you for providing such a fair-minded perspective on city planning in Austin. It is easy to see why so many Austinites respect you. Richard, thank you for answering all my emails. Seriously, when do you sleep? Ricky, thanks for providing a great place to crash and for being a great guide. Mycha, thanks for all the insider info and for introducing me to RARE and Mean-Eyed Chris.
    [Show full text]
  • Off the Beaten Path EXPLORING HAMILTON POOL’S WATERFALL and GEOLOGICAL WONDERS
    Iid Guide AUSTIN2015/2016 Off the Beaten Path EXPLORING HAMILTON POOL’S WATERFALL AND GEOLOGICAL WONDERS TUNE IN: ESSENTIAL YOUR GUIDE TO AUSTIN’S NEARBY GEMS: PERFECT MUSIC EXPERIENCES NEIGHBORHOODS HILL COUNTRY ROAD TRIPS PAGE 10 PAGE 15 PAGE 45 WE DITCHED THE LANDSCAPES FOR MORE SOUNDSCAPES. If you’re going to spend some time in Austin, shouldn’t you stay in a suite that feels like it’s actually in Austin? EXPLORE OUR REINVENTION at Radisson.com/AustinTX AUSTIN CONVENTION & VISITORS BUREAU 111 Congress Ave., Suite 700, Austin, TX 78701 800-926-2282, Fax: 512-583-7282, www.austintexas.org President & CEO Robert M. Lander Vice President & Chief Marketing Officer Julie Chase Director of Marketing Communications Jennifer Walker Director of Digital Marketing Katie Cook Director of Content & Publishing Susan Richardson Director of Austin Film Commission Brian Gannon Senior Communications Manager Shilpa Bakre Tourism & PR Manager Lourdes Gomez Film, Music & Marketing Coordinator Kristen Maurel Marketing & Tourism Coordinator Rebekah Grmela AUSTIN VISITOR CENTER 602 E. Fourth St., Austin, TX 78701 866-GO-AUSTIN, 512-478-0098 Hours: Mon. – Sat. 9 a.m. – 5 p.m., Sun. 10 a.m.– 5 p.m. Director of Retail and Visitor Services Cheri Winterrowd Visitor Center Staff Erin Bevins, Harrison Eppright, Tracy Flynn, Patsy Stephenson, Spencer Streetman, Cynthia Trenckmann PUBLISHED BY MILES www.milespartnership.com Sales Office: P.O. Box 42253, Austin, TX 78704 512-432-5470, Fax: 512-857-0137 National Sales: 303-867-8236 Corporate Office: 800-303-9328 PUBLICATION TEAM Account Director Rachael Root Publication Editor Lisa Blake Art Director Kelly Ruhland Ad & Data Manager Hanna Berglund Account Executives Daja Gegen, Susan Richardson Contributing Writers Amy Gabriel, Laura Mier, Kelly Stocker SUPPORT AND LEADERSHIP Chief Executive Officer/President Roger Miles Chief Financial Officer Dianne Gates Chief Operating Officer David Burgess For advertising inquiries, please contact Daja Gegen at [email protected].
    [Show full text]
  • Home with the Armadillo
    Mellard: Home with the Armadillo Home with the Armadillo: Public Memory and Performance in the 1970s Austin Music Scene Jason Dean Mellard 8 Produced by The Berkeley Electronic Press, 2010 1 Greezy Wheels performing at the Armadillo World Headquarters. Photo courtesy of the South Austin Popular Culture Center. Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 3 “I wanna go home with the Armadillo Good country music from Amarillo and Abilene The friendliest people and the prettiest women You’ve ever seen.” These lyrics from Gary P. Nunn’s “London Homesick Blues” adorn the wall above the exit from the Austin Bergstrom International Airport baggage claim. For years, they also played as the theme to the award-winning PBS series Austin City Limits. In short, they have served in more than one instance as an advertisement for the city’s sense of self, the face that Austin, Texas, presents to visitors and national audiences. The quoted words refer, if obliquely, to a moment in 9 the 1970s when the city first began fashioning itself as a key American site of musical production, one invested with a combination of talent and tradition and tolerance that would make of it the self-proclaimed “Live Music Capital of the World.”1 In many ways, the venue of the Armadillo World Headquarters served as ground zero for these developments, and it is often remembered as a primary site for the decade’s supposed melding of Anglo-Texan traditions and countercultural lifestyles.2 This strand of public memory reveres the Armadillo as a place in which
    [Show full text]
  • Austin's Progressive Country Music Scene and the Negotiation
    Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
    [Show full text]
  • Cosmic Cowboys, Thunderbirds, and Punks: from Austin Countercultures to the ‘Live Music Capital of the World’ Jonathan Watson
    Cosmic Cowboys, Thunderbirds, and Punks: From Austin Countercultures to the ‘Live Music Capital of the World’ Jonathan Watson 34 The Skunks at Raul’s in 1979. Photo by Ken Hoge. Courtesy of Jesse Sublett. The complex musical traditions of the American Southwest reflect the vastly diverse ethnic cultures long present throughout the region. For hundreds of years, the Southwest has been a cultural crossroads for Native Americans, Hispanics, Anglos, African Americans, Germans, Czechs, and many others, all of whom have left an important imprint on the area’s musical history. As historian Gary Hartman notes, 35 “The number, variety, and placement of the state’s ethnic communities are unique in all of North America, and they have allowed for a prolific cross-pollination of musical cultures that has given Texas music its special character.”1 Today, music continues to be a vital cultural element in defining what it means to be Texan. In recent years, there has been a growing body of scholarship that highlights music’s prominent role as a cultural force within society at the national level. For example, George Lipsitz’s Footsteps in the Dark: The Hidden Histories of Popular Music and Diane Pecknold’s Hidden in the Mix: The African American Presence in Country Music look at how music has played an important part in articulating and redefining racial and gender roles in American society. As valuable as such studies are, there is a need for further examination of musical history at the regional and local level, including within specific urban communities.2 Central Texas, and Austin in particular, can be seen as a microcosm of these larger trends throughout the Southwest of blending together disparate musical traditions and creating new forms of music that reflect the unique cultural history of the region.
    [Show full text]
  • And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
    POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ VGC 1968-01-12 P-1 --------- 1968-01-12 / VGC CP009413 / CS04158 Shiva's Head Band, The Lost and Found at Vulcan Gas Company - Austin, TX Artist: Jim Franklin Venue: Vulcan Gas Company Items: Original poster VGC Edition 1 / CP009413 / CS04158 Handbill VGC Edition 1 / CP044845 Var. A Description: Red and blue Handbill VGC Edition 1 / Var. B Description: Blue and white VGC / CP022255 / XR047 Performers: 1968-01-12 1968-01-13: Vulcan Gas Company Shiva's Head Band / Lost and Found ------------------------------ VGC 1968-01-19 P-1 --------- 1968-01-19 / VGC CP070178 Mance Lipscomb, Conqueroo at Vulcan Gas Company - Austin, TX Artist: Jim Franklin Venue: Vulcan Gas Company Items: Original poster VGC Edition 1 / CP070178 Price: 500.00 Original poster VGC Edition 1 / CP022232 / XR024 Price: 500.00 Handbill VGC Edition 1 / Var. A Description: B&W, white margin on left side and top Handbill VGC Edition 1 / Var. B Description: B&W, white margin left side only Handbill VGC Edition 1 / Var. C Description: B&W, no white margin Performers: 1968-01-19 1968-01-20: Vulcan Gas Company Mance Lipscomb / Conqueroo ------------------------------ VGC 1968-02 ®-1 --------- 1968-02 / VGC Ligth Sockets Event: Ligth Sockets Artist: Jim Franklin Venue: Vulcan Gas Company Items: VGC Edition 1 / Performers: 1968-02: Vulcan Gas Company ------------------------------ VGC 1968-02-16 P-1 --------- 1968-02-16 / VGC CP009416 / CS04161 Shiva's Head Band, Conqueroo at Vulcan Gas Company - Austin, TX Artist: Jim Franklin Venue: Vulcan Gas Company Items: Original poster VGC Edition 1 / CP009416 / CS04161 Price: 400.00 Postcard VGC Edition 1 / Var.
    [Show full text]
  • Destination Anywhere an Insider’S Tour of Hometown Music Scenes, Past and Present
    by RichaRd SkanSe Destination anywhere An insider’s tour of hometown music scenes, past and present. Austin tLive Musicex Capital Aof the sWorLd deStination anywheRe auStin, texaS continued it’s A Lot to Live up to, that Texas-sized boast about being the “Live Music Capital of the world.” Austin adopted it as their official slogan in 1991, with no voting or formal competition for the title involved, of course, apart from the city council members who did have the modesty to rule out the slightly more inflated “Live Music Capital of the Universe.” As such, it’s a claim to fame as open for debate as any truck stop’s self-proclaimed “world’s Best Coffee” or w“ orld Famous Chicken-Fried Steak.” The appropriate response to any such pronouncements should always be a certain degree of skepticism: “Prove it.” The key word in this case is “live.” For district. And when visitors arrive at Austin- the better part of the last 40 years, the best Bergstrom International Airport, they’re in Texas—and a good many notables from immediately greeted by Texas music, be it beyond—have all found themselves drawn piped through the terminal sound system or to the center of the state and used the capital live onstage, right in the concourse, as part city’s many stages to launch, or even re-launch, of the “Music in the Air” concert series. their music careers. Austin is where Abbott, does all of that merit the “Live Music Texas native willie Nelson reinvented himself Capital of the world” title? Clearly, it as an “outlaw,” spearheading the progressive doesn’t hurt.
    [Show full text]
  • Live Music Capital of the World® Austin Eats & Drinks
    Insider Guide 2021 Outdoor lovers find their bliss in AUSTINAustin PAGE 20 GET OUTSIDE LIVE MUSIC CAPITAL OF THE WORLD® PAGE 12 AUSTIN EATS & DRINKS PAGE 16 14 TEXAS HILL COUNTRY TOWNS WORTH A STOP PAGE 49 BE PART OF OUR HISTORY Paramount Theatre Cisco’s Restaurant Bakery & Bar Driskill Hotel Oakwood Cemetery We’re a city with no shortage of history or legend. In fact, both are very much alive throughout Austin. As you go exploring, take note that history isn’t just found in our architecture, monuments and museums. Delve into the backstory of our fascinating town, where you can discover everything from art and history museums to lush parks, still kickin’ honky-tonks and restaurants that have proudly served up meals to generations of locals. Visit www.austintexas.org/things-to-do/history STAY A PART OF AUSTIN’S HILL COUNTRY Whatever you’re apart of. Stay that way. FOUR CHAMPIONSHIP GOLF COURSES | MOKARA SPA | SEVEN DINING OPTIONS 76,192 SQUARE FEET OF MEETING AND EVENT SPACE | OMNIHOTELS.COM/BARTONCREEK 111 Congress Ave., Suite 700, Austin, TX 78701 ROWINGDOCK.COM 800-926-2282, Fax: 512-583-7282 SUPS KAYAKS CANOES visitaustin.org President & CEO Tom Noonan Vice President & Chief Marketing Officer Julie Chase Marketing & Design Coordinator Emily Carr Director of Marketing Tiffany Dixon Kerr Marketing Manager, Digital & Content Christine Felton Director of Austin Film Commission Brian Gannon Marketing Manager Silvia Krawczyk Tourism & Marketing Specialist Allison Lamell Director of Music Marketing Omar Lozano Director of Content & Digital Marketing Susan Richardson Marketing Manager, Digital Holland Taylor AUSTIN VISITOR CENTER 602 E.
    [Show full text]
  • Saluting Texas State Trailblazers P12 Former Bobcats Make It to the NFL P58 Contents Fall 2014
    vol. 45 no. 3 | Fall 2014 | Saluting Texas State Trailblazers p12 Former Bobcats make it to the NFL p58 contents Fall 2014 vol 45 no 3 | fall 2014 Texas State University PRESIDENT Dr. Denise M. Trauth VICE PRESIDENT FOR UNIVERSITY ADVANCEMENT p. Dr. Barbara Breier Happy Campers ALUMNI ASSOCIATION DIRECTOR The Autism Summer Camp in San Marcos has been a special place Kim Gannon for youngsters and Texas State students for several years. The HILLVIEWS STAFF camp encourages activities and social interaction. EDITOR 3 Matt Flores WIDE VIEWS CLASS VIEWS MANAGING EDITOR Julie Cooper 6 Bobcat Build 50 Class Notes ART DIRECTION A day of pride through Kelly King-Green service to the community 52 Sarah Ackerley DESIGNERS Artist-educator paints murals p. Harrison Albrecht | Justin Dietert in African schools Blain Hefner | César Limón News & Notes Roxanne Sides What’s new and MARKETING DIRECTOR notable on campus James Ortiz Dan Eggers Former Bobcat track 8 PHOTOGRAPHERS star blazes new trails FEATURE Chandler Prude | Stephanie Schulz as coach 16 54 CONTRIBUTORS Michael Agresta Innovation and Exploration Melisa Aguilar-Rehm | Jayme Blaschke Anastasia Cisneros-Lunsford | Tony Cantú 12 Common Experience 14 The givers Founded in 1899 as a normal school to train teachers, Texas State is Natalie Chandler | Alex Dominguez Exploring Democracy’s Corporate donations and charting a new course today to become a national research institution. Ashley Festa | David Flores Promise: From what they mean 56 Bowl Games Raúl A. Flores | Dan R. Goddard The university is commanding national attention with professors Laura Heinauer | Bryan Kirk Bobcats have more chances segregation to Jennifer Rodriguez | Cindy Tumiel integration at bowl invitations and students working side by side on cutting-edge research projects.
    [Show full text]
  • Annual Report
    13 DOWNTOWN AUSTIN ALLIANCE ANNUAL REPORT 2013-2014 14 2 2013-2014 ANNUAL REPORT 2013 ANNUAL REPORT 3 2014 DOWNTOWN AUSTIN ALLIANCE Letter from Board Chair Larry Graham ........................... 6 Letter from Executive Director Charles Betts ............ 7 CONTENTS About the Downtown Austin Alliance .............................. 9 Spotlight: Charles Betts’ Legacy of Service ............... 10 Strategic Plan: 2014-2019 ....................................................... 12 PROMOTING ECONOMIC PROSPERITY .............................. 14 Downtown’s Economic Value ................................................ 17 THE STATE OF DOWNTOWN Office Market ...................................................................................... 19 Residential Market ....................................................................... 20 Hotel Market ...................................................................................... 23 Retail Market .....................................................................................24 DOWNTOWN DRAWS PEOPLE Mobility and Infrastructure ................................................... 26 4 SPOTLIGHT: DOWNTOWN’S INNOVATION ZONE ...... 29 DOWNTOWN CAPTIVATES PEOPLE Public Safety ..................................................................................... 30 Cleanliness ......................................................................................... 33 Retail........................................................................................................ 34 Placemaking
    [Show full text]