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Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
The Crimes That Rhyme Tom Clark
cPoetry ando Poetics r Review d i t ISSNe 1328-2107 poems by domonique grandmont seamus heaney dorothy hewett mtc cronin rod mengham js harry john tranter eric beach michael farrell john mateer zan ross arthur spyrou hugh tolhurst eugenio montejo james lucas michael heald alain bosquet luke davies nicolae prelipceanu trevor poulton joseph zaresky reviews by mark o’flynn dorothy hewett kathielyn job mtc cronin translations by ian patterson peter boyle the crimes rae sexton intereview that rhyme $ peter minter and philip salom 5 page 2 cordite Nº 2 contents PHILIP SALOM and Peter Minter CATH BARCAN intereview woman with gun front cover Philip Salom THE ROME AIR NAKED summer holidays, and I seemed to be doing the same thing, when in fact we were, and still are, very much a couple who man with beer back cover Penguin 1996, 134pp, $18.95. ISBN 0 14 058773 feel inseparable. And so on. Under these circumstances, ear and shell 6 n the July issue of the AUSTRALIAN BOOK REVIEW, given also that my previous year had been utterly disruptive, man and woman 23 Philip Salom writes about TH E RO M E AI R NA K E D I was ripe for writing. All the merging and blurring filled me. and his affinity for poetry which is both emotionally ERIC BEACH I I’m not sure if the concurrent poems, for example, would and sensually honest. Having recently won the looking back on th sixties 3 have happened, otherwise; everything led to that kind of Newcastle Poetry Prize with a moving and complex outbreak. -
THE WOOING of CHOICE: Prosimetric Reconstruction of the Female Journey in Irish Mythology
THE WOOING OF CHOICE: Prosimetric Reconstruction of the Female Journey in Irish mythology by Roxanne Bodsworth 2020 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy, Institute of Sustainable Industries and Liveable Cities, Victoria University. i Abstract: In “The Wooing of Choice: prosimetric reconstruction of the female journey in Irish mythology”, I examine the representation of female characters in Irish mythological tales where the woman chooses her lover in contravention of social expectations. In the traditional versions, the woman recedes into the background as the narrative develops around the male hero. I ask what happens to the discourse of the narrative when it is subverted so that the focus is placed upon the female experience. This is explored through a creative component, called ‘Meet Me in My World’, a prosimetric reconstruction of three Irish tales in which the woman chooses her lover and compels him to follow her. The three tales are: Aislinge Óengusso (The Dream of Óengus); Tóruigheacht Dhiarmada agus Ghráinne (The Pursuit of Diarmaid and Gráinne); and Longes mac nUislenn (The Exile of the Sons of Uisliu). The exegetical component, comprising 50% of the thesis, is composed of two sections. In the first, I examine theories of feminist writing and remythologizing, and develop a new model for feminist reconstruction, which I apply to the creative product. In the second section, I explore the relationship between narrative and poetry, from medieval prosimetric translations to contemporary hybrid texts, and consider which form provides the best framework for my female-centred narrative and the verse. -
Elizabeth Jolley: a Bibliography—1965-2007
Elizabeth Jolley: A Bibliography—1965-2007 The John Curtin Prime Ministerial Library Elizabeth Jolley Research Collection Compiled by Barbara Milech and Brian Dibble Curtin University Library, Curtin University of Technology ABBREVIATIONS Jolley’s published works will be referred throughout this Bibliography by italicised uppercase initials as follows: Five Acre Virgin and other stories FAV The Travelling Entertainer and other stories TE Palomino P The Newspaper of Claremont Street NCS Miss Peabody’s Inheritance MP Mr Scobie’s Riddle SR Woman in a Lampshade WL Milk and Honey MH Foxybaby F The Well W The Sugar Mother SM My Father’s Moon MFM Cabin Fever CF Central Mischief CM The Georges’ Wife GW Diary of a Weekend Farmer DWF The Orchard Thieves OT Lovesong L Fellow Passengers FP An Accommodating Spouse AS An Innocent Gentleman IG Learning to Dance LD The authors have used the Modern Language Association’s documentation style in recording materials; the reference is Joseph Gibaldi, MLA Handbook for Writers of Research Papers , 6th ed. (New York: Modern Language Association, 1995). 2 TABLE OF CONTENTS PART 1 : Works by Elizabeth Jolley Novels and Collections of Short Stories and Essays (including translations) Other Published Works Short Stories Separately Published (including extracts from the novels) Reminiscence/Autobiography Essays Occasional Pieces Reviews Radio Plays/Broadcasts of Short Stories and Novels Poetry Ephemera Juvenilia PART 2: Interviews with Elizabeth Jolley Print Interviews Audio Interviews Filmed Interviews Profiles -
Nature Poetry in Australia Is Viewed a Little Like A
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 Gathering points: Australian poetry: a natural selection Phillip Hall University of Wollongong Recommended Citation Hall, Phillip, Gathering points: Australian poetry: a natural selection, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3471 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. gathering points: AUSTRALIAN POETRY: a natural selection Phillip Hall Submitted in fulfilment of the requirements of the Doctor of Creative Arts degree of Wollongong University 2011 1 CONTENTS Section One: Introduction 6 A definition of ‘nature’ 9 Dwelling in nature 12 A definition of ‘nature poetry’ 14 The place of science in nature poetry 18 Romanticism and Australian nature poetry 21 Pastoral and Australian nature poetry 22 Ecocriticism and Australian nature poetry 24 Postcolonialism, place and Australian nature poetry 27 Gathering Points: Australian Poetry: A Natural Selection 30 Section Two: Australian Poetry: A Natural Selection 32 Australian nature poetry of praise 34 RF Brissenden, Les Murray, Robert Adamson and Judith Wright 34 Praise poetry of unlikely living things 38 Praise poetry of rural Australia 41 Praise poetry of nature in urban and suburban Australia 46 Praise poetry for the capacity of regeneration in nature -
Stories Poems Reviews Articles
ESTERLY stories poems reviews articles a quarterly revlcw prtcC two dollar~ regIstered a t gpo perth ror transmIssIon by post as a pertodlca l Ca tegory 'If latest releases THE TRAVELLING MOBILES ENTERTAINER and other stories and other stories PETER COWAN ELIZABETH JOLLEY These tales, or fables, spin and glitter just out of A new collection by the author of Five Acre reach ... one could liken its low-keyed Virgin which marks a real development in her mysteriousness to certain quiet but intricate writing. It is a collection of keen perceptions and musical compositions-say Debussy-that must be great sensitivity, in which her characters are more heard in tranquility and with concentration. overcome by their environment than able to Nancy Keesing, Melbourne Age. overcome it. West Coast Writing 9 West Coast Writing 10 recommended retail price $4.25 recommended retail price $4.50 HOMECOMING THE SILENT PIANO poems by poems by ANDREW LANSDOWN PHILIP SALOM The essential nature of these poems is fragile, Philip Salom displays an impressive command of delicate. There is real intelligence behind these image, his poems are remarkably rich in works, and the poet perceives accurately and observation. They have a regional preciseness, a feels deeply about what he perceives. clear observant dignity, and a certain outreach Homecoming reflects the poet's strong interests that suggests a more metaphysical striving. in Australian flora and fauna, in human West Coast Writing II relationships, and in human spirituality. recommended retail price $4.00 Shoreline Poetry 2 to be published August, 1980 recommended retail price $2.50 available from your local bookseller or Fremantle Arts Centre Press 1 Finnerty Street, Fremantle 6160 write for press catalogue WESTERLY a quarterly review EDITORS: Bruce Bennett and Peter Cowan EDITORIAL ADVISORS: Margot Luke, Susan Kobulniczky, Fay Zwicky Westerly is published quarterly by the English Department, University of Western Australia, with assistance from the Literature Board of the Australia Council and the Western Australian Literary Fund. -
Mine Own Executioner My Study; Doth Not My Calling Call for That? I Have Done Nothing Wilfully, Perversely Toward It, Yet Must Suffer in It, Die by It
a vapour? But when ourselves are the well that breathes out this exhalation, the oven that spits out this fiery smoke, the mine that spews out this suf- focating and strangling damp, who can ever, after this, aggravate his sorrow by this circumstance, that it was his neighbour, his familiar friend, his brother, that destroyed him, and destroyed him with a whispering and a calumniating breath, when we ourselves do it to ourselves by the same means, kill ourselves with our own vapours? Or if these occasions of this self-destruction had any contribution from our own wills, any assistance from our own intentions, nay, from our own errors, we might divide the rebuke, and chide ourselves as much as them. Fevers upon wilful distempers of drink and surfeits, consumptions upon intemperances and licentiousness, madness upon misplacing or overbending our natural faculties, proceed from ourselves, and so as that ourselves are in the plot, and we are not only passive, but active too, to our own destruction. But what have I done, either to breed or to breathe these vapours? They tell me it is my melancholy; did I infuse, did I drink in Mundaring Arts Centre Touring Exhibition 2006 - 2008 melancholy into myself? It is my thoughtfulness; was I not made to think? It is MINE OWN EXECUTIONER my study; doth not my calling call for that? I have done nothing wilfully, perversely toward it, yet must suffer in it, die by it. There are too many examples of men that have been their own executioners, and that have made hard shift to be so: some have always had poison about them, in a hollow ring upon their finger, and some in their pen that they used to write with; some have beat out their brains at the wall of their prison, and some have eat the fire out of their chimneys;[169] and one is said to have come nearer our case than so, to have strangled himself, though his hands were bound, by crushing his throat between his knees. -
Summer Reading Guide
Summer Reading Guide This season’s best books selected by your favourite independent bookseller 2 AUSTRALIAN FICTION ALL OUR SHIMMERING SKIES DOOM CREEK FACTORY 19 Trent Dalton Alan Carter Dennis Glover Trent Dalton took Australia by storm with December Release A satire on past, current and future his debut novel Boy Swallows Universe. Those readers who didn’t discover Alan political ideologies, Factory 19 imagines a Two years later, he has given us All Our Carter’s Marlborough Man on its release in David Walsh–like character transforming Shimmering Skies. There are similarities 2017 will be in for a treat when they read his MONA-ish site in Hobart into a town between the two – both feature the both that award-winning crime novel and straight out of 1948, complete with factory, perspective of a young person, consider life this equally impressive follow-up. Set in economy and society. Why 1948? It was on the margins, and are interwoven with New Zealand’s South Island, Doom Creek the last year it was possible to be fully elements of magical realism. But in his new follows former Geordie policeman Nick human, the eccentric billionaire declares, HarperCollins PB novel, Dalton transports the reader into the Fremantle PB Chester as he and his family, all part of a Black Inc PB a time when we weren’t under the thrall Was $32.99 past (Darwin, 1942), where the fantastical $32.99 witness protection programme, continue Was $32.99 of Bezos, Musk, Zuckerberg and their ilk. Now $26.99 elements of his writing are amplified. -
Download Part 2
6. CONCLUSION …and then – she found herself at last in the beautiful garden, among the bright flowerbeds and the cool fountains (Lewis Carroll ‘Alice’s Adventures in Wonderland) In the introduction to this thesis I suggested that my study of four contemporary Western Australian male artists might enable me to answer, among other things, the following questions: How do these artists interact with a site often so strongly associated with the female and with female histories? Are they drawn to the site by memory or personal need (or both)? What sort of art do they produce as a consequence of interaction with the domestic? Are they concerned that the contemporary art world still tends to marginalise the home/ domestic space as a site for serious art? Further, this investigation would allow me to compare their essentially male attitudes to domestic space(s) with my own. Regardless of the implied specificity of these questions and their relationship to the memory of the historical antagonism between domesticity and modernism, things have changed. The ‘post-modern era shift in attitudes’ to the domestic, as identified by Haar and Reed, is indeed a real condition, and many well known artists, male and female are energising contemporary discourse with the products of their engagement. Figure 36 Rachel Whiteread House 1993 (destroyed) London Figure 37 Cornelia Parker Thirty Pieces of Silver 1988/89 80 Figure 38 Mona Hatoum Homebound 2000 Tate Gallery London 81 Figure 39 Fiona Hall Window of Opportunity 1994 Queenstown Tasmania Figure 40 David Watt from The Virtual Handyman 1998 Art Gallery of South Australia 82 This small sample of contemporary practice is only an indicator of the depth and breadth of the emerging primacy of the domestic condition as a site. -
Born of Fire, Possessed by Darkness: Mysticism and Australian Poetry
Born of Fire, Possessed by Darkness: Mysticism and Australian Poetry by Toby Davidson, BA (Hons) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University June, 2008 Acknowledgements This dissertation was funded by a Commonwealth Government Australian Postgraduate Award (APA). I am particularly indebted to The School of Communication and Creative Arts at Deakin University (Warrnambool and Burwood) for its support, especially my principal supervisor Dr David McCooey and associate supervisors Dr Lyn McCredden and Dr Frances Devlin-Glass. I respectfully thank my markers Prof Amy Hollywood, Prof Peter Steele and Prof Bernadette Brennan for their diligence and feedback. I would also like to gratefully acknowledge Dr Meredith McKinney’s kind permission to cite our correspondence. The inception and development of this project owes much to a dedicated band of friends and associates: Dr John Leonard and Sister Veronica Brady for their receptivity and enthusiasm, Assoc Prof Daniel Brown and Prof Richard Bosworth for their early assistance, Mal McKimmie, Philip Salom and many, many others in the Melbourne and Perth poetry universes for kind words, strong instincts and bold suggestions, Dr Bronwyn Mellor for her editorial guidance, DJs Sasha, Digweed and Dr Simon Willis/Tigga for keeping me upbeat and functional. To all my friends across the country, thanks for knowing I could do it. This dissertation is dedicated to two families: the Davidson family, especially Gary and Barbara Davidson for their commitment to pretty much everything; and the Manypeney family, Frank and Nadia for their hospitality and finally to my partner Amanda, who has had to live this thesis and steady the ship in the various tempests of mystical poetries my mind and body brought home with me. -
The Poetry of Alison Croggon and Rebecca Edwards Introduction
‘A Spirit of Eclecticism’: Critical Engagements with Australia’s Innovative New Nineties Poetries by Debbie M. Comerford BA (JCU), BA Hons. (USQ) Thesis submitted in fulfilment of the requirements of Doctor of Philosophy Department of Humanities & International Studies University of Southern Queensland January 2008 ABSTRACT In the 1990s Australia’s poetry milieu was enlivened by the emergence of a number of new poets and their poetry. This study groups these poets together under the title of ‘new nineties poets and poetries’. For the purposes of this study ‘new nineties poets and poetries’ refers to poetry written for the page by poets who published their first collection between 1990 and 2000 and who continue to write into the twenty-first century. New nineties poets and their poetry are not a new ‘movement’ or ‘school’ of poets; the poetry is characterised by diverse forms, styles, approaches and practices. Within these eclectic poetic practices emerge shared concerns with the issues of embodiment, language, cultural difference and violence. As John Leonard discusses, the “new poets evade categorization” (New Music xv) and it is the premise of this study that appropriate poetry criticism needs to respect and celebrate the eclecticism of new nineties poetries by resisting the convenient application of categories and divisive labels. This study attends to the critical question of what type of poetry criticism is appropriate for new nineties poetries. One answer to this question emanates from what Leonard describes as the “spirit of eclecticism” that characterises this new poetry (New Music xv). Criticism that works with this “spirit of eclecticism” will be as eclectic as the poetry itself. -
Westerlyvol.33No.2.Pdf
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