I Used to Be Very Lost, Just Wanting to Work for Money and Fame

Total Page:16

File Type:pdf, Size:1020Kb

I Used to Be Very Lost, Just Wanting to Work for Money and Fame I used to be very lost, just wanting to work for money and fame Ethan Juan 20 timeout.com.hk Facing paradise Acclaimed Taiwanese director Doze Niu and Golden Horse-winning actor Ethan Juan tell Arthur Tam about sensitive new period drama Paradise in Service and why the history of their motherland still resonates so strongly. Portraits by Calvin Sit hina and Taiwan’s relationship together last year. But their most has never been an easy topic. notable collaboration remains The two nations share a bitter the 2010 hit Monga, which was Chistory, borne from their split after Taiwan’s submission for the 83rd the Chinese Civil War. After the Academy Awards and nabbed breakup, which saw the People’s Juan the title of Best Actor at the Republic of China established on the prestigious Taiwanese Golden Mainland, families were torn apart Horse Awards for his portrayal of – with some members escaping to Monk – an intense, yet-kindhearted Taiwan and others left in the newly and sexually confused gangster. formed communist state, never to see Juan has been immensely popular each other again. ever since, after breaking out from Acclaimed Taiwanese director overly saccharine idol TV dramas Doze Niu Chen-zer approaches and moving into more challenging this complex and ever-pertinent big screen characters. The tall, part of history in his new period charming and handsome 31-year- drama Paradise in Service, which old has already got two more films opened this year’s Busan Film slated to be released early next year. Festival in South Korea. The movie Paradise in Service is the duo’s is set after the First Taiwan Strait biggest budget film to date, with Crisis of 1954 and 1955 on the a whopping US$8.3million behind island of Quemoy (more commonly it. There were concerns for the known now as Kinmen), a part of movie when Niu was indicted on Taiwan that lies just off the coast charges of smuggling Mainland of southern China and is used as cinematographer, Cao Yu, into a strategic military base due to its Kinmen – Taiwan has strict policies ideal location. forbidding Chinese nationals on Throughout the film, Niu touches to sensitive military land – and on the tragedy and difficulty of whether the director is completely the times with a romantic, delicate out of hot water is yet to be seen. and sensitive perspective layered But luckily this incident hasn’t on top of a beautifully nostalgic affected the release of the film. and colourful setting. The film Time Out Hong Kong chats with follows the story of young, innocent both the director and his lead star virgin Lo Pao-tai, played by Ethan about the meaning behind the movie Juan, who arrives on the island one and how they’ve come to appreciate summer for a three-year conscription the history of their native land. to the famous Sea Dragons – a tough amphibious training battalion (Juan ETHAN JUAN worked out specifically for this part, exemplified by several semi-naked, Nice to meet you Ethan. Tell us sweat-drenched scenes on the beach). about your new role as Li Pao-tai... However, Lo has a problem – he Xiao Pao is like an eye. He’s just can’t swim. So, instead, he is sent like you and me. When we see all to manage a state-run brothel and, that’s happening, it’s through my in doing so, he discovers that the character’s eyes. Pao is faced with island is anything but a paradise, many choices. In some of these and is filled with deeply troubled choices, he feels like he’s made the characters. The film stars a mixed wrong decision, and can’t make cast of notable Mainland and up for them. Within his three Taiwanese actors, including Chen years of his service, he went from Jiabien, Wan Qian and Ivy Chen. a pure-souled, virgin boy to a This is the fourth time that Niu smooth-talking, gambling, smoking and Juan have worked together – man with lots of indiscretions. Life they are the Taiwanese Scorsese brings us such changes. Eventually and DiCaprio, if you will. The duo someone smacks you in the head worked together on romance flick and wakes you up, and you start to Love in 2012 and then moved on to examine the choices you have made. Doze Niu open a talent management agency And that can be scary. timeout.com.hk 21 will shape who they will eventually Tell us about the controversy over become. Pao felt like he made a smuggling in a cameraman... wrong choice regarding a friend I was wrong and I admit my mistake. that resulted in the loss of two lives. I thought it wasn’t a big deal. We This was the hardest pill for him were just making a movie. All I can to swallow. Sometimes you make a do now is face the consequences. choice even when you feel it is wrong, then spend the rest of your days How come you didn’t play a regretting it and making up for it, but character in this film like you it changes nothing. usually do? It’s a lot of work to direct and act Is this the most serious and at the same time. I’d go mad and important role in your career everyone would hate me. I want to so far? separate myself from that. I just Yes. This is a turning point for me. I want to be a proper director. Plus, used to be very lost, just wanting to some people thought I was greedy work for money and fame. But my to direct [Love] with a sex scene inner self didn’t grow during this involving myself and Shu Qi. I also period. I was confused, just like a don’t want people to be offended by child. I couldn’t handle what was to the way I look [laughs]. Had I played a come after such success. I often made role in this film, I might’ve ruined it. wrong decisions and felt regret, but I couldn’t change anything like my How do you personally resonate character. The story of this movie with this period of history? cleverly strung together the plot and I am of Mainland descent and both my life experiences. Also because of of my parents came over to Taiwan this movie, my soul grew like a seed. in 1949 as soldiers.They had no I feel like I’m looking forward to my way back home. Some of my mum’s future roles without fear. family eventually came over but nobody came from my dad’s. We DOZE NIU never bought land because we were planning to go back. Someone asked Nice to meet you director Niu. my grandfather back then if he’d What inspired you to make this like to purchase a piece of land in film and touch upon such a what is now one of the busiest areas sensitive topic? in Taipei. It was NT$0.50 ($0.13) per It feels like it’s just a story set on the three square metres back then. We island of Kinmen – but the story would’ve been rich now if we bought that the movie conveys happens to it! My dad was often unhappy, angry everybody. I recently realised that even. The only time the members it continues to happen to this day, in my family were truly happy like in the Gaza Strip, where kids was when they reminisced about I know this material are bombed to death. ISIS is always the past, but that wasn’t healthy. looking for another sacrificial lamb. Chiang Kai-shek made a promise There is always discrimination to bring them back home but after is a little dangerous in between different people – always his death, the Mainlanders were prejudice. There are lots of not mourning for him, but instead today’s media market wounds that haven’t healed within mourning a promise that would our people. We speak the same never be fulfilled. This all affected Was this a particularly How were you or your family language, are of the same ethnicity, me. My dad was later diagnosed with challenging role? affected by the historical events are of the same blood, but why ALS. He was bedridden for 20 years, When we trained for our roles, we that this film aims to depict? are we in the state we are in right hooked up to tubes before he passed. placed ourselves on that little island My grandfather was from that era now? By properly understanding I tried to imagine how he lived as a for three months without any contact and I grew up with him and heard the history behind everything, the youngster in Beijing. How much he with our loved ones. We couldn’t go his stories. I would tell him then that chains will unlock and the wounds wanted his mother. How did he end home. In the beginning, the army ‘you’ve just told me the same story will heal. That’s why I insisted on up in Taiwan? Did his unhappiness training was very hard. The trainers five minutes ago, so don’t tell me making this movie. contribute to his illness? I felt sad didn’t treat me like an actor but like again.’ Now, I understand why he for the life he led. He wasn’t the only a soldier. If I didn’t do as I was told missed his home so much and why he Are you worried that this film one – there were thousands upon there would be consequences like wanted to tell me so much about it.
Recommended publications
  • On TAIPEI JAN21 DEC20 Vol
    Centered Vol. 21 | 04 DEC20 on TAIPEI JAN21 A publication of the Community Services Center 2021 SPRING & SUMMER ACTIVITIES CATALOG INSIDE Dec 20 cover.indd 1 2020/11/25 上午7:41 Dec 20 cover.indd 2 2020/11/25 上午7:41 CONTENTS December 2020/January 2021 volume 21 issue 4 CSC COMMUNITY From the Editors 5 The Community Services Center’s Auction Highlights 9 December 2020/ January 2021 Center Gallery 6 The Red Room’s 11th Anniversary: Artists Break the Pause 11 December Activities Highlights 7 How To Become A Red Roomer 11 CSC Business Classified 33 OUTLOOK Loneliness: An Opportunity to Grow 14 Why Do Organizations Need More Trained Facilitators? 22 Recognizing Ourselves In Each Other 24 The Homeless 26 Publisher Community Services Center, Taipei Editor Suzan Babcock Christmas in Wulai X 27 Co-editor Richard Saunders Advertising Manager Naomi Kaly Magazine Email [email protected] Tel 02-2836-8134 SUPPLEMENT Fax 02-2835-2530 2021 Spring & Summer Activities 17 Community Services Center Editorial Panel Siew Kang, Fred Voigtmann Printed by Farn Mei Printing Co., Ltd. 1F, No. 102, Hou Kang Street, Shilin POETRY District, Taipei Tel: 02-2882-6748 Fax: 02-2882-6749 A Child’s Christmas Elsewhere 21 E-mail: [email protected] Centered on Taipei is a publication of the Community Services Center, ART 25, Lane 290, Zhongshan N. Rd., Sec. 6, Tianmu, Taipei, Taiwan The Living Art of Bonsai 28 Tel: 02-2836-8134 fax: 02-2835-2530 e-mail: [email protected] FOOD Correspondence may be sent to the editor at coteditor@ The Lab, French Bistro 30 communitycenter.org.tw.
    [Show full text]
  • Qaeda Expandspage 17
    Creating One person Spain beat beautiful commits France to artworks suicide every go 4-0 at from paper4 40 seconds35 World43 Cup Max 48º Min 28º FREE www.kuwaittimes.net NO: 16276- Friday, September 5, 2014 MUMBAI: Indians take snap- shots outside the Taj Mahal hotel yesterday. The hotel was one of the targets of the 2008 terror attacks by a small group of Pakistani militants. At least three Indian states with large Muslim populations have been put on alert in the wake of a video release where the leader of Al- Qaeda says the terrorist group has expanded into India. — AP India on alert; Qaeda expands Page 17 Local FRIDAY, SEPTEMBER 5, 2014 Scribbler’s Notebook Local Spotlight The value Greed of private schools of merit By Muna Al-Fuzai By Jamie Etheridge [email protected] don’t have a better name to call this sudden and unjus- price of school uniforms as well. Some parents also said [email protected] tified increase in fees and requests of private schools that schools collect the full school fees at once and Ihere in Kuwait, but total greediness. Personally, I don’t upfront. believe in the efficacy of education in Kuwait, public or Maybe these schools think they are offering better edu- professor at university once told me that the private. The only difference between the two is that with cation materials and educational environment, so they greatest problem facing the Middle East the latter, you pay more money for no good or obvious need more money. But if the MoE sees this as breaking Awasn’t lack of democracy, corruption, poor reason.
    [Show full text]
  • Warriors As the Feminised Other
    Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle.
    [Show full text]
  • ALSO LIKE LIFE: the FILMS of HOU HSIAO-HSIEN New Addition: Hou Hsiao-Hsien in Conversation at BFI Southbank – Monday 14 September
    ALSO LIKE LIFE: THE FILMS OF HOU HSIAO-HSIEN New addition: Hou Hsiao-Hsien In Conversation at BFI Southbank – Monday 14 September Thursday 13 August 2015, London The BFI is delighted to announce that one of the leading figures of the Taiwanese New Wave Hou Hsiao-Hsien, whose latest film The Assassin won Best Director at this year’s Cannes Film Festival, will make a very rare visit to the UK to take part in an In Conversation event at BFI Southbank. The event, which takes place on Monday 14 September, is part of Also Life Life: The Films of Hou Hsiao- Hsien, a major retrospective celebrating Hou’s work, which takes place from 2 Sept – 6 Oct 2015 at BFI Southbank. Hou-Hsiao-Hsien has helped put Taiwanese cinema on the international map with work that explores the island’s rapidly changing present as well as its turbulent, often bloody past, and is one of the best examples in world cinema of a director who found his own distinctive style and voice while working on the job. The season will kick off with Cute Girl (1980), Cheerful Wind (1981) and The Green Green Grass of Home (1982), all starring Hong Kong pop star Kenny Bee; these early films offer a mixture of comedy and romance and begin to show Hou’s interest in Taiwan’s regional differences, a key theme of his later films. Hou’s other early films such as The Sandwich Man (1983) and The Boys from Fengkuei (1983) dramatised engaging life stories – including his own in The Time to Live and the Time to Die (1985).
    [Show full text]
  • THANK YOU for Supporting the C010 Taiwanese FILM Festival
    TAIWANESE TES AR HEEAR M 眼淚 WEN- TANG CHENG 鄭文堂, 110 MINUTES, 2009 聽說 FEN-FEN CHENG 鄭芬芬, 110 MINUTES, 2009 CAST: CHEN-NAN TSAI 蔡振南, ENNO CHENG 鄭宜農, SERENA FANG 房思瑜, JIAN- CAST: EDDIE PENG 彭于晏, IVY CHEN 陳意涵,EL MICH L E CHEN 陳妍希, LIN MEI XIU F ILM WEI HUANG 黃健瑋 林美秀, LUO BEI AN 羅北安 TE ARS: THEY ARE THE APPRECIATION OF LIFE, L OVE AND DREAMS ARE BOTH AMAZING THINGS THAT SIGNIFYING THE ACCEPTANCE OF MISTAKES. YOU DON’T NEED TO HEAR, LISTEN, NOR HAVE THEM TRANSLATED IN ORDER TO FEEL THEM. The veteran detective Kuo buries deep in his heart a secret steeped in bitter regrets—though in twenty years, he has shed not one single tear. In this This story is one that is told through sign language. There are no sketch of ordinary lives, Kuo is the axis around whom the drama spins. A conventional conversations or flirting, no corny pick-up lines, and no sensual picture emerges from the gives and takes of the multitude of characters, whispering. Tian Kuo’s pursuit of Yang Yang’s love takes place in silence, exposing the burdens of one another. The day before Kuo’s 60th birthday, between dramatic hand-signs and emotions expressed purely through FESTIVAL following what appears to be a simple case of drug-use by a female student, facial expressions. The many challenges in the nature of hearing-impaired surfaces the long hidden moral ambiguity. The good and evil in the real world communication, paired with the likeable and sometimes quirky personalities do not wear fairytale costumes.
    [Show full text]
  • Download Press Release
    Press Release Panorama Programme 2012 Now Complete This year’s Panorama is presenting 53 feature films: 18 in the main programme, 15 in Panorama Special and 20 in Panorama Dokumente. A few of the topics explored in them will be examined again in four short supporting films. 33 productions from 37 countries are screening as world premieres. Six fictional films are directorial debuts. There are 12 German productions, and 24 women filmmakers presenting 16 films. 62. Internationale Filmfestspiele Berlin The premiere showings of Panorama’s main programme and Panorama 09. – 19.02.2012 Dokumente will be held at their unusual venues: CinemaxX 7 and Cinestar 7. Press Office Panorama Special will be screening at the Friedrichstadt-Palast and Kino International again, and for the first time also at the Cinestar Event Cinema Potsdamer Straße 5 in the Sony Center. 10785 Berlin Phone +49 · 30 · 259 20 · 707 The most important organisational change is Panorama’s new admission Fax +49 · 30 · 259 20 · 799 regulations for the accredited press: for all public screenings it is now necessary to get tickets in advance at the ticket counter in the Hyatt. This [email protected] www.berlinale.de change is due to the ever-growing number of international film professionals coming to the Berlinale. In other words, these tickets have been introduced to ensure the press continued access to Panorama’s public screenings. If by chance there are empty seats available right before a film starts, then you may still try using your Berlinale press badge to gain admission. Among the final films to be included in the Panorama is the US indie Cherry with Heather Graham, James Franco and Lili Taylor.
    [Show full text]
  • Hou Hsiao-Hsien E O Cinema De Memórias Fragmentadas 侯 Hou Hsiao-Hsien 孝 E O Cinema De Memórias Fragmentadas 賢
    侯 孝 賢 Hou Hsiao-Hsien e o cinema de memórias fragmentadas 侯 Hou Hsiao-Hsien 孝 e o cinema de memórias fragmentadas 賢 CCBB São Paulo 9 a 26 dez 2010 Rio de Janeiro 14 dez 2010 a 9 jan 2011 Brasília 2 a 16 jan 2011 Figura central do novo cinema taiwanês, Hou Hsiao- -Hsien, nascido na China e criado em Taiwan, iniciou sua carreira como diretor em 1980. Dos primeiros filmes, mais comerciais, passou para os de memórias pessoais e outros sobre a memória de seu país de adoção, consolidando atualmente um estilo visual e narrativo dos mais sofistica- dos da história do cinema. Tais filmes conferiram a Hou Hsiao-Hsien o reconhecimento da crítica e das curadorias de importantes festivais e vêm, desta forma, consagrando o cineasta como um dos maiores mestres da cinematografia mundial contemporânea. Ao realizar Hou Hsiao-Hsien e o cinema de memórias fragmentadas, o Centro Cultural Banco do Brasil reconhece a importância deste cineasta e proporciona ao público de São Paulo, do Rio de Janeiro e de Brasília a oportunidade de conferir toda a sua filmografia, em retrospectiva que abarca 17 filmes em longa-metragem – todos inéditos no circuito comercial brasileiro –, além do curta-metragem O bonecão do filhinho (Son’s Big Doll / Er zi de da wan’ou), que integra O homem-sanduíche (The Sandwich Man / Er zi de da wan’ou, 1983), um dos filmes-chave na renovação do cinema taiwanês. A mostra constitui uma valiosa oportunidade para os que procuram acompanhar o desenvolvimento do audio- visual contemporâneo e conferir propostas instigantes e de grande apuro estético.
    [Show full text]
  • Product Guide
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
    [Show full text]
  • Taipei Natives Relish Local Flavors Day and Night
    e to Ring in t ! Tim he N ing ew ov Y M ea t r e To 台 北 G g i, e WINTER e th ip e a r 2015 T ! Vol. 02 WINTER 02 Taipei New Year's Eve Countdown Party Moving Toward a Broadcast live on SET Metro Channel Garden City: For information, go online to the Travel.Taipei Website Active Planning of More Farming Taipei Natives Green Spaces Relish Local Flavors Day and Night Virtual Performances and Interactive Installations – Commemorate the Life of Teresa Teng Organizers / Advertisement Co-organizers / Special Thanks / WINTER 2015 Vol. 02 TAIPEI Is Available at 臺北市政府觀光傳播局 南港軟體工業園區 北投溫泉博物館 Department of Information and Tourism, Nangang Software Park Beitou Hot Springs Museum Taipei City Government (02)2655-3093 ext.124 (02)2893-9981 1999 ext. 7564 2F, 19-10, Sanchong Rd., Taipei City 2, Zhongshan Rd., Taipei City 4F, 1, City Hall Rd., Taipei City 臺北美國學校 士林官邸 臺灣桃園國際航空站一 Taipei American School Chiang Kai-shek Shilin Residence Tourist Service Center at Arrival Hall, (02)2873-9900 (02)2883-6340 Taiwan Taoyuan International Airport 800, Sec. 6, Zhongshan N. Rd., Taipei City 60, Fulin Rd., Taipei City ﹣ Terminal I (03)398-2194 國立中正紀念堂 臺北市孔廟 Dayuan District, Taoyuan City National Chiang Kai-shek Memorial Hall Taipei Confucius Temple (02)2343-1100 (02)2592-3924 臺灣桃園國際航空站二 21, Zhongshan S. Rd., Taipei City 275, Dalong St., Taipei City Tourist Service Center at Arrival Hall, Taiwan Taoyuan International Airport 台北當代藝術館 松山文創園區 ﹣ Terminal II Museum of Contemporary Art, Taipei Songshan Cultural and Creative Park (03)398-3341 (02)2552-3720 (02)2765-1388 Dayuan District, Taoyuan City 39, Chang'an W.
    [Show full text]
  • On TAIPEI IES CATALO G INSIDE JAN 2018 DEC 2017 Vol
    Centered Vol. 18 | 04 DEC 2017 on TAIPEI JAN 2018 Our Beautiful Taiwan A publication of the Community Services Center 2018 SPRING & SUMMER ACTIVITIES CATALOG INSIDE Dec cover.indd 1 2017/11/27 下午2:56 T he Great Getaway Dec cover.indd 2 2017/11/26 下午11:46 CONTENTS Dec 2017/Jan 2018 volume 18 issue 4 CSC COMMUNITY From the Editors 5 TAS 9 Events About Town 6 Auction 10 Book Clubs: December 6 Sunshine for Everyone 21 Center December/January Gallery 7 Creating Community through a Tao Tatala 23 Kiddies Korner 8 Taiwan's Indigenous People Build CSC Business Classified 34 International Tribal Relationships 25 AROUND TAIPEI Public Space is for Play 14 Publisher Community Services Center, Taipei Editor Suzan Babcock Co-editor Richard Saunders Advertising Manager Naomi Kaly PROFILE Magazine Email [email protected] Why I Want to do Anne Frank 16 Tel 02-2836-8134 Fax 02-2835-2530 Community Services SUPPLEMENT Center Editorial Panel Siew Kang, Fred Voigtmann 2018 SPRING/SUMMER ACTIVITIES Printed by Farn Mei Printing Co., Ltd. 1F, No. 102, Hou Kang Street, Shilin District, Taipei FOOD & DRINK Tel: 02-2882-6748 Fax: 02-2882-6749 Lutetia – A Special Place to Meet & Eat 27 E-mail: [email protected] The Antipodean 28 Centered on Taipei is a publication of the Community Services Center, 25, Lane 290, Zhongshan N. Rd., Sec. 6, Tianmu, Taipei, Taiwan Tel: 02-2836-8134 OUTLOOK fax: 02-2835-2530 Know Thyself 30 e-mail: [email protected] Correspondence may be sent to the editor at coteditor@ communitycenter.org.tw.
    [Show full text]
  • Notes on Contributors
    NOTES On COnTRIBUTORS Hongwei Bao is Assistant Professor of Media Studies at the University of Nottingham, UK. He has a PhD in Gender and Cultural Studies from the University of Sydney, Australia. His research focuses on gender, sexuality, and media culture in contemporary China. He has published articles in Cultural Studies, Culture Unbound, Interventions, Health, Culture and Society, and Queer Paradigms. Chris Berry is Professor of Film Studies at King’s College London. In the 1980s, he worked for China Film Import and Export Corporation in Beijing, and his academic research is grounded in work on Chinese cinema and other Chinese screen-based media, as well as neighbouring countries. He is the co-author with Mary Farquhar of Cinema and the National: China on Screen; author of Postsocialist Cinema in Post-Mao China; and co-editor of Public Space, Media Space and The New Chinese Documentary Film Movement: For the Public Record. Jenny Chio is Assistant Professor of Anthropology and affiliated fac- ulty member in Film and Media Studies and East Asian Studies at Emory University. Her research projects explore contemporary rural subjectivities and ethnic identities, and she has published on tourism development and migration, rural videography and amateur media, and the politics of cul- tural heritage in Southwest China. She is also an ethnographic filmmaker and, from 2016 to 2018, co-editor of the journal Visual Anthropology Review. © The Author(s) 2017 343 C. Berry, L. Robinson (eds.), Chinese Film Festivals, DOI 10.1057/978-1-137-55016-3 344 NOTes On ConTRibuTORs Dina Iordanova is Professor of Global Cinema and Creative Cultures at the University of St.
    [Show full text]
  • The Numbers Game: Hongkongers Have Sex 3.9 Times a Month
    IT'S FREE! NO. 1 1 4 9 HK MAGAZINE FRIDAY, JUNE 10, 2016 HK-MAGAZINE.COM The Numbers Game: Hongkongers have sex 3.9 times a month 01 Cover Jun 2.indd 1 8/6/2016 2:44 PM YellowRiver_HKMagCombinedAd_265x158 copy.pdf 1 8/6/2016 14:15 C M Y CM MY CY CMY K 17 HK Ads Jun 2.indd 2 8/6/2016 6:47 PM 誰與箏鋒 HK Mag ad.indd 1 8/6/16 6:11 PM P 3 COVER STORY Hong Kong in juicy little stats 08 12 16 EURO 2016 HEALTH & BEAUTY Where to catch the Look good in time games—and how for summer—wait, to stay awake it’s already summer 18 20 TECH DINING Order wine straight Book dad the to the beach—from perfect Father’s your phone?! Day steak 41 FIRST PERSON 42 GIVEAWAYS Property heir Win a two-night suite Adrian Cheng on staycation at the mixing art with Madera Hollywood! business Who’s in charge? Hong Kong, Cream Yourself Editor-in-Chief Luisa Tam International cosmetics brand Lancôme made the news when it dropped local pro-democracy Senior Editor Adam White singer Denise Ho, aka HOCC, from a brand promotion concert in the city following protests and Features Editor Leslie Yeh Digital Editor Justin Heifetz a threatened product boycott from mainland netizens. This has in turn sparked protests and Film Editor Evelyn Lok threats of a boycott in Hong Kong. Amid the controversy we see an opportunity for the perfect Custom Publishing Editor Xavier Ng Hong Kong beauty line—in stores this week! Assistant Chinese Editor Sophia Lam Reporter Stephanie Tsui Staff Writer Jessica Wei Super SAR Serum The People’s Placenta Contributor Kate Lok This refi ned blend uplifts and revitalizes your loyalty to the Placenta pills are all the rage these days, because they are said Contributing Photographer Kirk Kenny powers that be, cutting away unsightly idealism.
    [Show full text]