SIMPLIFY YOUR SPACE by Marcia Ramsland
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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Gender and the Collaborative Artist Couple
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Summer 8-12-2014 Gender and the Collaborative Artist Couple Candice M. Greathouse Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Greathouse, Candice M., "Gender and the Collaborative Artist Couple." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/art_design_theses/168 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. GENDER AND THE COLLABORATIVE ARTIST COUPLE by CANDICE GREATHOUSE Under the Direction of Dr. Susan Richmond ABSTRACT Through description and analysis of the balancing and intersection of gender in the col- laborative artist couples of Marina Abramović and Ulay, John Lennon and Yoko Ono, and Chris- to and Jeanne-Claude, I make evident the separation between their public lives and their pri- vate lives, an element that manifests itself in unique and contrasting ways for each couple. I study the link between gendered negotiations in these heterosexual artist couples and this divi- sion, and correlate this relationship to the evidence of problematic gender dynamics in the art- works and collaborations. INDEX WORDS: -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
The Accent of John Lennon 5: British and American Pronunciation in the Songs
1 The Accent of John Lennon 5: British and American pronunciation in the songs Shinji Sato 1.1 Introduction British rock singers seem to use a certain amount of American pronunciation in their songs. Considering the fact that a style of music called ‘rock’n’roll’ is said to have been originated in the United States in the nineteen fi fties, it is not surprising that British youngsters who listened to it were infl uenced in their style of singing. However, this phenomenon seems to be limited to a certain number of phonemes and lexical items. This study aims to investigate this issue in detail, using the songs of John Lennon as its material. 1.2 RP, GA and Liverpool accent John Lennon’s native accent is that of Liverpool, and there are some differences from the British standard accent sometimes referred to as Received Pronunciation( RP), and similarities to the accent called General American( GA). Some of the main diff erences and similarities are shown below. 2 Table 1 RP, GA and Liverpool accent Liverpool RP GA examples accent LOT vowel / 㷜 / / ɑ: / / 㷜 / got, not, want, what BATH vowel(1) / ɑ: / / æ / / æ / dance, laugh, path BATH vowel(2) / ɑ: / / æ / / ɑ: / can't, part, bar STRUT vowel / ʌ / / ʌ / / 㷚 / love, sun, come rhoticity non-rhotic rhotic non-rhotic hard, girl, more, there intervocalic /t/[ t ] [ 㶵 (] tap)[ 㶵 ]( tap) better, getting, let it Note: LOT, BATH, and STRUT represent the keywords used by Wells(1982) . See Watt, Trudgill & Hughes(2013) for diff erent sets of words belonging to BATH vowel. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 -
Seniors Face Housing Issues East Rec. Center
Oakmont’s Semimonthly Newspaper www.oakmontvillage.com/news December 15, 2018 • Volume 57, Number 24 Seniors Face Housing Issues Cleanup Time nJackie Reinhardt The unaffordability of housing in Sonoma County is McBride pointed to the research of Dan Buettner one of the biggest challenges seniors face as they age, in “Blue Zone” regions where more people live to be Marrianne McBride, President/CEO of the Council of 100. She urged the audience to follow their healthy Aging told more than 100 Oakmonters attending the habits—dubbed the “Power of Nine”—which has Sunday Symposium on Dec. 2. been shown to add years to life expectancy. They “It not just the cost of housing include: move naturally such as walking; know your but whether their housing allows purpose, relieve stress, stop eating when you’re 80% them to age in place,” she said, full; eat more vegetables and less meat, drink wine noting 25% of seniors will outlive in moderation; be part of a spiritual community, their ability to drive. incorporate love into your life and stay socially active. Financial security and fear of isolation are not only major SUPPORT FOR STAYING ACTIVE concerns for seniors but also McBride observed Oakmont was especially blessed affect their longevity, McBride because of the 100-plus clubs and other volunteer said. Currently 41% of the opportunities. She also singled out the Council- McBride speaking A contractor employee cleans the reeds from a pond near the county’s 130,000 seniors are poor, run day care program at the 10th hole of the Oakmont Golf Club’s east course Nov. -
THE COAST ADVERTISER Your Kft O* Fit Otfi»Ujimmv*R for Belmar, 3M* Idlwar, Wttt Tomukip, 3Priwg Ukt Flssjms
••••• MUIM mi. 10TI MB.. KtepYtmrUhdOm There Art Better Yimr Driving AU Buy* In Belmar THE COAST ADVERTISER Your Kft O* fit Otfi»UJimmV*r For Belmar, 3M* Idlwar, Wttt Tomukip, 3priwg Ukt flssjMs. Sixty-Ninth Year No. 6 — 8 Page* BELMAR, NEW J188HY, THURSDAY, MAY 17, 1962 Sevan Grata Cleanup In Wall Realtors'Week Settle Damage To Sherman Heads Heights YFW Post Probing $3,000 Army ManToBe Heights Grants Opening Sunday Bankers' Group WoH Burglary Belmar members of the Richard K. Sherman asala- Wall Township police are Taxes Facilities Monmouth County Board of Beach For $6,000 Unt cashier of Selmar-Wall Installs Officers continuing their Investigation Scout Executive Final Approval Realtors will participate In National Bank In obaige *t of the theft of 13,000 from the observance of Realtor the Manasquan arete Perkins Pancake House in Road Chairman Report Week, starting Sunday and Belmar Action Develop PI as a Branch, was *l*o- Kelly, State Legislative Route 88, early Monday mom Retiring Major Appoin- To Apartments continuing through May J« ed From Boat Col- ted president of Monmouth Officer, Becomes Ing. ted For Area From All Materials Will The week has been set aside Chapter, Amertoan In- Police Chief Walter Wltte Be Picked Up as part of the nation-wide ob lision At Sea Pott Commander reported the theft was dlscov Deal To Brielle Council Adopts Adjust- servanoe sponsored by the ered by Sergeant John Downs Commltteeman Walter Lu National Association of Real Belmar has settled to I LAKE HH3OHTB- and Patrolman James Mo- OAKHUR8T — Appointment ment Board's OK On kowlta, chairman of the Wai Estate Boards. -
BWTB April 23Rd 2017
1 Playlist April 23rd 2017 9AM The Beatles – I’ll Follow The Sun – LIVE @ The BBC 100% pure McCartney. Written pre- Beatles? Recorded Oct. 18th, 1964. Musicians: Paul McCartney – lead vocal, acoustic guitar; John Lennon – harmony vocal, acoustic guitar; George Harrison – lead guitar; Ringo Starr – knees(?) This was written in the late-fifties when Paul was sixteen years old (not bad for a little kid – I didn’t learn to ride a bike ‘til I was twenty!). Pete Best remembered that he used to busk it on the piano, in-between sets at The Kaiserkeller. It may well be the earliest song that they ever committed to tape. Nobody’s sure what Ringo’s playing, but he might be pounding out the beat on his knees. (Or maybe it’s someone else’s knees!) McCartney 1.00 Lead vocal Paul US - Capitol LP Beatles '65 The Beatles - I’m A Loser - Beatles For Sale (Lennon-McCartney) Lead vocal: John Recorded in eight takes on August 14, 1964. Written mostly by John Lennon. The song style, more autobiographical and introspective than the “yeah, yeah, yeah” pop the group had previously recorded, was heavily influenced by the work of Bob Dylan. Paul McCartney called it “a folk song gone pop.” The Beatles debuted “I’m A Loser” on ABC’s “Shindig” program, an appearance taped in London and airing on October 7. The song was performed during the Beatles’ European Tour commencing June 20, 1965, but was not on the set list for the U.S. shows two months later. John’s harmonica solo was a last minute addition to the song, appearing first in Take 6. -
October 1980
DATE ARTIST JOB ACT. FORM PLACE * EVENT * TITLE * DETAILS Cou. Form P.DATE (R.DATE)*TITLE*TRACKS*[SOURCE] Label*R/M.NR. October 1980 2.-8.10. P.McCARTNEY sreh Tenterden/Finston Manor [BD2] & Wings (initial work on “Rupert Bear” project) 7.10. J.LENNON LP SHAVED FISH (rerelease) ..GER [BWC] Apple 1C 068-05 .. (songs cf. 24.10.75) 987 9.-25.10./ 26. 1.81 P.McCARTNEY stud Sussex/Park Gate Studios [8A; # DS; BBN 51: Oct./Nov., London/AIR Studios; # BD2: 2.-8.10.80, (overdubs for "Cold Cuts" Project"; "No Baloney" lineup) Tenterden; # Bf 112: three weeks in 1.81] -A Love For You 5:30 -My Carnival (rough mix, diff.vcls.) 3:43 -Waterspout (long version) 4:50 -Mama's Little Girl (short intro, echo & tamb. SI) 3:43 -Night Out (diff. arrangement) 2:31 -Robber's Ball 3:57 -Cage (extra vcls.) 3:09 -Did We Meet Somewhere Before? (plus echo on vcls.) 4:59 -Hey Diddle (percussion SI) 3:43 -Tragedy (diff. lead-vcls.) 3:18 -Best Friend 4:08 -Same Time Next Year (extra backing-vcls.) 3:09 [# Bf 112: 1.81] bootlegs: B-LP Cold Cuts [DS; IB 4] Club Sandwich -all 12 tracks- USA B-CD 4.96 Cold Cuts [BBN 51; 910.5.2; NFS-326; BA 72] Pegboy 1002 -all 12 tracks- JAP B-3CD 5.98 Complete Cold Cuts [BA 84] Bell Bottom 028/029/030 -all 12 tracks- B-CD Original Cold Cuts [BBN 36] CDPS-11 -all 12 tracks- EUR B-CD 92 Studio Tracks, vol.3 [NFS-348; BA 48] Chapter One CO 0057 -Robber's Ball (3:52)/Cage (2:59)/Hey Diddle (3:33)/ [# BA 48: 25146] Tragedy (3:08)/A Love For You (4:58)/Mama's Little Girl (3:34)/Night Out (2:25)/My Carnival (3:18)/ 10.10. -
Lennons Længsel LENNONS LÆNGSEL © Lemuel Books Bo Heimann
LENNONS LÆNGSEL LENNONS LÆNGSEL © Lemuel Books Bo Heimann ISBN 978-87-92500-36-6 Omslag og sats: Mikael Jensen & Kirsten Puggaard Minoin Pro 11/13, Morris Sans Pro Tryk: ScandinavianBook Korrektur: Lars Christian Junge, Grete Bacci Hartz & Beatrice Olsen TAK til fotograf Jens Munk for brug af hans Lennon-billeder til cover og på side 81 Materialet i denne publikation er omfattet af lov om ophavsret. Tilladelse til brug af tekstuddrag fra Lennons Beatles-værker fra Universal Music Sverige. Tilladelse til brug af tekstuddrag fra Lennons solo-værker fra EDITION WILHELM HANSEN AS, KØBENHAVN. www.lemuelbooks.com LEMUEL BOOKS ApS Mejlgade 28, gaarden DK - 8000 Aarhus C Bo Heimann LENNONS LÆNGSEL lemuel books Af samme forfatter: U’et – kritik og perspektiver Med Jan Lind-Hansen. Gyldendal Business, 2013. Hvad er ego? Heimann Publishing, 2013. Skab frihed i dit sind Heimann Publishing, 2013. Ledelse og følelser Klim (antologi – bidragende skribent), 2011. Nærværets Kraft – og kunsten at lede sig selv Med Ivan Fruergaard. Gyldendal Business, 2010. Nærvær i nuet (Inkl. CD m. guidede meditationer.) Med Louise Fjendbo. Bogan, 2009. Værdier med mening Med Kim Gørtz. Frydenlund, 2008. Yeshua Parzifal Publishing, 2008. OM Shanti Parzifal Publishing, 2005. Hvad er ego? Aschehoug, 2004. Hva’ med selvansvarligheden? Aschehoug, 2002. Sig dog noget, mand! Aschehoug, 2001. Drømme om Danmark Fremad (antologi – bidragende skribent), 1997. Læs mere på www.boheimann.com INDHOLD FORORD 9 My Mummy’s Dead INDLEDNING 13 Mamma don’t go, daddy come home A Hard Day’s Night – 1964 25 Beatles For Sale – 1964 29 Help! – 1965 31 Rubber Soul – 1965 34 Revolver – 1966 38 Strawberry Fields Forever – 1967 45 Sgt. -
Dienstag, 28. Februar 2012 Viele Grüße Senden Dir Patrick Und
Dienstag, 28. Februar 2012 Heute vor 49/48/43/40/37/16 Jahren: ca. Donnerstag, 28. Februar 1963: BEATLES-Single LOVE ME DO / PLEASE PLEASE ME in West-Deutschland. Donnerstag, 28. Februar 1963: JOHN LENNON und PAUL McCARTNEY schreiben Song From Me To You während England-Tournee. Freitag, 28. Februar 1964: THE BEATLES/TONY SHERIDAN & THE BEATLES-Single WHY / CRY FOR A SHADOW in England. Freitag, 28. Februar 1964: PETER & GORDON-Single WORLD WITHOUT LOVE (LENNON/McCARTNEY-Komposition) in England. Freitag, 28. Februar 1969 (5. Februar 1969): CREAM-LP GOODBYE (mit HARRISON/CLAPTON-Komposition Badge) in USA. Montag, 28. Februar 1972: GEORGE HARRSON und PATTIE HARRISON haben Autounfall. Freitag, 28. Februar 1975: GEORGE HARRISON-Single DARK HORSE in England. Freitag, 28. Februar 1975: ELTON JOHN-Single PHILADELPHIA FREEDOM ( B-Seite I Saw Her Standing There mit JOHN LENNON) in England. Mittwoch, 28. Februar 1996: GEORGE MARTIN bekommt für sein Lebenswerk den GRAMMY. Hallo M.B.M., hallo BEATLES-Fan, BEATLES-, LENNON- und McCARTNEY-LPs aus der DDR: Anfang 1983: THE BEATLES; THE BEATLES & TONY SHERIDAN 19,50 Euro gebrauchte (gut erhaltene) LP THE BEATLES. Amiga 850 962, DDR. THE BEATLES: I Want To Hold Your Hand (2:22). THE BEATLES: Misery (1:46). THE BEATLES: A Hard Day's Night (2:25). THE BEATLES: You Really Got A Hold On Me (3:00). THE BEATLES: P. S. I Love You (2:02). THE BEATLES: A Taste Of Honey (2:00). THE BEATLES & TONY SHERIDAN: Sweet Georgia Brown (2:06). THE BEATLES: Please Mister Postman (2:33). THE BEATLES & TONY SHERIDAN: Why (2:50). -
John Lennon & Yoko Ono Double Fantasy (1980) 1. (Just Like
John Lennon & Yoko Ono Double Fantasy (1980) Lato 1 1. (Just Like) Starting Over (J. Lennon) 2. Kiss Kiss Kiss (Y. Ono) 3. Cleanup Time (J. Lennon) 4. Give Me Something (Y. Ono) 5. I'm Losing You (J. Lennon) 6. I'm Moving On (Y. Ono) 7. Beautiful Boy (Darling Boy) (J. Lennon) Lato 2 8. Watching The Wheels (J. Lennon) 9. Yes, I'm Your Angel (J. Lennon) 10. Woman (J. Lennon) 11. Beautiful Boys (Y. Ono) 12. Dear Yoko (J. Lennon) 13. Every Man Has A Woman Who Loves Him (Y. Ono) 14. Hard Times Are Over (Y. Ono) (Just Like) Starting Over (JL) (Proprio come) Ricominciare di nuovo Our life together is so precious together, La nostra vita assieme è così preziosa We have grown - we have grown, siamo cresciuti, siamo cresciuti Although our love is still special, sebbene il nostro amore sia ancora speciale Let's take our chance and fly away diamoci una possibilità e voliamo da qualche somewhere alone, parte da soli It's been so long since we took the time, è da così tanto tempo che non prendiamo un po’ di tempo (per noi) No-one's to blame, Non è colpa di nessuno I know time flies so quikly, lo so che il tempo scorre così veloce But when I see you darling, ma quanto ti vedo, cara It's like we both are falling in love again, è come se entrambi ci innamorassimo di nuovo It'll be just like starting over - starting over, sarà proprio come ricominciare di nuovo Pag.