March Honor Roll Includes 87 Cadets Gen. Lejeune Talks on War And
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Outstanding Casting for a Drama Series
Outstanding Casting for a Drama Series Episode 511, “Confessions”: Walt, Skylar, Hank & Marie meet to discuss what's next. Trent, just doing his job, interrupts this very tense situation...more than once. Walter White … Bryan Cranston Skyler White … Anna Gunn Hank Schrader … Dean Norris Marie Schrader … Betsey Brandt Trent* … Guy Wilson Episode 515, “Granite State”: The Disappearer returns to Walt at his hideout in New Hampshire to bring him supplies. Walter White … Bryan Cranston The Disappearer* … Robert Forrester Episode 516, “Felina”: Walt returns to Elliott & Gretchen's. Our fan favorites Badger & Skinny Pete are not far behind. Walter White … Bryan Cranston Elliott … Adam Godley Gretchen … Jessica Hecht Badger … Matt Jones Skinny Pete … Charles Baker Lydia & Todd have an unexpected visit from Walt at the weekly coffee shop meeting Walter White … Bryan Cranston Lydia* … Laura Fraser Todd* … Jesse Plemons The shootout between Jack’s gang and Walter’s machine. The final good-bye. Walter White … Bryan Cranston Jesse Pinkman … Aaron Paul Todd* … Jesse Plemons Uncle Jack* … Michael Bowen Kenny* … Kevin Rankin Lester* … Tait Fletcher Jack’s Man* … Matthew T. Metzler Frankie* … Patrick Shane *Cast this season Casting Summary for Production 12-20-2012 BREAKING BAD Artist Episode # Episode Title Role Name Series Stars: BRANDT, BETSY MARIE CRANSTON, BRYAN WALTER WHITE GUNN, ANNA SKYLER WHITE MITTE, RJ WALTER, JR. NORRIS, DEAN HANK ODENKIRK, BOB SAUL GOODMAN PAUL, AARON JESSE Guest Cast: BAKER, CHARLES 509 BLOOD MONEY SKINNY PETE BRUMMETT, -
Exhibit 1 the Brine Leases
Exhibit 1 Brine Leases The Brine Leases (as defined in the Motion) are between Great Lakes Chemical Corporation and the counterparties listed below. There are no cure amounts due under any of the Brine Leases. AMANDA M MCCLEVE ARTHUR M SMITH BARBARA ANN BRASWELL 17801 S 157TH WAY P O BOX 2766 1558 BRASWELL CORNER ROAD GILBERT, AZ 85296 REDMOND, WA 98073 MAGNOLIA, AR 71753 BARBARA RICHMOND BEORA JONES BEVERLY SMITH 230 UNION 537 923 FRIENDSHIP ROAD 2919 FM 1875 EL DORADO, AR 71730 LISBON, LA 71048 BEASLEY, TX 77417-9770 CASANDRA HILL CLAUDIA ELIZABETH TAYLOR DEVERA CREER 906 WINTERGREEN RD CLAUDIA CHURCH TAYLOR, GDN 328 ARC AVENUE LANCASTER, TX 75134 1905 CALION ROAD STOCKTON, CA 95210 EL DORADO, AR 71730 DIANE MCCLELLAND DOLORES R CREER DORIS CREER 2111 SOUTH LEWIS AVENUE 328 ARC AVENUE 8042 APPLETON DRIVE NORTH CHICAGO, IL 60064-2544 STOCKTON, CA 95210 UNIVERSITY CITY, MO 63130 EDDIE B CREER JR ELIZABETH LEE MCCLEVE - JOBE EULALYN WILSON CLARK 503 SOUTH 9TH STREET 17801 S. 157TH WAY 832 NORTH 6TH AVENUE SALINA, KS 67401-4243 GILBERT, AZ 85296 LAUREL, MS 39440-0106 FOUNDATION MINERAL PART II LP HAZEL MARIE MATTHEWS JAMES CLAYTON EDWARDS 1845 WOODALL RODGERS FWY 5419 ROBIN RD. 130 BIRCHWOOD CIRCLE SUITE 1275 LITTLE ROCK, AR 72204 CABOT, AR 72023-2585 DALLAS, TX 75201 JAMIE CLARK ALPHIN TRUST JAMIE CLARK ALPHIN TRUST #3 JAMIEL D CREER FIRST UNITED TRUST CO. NA, TR FIRST UNITED TRUST CO. N.A.,TR 10116 WHISPERING PINE DR P. O. BOX 751 P. O. BOX 751 LITTLE ROCK, AR 72209 EL DORADO, AR 71731-0751 EL DORADO, AR 71731-0751 Brine Leases (continued) -
THE TUFTS DAILY Est
Where You Read It First Few Showers 61/57 THE TUFTS DAILY Est. 1980 VOLUME LX, NUMBER 18 TUESDAY, OCTOBER 5, 2010 TUFTSDAILY.COM Senior Pub Night Laws targeting unsafe driving gets high marks practices take effect in Mass. BY ALEXANDRA BOGUS In particular, he said the BY MARTHA SHANAHAN Daily Editorial Board busing system to and from the Daily Editorial Board bar was well-run, and students Organizers and students respected the rule not to bring Text-messaging while driving is who attended last Thursday’s alcohol on the buses. now outlawed in Massachusetts Senior Pub Night were pleased Still, the event did not go off after laws restricting the use of with the event, citing consid- completely without incident. mobile devices by drivers went into erably fewer rowdy incidents Managerial staff at Hurricane effect Thursday. than last fall’s events. O’Reilly’s decided to end the The restrictions are part of The event, the first pub night event at approximately 1 a.m., the Safe Driving Act, which was of the semester, took place at one hour before the night was passed in the Massachusetts State Hurricane O’Reilly’s in Boston. slated to end. Legislature and approved by Gov. “It went really well,” Senior The decision to close early Deval Patrick (D) in July. The laws Class Council President Lindsey always lies with the host make it illegal to send text-messag- Rosenbluth said. “We’re thrilled establishment, Golia said. es from behind the wheel and ban with the outcome.” The venue’s staff, decided all use of mobile devices by drivers Rowdy and inappropriate that it was in the students’ under the age of 18. -
Renaissance Terms
Renaissance Terms Cantus firmus: ("Fixed song") The process of using a pre-existing tune as the structural basis for a new polyphonic composition. Choralis Constantinus: A collection of over 350 polyphonic motets (using Gregorian chant as the cantus firmus) written by the German composer Heinrich Isaac and his pupil Ludwig Senfl. Contenance angloise: ("The English sound") A term for the style or quality of music that writers on the continent associated with the works of John Dunstable (mostly triadic harmony, which sounded quite different than late Medieval music). Counterpoint: Combining two or more independent melodies to make an intricate polyphonic texture. Fauxbourdon: A musical texture prevalent in the late Middle Ages and early Renaissance, produced by three voices in mostly parallel motion first-inversion triads. Only two of the three voices were notated (the chant/cantus firmus, and a voice a sixth below); the third voice was "realized" by a singer a 4th below the chant. Glogauer Liederbuch: This German part-book from the 1470s is a collection of 3-part instrumental arrangements of popular French songs (chanson). Homophonic: A polyphonic musical texture in which all the voices move together in note-for-note chordal fashion, and when there is a text it is rendered at the same time in all voices. Imitation: A polyphonic musical texture in which a melodic idea is freely or strictly echoed by successive voices. A section of freer echoing in this manner if often referred to as a "point of imitation"; Strict imitation is called "canon." Musica Reservata: This term applies to High/Late Renaissance composers who "suited the music to the meaning of the words, expressing the power of each affection." Musica Transalpina: ("Music across the Alps") A printed anthology of Italian popular music translated into English and published in England in 1588. -
State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender
Breaking Bad and the intersection of critical theory at race, disability, and gender Item Type Honor's Project Authors McDonough, Matthew Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 01/10/2021 02:24:17 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1578 State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender Matthew McDonough Independent Study Honors 495-06 Professor Sarah Wyman 8 December 2020 Thesis Abstract: The television series Breaking Bad (created by Vince Gilligan) is considered by audience and critics alike as one of the greatest television series ever made. It tells the story of the rise and fall of Walter White (Bryan Cranston), a mild-mannered chemistry teacher turned meth kingpin. He turns to a life of crime after having been diagnosed with terminal cancer, and he sees meth manufacturing as the most lucrative way to provide for his family. It has been nearly a decade since the series finale, yet it endures through sequel films, spin-offs, and online streaming. My thesis investigates the series’ staying power, and I would argue that lies in its thematic content. Breaking Bad is not just a straightforward story of one man’s descent into a life of crime, but it is also a mediation on dominant, repressive power structures. The series offers a look at these structures through the lens of race, gender, and disability through the actions of characters and their interactions with one another. -
Dental Force with 2.4 Million Patients, the Military Offers Fertile Ground for Launching a Career
MAGAZINE OF THE TUftS UniVERSitY DentaL ALUmni ASSOCiation FAll 2010 VOL. 14 NO. 2 Dental meDicine Dental Force With 2.4 million patients, the military offers fertile ground for launching a career PLUS: BITE AND BALANCE n FEAR MANAGEMENT n REUNION WRAP-UP Boston stars The marquee at the Shubert Theatre in downtown Boston heralded the arrival of the 177 students in the School of Dental Medicine’s Class of 2014. Tufts President Lawrence S. Bacow welcomed the new students during the school’s ninth annual Family Welcome Day, held at the theatre. The new class has 90 women and 87 men who come to Tufts from 30 states. hed_gotham_26pt PHOTO: ALONSO NICHOLS contents FALL 2010 VOLUME 14 NO. 2 features 12 Afraid to Show Up Every dentist has a few fearful patients. A new book by Arthur Weiner, D58, and other behavioral scientists offers advice on easing their anxieties. By Julie Flaherty COVER STORY 14 Dental Force Nineteen new graduates are serving in the military, safeguarding the well-being of 2.4 million patients— and the security of the nation. By Jacqueline Mitchell 23 The Good and the Great Unknown While the new health-care reform law contains potentially transformative measures for dentistry, money and politics still could thwart the big goal: quality care for all. By Gail Bambrick 26 26 Shiny + New Join us for a pictorial tour of your new dental school. departments By Alonso Nichols and Jacqueline Mitchell 2 letterS 3 From The Dean 5 worD oF mouth 7 A SCAN OF PEOPLE, PLACES & EVENTS 8 lAb NoTeS A REPORT ON LEADING-EDGE SCIENCE 33 oN cAmpus DENTAL SCHOOL NEWS 44 UNIVERSITY NEWS THE WIDER WORLD OF TUFTS 46 beYond BoundarIeS PROVIDING THE MEANS FOR EXCELLENCE 48 AlUmNI NEWS STAYING CONNECTED On the cover: Air Force Captain Christina Pflipsen,D 10 Photo: Ian Londin Photography LETTERS dental medicine proud alumna in the heart of texas VOLUME 14, NO. -
Dental Medicine
MAGAZINE OF THE TUFTS UNIVERSITY DENTAL ALUMNI ASSOCIATION FALL 2011 VOL. 15 NO. 2 Dental meDicine Practicing dentistry behind bars PLUS: A CONVERSATION WITH DEAN THOMAS n RE-THINKING PAIN MEDS 28889c01.indd 1 11/11/11 6:05 PM restorative work Peter Arsenault, D94, an associate clinical professor of prosthodontics and operative dentistry, counts woodworking and furniture refinishing among his skills. This past summer, he volunteered to restore the conference table in the Becker Board Room on the seventh floor of One Kneeland Street. The board room, Arsenault notes, was dedicated the same year that he and his wife, Karin Andrenyi Arsenault, graduated from the dental school. The project, he adds, wasn’t all that different from what he does for a living: “It’s kind of like buffing out a composite restoration,” he says. “It’s like working on a big tooth.” PHOTO: ALONSO NICHOLS 28889c02.indd 1 11/11/11 6:07 PM contents FALL 2011 VOLUME 15 NO. 2 features 12 Pivotal Profession A conversation with Huw F. Thomas, the dental school’s 16th dean. By Helene Ragovin COVER STORY 16 Dentistry Behind Bars Practicing in a prison is a mix of the peculiar and the familiar, say alumni whose career paths have taken them inside the corrections system. By Helene Ragovin 22 Chew On This In tending to pets’ oral health needs, veterinarians take their cues from human dentistry. By Genevieve Rajewski 26 Life After Death His life was the only thing the Nazis did not 12 take from him, so John Saunders, D52, was determined to make it a life well-lived. -
Midlife Leading Man Breaking Bad’S Dean Norris, a Prime-Time Stalwart
MONTAGE Left to right: An Aero L-39 Albatros (foreground) and Dassault Falcon 2000 over the Golden Gate Bridge; a World War II-era North American P-51 Mustang over New York City; an Oracle Challenger (red) and Wolfpitts (yellow); Ambats shooting from a Beechcraft A36 Bonanza photoship H BY DAVID FARR DAVID H BY P pilots,” specialists trained to fly feet higher.” Even such a small change can in close formation with other drastically alter the composition. PHOTOGRA planes: some are former Blue An- Ambats usually works from a Beech- gels or Thunderbirds. With ex- craft Bonanza with the rear doors re- posures from ranges as close as 20 moved. (She does not shoot through to 150 feet, this kind of expertise glass.) A harness holds her securely in is essential or it’s “too risky,” she place. Working with a handheld high-end says. “It takes finesse to move an digital camera, she exposes several hun- pleasure. (She rents these craft, which cost airplane exactly 10 feet.” During the shoot, dred images per flight. Lenses with image around $480,000 each; private jets fall in she constantly feeds both pilots directions stabilization can help, and at times she the $3-million to $10-million range.) to line up the planes properly with each deploys a gyroscopic camera stabilizer, “if For shoots, she hires only “formation other and the background: “Biplane, 15 it’s a bumpy flight.” Midlife Leading Man Breaking Bad’s Dean Norris, a prime-time stalwart ean norris ’85 is headed home on a Stephen King science by limousine after finishing a fiction novel, was anchored photo shoot with—he kids— by Norris as “Big Jim” Ren- D “a few underlings from the net- nie, a power-hungry lo- work”: CBS Entertainment president Nina cal politician in a town Tassler and CBS Television Studios presi- suddenly cut off from the dent David Stapf.