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Delhi on the Second Consecu- “Seriously Damaging Impact” Imise Extremist Activism,” the December 7, Awards Will Be Tive Day
( B2 $ A # '% C % C C VRGR '%&((!1#VCEB R BP A"'!#$#1!$"#0$"T utqBVQWBuxy( 35&63% ., 2$1213 42 , 5$2 /6 A $/4O2"EE H-2-5587"E/824/5-7&E-2&/4 &4$&-"-2-8E9 $"71&780?4/6 1/A-718-4"E6-5 6&21-5"5E /&E5-"72&"E/54/6 584E&4E22,> 5-401&5-&A85 01-4$&3-51 $"15-$84 19$"5--$ &G-96-$- D7 0 $2+>334 ++: D-E " #- 7 ) " 0 1-1- ! 1/ R R R ! " ( ! 4"6$"71& soon. In the meeting tomorrow our main agenda will be to he farmers on Friday called know if the Government is Tfor “Bharat Bandh” on rolling back laws or not. The December 8 to mark their protests are going on country- authorities to highlight our protest against the new farm wide against the law, even in # # # concerns.” laws if their talks with the Andhra Pradesh and Telangana Q % & R The External Affairs Centre fail. Thousands of farm- and this protest is just not lim- Ministry said these comments ers remained at the national ited to northern States but have encouraged gatherings of Capital’s border points amid across the country,” said '() “extremist activities” in front of heavy police deployment. Ranjeet Singh Raju from our High Commission and “The Government has to Rajasthan. 4"6$"71& Consulates in Canada that raise revoke these laws in a meeting Farmers from western issues of safety and security. scheduled for December 5, Uttar Pradesh and Uttarakhand tepping up its protest against “We expect the Canadian otherwise we have decided to stayed put at Ghazipur border SCanadian Prime Minister Government to ensure the give ‘Bharat bandh’ call on (UP Gate) to mark their Justin Trudeau’s remarks about fullest security of Indian December 8 and we will also protest. -
The Communicator April 2019 the Student Newspaper of Bronx Community College Issue 3, Winter 2019
The Communicator April 2019 The Student Newspaper of Bronx Community College Issue 3, Winter 2019 An Insider’s Guide to Casting By Keith Burrus (Media and Digital Film Production), President, Media and Digital Film Club On Thursday, February 28th The Media and Digital Film Club (MDFC) produced our 10th episode of the OPEN DOORS live web-cast. During the show, film students learned how film & television shows are cast. This episode of Open Doors brought you behind the scenes, long before the cameras are rolling, for an inside look at how professional films and television shows are cast. How has technology changed the way projects are cast? What is SAG-AFTRA? How does a film student find background for a nonunion film or television? Are there non-union casting networks? Why should film students hire professional actors versus friends/family? All these questions and more were answered by professional casting agents. The series, videotaped before a live studio audience in the BCC TV Studio, is produced entirely by student members of the BCC Media and Digital Film Club. The show, which live-streams and is archived on the NYFTSA YouTube channel, was created in 2016 to give film students around the state invaluable film industry access and advice. The show featured three guests from three different casting agencies. Professor Jeffrey Wisotsky, Faculty Advisor for the MDFC Club, served as moderator for the show. Allison Hall worked as a print booking agent in South Florida for (From left to right) Professor Jeffrey Wisotsky; Allison Hall, Casting Director at five years at Boca Talent and Modeling Agency. -
The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television. -
2020 Emmy Nominees for Main Title Design, Music
2020 Emmy Nominees for Main Title Design, Music 07.30.2020 In the so-called Golden Age of television, main titles elevated into an art form all their own, with the opening sequences for shows such as Mad Men, The Sopranos and Game of Thrones all becoming iconic in their own right. Today, it's important for shows to have distinctive main titles as they work to grab notice in a very crowded TV landscape. In 2020, the TV Academy nominated seven opening title sequences for outstanding main title design-with four of them created by agency Elastic-and another six for outstanding main title theme music. The sequences, where available, are below. And the nominees for outstanding main title design are: Outstanding Main Title Design Netflix's Abstract: The Art Of Design A RadicalMedia Production in association with Tremolo Productions & Godfrey Dadich Partners Below is the opening title sequence for the first episode of season two, which aired in 2019. This series, which premiered in 2017, offers a different sequence for each episode and each of these sequences is in the style of the designer featured in the episode. Creative Director: Allie Fisher Animator/Director: Anthony Zazzi Amazon Prime Video's Carnival Row Produced by Legendary Pictures TV and Amazon Studios This fantastical main-title sequence perfectly captures the vibe of this series, about a world in which magical creatures cohabitate with human beings, although not without strife. RELATED: Fantastical Creatures Populate Amazon's 'Carnival Row' Agency: Elastic Creative Director: Lisa Bolan Art Director: Henry DeLeon, Mert Kizilay Designer: Kaya Thomas Animator/Compositor: Yongsub Song Animator: Alex Silver Epix's Godfather Of Harlem Produced by ABC Signature Studios This sequence takes viewers on a mixed-media tour through Harlem scored with uplifting choral music. -
03 July 2021 February: Week 9 W/C 21/02/2021
Release Date: 24 February 2021 TVNZ 1 & TVNZ 2 Schedule February 2021 - 03 July 2021 February: Week 9 w/c 21/02/2021 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 21/02/2021 22/02/2021 23/02/2021 24/02/2021 25/02/2021 26/02/2021 27/02/2021 06:00 Non Non Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Breakfast Early Preschool Te Karere Preschool 06:00 Commercial Commercial Commercial Commercial Commercial Commercial Commercial Commercial Free Free Free Free Free Free $1,050 $1,050 $1,050 $1,050 $1,050 $250 06:30 Breakfast 1 Breakfast 1 Breakfast 1 Breakfast 1 Breakfast 1 Hyundai 06:30 Country Calendar $1,750 - $1,750 - $1,750 - $1,750 - $1,750 - $600 - 07:00 Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Breakfast 2 Ranger Rob Following Twain The Amazing 07:00 With Oscar World of Kightley Gumball $350 $350 $350 $350 $350 $600 $600 07:30 Miraculous Miraculous Miraculous Miraculous Miraculous Infomercial Dragon Ball 07:30 Super $2,700 $350 $2,700 $350 $2,700 $350 $2,700 $350 $2,700 $350 $250 $600 08:00 Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Breakfast 3 Preschool Infomercial Bakugan: Battle 08:00 Commercial Commercial Commercial Commercial Commercial Planet Free Free Free Free Free - - - - - $250 $600 08:30 Faith In Action Pokemon 08:30 $1,800 $1,800 $1,800 $1,800 $1,800 $250 $600 09:00 Ellen Infomercial Ellen Infomercial Ellen Infomercial Ellen Infomercial Ellen Infomercial Eat, -
Doctor Doctor Whyhope
MUDGEE DOCTOR DOCTOR WHYHOPE 4 DAY TOUR Departing: Tuesday 13 August 2019 Returning: Friday 16 August 2019 TOUR COST: $895.00 per person Twin/Double Share $1100.00 Sole Occupancy Please call the office for Direct Deposit details PICK UP TIMES: 7.10am Crawford Street, Queanbeyan 7.50am West Row Bus Stop, City 7.30am Bay 3, Woden Bus Interchange 8.00am Riggall Place, Lyneham The fictional town of Whyhope is home to the ‘Doctor Doctor’ TV series, filmed in part in Mudgee. Our tour will take in some of the famous landmarks as we explore this colonial and charming town and region. Day 1 (LD): CANBERRA TO MUDGEE: Tuesday 13 August Be warmly greeted as we load our luggage onto the Potter Travel coach and settle into our seats. The Doctor Doctor series is now in its third season and has become popular with Australian, and overseas, audiences. Heading to Camden, we are in the vicinity of Denbigh House, the property used as the family home of the ‘Knight family’. Unfortunately, the homestead cannot be seen from the street but we will get a sense of where it was filmed and the cast often stayed in Camden. We have lunch at Camden Park House, the country mansion of John & Elizabeth Macarthur. The property possesses a grand colonnade verandah and is home to Australia's oldest oak tree grown from an acorn given to John Macarthur at Buckingham Palace! The surrounding 30 ha of garden represent a fine and rare surviving example of an early 19th century garden, albeit with later additions and alterations. -
Raquel Cassidy
www.hamiltonhodell.co.uk Raquel Cassidy Talent Representation Telephone Christopher Farrar +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company THE GOOD KARMA HOSPITAL Frankie Phil John/Nimmer Rashed Tiger Aspect/ITV STRANGERS Rachel Paul Andrew Williams Two Brothers Pictures/ITV W1A Tamsin Gould John Morton BBC SILENT WITNESS Dr Eva Vazquez Dudi Appleton BBC THE HELLENES Bouboulina Van Ling Phaedra Films THE WORST WITCH 1-4 Hecate Hardbroom Various CBBC DOWNTON ABBEY Series 4, 5 & 6 Winner of the Outstanding Performance by an Ensemble in a Drama Series Award, Screen Actors Guild (SAG) Awards, 2016 Baxter Various Carnival/ITV Winner of the Outstanding Performance by an Ensemble in a Drama Series Award, Screen Actors Guild (SAG) Awards, 2015 HALF TIME (Pilot) Lucy Nick Walker Top Dog Productions MID MORNING MATTERS WITH ALAN PARTRIDGE Series 2 Hayley Rob Gibbons/Neil Gibbons Baby Cow/Fosters UNCLE Series 2 & 3 Teresa Oliver Refson Baby Cow/BBC VERA Series 5 Gloria Edwards Will Sinclair ITV JONATHAN CREEK Sharon David Renwick BBC LAW AND ORDER: UK Series 7 Lydia Smythson Joss Agnew Kudos/ITV LE GRAND Pauline Langlois Charlotte Sieling Atlantique Productions HEADING OUT Sabine Natalie Bailey BBC2 A TOUCH OF CLOTH Clare Hawkchurch Jim O'Hanlan Zeppotron Ltd MIDSOMER MURDERS Series 15: THE DARK RIDER Diana DeQuetteville Alex Pillai Bentley Productions HUSTLE Series 8 Dana Deville Roger Goldby Kudos DCI BANKS Dr. Waring Bill Anderson Left Bank Pictures teamWorx Television & Film THE OTHER CHILD D.I. -
Boardwalk Empire
BOARDWALK EMPIRE "Pilot" Written by Terence Winter FIRST DRAFT April 16, 2008 EXT. ATLANTIC OCEAN - NIGHT With a buoy softly clanging in the distance, a 90-foot fishing schooner, the Tomoka, rocks lazily on the open ocean, waves gently lapping at its hull. ON DECK BILL MCCOY, pensive, 40, checks his pocket watch, then spits tobacco juice as he peers into the darkness. In the distance, WE SEE flickering lights, then HEAR the rumble of motorboats approaching, twenty in all. Their engines idle as the first pulls up and moors alongside. BILL MCCOY (calling down) Sittin' goddarnn duck out here. DANNY MURDOCH, tough, 30s, looks up from the motorboat, where he's accompanied by a YOUNG HOOD, 18. MURDOCH So move it then, c'mon. ON DECK McCoy yankS a canvas tarp off a mountainous stack of netted cargo -- hundreds of crates marked 'Canadian Club Whiskey·. With workmanlike precision, he and .. three CREWMAN hoist the first load of two dozen crates up and over the side, lowering it down on a pulley. As the net reaches the motorboat: MURDOCH (CONT'D) (to the Young Hood) Liquid gold, boyo. They finish setting the load in place, then Murdoch guns the motorboat and heads off. Another boat putters in to take his slot as the next cargo net is lowered. TRACK WITH MURDOCH'S MOTORBOAT as it heads inland through the darkness over the water. Slowly, a KINGDOM OF LIGHTS appears on the horizon, with grand hotels, massive neon signs, carnival rides and giant lighted piers lining its shore. As we draw closer, WE HEAR faint music which grows louder and LOUDER -- circus calliope mixed with raucous Dixieland jazz. -
AGE NO. TITLE ACTORS 12 6140 2012 J.Cusack/A.Peet/T.Newton 12
AGE NO. TITLE ACTORS 12 6140 2012 J.Cusack/A.Peet/T.Newton 12 7072 Insurgent S.Woodley/K.Winslet/T.James U 6575 Monster in Paris 15 7102 "71 J.O'Connell 12 5025 10 Things I Hate about You 12 5025 10 Things I Hate about You 12 6713 10 Years -The Reunion- L.Collins/R.Dawson/J.Dewan-Tatum/B.Geraghty 12 5907 10.000 BC S.Strait/C.Belle/C.Curtis U 6336 101 Dalmatians II -Disney- 15 6997 12 Years a Slave C.Ejiofor/M.Fassbender/B.Cumberbatch 15 6383 127 Hours J.Franco/A.Tamblyn/K.Mara 12 5195 13 Going on 30 15 7112 13 Minutes (Elser) C.Friedel/K.Schütter/B.Klausner/J.Von Bülow Oliver Hirschbiegel 15 5011 13th Warrior 15 5799 1408 -S.King- J.Cusack/S.L.Jackson 12 5570 16 Blocks 12 6027 17 Again Z.Efron/L.Mann/T.Lennon/M.Trachtenberg 15 6641 2 Days in New York J.Delpy/C.Rock 12 6965 20 Feet From Stardom U 5188 20.000 Leagues under the Sea -Jules Verne- 15 6735 21 Days:The Eineken Kidnapping R.Hauer 15 6621 21 Jump Street J.Hill/C.Tatum 12 5848 27 Dressed K.Heigl/J.MarsdonM.Akerman 18 5070 28 Days Later 15 6850 2Guns D.Washington/M.Wahlberg 12 7020 3 Days to Kill K.Costner/A.Heard/H.Steinfeld 15 5812 3:10 too Yuma R.Crowe/C.Bale 15 6646 388 Arletta Avenue N.Stahl/M.Kirsher 15 6238 4.3.2.1 E.Roberts/T.Egerton/O.Lovibond/S.Warren-Markland 12 6942 42 -the True Story of a Sprots Legend C.Boseman/H.Ford 15 6429 5 Days of War R.Friend/E.Chirqui/V.Kilmer/A.Garcia 15 6537 50/50 J.Gordon-Levitt/S.Rogen/B.Dallas Howard/A.Kendrick 12 6099 500 Days of Summer J.Gordon-Levitt/Z.Deschanel 15 5075 8 Mile 15 6796 A Good Day to Die Hard B.Willis/J.Courtney/S.Koch -
Domestic Violence Against Women in India: a Case Study
DOMESTIC VIOLENCE AGAINST WOMEN IN INDIA: A CASE STUDY ABSTRACT OF THE /^C THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF fioctor of $I)ilDs;opl)p •^ ^'^ IN (, POLITICAL SCIENCE BY RAHAT ZAMANI Under the Supervision of Dr. Rachana Kanshal DEPARTMENT OF POLITICAL SCIENCE ALJGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2009 ABSTRACT Today human beings live in the so-called civilized and democratic society that is based on the principles of equality and freedom for all. It automatically results into the non-acceptance of gender discrimination in principle. Therefore, various International Human Rights norms are in place that insist on the elimination of all forms of discrimination against women and advocate equal rights for women. Womens' year, women decade etc. are observed that led to the creation of mass awareness and sensitization of people about rights of women. Many steps are taken by the government in the form of various policies and programmes to promote the status of women and to realize women's rights. But despite all the efforts, the basic issue that threatens and endangers the very existence of women is the issue of domestic violence against women. John Stuart Mill put it into his book 'the subjection of women' in 1869 that, 'marriage should be thought of as a partnership of equals analogous to a business partnership and the family not a school of despotism but the real school of the virtues of freedom'. Contrary to this women who constitute about half of the world's population are the worst victim of violence and exploitation within home. -
Oxford Lecture 1 - Final Master
OXFORD LECTURE 1 - FINAL MASTER HOW TO GROW A CREATIVE BUSINESS BY ACCIDENT The legendarily bullish film director Alan Parker once adapted Shaw's famous dictum about the academic profession - "those who can, do. Those who can't teach." So far so familiar. And to many in this room, no doubt, so annoying. But he went on: "those who can't teach, teach gym. And those who can't teach gym, teach at film school." I appreciate that Oxford is not a film school, though it has a more distinguished record than any film school for supplying the talent that has fuelled the British film and TV industries for almost a century - on and off camera. Writers like Richard Curtis, who brought us 4 Weddings and a Funeral, Love Actually, The Vicar of Dibley and Blackadder; or The Full Monty and Slumdog Millionaire scribe Simon Beaufoy; directors of the diversity of Looking for Eric's Ken Loach and 24 Hour Party People's Michael Winterbottom; writer/directors like Monty Python's Terry Jones and the Thick of It's Armando Iannucci; actors and performers ranging from Hugh Grant to Rowan Atkinson; and broadcasting luminaries like the BBC's Director General Mark Thompson and News International's very own Rupert Murdoch. So, Oxford has been a pretty efficient film and TV school, without even trying. And perhaps that is Parker's point. Can what passes for creativity in film and TV ever really be taught? But here in my capacity as News International Visiting Professor of Broadcast Media (or if you prefer an acronym, NIVPOB - the final M is silent) I may be even further down Parker's food chain. -
Scrublands Chris Hammer
AUGUST 2018 Scrublands Chris Hammer Set in a fictional Riverina town at the height of a devastating drought, Scrublands is one of the most powerful, compelling and original crime novels to be written in Australia. Sales points • Set to be one of the biggest debuts of 2018 • A riveting and stunning addition to a burgeoning genre - the Small-Town Secrets Crime Thriller • A brilliant mix of page-turning plot, unforgettable characters, and an evocation of the Australian landscape that makes you feel the heat and taste the dust. • Major marketing campaign and big author tour • CATEGORY: Crime fiction Description In an isolated country town brought to its knees by endless drought, a charismatic and dedicated young priest calmly opens fire on his congregation, killing five parishioners before being shot dead himself. A year later, troubled journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals about the priest and incidents leading up to the shooting don't fit with the accepted version of events his own newspaper reported in an award-winning investigation. Martin can't ignore his doubts, nor the urgings of some locals to unearth the real reason behind the priest's deadly rampage. Just as Martin believes he is making headway, a shocking new development rocks the town, which becomes the biggest story in Australia. The media descends on Riversend and Martin is now the one in the spotlight. His reasons for investigating the shooting have suddenly become very personal. Wrestling with his own demons, Martin finds himself risking everything to discover a truth that becomes darker and more complex with every twist.