Indigenous Knowledges, Colonizing Logics, and Ethical Spaces Annette

Total Page:16

File Type:pdf, Size:1020Kb

Indigenous Knowledges, Colonizing Logics, and Ethical Spaces Annette Decolonizing the Classroom Curriculum: Indigenous Knowledges, Colonizing Logics, and Ethical Spaces Annette Furo A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in Education Faculty of Education University of Ottawa © Annette Furo, Ottawa, Canada, 2018 ii Table of Contents List of Tables and Figures ................................................................................................................ v Abstract ........................................................................................................................................... vi Acknowledgements ....................................................................................................................... vii Chapter 1: Introduction .................................................................................................................... 1 Where This Project has Come From, and Where it Goes ................................................................ 1 Challenge and Aims ...................................................................................................................................3 Why This Project, At This Time? ..............................................................................................................7 Reconciliation and Relationships .............................................................................................................10 Why this Researcher: A Personal Dimension ..........................................................................................11 Notes on Terminology ..............................................................................................................................13 Overview of Chapters ...............................................................................................................................14 Chapter 2: Literature Review ........................................................................................................ 17 Histories of Indigenous Education and Integrating Indigenous Worldviews ................................ 17 Indigenous Perspectives on Pedagogy and Education .............................................................................19 Indian Policy and Education .....................................................................................................................26 Current Perspectives on Integrating Indigenous Perspectives into the School Curriculum .....................37 Integrating Indigenous Perspectives into the School Curriculum ............................................................43 Classroom Pedagogy in Secondary Schools ............................................................................................43 Teachers, Teacher Candidates, and Their Perceptions of Integration ......................................................47 Learning Through Indigenous Perspectives at the Level of Teacher Education ......................................52 Pedagogical Approaches and Frameworks ...............................................................................................57 Gaps and Implications ..............................................................................................................................64 Chapter 3: Theoretical Framework ................................................................................................ 66 Curriculum, Colonizing Logics, and Ethical Spaces ...................................................................... 66 A Curriculum in Relation: The Bridge and the Abyss .............................................................................67 Colonial Logics ........................................................................................................................................71 A Relational Ethics for Curriculum: Reconciling and Decolonizing .......................................................78 Chapter 4: Methodology ................................................................................................................. 87 Critical Ethnography with Indigenous Communities: An Ethics to Live By ................................. 87 Research Questions ..................................................................................................................................88 Ethics of Research with Indigenous Peoples and Ways of Knowing .......................................................88 Research as Relationship ..........................................................................................................................90 Critical Ethnography and its Criticisms ...................................................................................................94 Critical Ethnography and Classroom Culture ........................................................................................100 Researcher Preparation and the Research Site .......................................................................................100 Local Context .........................................................................................................................................103 Two High Schools ..................................................................................................................................104 Teacher and Student Contributors ..........................................................................................................106 Gathering Stories and Experiences: Methods Used ..................................................................... 111 Consultation of Ministry Documents .....................................................................................................111 iii Gaining Access .......................................................................................................................................112 Initial On-Site Visits ...............................................................................................................................114 Classroom Observations .........................................................................................................................114 Teacher Interviews .................................................................................................................................116 Student Focus Groups ............................................................................................................................117 Researcher’s Journal ...............................................................................................................................118 Conversations with First Nation Community Members ........................................................................118 Transcribing ...........................................................................................................................................120 Interpretation and Analysis ....................................................................................................................121 Write Up .................................................................................................................................................125 Sharing Findings ....................................................................................................................................128 Chapter 5: Stories, Experiences and Perspectives Shared ............................................................ 129 Part 1: Worldviews in Parallel: Possibilities and Pitfalls ............................................................. 129 What is Worldview .................................................................................................................................129 Worldviews in Parallel: Dena’s Class ....................................................................................................131 Introducing a Postcolonial Lens .............................................................................................................136 Reading Parallel Stories in Three Day Road ..........................................................................................140 Kate’s Class ............................................................................................................................................144 Kim’s Class ............................................................................................................................................146 Cristine’s Class .......................................................................................................................................148 Julie’s Class ............................................................................................................................................149 Comparing Conversations: Stereotypes .................................................................................................150 Comparing conversations: Identity ........................................................................................................157 Comparing conversations: Responsibility ..............................................................................................161 Part 2: Interrupting a Eurocentric curriculum .............................................................................. 168 Pegamega… Pegamegamabo….Pegahmagabow! And Myths of Multiculturalism ..............................168 From Sanitized
Recommended publications
  • The Pre-History of Self-Determination: Union and Disunion of States in Early Modern International Law
    THE PRE-HISTORY OF SELF-DETERMINATION: UNION AND DISUNION OF STATES IN EARLY MODERN INTERNATIONAL LAW Han Liu* TABLE OF CONTENTS ABSTRACT ................................................................................................................ 2 I. INTRODUCTION ...................................................................................................... 2 II. THE STATE AND THE NATION STATE ................................................................... 7 III. TERRITORIAL ACCESSION IN EARLY MODERN EUROPE ...................................... 9 A. The King and the Sovereign .......................................................................... 9 B. Land and Territory ....................................................................................... 15 1. Division of Realms ................................................................................... 17 2. Land and Sovereignty............................................................................... 18 3. Dynastic-Patrimonial Territoriality .......................................................... 20 4. Shape of Early Modern Territory ............................................................. 22 C. Aggregating Land: Conquest and Inheritance.............................................. 24 IV. OUTSIDE EUROPE: LAND APPROPRIATION AND COLONIAL EXPANSION........... 27 A. Just War as Civilizing Process: Vitoria’s Catholic Argument ..................... 29 B. Conquest or Settlement: Locke, Vattel, and the Protestant Argument ........ 31 V. THE JURIDICIAL
    [Show full text]
  • An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105
    An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105 An Examination of Native Americans in Film and Rise of Native Filmmakers Julia Boyd Media Arts and Entertainment, Concentration: Cinema Elon University Abstract This paper explored the role of Native Americans in the Hollywood film industry and their actions to estab- lish authentic representations of their population and culture in the media. Using academic literature, film analyses, and contemporary film reviews and articles, the author created a synthesis of the history of Na- tive Americans in film. The author concluded that by becoming producers, directors, and writers of their own stories, American Indians have regained control of their images and been able to combat stereotypes and the exclusion of Native Americans in the creative process. Positive social change for minority populations can be optimized when these populations are in control of their own images in film and media. I. Introduction One can use art, music, literature, television and film to trace patterns in society. Since the invention of moving images in the late nineteenth and early twentieth century, film has been a particularly powerful me- dium. Films have served as escapist fantasies, allowing audiences to enter astonishing worlds and encounter wild and colorful characters. Movies have also been used to convey truths about society that are more easily digested in a fictional format. Difficult topics such as the nature of humanity, love, and war have all been explored with film as the tool that disseminates these themes into the consciousness of the masses. With the rise of mass media and popular culture came the onset of a collective consciousness that could be shared by people all over the world, rather than people of a particular culture relying on their own ancestry and specific history.
    [Show full text]
  • The White Man's Indian: Stereotypes in Film and Beyond. PUB DATE Jan 97 NOTE 9P.; In: Visionquest: Journeys Toward Visual Literacy
    DOCUMENT RESUME ED 408 950 IR 018 363 AUTHOR Vrasidas, Charalambos TITLE The White Man's Indian: Stereotypes in Film and Beyond. PUB DATE Jan 97 NOTE 9p.; In: VisionQuest: Journeys toward Visual Literacy. Selected Readings from the Annual Conference of the International Visual Literacy Association (28th, Cheyenne, Wyoming, October, 1996); see IR 018 353. PUB TYPE Reports Evaluative (142) Speeches/Meeting Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS American Indians; *Cultural Images; Film Production; *Films; *Labeling (of Persons); Popular Culture; Role Perception; *Social Bias; *Stereotypes IDENTIFIERS *Native Americans; Visual Representation ABSTRACT Before the invention of film, a stereotypical perception of Native Americans was embodied in art, fiction, and entertainment. Stereotyping of Native Americans can be categorized under three major themes: (1) the history of Native Americans compressed and portrayed under a single period of time;(2) Native cultures interpreted through white values; and (3) the grouping of the more than 600 different Native American societies under one general category. Because of its ability to present moving images, film played a major role in perpetuating the stereotypes of the Native Americans as riding horses, screaming, killing, and scalping people. Film, like any other form of art, reflects the culture of the society and at the same time, contributes to that culture; it embodies the society's values, beliefs, and social structure and assists in transmitting culture to mass audiences. Myths and stereotypes about Native Americans are alive today because television and film, as media with mass appeal, perpetuated misconceptions. The representation of Native Americans in films was mostly restricted to one genre, the Western.
    [Show full text]
  • Jantzen on Wempe. Revenants of the German Empire: Colonial Germans, Imperialism, and the League of Nations
    H-German Jantzen on Wempe. Revenants of the German Empire: Colonial Germans, Imperialism, and the League of Nations. Discussion published by Jennifer Wunn on Wednesday, May 26, 2021 Review published on Friday, May 21, 2021 Author: Sean Andrew Wempe Reviewer: Mark Jantzen Jantzen on Wempe, 'Revenants of the German Empire: Colonial Germans, Imperialism, and the League of Nations' Sean Andrew Wempe. Revenants of the German Empire: Colonial Germans, Imperialism, and the League of Nations. New York: Oxford University Press, 2019. 304 pp. $78.00 (cloth), ISBN 978-0-19-090721-1. Reviewed by Mark Jantzen (Bethel College)Published on H-Nationalism (May, 2021) Commissioned by Evan C. Rothera (University of Arkansas - Fort Smith) Printable Version: https://www.h-net.org/reviews/showpdf.php?id=56206 Demise or Transmutation for a Unique National Identity? Sean Andrew Wempe’s investigation of the afterlife in the 1920s of the Germans who lived in Germany’s colonies challenges a narrative that sees them primarily as forerunners to Nazi brutality and imperial ambitions. Instead, he follows them down divergent paths that run the gamut from rejecting German citizenship en masse in favor of South African papers in the former German Southwest Africa to embracing the new postwar era’s ostensibly more liberal and humane version of imperialism supervised by the League of Nations to, of course, trying to make their way in or even support Nazi Germany. The resulting well-written, nuanced examination of a unique German national identity, that of colonial Germans, integrates the German colonial experience into Weimar and Nazi history in new and substantive ways.
    [Show full text]
  • Cross-Cultural Filmmaking As a Process of Self-Reflection: Filming Native Americans Within Central European Space’S Prevailing Imagery of the “Noble Savage”
    133 ETHNOLOGIA ACTUALIS Vol. 17, No. 1/2017 LÍVIA ŠAVELKOVÁ Cross-Cultural Filmmaking as a Process of Self-Reflection: Filming Native Americans within Central European Space’s Prevailing Imagery of the “Noble Savage” Cross-Cultural Filmmaking as a Process of Self-Reflection: Filming Native Americans within Central European Space’s Prevailing Imagery of the “Noble Savage” LÍVIA ŠAVELKOVÁ Department of Social and Cultural Anthropology University of Pardubice, Pardubice, Czech Republic [email protected] ABSTRACT In Said´s notion of “Orientalism” as a set of discursive practices through which the West structured the imagined East, the Czech Republic (or former Czechoslovakia) in particular, and so called Eastern Europe in general, has been viewed by “the West” as a space inhabited by “exotic other”. The former socialist countries (and the so called post-socialist countries) have been constructing their own “Orients” and “exotic others” as well including Noble Savage stereotype of Native Americans. This paper focuses on a visual (re)presentation of a meeting between people who might have mutually constructed each other as the “exotic other”. Based on filming of a visit of a Native American sport team competing in the Czech Republic, the paper would like to discuss who are the “exotic ones” and for whom and the methodological issues related to the creation of the cross-cultural ethnographic films. KEY WORDS: Visual representation, ethnographic film, post-socialism, Native Americans, political correctness, Noble Savage stereotype, reflexivity DOI: 10.1515/eas-2017-0012 © University of SS. Cyril and Methodius in Trnava. All rights reserved. 134 ETHNOLOGIA ACTUALIS Vol. 17, No.
    [Show full text]
  • African Journal of Criminology and Justice Studies: AJCJS, Vol.4, No.1
    Criminal Justice in Contemporary Settler Colonialism: Tauri Criminal Justice as a Colonial Project in Contemporary Settler Colonialism Juan Marcellus Tauri Ngati Porou University of Wollongong Abstract This paper offers an Indigenous-centred, critical perspective on the Colonial Projects (Thomas, 1994) employed in settler-colonial contexts to negate, or at the very least nullify, the negative impact of two inter-related ‘wicked problems’ that are deemed peculiar to these jurisdictions: the high levels of Indigenous over-representation in the criminal justice system, and the impact of Indigenous resistance to the hegemony of the imposed, criminal justice systems deployed by settler-colonial states. The paper is comprised of three inter-related parts; the first two outline the construction and deployment of Colonial Projects in the colonial and neo-colonial contexts, wherein it is argued that the matrix of criminal justice was foundational to the state’s attempted eradication of, and eventual socio-economic marginalisation of Indigenous peoples. The final part offers an argument that the continued success of criminal justice as a (neo)colonial project, stems from its parasitic relationship with the discipline of criminology. Together, these supportive colonial projects deployment against Indigenous peoples demonstrates that structural violence continues to be a significant component of social control in the neo-liberal, neo-colonial context. Key Words Colonization, colonial project, authoritarian criminology, Maori. Introduction The challenge of ‘being Indigenous’, in a psychic and cultural sense, forms the crucial question facing Indigenous peoples today in the era of contemporary colonialism – a form of post-modern imperialism in which domination is still the Settler imperative but where colonizers have designed and practiced more subtle means (in contrast to the earlier forms of missionary and militaristic colonial enterprises) of accomplishing their objectives (Alfred & Corntassel, 2005: 297-289).
    [Show full text]
  • Race—America's Rawest Nerve
    SUMMER 1994 MEDIA STUDIES Journ~~ RACE- AMERICA'S RAWEST NERVE The Freedom Forum Media Studies Center At Columbia University in the City of New York $8 Race­ America's Rawest Nerve The Freedom Forum Media Studies Center At Columbia University in the City of New York Media Studies Journal Volume 8, Number 3, Summer 1994 The Media Studies Journal is a quarterly forum for scholars, practitioners and informed commentators to discuss topical themes of enduring importance to the mass media and the public. Editor-in-chief Everette E. Dennis Editor Edward C. Pease Copy Editor Lisa DeLisle Senior Editorial Assistant Barry Langford Editorial Assistants Sabi Muteshi Michael Gwertzman Copyright © 1994 by The Freedom Forum Media Studies Center and The Freedom Forum. Editorial Offices: Media Studies Journal, Columbia University, 2950 Broadway, New York, N.Y. 10027 The Media Studies Journal (ISSN 1057-7416), formerly the Gannett Center Journal (ISSN 0893-8342), is published quarterly. Annual subscriptions: Individual $32 (U.S.), $40 (foreign). Single copies $8 (U.S.), $10 (foreign). Includes shipping and handling. All orders and change of address information should be sent in writing to The Freedom Forum Media Studies Center, Columbia University, Financial Department, 2950 Broadway, New York, N.Y. 10027. This publication is indexed by Public Affairs Information Services (PAIS). Original cover and tide page illustration, "Trashing Stereotypes," by Ronald Searle, commissioned for the Media Studies Journal. 11 The Freedom Forum Media Studies Center, an operating program of The Freedom Forum, is an institute for the advanced study of mass communication and techno­ logical change. Through a variety of programs, it seeks to enhance media profes­ sionalism, foster greater public understanding of how the media work, strengthen journalism education and examine the effects on society of mass communication and communications technology.
    [Show full text]
  • Civilizing Mission”: France and the Colonial Enterprise Patrick Petitjean
    Science and the “Civilizing Mission”: France and the Colonial Enterprise Patrick Petitjean To cite this version: Patrick Petitjean. Science and the “Civilizing Mission”: France and the Colonial Enterprise. Benediky Stutchey (ed). Science Across the European Empires - 1800-1950, Oxford University Press, pp.107-128, 2005. halshs-00113315 HAL Id: halshs-00113315 https://halshs.archives-ouvertes.fr/halshs-00113315 Submitted on 12 Nov 2006 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Science and the “Civilizing Mission”: France and the Colonial Enterprise Patrick Petitjean REHSEIS (CNRS & Université Paris 7) Introduction September 1994: ORSTOM celebrated its fiftieth birthday with a conference "20th Century Sciences: Beyond the Metropolis". 1 ORSTOM (Office de la Recherche Scientifique et Technique Outre-Mer) is the name given in 1953 to the former "Office de la Recherche Scientifique Coloniale," founded in 1943.2 This conference showed an evident acceptance of the colonial heritage in science and technology. Such continuities raise questions about the part played by science in the so-called second wave of European expansion of the late nineteenth century, which led to the partitioning of the world by European powers.3 The aim of this essay is to outline the part played by science in the French mission of civilisation, this “civilizing mission” and to describe how it occupied such a central part 1 The proceedings have been published.
    [Show full text]
  • A Case Study of Indigenous Representation in Film Music: Smoke Signals and Dances with Wolves Stephanie Anne D'amata a Thesis
    A CASE STUDY OF INDIGENOUS REPRESENTATION IN FILM MUSIC: SMOKE SIGNALS AND DANCES WITH WOLVES STEPHANIE ANNE D’AMATA A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO APRIL 2020 © Stephanie Anne D’Amata, 2020 ii ABSTRACT This thesis explores the representation of North American Indigenous cultures through film music of the 1990s. I use two films as case studies: a Hollywood-produced film – Dances with Wolves (1990) – and an independent film by an Indigenous filmmaker – Smoke Signals (1998). My analysis of the films examines elements of film, such as mise-en-scène, cinematography, editing, and form, as well as musical cues, instrumentation and melodic/rhythmic motifs. The combination of these analyses allows me to consider how meanings about Indigenous cultures are communicated to viewers. I consider the following research questions: How are North American Indigenous cultures represented in film? How do Indigenous filmmakers choose to represent Indigenous culture in comparison to non-Indigenous filmmakers? What can be said about agency, representation, commercialization, and cultural expression through each filmmaker’s visual and musical choices? I find that music is integral to constructing meaning in films, and that representations of Indigenous cultures, through both music and visual cues, differ significantly across time and film genres. iii ACKNOWLEDGMENTS I would like to extend my sincerest thanks to my Supervisory Committee, Professor Sherry Johnson and Professor Louise Wrazen, for their instrumental role in helping me to complete my thesis. This work was made possible through your dedication to my research over the years, insightful feedback, and incredible guidance throughout my candidacy.
    [Show full text]
  • Brown Cowboys on Film: Race, Heteronormativity and Settler Colonialism
    BROWN COWBOYS ON FILM: RACE, HETERONORMATIVITY AND SETTLER COLONIALISM BEENASH JAFRI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN GENDER, FEMINIST & WOMEN’S STUDIES YORK UNIVERSITY TORONTO, ONTARIO JULY 2014 © Beenash Jafri, 2014 ii ABSTRACT This dissertation analyzes minority-produced westerns as examples of settler cinemas. Though they are produced by subjects at the margins of settler society, I argue that settler colonialism is, nonetheless, a significant cultural context shaping these films. The dissertation intervenes into existing film studies scholarship, which has tended to frame settler colonialism as the historical context structuring the racial oppression of Native Americans, rather than as a constitutive feature of all forms of racial subjugation. As a result, the connections and investments of other racialized subjects within the dynamics of settler colonialism have received limited attention. Drawing on queer, race and Native American/Indigenous studies, the dissertation develops and deploys an intersectional framework for examining film that illuminates the fraught relationship between racialized minorities, Indigenous peoples and settler colonialism. To make its argument, the dissertation examines three sets of films: black westerns, South Asian diaspora films, and Jackie Chan’s martial arts westerns. In each chapter, I consider how existing film scholarship has read these respective films before offering an alternative interpretation that draws attention to their settler colonial contexts. For example, black westerns have been interpreted in terms of anti-racist historical revisionism; South Asian diasporic films have been analyzed in terms of their liminal position between Hollywood and Bollywood film industries; and Jackie Chan’s western parodies have been interpreted in terms of postmodern mimicry.
    [Show full text]
  • Introduction: Christian “Civilizing Missions” of the Past and Present 1
    NOTES Introduction: Christian “Civilizing Missions” of the Past and Present 1. Such studies are critical of the commonly held assumption that a high degree of “participation” by local people inevitably leads to their “empowerment” (Chambers 1983, 1994; Arnstein 1969; Pretty 1995; Cornwall 1996). 2. One of the reasons for the lack of historical comparison is the appar- ently significant changes in the way the Chinese government has dealt with Christianity over time. In particular, the People’s Republic of China (PRC) expelled Christian missionaries from the country in 1953. Since this time, foreign religious activity has been strictly con- trolled. However, despite these controls, since the late 1980s, interna- tional aid and development NGOs have been working in China, and many of them are either explicitly Christian in their orientation or affiliated with Christianity in some way. 3. In this regard, Rosemary Foot (2000) and Ann Kent (1999) provide representative studies from an international relations perspective. Foot (2000) explores the process of the diffusion of the interna- tional human rights norm in China and the importance of the notion of “global community” to China. Kent (1999) investigates China’s gradual socialization into the international human rights regime. 4. Also see Oakes’ (1995) discussion of “internal colonialism” and Schein’s (1997) discussion of “internal orientalism” in a Chinese context. 5. The main focus is on the interaction between international Christian agencies and ethnic communities in China, although the study also takes into account the importance of the Chinese central and local governments when and where appropriate. During the Maoist era, the Chinese central and local governments were deeply enmeshed in ethnic communities, a fact that has left an indelible mark on the col- lective consciousness within the communities.
    [Show full text]
  • Angela M. Ross
    The Princess Production: Locating Pocahontas in Time and Place Item Type text; Electronic Dissertation Authors Ross, Angela Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 02/10/2021 20:51:52 Link to Item http://hdl.handle.net/10150/194511 THE PRINCESS PRODUCTION: LOCATING POCAHONTAS IN TIME AND PLACE by Angela M. Ross ________________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2008 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Angela Ross entitled The Princess Production: Locating Pocahontas in Time and Place and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: 11/03/2008 Susan White _______________________________________________________________________ Date: 11/03/2008 Laura Briggs _______________________________________________________________________ Date: 11/03/2008 Franci Washburn Final approval
    [Show full text]