spencerofalthorp.com theodorealexander.com FOREWORD

The histories of the Family’s Heritage and are so tightly entwined that they would be impossible to unravel and separate. All the Spencers’ favourite possessions, which have cascaded down the generations, have ended up in Althorp, this most English of houses, just an hour north of London. Enter its 550- acre park, and you find yourself in a peaceful setting that radiates timeless good taste, with its swathes of fine English oaks stretching out in every direction, while the family’s rare herd of black fallow deer graze beneath.

It’s a scene familiar to each of the 19 generations of Spencers who have known and loved this corner of . When Columbus was sailing towards America, my family were farming here. When Britain was defying Hitler, it was a Spencer cousin who helped lead the way – our wartime prime minister’s full family name was Spencer-Churchill, though everyone shortens him to . All through history, during the past five centuries or more, it seems you will find a Spencer there or thereabouts, making their mark, doing their best.

These Spencer ancestors were able to indulge their tastes – to commission art, furniture, and all the finer things in life. You can see the Spencer touch in every corner of Althorp – this historic house that my family CONTENTS has called “home” for over 500 years, and which for the past decade, has been given unprecedented care and attention. A massive programme of restoration and repair has taken place, which our partnership with Theodore Alexander has certainly helped. I like to think that, for generations, the house has looked Tables 8 after the furniture. Recently, the very finest handmade reproductions of that furniture by Theodore Alexander have helped restore the house to the very best condition. It seems right and fair. Seating and Upholstery 26

It is not just the tangible pieces that make up a family’s heritage, of course: it is the people themselves. While the continued ownership and enjoyment of this great Cabinets 48 house by my family is something that I remain always so grateful for, I never forget the expectations and hopes of generations gone by. Desks 70 This house, this family – together, they sum up something that is authentic and pure, historic yet still deeply relevant. Althorp has a living history, yes. But, Mirrors and Console Tables 76 underpinning it all is that factor that sets the tone, and sums up the good fortune, the continuity and the fine taste that underscore everything tangible and intangible connected with this exceptional furniture Dining Tables and Chairs 82 line - something I call Spencer Heritage.

Beds 92

Victory Oak 99

Lighting and Accessories 118 Charles Edward Maurice, 9th Owners of Althorp [1500s to 1783]

John Spencer, created George John, 2nd Earl Spencer Sir , Kt, Earl Spencer bought Althorp 1508 (. 1522) married Isabell Graunt

Sir William Spencer, Kt, (. 1532) married Susan Knightly

Sir John Spencer, Kt, (. 1586) married Katherine Kitson

Sir John Spencer, Kt, (. 1599) married Mary Catlyn, 1566

Sir Robert Spencer 1570 - 1627 Created Baron Spencer of Wormleighton married Margaret Willoughby, 1587 John Charles, 3rd Earl Spencer Frederick, 4th Earl Spencer (. 1597)

William, 2nd Baron Spencer, KB 1591 - 1636 married Lady Penelope Wriothesley, 1614 1598 - 1667

Henry, 3rd Baron Spencer 1620 - 1643 created , KG 1643 married Lady Dorothy Sidney, 1639 1617 - 1684

Robert, 2nd Earl of Sunderland, KG 1641 - 1702 married Lady Anne Digby, 1665 1646 - 1715

Charles, 3rd Earl of Sunderland, KG 1675 - 1722 John Poyntz, 5th Earl Spencer Charles Robert, 6th Earl Spencer Althorp by John Vosterman 1677. 1) married Lady Arabella Cavendish, 1695 This shows the original red brick, before it was tiled. 1673 - 1698, 2) married Lady Anne Churchill, 1699 (. 1716) 3) married Judith Tichbourne, 1717 (. 1749) Althorp was built with classically aristocratic aims in mind - to perceived to be willful ignorance, when, in truth, he was asking way demonstrate the wealth and power of the early Spencers, to show too much of his audience’s intellect. off their exquisite collections (of art, furniture, books, silver and Robert, 4th 1701 - 1729* porcelain), and to entertain. My father, by contrast, just adored people. He chatted happily with all comers to Althorp, as at ease with a prince as with a primary Charles, 5th Earl of Sunderland, But there was always an understanding that the owners of this school teacher. He was modern in his outlook - sharing Althorp 3rd Duke of Malborough, KG 1706 - 1758* great house had an obligation to share their good fortune with with enormous generosity, and without snobbery. (quitted Althorp 1734) others. Distinguished visitors - kings, queens, foreign dignitaries - had only to ask, and the doors of this private palace were of course I’ve had the privilege of being in charge of Althorp, for quarter of Hon. John Spencer, 1708 - 1746* thrown open. But guests with less rarefied backgrounds could also a century now. I’ve certainly received some interesting guests - married Lady Georgina Carteret, 1734 ask to enjoy the contents - and a discreet tip placed in the hand of including former presidents Mandela and Gorbachev - and, through Albert Edward John, Edward John, 8th Earl Spencer 1716 - 1780 the head housekeeper would secure a tour, if the family’s privacy the annual Althorp Literary Festival, a never-ending stream of 7th Earl Spencer was not unduly compromised. internationally acclaimed figures: novelists, sportsmen, comedians, John Spencer, created Earl Spencer 1765 politicians, and experts in dozens of fields. Meanwhile, my wife 1734 - 1783 These historic houses were dynamic places, full of bustle and Karen has called on Althorp to support the excellent charity that married Georgiana Poyntz, 1775 industry ensuring the occupying family could lead pampered, she founded and runs - Whole Child International - which assists 1737 - 1814 smoothly-run, lives: even a little over a century ago, Althorp orphaned and abandoned children in the Developing World. employed 65 permanent house staff, while another 45 worked in the gardens and Park, and a further 40 grooms attended the But the high points of our year are those weekends when we fill horses in the Stables. There was therefore less of a problem in Althorp with family and friends, as the 18 preceding generations *Son of Charles, 3rd Earl of Sunderland absorbing a few extra people, curious to see the splendours within. of my family have done for 500 years. The original builder and and Lady Anne Churchill occupant of Althorp - Sir John Spencer - left it as a condition of After the First World War there was a drastic belt-tightening his Will that Althorp should always be a place of entertainment. in England’s stately homes. It was hard to find staff, and estate It’s not a tough duty to fulfill - whether with loved ones, or incomes dipped while taxes rose. Between the wars, my interested outsiders. It was never designed to be a place to hide grandfather (Jack - the 7th Earl Spencer) often welcomed visitors away in - it was painted on the broadest possible canvas, as that shared his keen appreciation of the house and its chattels. something spectacular that demanded widespread admiration His diaries show he was less thrilled by those who couldn’t match and appreciation. his knowledge - he was almost comically scathing of what he Charles Edward Maurice, 9th Earl Spencer TABLES TABLES TABLES

AL52014 AL51057 OPTIONS AVAILABLE: BODDINGTON GAME TABLE MARLBOROUGH GALLERY COCKTAIL TABLE AL51057.C280: With gold accents. The perfect addition to any room, this hand- With hand carved legs inspired by one of Althorp’s AL51058: Without Gallery. carved convertible game table is designed with original fire guards, the Marlborough Gallery Cocktail a Zebrali swirl veneered top and distinguished table is crafted from Khaya mahogany that radiates AL51058.C280: Without Gallery leather inlay. The serpentine molded edges in any space. This table is designed with a fine wavy and with gold accents. handsomely complement the hidden frieze drawer X cast brass scrolling on each side and an undulating atop finely carved acanthus leaf cabriole legs. hand-carved acanthus leaf scroll apron. Seen here in our Morris finish. 371/2 x 371/2 x 303/4 in | 95.3 x 95.3 x 78.1 cm Available with gold accents version: 551/2 x 353/4 x 21 in | 141 x 90.5 x 53.3 cm AL52014.C281

AL50194 MARLBOROUGH END TABLE Sophisticatedly carved from Khaya mahogany, the Marlborough End Table displays a serpentine edge top in the Morris finish. With a hand carved acanthus leaf scroll apron, this table rests on slender acantus chippendale legs inspired by one of Althorp’s original fire guards and is joined at the base by acanthus leaf carved arched stretchers. Detail of AL51057.C280 28 x 28 x 26 in | 71.1 x 71.1 x 66 cm Available with gold accents version: AL50194.C280

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AL50193 SUNDERLAND SMALL END TABLE Small but commanding, this end table has graceful serpentine edges with brass detailing including a banded frieze drawer with a fluted top post resting on intricate AL51056 hand-carved spiral twist supports. You will SUNDERLAND COCKTAIL TABLE find a Morado banded undertier underneath on fluted peg feet with fine brass cappings. A dignified take on a traditional classic, this handmade cocktail table is designed with captivating serpentine edges 20 x 20 x 26 in | 50.80 x 50.80 x 66.00 cm decorated using only the finest brass details. A banded Available with gold accents version: frieze drawer is joined with an elegantly fluted top post AL50193.C279 atop spiraled hand-twisted supports. Underneath you will find a Morado banded and glass undertier, all sitting on distinguishably fluted peg feet with brass cappings. 54 x 34 x 20 in | 137.2 x 86.4 x 50.8 cm Available with gold accents version: AL51056.C279

AL50192 SUNDERLAND END TABLE Elegant and regal, this hand-carved end table is designed with serpentine edges with brass detailing atop a banded frieze drawer joined by fluted top post resting on stunning hand-carved spiral twist supports. Underneath you will find a Morado banded undertier on fluted peg feet with fine brass cappings. 26 x 26 x 26 in | 66.00 x 66.00 x 66.00 cm Available with gold accents version: AL50192.C279

Detail of AL51056.C279

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AL54060 ANTE CENTER TABLE The Ante Center Table is crafted with Zebrali veneer in our Dibdin Crotch finish with brass inlays. It includes a brass inlaid apron and three hidden side drawers with brass detailing for added elegance and storage. Supported by three graceful sabre legs with solid brass cappings, this dignified table will bring attention to any room. 42 x 42 x 30 in | 106.7 x 106.7 x 76.2 cm

AL50195 ANTE OCCASIONAL TABLE A renowned piece for any home, this turned occasional pedestal table with Zebrali veneer is sure to command attention. Seen here in Dibdin Crotch finish and complemented with an incredibly intricate brass inlaid apron and brass-wrapped posts supported by three alluring sabre legs with embellished brass cappings. 24 x 24 x 26 in | 61 x 61 x 66 cm

14 15 Once an impractical dining room, which lay as far from the kitchens as it is possible to be in Althorp, this many- windowed room looks out on to the gardens and Stables.

Both comfortable and elegant, the South Drawing Room boasts 15 portraits by Sir - a good friend of the Spencers - including those of three generations of the family.

The miniatures in the alcoves include a portrait of Admiral Lord Nelson, one of whose main patrons was George John, Second Earl Spencer. TABLES TABLES

AL11033 THE BUTTERFLY TABLE A marquetry inlaid butterfly work table, the top inlaid with Morado, burl and amboyna and with two hinged ‘wing’ panels opening AL50005 to reveal the painted Spencer , on a ring SUNDERLAND CANDLE STAND and baluster turned column and delicate A mahogany candle stand, the circular moulded edge top down swept tapering legs and peg feet. on a delicately turned baluster column terminating in a 17 x 153/4 x 28 in | 43.18 x 40.01 x 71.12 cm dished and moulded circular brass bound platform base. The original Regency, circa 1830. The Sunderland Room. 111/2 x 111/2 x 28¼ in | 29.21 x 29.21 x 71.76 cm

AL50038 THE ADMIRALTY BEDSIDE A mahogany bedside lamp table, the rectangular top fitted with a finely cast gallery of crossed sabres above two graduated drawers fitted with hilted sabre drop handles on square tapering legs terminating with brass cappings. The original Regency. 16 x 14 x 291/2 in | 40.64 x 35.56 x 74.93 cm

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AL11089 BEATS IN TIME A mahogany and brass drum shaped box on a brass stand with lion claw feet joined by concave stretchers and painted with the Spencer . The original circa 1820. The original circa 1820. AL50079 123/4 x 123/4 x 251/2 in | 32.39 x 32.39 x 64.77 cm ADMIRALTY OCCASIONAL TABLE A mahogany lamp table, the circular brass bound top fitted with a frieze drawer on three bound brass hilted sabres mounted on a trefoil platform base with brass lion’s paw feet. Inspired by the 2nd Earl Spencer, appointed 1st Lord of the Admiralty in 1795. The original Regency. 163/4 x 163/4 x 28 in 42.55 x 42.55 x 71.12 cm

AL50104 OVAL TIERS A two tiered oval lamp table, each tier brass bound and between turned brass column supports surmounted by finials and terminating in brass castors. The original Regency, circa 1820. 21¼ x 16¼ x 231/2 in | 54.29 x 41.59 x 59.69 cm

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AL50179 DUMONT NEST OF TABLES A nest of three fine mahogany and Morado veneered tables with fine mother of pearl inlay, the main square table with a three quarter turned brass gallery on ring turned tapering legs with gilt details, on brass cappings and castors; the smaller folding x base ‘coaching’ tables storing within the larger table. Large table: 191/2 x 191/2 x 243/4 in | 49.5 x 49.5 x 63 cm Small tables: 163/4 x 163/4 x 201 in | 42.5 x 42.5 x 51.5 cm

AL11070 THE SPENCER DRESSING BOX A mahogany dressing table on stand, the hinged top opening to reveal a bevelled mirror back, AL50061 with bowed and square swing panels revealing INGENIOUS TABLES a fitted interior, with a drawer below and a side bowl drawer to the apron, on splayed legs joined A mahogany lamp table, the square three quarter brass galleried by and X stretcher with the Spencer . top on ring turned legs joined by stretchers, the underside with The original George III, circa 1780. two removable X stand, fold-out circular occasional tables. The original Regency, circa 1830. 16 x 13 x 33 in | 40.64 x 33.02 x 83.82 cm Large table: 191/2 x 191/2 x 24 in | 49.53 x 49.53 x 60.96 cm Small tables: 163/4 x 163/4 x 201 in | 42.5 x 42.5 x 51.5 cm

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AL50174 AFTER DINNER DRINKS TABLE A flame mahogany, Movingue and rosewood banded Gueridon table, the circular top with a brass molded edge, the plain frieze above scrolled legs joined by a brass molded stepped tier and acanthus leaf carved and gilt feet, on a trefoil concave sides base with turned mahogany bun feet. 26 x 26 x 26 in | 66.04 x 66.04 x 66.04 cm AL50110 AL50065 FREDERICK’S TABLE CARYATIDS A flame veneer and mahogany lamp table, A mahogany and ormolu mounted the oval top with a fine three quarter brass occasional table, the brass bound shaped gallery, on splayed, gilt leaf capital, turned circular top above a Morado veneered frieze and fluted legs joined by an undertier. enclosed by foliate mounts, on three cabriole legs with caryatid mounts terminating in 22 x 18 x 293/4 in | 55.88 x 45.72 x 75.56 cm sabots, united by a shaped undertier. 173/4 x 18 x 29 in | 45.4 x 45.72 x 73.66 cm

AL51027 AL50035 FLOURISH COCKTAIL THE SOUTH DRAWING ROOM NEST OF TABLES A fine flame veneered and brass cocktail table, the A nest of three Morado and mahogany tables, with a brass three quarter rectangular brass bound top above panelled sides with two galleried top, each table on two turned and brass mounted end supports offset frieze drawers, gold tooled leather interior slides, joined by a bowed brass stretcher, on downswept and brass ball feet. above ebonised canted and chamfered legs applied with a The originals circa 1820, in the South Drawing Room at the Althorp. fine brass edge, the legs with Caryatid mounts joined by a 21 x 131/2 x 293/4 in | 53.34 x 34.29 x 75.57 cm concave sided and brass bound undertier. 181 x 123/4 x 281 in | 46.4 x 32.4 x 71.7 cm 54¼ x 36¼ x 20¼ in | 137.8 x 92 x 51.5 cm 151 x 123/4 x 271/2 in | 38.6 x 32.4 x 70.1 cm

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AL40023 THE WOOTTON HALL CHAIR A finely carved mahogany hall chair, the arched cartouche back with acanthus leaf details centred by the hand painted Spencer crest, the solid seat above a swag carved seat rail on square tapering legs. The original George III, in The Wootton Hall at Althorp. 201/2 x 21 x 40 in | 52.07 x 53.34 x 101.6 cm Seat height: 17¼ in (43.82 cm)

AL44001 THE GILLOWS STOOL A carved mahogany X frame hall stool in the manner of Gillows of Lancaster, the bowed moulded edge solid seat on serpentine carved X frame supports centred by a shaped foliage carved panel hand painted with the Spencer crest and with gilt ‘C' scroll accents to the sides. The original George III, circa 1760. 231/2 x 15¼ x 193/4 in | 59.69 x 38.74 x 50.17 cm

A finely mahogany hall chair. The original George III, in The Wootton Hall at Althorp. The striking Palladian hall you first enter incorporates a series of country scenes by the English artist John Wootton (c. 1682-1764)- which lends the hall its name. Wootton's fame rests as the specialist English sporting painter of his day. Among other commissions, he executed similar designs for the Great Hall at Longleat. He would not have painted in situ, but in a studio in London, having taken measurements of the spaces that needed to be filled. They were painted as part of scheme ordered by the Fifth Earl of Sunderland, who, like his brother and heir at Althorp, was a passionate fox-hunter. The life size studies of the Earl's favourite mounts face the visitor on entering. The canvases running the length of sides, show Lord Spencer and his friends riding with the Althorp and Pytchley hounds with the riders individuals identified. The ruins of nearby catsle, the core of which still survives today, further identify the scenes. The detail of hall's construction are not fully recorded, but it is probably by Colin Campbell, through he died in 1729 before the work was undertaken. Roger Morris completed the commission in 1733. For many tastes the hall's proportions make it the most satisfying room in the house, with a cool dignity, appropriately lit. Pevsner calls it 'the noblest Georgian room in the county'. The airiness comes from the high ceiling which rises almost to the height of the house. Its deeply coffered coving bears an octagonal design, with eagles on the corner buttresses. Beneath there is a frieze alternating plaster fox heads with hounds.

28 29 Named after John Wootton, the artist responsible for the huge paintings that line the high walls, this was once the archway entrance to the inner courtyard of Althorp. It was remodelled as part of extensive work carried out between 1729-1733, with John Wootton’s paintings of the local hunt being added at the end of the project. The room’s perfect balance of simplicity and grandeur makes a particularly bold impression, and the height of the room – almost the full height of the house – creates an appropriately dignified and perfectly proportioned entrance to the House. Nikolaus Pevsner described this as ‘the noblest Georgian room in the county’.

The Italian marble checkerboard floor was laid during the First World War. It gives the room handsome depth and helps to direct the eye around the Hall. It also provides outstanding acoustics: as a teenager , Princess of , liked to practice tap dancing here. SEATING AND UPHOLSTERY SEATING AND UPHOLSTERY

A292 CLUB CHAIR A stately take on an old favorite. The Harlestone Club Chair is seen here in our Classic English finish with a traditionally carved frame from Kahya wood, brass ornaments on the corners, hand-carved legs and finished with brass cappings on the feet. 33 x 36 x 391/2 in | 83.82 x 91.44 x 100.33 cm

A391 LOVESEAT Two-seater sofa with a serpentine arched back above dual over scrolled arms and cushioned seat. This piece includes an artisan-shaped floral carved fluted frieze on eight finely carved gold leaf cabriole legs terminating in knurl and peg feet. 81 x 43 x 43 in | 205.74 x 109.22 x 109.22 cm

A491 AL44036.0CJT DAVENTRY SOFA DAVENTRY BENCH An early Victorian three-seater sofa, this serpentine arched back A very stately piece, this mahogany upholstered bench contrasts beautifully in our deep sofa with over scrolled arms and cushioned seat is handcrafted using toned Classic English finish with gold details. A serpentine moulded seatrail with leaf carved only the finest materials and heirloom quality upholstery techniques. accents and paced nail heads complements the delicately molded cabriole legs. Accented by a floral carved and fluted frieze, this piece rests on eight 571/2 x 201/2 x 19 in | 146 x 52.1 x 48.3 cm gold leaf finely carved cabriole legs terminating in knurl and peg feet. Upholstered in UP3417 Fabric 1071 x 43 x 411/2 in | 272.6 x 109.2 x 105.5 cm Trim: French natural Nails Available without gold accents version: AL44036.0CHW

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A18 A04.5 THOMAS HOPE CHAIR REGENCY LIBRARY BERGÈRE A mahogany armchair in the manner of Thomas Hope, A mahogany framed double caned Bergère, the the bowed and panel carved toprail above a ‘U’ shaped reeded bowed back leading to part padded arms seat, turned armrests with lions head carved finials, on turned uprights enclosing a cushion seat, the seat-rails decorated with trailing husk carving on the panelled seat-rail on turned and fluted legs downswept moulded legs terminating in lion paw feet. terminating in brass cappings and castors. The original Regency, circa 1805. The original Regency, circa 1820. 30 x 211/2 x 31 in | 76.2 x 54.61 x 78.74 cm 28 x 321/2 x 39 in | 71.12 x 82.55 x 99.06 cm Seat height: 20 in (50.8 cm) | Arm height: 26 in (66.04 cm) Seat height: 20 in (50.8 cm) | Arm height: 29 in (73.66 cm)

A12 THE EARL’S DRESSING CHAIR A mahogany and caned Library chair, the curved waisted toprail above a caned back and sides, with baluster turned uprights on fluted square tapering legs. The original Regency circa 1820. Earl Spencer’s dressing room. 24 x 25 x 33 in | 60.96 x 63.5 x 83.82 cm Seat height: 20 in (50.8 cm) | Arm height: 28 in (71.12 cm)

AL41067 AD VICTORIAM A14.5 An exceptionally well hand carved mahogany CLASSIC ROCOCO FAUTEUIL library armchair, the back in the shape of a ship's transom carved with a Coat of Arms centred by A mahogany armchair in the Louis XV style, the arched the Spencer crest and flanked by Victory wreaths. padded back and seat with part padded and leaf Inspired by a Regency original. carved arms, the serpentine studded and ‘C’ scroll carved seat-rail supported on four finely leaf carved 27¼ x 25 x 44¼ in | 69.2 x 63.5 x 112.4 cm cabriole legs terminating in knurl and peg feet. Seat height: 21 in (53.3 cm) | Arm height: 26 in (66 cm) The original George III, circa 1760. 29 x 31 x 451/2 in | 73.66 x 78.74 x 115.57 cm Seat height: 19 in (48.26 cm) | Arm height: 27 in (68.58 cm)

34 35 The cool, inviting dignity of the long Library has been created through the use of a dozen shades of white and off-white, which make the perfect backdrop to the rich colour and warm tones of the room’s myriad of book spines. The current collection dates from 1892 and the majority of it took just four months to amass. They were bought to replace the Second Earl’s astonishing library, which had to be sold because of the family’s waning fortunes during the late nineteenth century agricultural slump. That world-class library was sold to the John Ryland’s Memorial Library in Manchester in 1892, the same year that the ornate ceiling by John MacVicar was installed. SEATING AND UPHOLSTERY SEATING AND UPHOLSTERY

A282 A15 FIRESIDE THE BILLIARD ROOM CHAIR An upholstered mahogany 'easy' chair, the A mahogany Bergère library armchair, the scroll over tufted back with scroll terminal button upholstered back above scroll arms padded arm on turned uprights, the tufted enclosing a cushion seat, the close nailed seat on a serpentine seat-rail on turned and uprights on turned legs terminating in tapering legs with brass cappings and castors. brass cappings and castors. Inspired by a 19th century original in the The original Regency, circa 1835 in the manner of Gillows of Lancaster. Billiard Room, Althorp. 31 x 381/2 x 311/2 in | 79 x 98 x 80 cm 321/2 x 311/2 x 39 in | 82.55 x 80.01 x 99.06 cm Seat Height: 18.5 in (47 cm) Seat height: 22 in (55.88 cm) Arm height: 22 (56 cm) Arm height: 27 in (68.58 cm) Shown in 6042-33 fabric Shown in 9-282 Fabric

A275 A216 THE SPENCER GAINSBOROUGH CHAIR THE ALTHORP WINGBACK A finely hand carved mahogany Gainsborough An upholstered wingback armchair, the chair, arched back and wings above a cushion the serpentine arched upholstered back and seat enclosed by overscrolled arms, bowfront seat between scroll arms with cabochon on fluted tapering legs terminating in terminal arms and acanthus leaf decoration, brass cappings. the shaped seat rail with leaf scroll carving and The original George III, circa 1770. cartouche capped cabriole legs terminating in 34 x 35 x 48 in | 86.36 x 88.9 x 121.92 cm claw and ball feet. Seat height: 19 in (48.26 cm) Inspired by an early George III original. Arm height: 261/2 in (67.31 cm) 301/2 x 32 x 421/2 in | 77.74 x 81.28 x 107.95 cm Shown in Harshaw Grey Fabric Seat height: 18 in (46 cm) | Arm height: 26 in (66 cm)

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A214.5 THE INDIA SILK BEDROOM CHAIR A mahogany and parcel gilt Bergère, the arched and padded scoop back with a carved toprail leading to part padded and sinuously scrolled arms and uprights enclosing a cushion seat above a fluted and paterae decorated frieze on turned and fluted tapering legs carved with leaves and terminating in peg feet. The original George IIIchairs and are now in the India Silk Bedroom. 32 x 34 x 36 in | 81.28 x 86.36 x 91.44 cm Seat height: 20 in (50.8 cm) | Arm height: 251/2 in (64.77 cm)

A482 THE AFTERNOON VISIT A finely carved mahogany framed upholstered sofa, the serpentine tight back above a bench cushion seat enclosed by waterfall arms, on a fluted and rosette carved seat rail with fluted tapering legs with brass cappings. Inspired by a George III original. The distinctive camel back is a signature of Georgian sofas. 92 x 34 x 42.5 in | 234 x 86 x 116 cm Seat Height: 19.5 in (50 cm) | Arm height: 28.5 in (72 cm) Shown in 6042-33 fabric

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AL42055.3AEQ AL45040.3AEP LYDIA UPHOLSTERED CHAIR LYDIA'S SMALL SOFA A carved mahogany easy armchair, the overscroll padded and channelled A carved mahogany two seater sofa, the overscroll padded and channelled back back above acushion seat, the scrolled and burl panel uprights with brass abovea double cushion seat, the scrolled and burl panel uprights with brass rosette rosette and tassel capitals,the seat rail with brass crossed sabres above and tasselcapitals, the seat rail with brass crossed sabres above square tapering square tapering panelled legs; the sidepanels with Armorial brasses. panelled legs;the side panels with Armorial brasses. 443/4 x 39 x 32¼ in | 113.7 x 99 x 82 cm 75 x 39 x 32 in | 190.5 x 99 x 81.3 cm Seat height: 18 in (45.7 cm) Seat height: in (191/2 cm)

AL45039.3AEP A461 LYDIA'S LARGE SOFA THE ALTHORP LIBRARY SOFA A carved mahogany three seater sofa, the overscroll padded and channeled A deep button upholstered Chesterfield Sofa, the overscrolled back abovea triple cushion seat, the scrolled and burl panel uprights with back and arms on tapering and spiral carved legs. brass rosette and tasselcapitals, the seat rail with gilt-metal crossed sabres The original Regency, circa 1840. above square tapering panelled legs;the side panels with Armorial brasses. 89 x 37 x 33 in | 226.06 x 93.98 x 83.82 cm 991/2 x 39 x 32 in | 252.7 x 99 x 81.3 cm Seat height: 19 in (48.26 cm) | Arm height: 33 in (84 cm) Seat height: 193/4 in (50.2 cm) | Arm height: 313/4 in (80.5 cm)

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A277 A204.5 THE SPENCER HOUSE CHAIR UNDULATING ARMCHAIR A hand carved mahogany framed, parcel A finely carved and gilt Neo-classical gilt and upholstered chair, the serpentine matching armchair; the gently undulating trailing husk carved cartouche back centred rectangular padded back and arms with by a floral carved crest, with padded arms turned; fluted and leaf carved uprights and finely carved scroll uprights, enclosing above a Greek key frieze on turned legs. an upholstered seat above a shaped, floral The original Regency, circa 1800. carved and fluted frieze, on carved cabriole 33 x 32 x 371/2 in | 83.82 x 81.28 x 95.25 cm legs terminating scroll feet. Seat height: 21 in (53.34 cm) 28 x 28 x 42 in | 71.12 x 71.12 x 106.68 cm Arm height: 32 in (81.28 cm) Seat height: 19 in (48.3 cm) Arm height: 243/4 in (63 cm) Shown in Lifton Cream Fabric

A463 A408.5 THE SPENCER HOUSE SOFA UNDULATING SOFA A mahogany and gilt framed and upholstered three seater sofa, the serpentine A finely carved and gilt Neo-classical sofa, the gently trailing husk carved toprail centred by a floral carved crest, with padded arms undulating rectangular padded back and arms with and finely carved scroll uprights, enclosing a cushion seat above a shaped, floral turned, fluted and leaf carved uprights above a carved and fluted frieze on eight carved cabriole legs terminating scroll feet. Greek key frieze on turned legs. The original George III designed by James 'Athenian' Stuart for Spencer House The original Regency, circa 1800. and supplied by John Gordon, circa 1758-65 651/2 x 32 x 371/2 in | 166.37 x 81.28 x 95.25 cm 94 x 38 x 41 in | 238.76 x 96.52 x 104.14 cm Seat height: 21 in (53.34 cm) | Arm height: 32 in (81.28 cm) Seat height: 20 in (50.8 cm) | Arm height: 29 in (73.66 cm)

44 45 SEATING AND UPHOLSTERY SEATING AND UPHOLSTERY

A480-90 THE REGENT’S VISIT SOFA II A hand-carved and parcel gilt great sofa, the bound reed carved top rail with high arms, with fluted column and lapette carved uprights, the bench cushion seat and tight back with two bolster and four throw pillows on a bound reed carved and flowerhead seat rail with acanthus carved and fluted tapering legs. Inspired by a George III original. 90 x 39 x 36 in | 228.6 x 99.06 x 91.44 cm Seat height: 21 in (53.34 cm) | Arm height: 33 in (83.82 cm) Shown in 82-050 Fabric

A280 THE REGENT’S VISIT A hand-carved and parcel gilt upholstered chair, the bound reed carved top rail with high arms, with fluted column and lapette carved uprights, the cushion seat and tight back with a throw pillow, on a bound reed carved and flowerhead seat rail with acanthus carved and fluted tapering legs. Inspired by a George III original. 36 x 35 x 36 in | 91.44 x 88.9 x 91.44 cm Seat height: 21 in (53.34 cm) | Arm height: 33 in (83.82 cm) Shown in 1035-92 Fabric

A480-110 THE REGENT’S VISIT SOFA A hand-carved and parcel gilt great sofa, the bound reed carved top rail with high arms, with fluted column and lapette carved uprights, the bench cushion seat and tight back with two bolsters and five throw pillows on a bound reed carved and flowerhead seat rail with acanthus carved and fluted tapering legs. Inspired by a George III original. 110 x 39 x 36 in | 279.4 x 99.06 x 91.44 cm Seat height: 21 in (53.34 cm) | Arm height: 33 in (83.82 cm) Shown in 1035-92 Fabric

46 47 CABINETS CABINETS CABINETS

AL60052 ANTE NIGHTSTAND A handsomely crafted piece with marquetry veneers accented with three frieze drawers and brass handle pulls in our Dark English finish to reflect a beautifully crafted masterpiece. Resting upon a turned leg, and captured in the Dibdin Crotch finish. 26 x 19 x 28 in | 66 x 48.3 x 71.1 cm Available with gold accents version: AL60052.C286

AL60056 CHEST OF DRAWERS Resting upon an 18th century bracket foot with fine Zebrali swirled veneers, this classic German-inspired Morado and sycamore chest is set to become a very distinguished part of our Althorp Living History Collection. This piece has been modernized with refined frieze molded drawers complimented by antique brass AL60053 handles and fluted Morado posts sitting atop of ANTE CHEST OF DRAWERS a distinguished serpentine base. This handsome primavera marquetry 48 x 201/2 x 36 in | 121.9 x 52.1 x 91.5 cm designed chest features veneered Zebrali with a makore oak frame. Three frieze detailed drawers with our Dark English finished brass handles sit atop of a classically turned leg all in our renowned Dibdin Crotch finish. 46 x 21 x 36 in | 116.8 x 53.3 x 91.5 cm Available with gold accents version: AL60053.C286

5050 51 CABINETS CABINETS

AL61102 SUNDERLAND CABINET This unique two door Khaya veneered decorative chest with Morado inlay reveals an elegantly simplistic design with bold artisan-carved fluted detailing on the body, apron and doors inspired by a door panel within the Althorp House that was molded after Roman columns. Displayed in the Classic English finish, the Sunderland Cabinet includes brass ornaments and hinges, interior adjustable shelves, along with brass cappings on its feet. 44 x 20 x 36 in | 111.8 x 50.8 x 91.4 cm Available with gold accents version: AL61102.C279

AL61103 AL61101.C279 CONRAD BAR CABINET SUNDERLAND BUFFET A sophisticated space for one’s essential spirits, this dignified Seen in our Classic English finish with gold leaf detailing, artisan-carved bar cabinet displays a Morado veneer inlay, fluted this beautifully veneered buffet has three frieze drawers top and door apron detail, marble countertop and adjustable top supported by a connecting apron with artisan crafted glass shelves. Inspired by a door panel in the Althorp House that brass handles. When opening the Morado veneered doors, was molded after Roman columns, this cabinet is available with a you will find three adjustable shelves ideal for storing your hidden fluted frieze drawer, an adjustable bottom shelf, and brass family’s precious fine china. Brass cappings on the four cappings on the legs. Seen here in our Classic English finish with spiral turned legs finish this grand piece. handmade brass ornaments and hinges. 60 x 19 x 37 in | 152.4 x 48.3 x 94 cm 38 x 19 x 68 in | 96.5 x 48.3 x 172.7 cm Available without gold accents version: Available with gold accents version: AL61101 AL61103.C279

52 53 CABINETS CABINETS

AL61104 AL61105 CONRAD DISPLAY NARROW CABINET CONRAD DISPLAY CABINET A breathtaking showcase cabinet in Khaya veneer with a This grand double-doored showcase cabinet is made with Khaya veneer and a rich Morado veneer inlay and fluted top apron detail. Displaying Morado inlay with fluted top apron. Seen here in our Classic English finish with open glass doors with LED lighting to brilliantly highlight all of two elegant glass doors on top with beautiful handmade brass ornaments. LED your favorite pieces. With adjustable glass shelves and hidden lighting is installed on the interior with adjustable glass shelves while the lower half fluted frieze drawer, this elegant piece is shown in our Classic consists of a hidden fluted frieze drawer and beautiful brass cappings on the feet. English finish and refined brass cappings. 483/4 x 20 x 92 in | 123.8 x 50.8 x 233.7 cm 283/4 x 20 x 86 in | 73 x 50.8 x 218.4 cm Available with gold accents version: Available with gold accents version: AL61105.C279 AL61104.C279

54 55 CABINETS CABINETS

AL61091 DAGUERRE CHINOISERIE CABINET An ebonized mahogany and parcel gilt Chinoiserie side cabinet, the rectangular molded edge top with protruding rounded corners, above two brass molding paneled drawers with brass handles, above two brass molding paneled and carved doors with hand painted Chinosierie scenes, the base with bound reed carved details flanked by turned and fluted columns and on turned and tapering legs. 46 x 13 x 32 in | 116.8 x 33 x 81.3 cm

AL61090 MEDALLION SIDEBOARD An ebonized serpentine sideboard, the breakfront top with a pierced fretwork gallery above two fretwork trellis doors enclosing two further shaped doors with an elaborate Chinoiserie painted cartouche handle, the interior with three sections each with an adjustable shelf, above a pierced fretwork apron on square legs with Marlborough feet.

Detail of AL61090 62 x 19¼ x 38 in | 157.5 x 48.9 x 96.5 cm

56 57 CABINETS CABINETS

AL61087 PEACOCK CABINET A finely hand painted and black lacquered cabinet on stand, the cabinet with gold leaf and hand painted decoration of peacocks in a landscape, with fine repousse chased brass mounts, on a base with chamfered legs and fretwork spandrels hand painted in floral and lattice decoration. The LED lit interior fitted as a bar with a mirror back and adjustable glass shelf. 37 x 21 x 64 in | 93.98 x 53.34 x 162.56 cm

58 59 CABINETS CABINETS

AL60030 AL60009 THE INDIA SILK BEDSIDE THE INDIA SILK SERPENTINE A flame veneered and mahogany bombé bedside A large mahogany and flame veneered chest of drawers, the rectangular moulded edge top bombé chest of drawers, the rectangular above a brushing slide with three shaped serpentine moulded edge top above a brushing slide and graduated drawers below, applied with finely cast with four shaped serpentine and graduated brass escutcheons and drop handles, on a plinth base drawers below, applied with finely cast brass with ogee bracket feet. escutcheons and drop handles, on a plinth The original George III, circa 1770, in the manner of base with ogee bracket feet. Thomas Chippendale. The original George III, circa 1770. 28 x 193/4 x 30 in | 71 x 50.2 x 76.2 cm 43 x 20 x 32 in | 109.22 x 50.8 x 81.28 cm

AL60008 AL60031 ARABELLA’S REGENCY CHEST THE INDIA SILK DRESSER A mahogany and flame veneered bowfront chest of drawers, A fine flame veneered and mahogany serpentine dresser, the moulded fitted with a brushing slide and four graduated rounded edge top above an arrangement of twelve bombé and shaped drawers drawers fitted with lion’s mask drop handles flanked by reeded with brass handles and escutcheons, on ogee bracket feet. and bound column uprights on brass lion’s paw feet. Inspired by a George III original in the manner of Thomas Chippendale. The original Regency. 701/2 x 20 x 341/2 in | 179 x 50.8 x 87.6 cm 38 x 22 x 36 in | 96.52 x 55.88 x 91.44 cm

60 61 CABINETS CABINETS

AL64001 THE WASHINGTON CHEST An oak blanket chest, the moulded edge top, above a panelled back and sides, the front carved with ovals and lozenges on stile supports with ogee spandrels. The original English, circa 1650. 53 x 23 x 28¼ in | 134.62 x 58.42 x 71.76 cm

AL61032 AL63004 THE SUNDERLAND ADAPTATION THE SUNDERLAND ROOM BOOKCASE A mahogany and flame veneered breakfront sideboard or side cabinet, with a fluted A mahogany and flame veneered breakfront bookcase, the upper frieze and four frieze drawers with finely cast swag brass drop handles, centred below by sections with a moulded cornice above a fluted frieze ornamented with two panelled cupboard doors flanked by three drawer on each side, on a plinth base. dentils and oval rosettes, the bold diamond lattice astragal glazed doors The original Regency, circa 1770, adapted from the bookcase in the Sunderland Room. enclosing reeded edge shelves above two cupboard doors, each flanked by three short drawers with swag drop handles on a plinth base. 92 x 18 x 383/4 in | 233.68 x 45.72 x 98.43 cm 963/4 x 18 x 961/2 in | 245.75 x 45.72 x 245.11 cm

62 63 CABINETS CABINETS

AL60044 VISCOUNT'S NIGHTSTAND A flame mahogany, Movingue and rosewood banded nightstand, the rectangular top with canted corners and a three quarter brass gallery, three drawers with fine brass handles and on paneled tapering legs. 28 x 20 x 27 in | 71.12 x 50.8 x 68.6 cm

AL50068 AL60043 PIERCED VITRINE VISCOUNT'S CHEST OF DRAWERS A mahogany and glazed vitrine, the rounded rectangular A flame mahogany, Movingue and rosewood banded chest of drawers, the top with a pierced brass gallery, each drop side with an inset rectangular top with canted corners, the two short drawers with lapette carved glazed panel, the interior with a mirror base with a shaped recessed molding, with a paper twist and rosette carved molding below with two apron below on ormolu mounted cabriole legs with sabots. further long drawers, all with fine brass handles and on paneled tapering legs. The original Louis XV, circa 1840. 46 x 21 x 36 in | 116.84 x 53.34 x 91.44 cm 251/2 x 193/4 x 34¼ in | 64.77 x 50.17 x 87 cm 64 65 CABINETS CABINETS

AL61095 THE HOLLAND BAR CABINET A very finely carved flame mahogany veneered architectural bar cabinet of the Althorp House façade, the upper section with a gabled brass galleried roof with 8 dormers, with a Spencer coat of arms pediment, the Cabinet with 21 Morado and Sycamore strung Windows, brass detailed pilasters and a door; concealing four cabinet doors enclosing a fitted and LED lit interior for a bar with a mirror back, glass shelves and miniature staircase in mahogany and brass, the molded base top with. 613/4 x 223/4 x 82¼ in | 156.84 x 57.78 x 208.9 cm

66 67 CABINETS

AL65003 THE ALTHORP SECRETARY A flame veneered and morado banded Bureau Cabinet, with an architectural cornice centred by a gilt crest, above two glazed doors enclosing 45 drawers and 19 pigeon holes above two slides, the bureau opening to reveal a leather inset slide and a fitted interior with 8 drawers below enclosing a cabinet and drawer below. 44¼ x 263/4 x 98 in | 112.4 x 67.63 x 248.92 cm

68 69 DESKS DESKS DESKS

AL71046 BODDINGTON WRITING TABLE We love the elegance and simplicity of the Boddington Writing Table. Crafted with fine Zebrali veneers and a polished marquetry top with intricate brass inlays, this large writing table will bring grace and elegance to any room. This writing table is designed with three drawers architecturally inspired by a frieze representation adorned with exquisitely carved brass handles and joined by tapered legs with brass cappings. 48 x 24 x 30 in | 121.9 x 61 x 76.2 cm

AL71047 ANTE DESK A beautifully crafted Zebrali veneered writing table designed with a smooth, tooled leather top. Featuring five Frieze inspired drawers with brass inlays and a Detail of AL71047 marquetry apron. Complemented with Dark English brass hardware and brass inlaid tapered legs. The legs are finished with the finest brass cappings to provide an exquisite contrast to the base. 60 x 36 x 30 in | 152.4 x 91.45 x 76.2 cm

72 73 DESKS DESKS

AL71008 THE BEDROOM BUREAU PLAT A morado veneered bureau plat, the serpentine brass bound moulded edge top inset with a gilt tooled leather writing surface, above three serpentine frieze drawers fitted with Rococo brass handles on cabriole legs with brass cartouche mounts trailing to sabots. 46 x 27 x 30¼ in | 116.84 x 68.58 x 76.84 cm

AL71027HN THE GRAND STAIRCASE A fine flame veneered bureau, the sloping fall enclosing a fitted interior of faux book and hidden drawers and cabinets, the staircase gallery interior, above a short frieze drawer flanked by dummy drawers, with two short and two long drawers below, on bracket feet; the sides with further drawers and hidden drawers. 451/2 x 23¼ x 44 in | 115.57 x 59.1 x 111.76 cm

74 75 MIRRORS AND CONSOLE TABLES MIRRORS AND CONSOLE TABLES MIRRORS AND CONSOLE TABLES

AL53070 SUNDERLAND CONSOLE TABLE An elegantly carved Morado veneered console table with serpentine edge decorated with the finest brass detail. This console was designed with three banded frieze drawers joined with fluted top posts atop hand-carved spiral twist supports and X stretcher with brass cappings. 54 x 15 x 341/2 in | 137.2 x 38.1 x 87.9 cm Available with gold accents version: AL53070.C279

AL53072 MARLBOROUGH CONSOLE TABLE Royally inspired, and delicately crafted from Khaya mahogany, the Marlborough Console Table is crafted with a noble serpentine edge in our Morris finish. The top displays a grand wavy ‘ X’ cast with brass scrolling on each side. Hand-carved acanthus leaf scroll apron sits atop slender acantus chippendale legs inspired by one of Althorp’s original fire guards. 521/2 x 161 x 35 in | 133.2 x 41.25 x 89 cm AL53071 SUNDERLAND SERVING TABLE OPTIONS AVAILABLE: Enriched with history, this console table made with Morado AL53072.C280: With gold accents. veneers has beautifully hand-carved serpentine edges decorated with the finest brass details. Sitting atop four AL53074: Without gallery. banded frieze drawers joined together with handsomely fluted AL53074.C280: Without gallery top posts. This stately table sits on hand-turned and tapered and with gold accents. spiral twisted supports with regal brass cappings. 84 x 20 x 37 in | 213.4 x 50.8 x 94 cm Detail of AL53074.C280 Available with gold accents version: AL53071.C279

78 79 MIRRORS AND CONSOLE TABLES MIRRORS AND CONSOLE TABLES

AL53058 LONG HALL CHINOISERIE CONSOLE TABLE A fine ebonized and Chinoiserie painted Console Table with gilt detailing, the molded edge rectangular top with a finely painted garden panorama on a cream background, the pierced fretwork frieze on chamfered legs with Pointe feet. 60 x 14 x 34 in | 152.4 x 35.6 x 86.4 cm

AL31038 AL53059 THE INDIA SILK BEDROOM MIRROR LONG HALL BURL CONSOLE TABLE A carved mahogany, flame mahogany veneered and parcel gilt wall A fine ebonized and poplar burl veneered Console Table mirror, the arched broken swan neck crest with a carved moulding with gilt detailing, the molded edge rectangular top and centred by a spiral carved pine cone finial, the rectangular veneered with poplar burl, the pierced fretwork frieze bevelled edge mirror below framed by a bound reed slip with swag on chamfered legs with Pointe feet. carving above and a leaf carved pendant apron below. Inspired by the George III bed in the India silk Room, circa 1760. 60 x 14 x 34 in | 152.4 x 35.6 x 86.4 cm 373/4 x 33/4 x 62 in | 96 x 9.8 x 157.5 cm

80 81 DINING TABLES AND CHAIRS DINING TABLES AND CHAIRS DINING TABLES AND CHAIRS

GREAT BRINGTON DINING TABLE II AL54059.C279 AL54058 A Khaya swirl veneer extending dining table with two additional self-storing leaves above a Khaya apron with detailed brass moulding on its edges. This dining table sits on two baluster turned spiral fluted pedestals, each issuing three downswept chippendale legs terminating in finely leaf cast brass cappings. Open: 144 x 48 x 30 in | 366 x 121.9 x 76.2 cm Closed: 96 x 48 x 30 in | 244 x 121.9 x 76.2 cm

AL54059 JUPE TABLE The circular extending Great Brington Jupe Dining Table is intricately crafted with crossbanded Khaya mahogany and Morado veneers on top to form six triangular segments that function as self-storing inset leaves. This noble table sits on a boldly turned spiral fluted pillar atop a formally carved base with concave sides, out swept legs and finely cast brass cappings on the feet. Open: 72 x 72 x 30 in | 182.9 x 182.9 x 76.2 cm Closed: 54 x 52 x 30 in | 137.2 x 132.1 x 76.2 cm Available with gold accents version: detail of AL54058.c279 AL54059.C279

84 85 DINING TABLES AND CHAIRS DINING TABLES AND CHAIRS

AL40095.3CCP AL41095.3BYO HARLESTONE SIDE CHAIR HARLESTONE ARM CHAIR A beautifully hand-carved side chair with The acanthus leaf fluted carvings on the parlor acanthus leaf fluted carvings on the parlor back frame of the Harlestone Arm Chair radiate back frame above a grandly upholstered seat. refined elegance. This distinguished chair was Carved brass details adorn the seat corners built for a King with a grandly upholstered above the hand-turned fluted tapered legs. seat and hand-carved brass details on the seat Finished with classic English details. corners above the turned fluted tapering legs. Finished with classic English details. 213/4 x 263/4 x 403/4 in | 55.3 x 68 x 103.5 cm Upholstered in UP3270.COM Fabric 231 x 263/4 x 403/4 in | 59 x 68 x 103.5 cm Trim: Welting Upholstered in UP3270.COM Fabric Trim: Welting Available without gold accents version: AL40095.3BYO Available with gold accents version: AL41095.3CCP

AL54062 GREAT BRINGTON DINING TABLE A grand piece for any dining room, this Khaya swirl veneer extending dining table is designed with Althorp’s brass inlaid crest on the top with elegantly rounded crossbanded corners. With two additional self-storing leaves, a Khaya apron and brass moulding on edge for detail, this stately table is built to suit all your needs. Resting on two baluster turned spiral fluted pedestals with each issuing three downswept Detail of AL54062.C279 chippendale legs finished with leaf cast brass cappings. Open: 144 x 48 x 30 in | 366 x 121.9 x 76.2 cm Closed: 96 x 48 x 30 in | 244 x 121.9 x 76.2 cm

86 87 DINING TABLES AND CHAIRS DINING TABLES AND CHAIRS

AL40087 FLORIS A hand carved mahogany scoop back dining chair, the panelled and upholstered back above an upholstered seat, on turned and reeded legs. Inspired by a Regency original. 221/2 x 251/2 x 361/2 in | 57 x 65 x 93 cm Seat height: 19 in (48 cm)

AL41087 FLORIS ARMCHAIR A hand carved mahogany scoop back dining armchair, the panelled and upholstered back above an upholstered seat flanked by scroll arms, on turned and reeded legs. Inspired by a Regency original. AL54031 241/2 x 251/2 x 361/2 in | 62 x 65 x 93 cm SUNDERLAND DINNER PARTY Seat height: 19 in (48 cm) | Arm height: 253/4 in (65 cm) A fine mahogany and flame veneered extending dining table, the rectangular reeded edge top with rounded corners crossbanded in chestnut burl and morado, with two additional self storing leaves, above a mahogany apron, on two baluster turned pedestals each issuing four downswept legs terminating in finely leaf cast brass cappings. Open: 144 x 48 x 30 in | 365.8 x 122 x 76.2 cm Closed: 96 x 48 x 30 in | 243.8 x 122 x 76.2 cm

88 89 DINING TABLES AND CHAIRS DINING TABLES AND CHAIRS

AL54014 AL40088 LAVINIA’S SUPPER PARTY DALTON A Morado and pollard banded circular dining A hand carved mahogany scoop back dining table, with a carved edge and four frieze drawers chair, the panelled and double caned back above with brass handles, the hexagonal column issuing an upholstered seat, on turned and reeded legs. outswept reeded legs on castors. Inspired by a Regency original. The original Regency. 221/2 x 251/2 x 361/2 in | 57 x 65 x 93 cm 48 x 48 x 30 in | 121.92 x 121.92 x 76.2 cm Seat height: 19 in (48 cm)

AL41088 DALTON ARMCHAIR A hand carved mahogany scoop back dining armchair, the panelled and double caned back above an upholstered seat flanked by scroll arms, on turned and reeded legs. Inspired by a Regency original. 241/2 x 251/2 x 361/2 in | 62 x 65 x 93 cm Seat height: 19 in (48 cm) AL54009 Arm height: 253/4 in (65 cm) THE ALTHORP PATENT JUPE TABLE A circular extending mahogany dining table crossbanded with burl and Morado, the top is formed of eight pull - out triangular segments with inset fold out leaves to expand the table, raised on a bold turned pillar with a hexagonal base with concave sides and outswept legs with finely cast brass cappings and disc feet. Open: 78 x 78 x 30 in | 198.12 x 198.12 x 76.2 cm Closed: 621/2 x 621/2 x 30 in | 158.75 x 158.75 x 76.2 cm

90 91 BEDS

93 BEDS BEDS

AL83024.3CCQ AL83010 SUNDERLAND BED THE INDIA SILK BED An elegantly crafted Kahya veneer bed seen in our Dibdin A carved mahogany, flame veneered and parcel gilt four Crotch finish, is a royal statement piece with an upholstered poster King Bed, the arched headboard with a carved serpentine head and footboard. Supported with an upholstered cornice and finely carved acanthus leaf carved baluster rail and chippendale legs detailed with gold leaf finishing. and cluster columns with spiral carved pine cone finials. 83 x 88 x 55 in | 210.6 x 223.8 x 139.7 cm The original George III, circa 1760 in the India Silk Room. Upholstered in UP3270.COM Fabric 86 x 88¼ x 97¼ in | 218.4 x 224 x 247 cm Trim: Welting The India Silk bedroom is tucked away in a peaceful corner of the house with Available without gold accents version: beautiful views of the gardens below. The name of the bedroom derives from AL83024.3CDO the silk bedspread that has traditionally been used here. The bed was made in 1923 using original Georgian posts from circa 1760, found in the brew house.

94 95 In 1863, the future King Edward VII and his wife, Alexandra, the Princess of Wales, visited the Red Earl (Fifth Earl Spencer), at Althorp. They slept in this room, hence its name. Most of the furniture surrounding the opulent bed is Georgian. The original pattern of the fabric on the four-poster was designed in 1911. The most soulful portrait in the room is by the Spanish court painter, Murillo, of a young princess. There is also a picture of a lady that looks similar to the Mona Lisa, by the School of Leonardo da Vinci. VICTORY OAK VICTORY OAK VICTORY OAK

AL51055 AL51041 CLIVE COCKTAIL TABLE VICTORY OAK COCKTAIL A rustic oak cocktail table with glass top, on six oak A reclaimed oak and figured ash veneered refectory cocktail table, spiral leg joined with spiral “X” stretcher. the rectangular planked and breadboard top above a figured ash apron, on turned legs and block feet joined by plain stretchers. 57 x 32 x 173/4 in | 144.8 x 81.3 x 45.1 cm Inspired by a 17th century refectory table. 63 x 38 x 20 in | 160 x 96.5 x 50.8 cm

AL51044 LODGE COCKTAIL TABLE A mahogany and reclaimed oak occasional 'Joynt' cocktail table, the planked rectangular top with a moulded edge, above a panelled frieze with gently splayed turned legs terminating in block feet joined by a planked tray undertier. Inspired by a 17th century 'Joynt' stool. 54 x 30 x 19 in | 137.16 x 76.2 x 48.26 cm

100 101 VICTORY OAK VICTORY OAK

AL50161 AL50190 OAK CLOVER BERNARD END TABLE A mahogany and reclaimed oak 'Clover' A rustic oak veneered end table with table, the trefoil top above a triangular chamfered carved edge top featuring a frieze and Cricket base, on three turned and spiral leg column joined with spiral stretcher. block legs joined by board stretchers. 24 x 24 x 24¼ in | 60.9 x 60.9 x 61.5 cm Inspired by a 17th century original. 241/2 x 23 x 27 in | 62.23 x 58.42 x 68.58 cm

AL50157 AL50191 LAWN CRICKET LUCY SIDE TABLE A reclaimed oak veneered and mahogany A rustic oak veneered side table cricket table, the circular planked top with a featuring a square moulded leaf carved raised edge, on three splayed tapering legs top and round leaf carved shelf joined joined by a triangular undertier. with four turned baluster legs. Inspired by a 17th century original. 141/2 x 141/2 x 24 in | 37W x 37 x 61 cm 26 x 26 x 26¼ in | 66.04 x 66.04 x 66.65 cm

AL50159 AL50160 BUTLER’S ACCENT LODGE TABLE A reclaimed oak veneered and A mahogany and reclaimed oak occasional mahogany accent table, the planked 'Joynt' table, the planked rectangular top with top with a raise edge, above a frieze a moulded edge, above a panelled frieze with drawer and baluster turned legs gently splayed turned legs terminating in block joined by an undertier, on bun feet. feet joined by a planked tray undertier. Inspired by a Charles II occasional Inspired by a 17th century 'Joynt' stool. table, circa 1630. 28 x 20 x 24 in | 71.12 x 50.8 x 60.96 cm 30 x 20 x 26 in | 76.2 x 50.8 x 66.04 cm

102 103 VICTORY OAK VICTORY OAK

AL50162 SILAS’ SIDE TABLE A mahogany and reclaimed oak side table, the rectangular planked and breadboard top above a moulded frieze, on bobbin turned and block legs joined by a boarded tier and bobbin stretchers below. Inspired by an late 17th century table. 311/2 x 20 x 27 in | 80.17 x 50.8 x 68.58 cm

AL53052 AL50163 THE HUNT TABLE SILAS’ SERVING TABLE A mahogany and reclaimed oak Serving or 'Hunt Table', the A mahogany and reclaimed oak veneered serving table, the rectangular top with two fold-down leaves resting on lopers galleried top and undertaker with glass overlay, on spiral pulling from the apron, with two frieze drawers, on spiral turned legs joined by an undertier fitted with two drawers, turned legs with bun feet joined by wavy X stretchers. Part of on turned legs with brass castors. the Althorp Living History ‘Victory Oak’ collection, this table is Inspired by a 17th century serving table. inspired by a William & Mary original from around 1690. 42 x 20 x 353/4 in | 106.68 x 50.8 x 90.8 cm Open: 67 x 32 x 30 in | 170.18 x 81.28 x 76.2 cm Closed: 67 x 16 x 31 in | 170.18 x 40.64 x 78.74 cm

104 105 VICTORY OAK VICTORY OAK

AL53068 AL53048 FARLEY CONSOLE TABLE VICTORY OAK CONSOLE A solid oak and reclaimed oak veneered console table, A reclaimed oak and figured ash console table, the planked rectangular the planked and molded edge top with a bracketed moulded edge top above a figured ash veneered apron frieze with a drawer, on apron, on six slender turned and tapered legs with reeded octagonal tapering legs and bun feet joined by a concave fronted stretcher. decoration, terminating in bronzed cappings and castors. Inspired by an early 18th century original. Inspired by a William IV writing table at Althorp. 48 x 18 x 33 in | 122 x 45.7 x 83.8 cm 68 x 16 x 36 in | 172.72 x 40.64 x 91.45 cm

AL53069 AL53051 JEANNE CONSOLE TABLE WEST GATE CONSOLE A rustic oak veneered console table featuring an oval A mahogany and reclaimed oak console table, the bowfront moulded edge top with rope moulding on turned legs top above a plain frieze and corner brackets, on tapering joined with a floral trefoil pierced stretcher. legs terminating in brass castors. Inspired by a George II provincial serving table. 54 x 17 x 33¼ in | 137.2 x 43.2 x 84.5 cm 721/2 x 20 x 34 in | 184.15 x 50.8 x 86.36 cm

106 107 VICTORY OAK VICTORY OAK

AL50153 AL50127 VICTORY OAK END TABLE TALBOT BARREL A reclaimed oak and figured ash veneered An antiqued wooden barrel, the circular top above accent table, the planked rectangular planked sides bound by hand-forged iron riveted straps moulded edge top above two short and one and hand painted with the Spencer coat of arms. long drawer, the Gothic arched apron on bell Inspired by Frederick Spencer (4th Earl Spencer), turned legs joined by a wavy X stretcher. 14th April 1798 – 27th December 1857. Inspired by a William & Mary original. 18 x 18 x 28 in | 45.7 x 45.7 x 71.1 cm 32 x 19 x 28 in | 81.3 x 48.3 x 71 cm

AL71041 AL53053 OCCASION CARTER CONSOLE A reclaimed oak and mahogany trestle desk, the planked A mahogany and reclaimed oak veneered console table rectangular top above a frieze with three recessed panel drawers, restored with pollard oak, the rectangular three quarter gallery on turned column splayed end supports secured by iron stretchers. top with six turned finials atop each turned leg, with two frieze Inspired by a 17th century Continental original. drawers and a similar undertier below, on turned legs. 52 x 24 x 30 in | 132.08 x 60.96 x 76.2 cm 64 x 16 x 35¼ in | 162.56 x 40.64 x 89.53 cm

108 109 VICTORY OAK VICTORY OAK

AL40092 AL41092 VICTORY OAK LADDERBACK SIDE CHAIR VICTORY OAK LADDERBACK SIDE CHAIR An oak ladder back side chair, the bow arched bars between turned supports, above a hand woven faux An oak ladder back armchair, the bow AL54057 rush seat, on turned legs with pad and ball feet. arched bars between turned supports, EMORY DINING TABLE Inspired by an 18th century English original. above a hand woven faux rush seat, on turned legs with pad and ball feet. 201/2 x 22 x 41 in | 52 x 56 x 104 cm A drop leaf dining table featuring an oval rustic oak veneered top on Inspired by an 18th century English original. four spiral columns joined by chipped carved stretcher. When leaves are Seat height: 19¼ in (49 cm) dropped, this lovely piece can be used as a large console table. 22¼ x 241/2 x 42¼ in | 56.5 x 62 x 107 cm Seat height: 19¼ in (49 cm) 911/2 x 46D x 30 in | 232.4W x 116.8 x 76.2 cm Arm height: 25 in (63.5 cm) 911/2 x 26D x 30 in | 232.4W x 66.2 x 76.2 cm

AL54037 VICTORY OAK JUPE A reclaimed oak and chestnut burl restored circular extending dining table, the segmented top opening to reveal six self storing fold out leaves above a plain frieze, on a vase column AL54036 support and crossover refectory feet. VICTORY OAK REFECTORY Inspired by a 17th century oak tavern table and Also available A reclaimed oak veneered refectory table, the planked an extending Jupe table circa 1830. AL54038 rectangular moulded edge top above vase column VICTORY OAK JUPE II Open: 56 x 56 x 30 in | 142.2 x 142.2 x 76.2 cm supports and bases joined by a long stretcher. Closed: 473/4 x 463/4 x 30 in | 121.3 x 118.7 x 76.2 cm Open: 72 x 72 x 30 in | 183 x 183 x 76.2 cm Inspired by a 17th century English original. Closed: 54 x 54 x 30 in | 137 x 137 x 76.2 cm 92 x 40 x 30 in | 233.7 x 101.5 x 76.2 cm

110 111 VICTORY OAK VICTORY OAK

AL83022 US KING BED A reclaimed oak veneered and mahogany tester King bed, with an arched headboard and four turned columns on a paneled foot rail, on turned legs. 85¼ x 881/2 x 801/2 in | 216.53 x 224.8 x 204.47 cm

112 113 VICTORY OAK VICTORY OAK

AL60048 AL61099 HAYWOOD CHEST LLEWELLYN CHEST A solid oak and reclaimed oak veneered chest of drawers, the planked top A solid oak and reclaimed oak veneered pedestal cabinet, above two short and three long recessed bevel edge drawers with bronze the planked top and sides enclosing parquetry doors further finish drop handles, with recessed panel sides on short bracket feet. enclosing an adjustable shelf, on a bold plinth base. Inspired by a George II original at Althorp. Inspired by the pedestals in the Painters’ Passage at Althorp. 46 x 20 x 36 in | 116.84 x 50.8 x 91.45 cm 401/2 x 19 x 36 in | 102.9 x 48.26 x 91.45 cm

AL61098 AL60049 HAZEL CHEST AXEL CHEST OF DRAWERS A solid oak and reclaimed oak veneered cabinet, the rectangular planked A rustic oak veneered chest of drawers featuring a top and sides, two multiple step paneled doors with an outer border moulded oak top above two short and three long of egg & dart carving and further bands of acanthus and bell-flower beveled edge drawers with bronze finished pendant carving; each door centered by a bronzed ring pull, on lobed bun feet handles on a planked base with tapered block feet. raise on turned tapering feet; the interior with one adjustable shelf. 50 x 19 x 42 in | 127 x 48.3 x 106.7 cm Inspired by a Regency domed top chest at Althorp. 52 x 22 x 32 in | 132.08 x 55.88 x 81.3 cm

114 115 VICTORY OAK VICTORY OAK

AL60050 AL60046 OLIVER BEDSIDE TABLE NASEBY NIGHTSTAND A rustic oak veneered bedside table featuring A reclaimed oak and mahogany veneered a moulded oak top above a frieze drawer and nigthstand with Bellied Drawer Faces, shaped cabinet door with bronze finished pendant top, and with four finely turned legs. Designed handles and finely turned feet. with Oil rubbed Escuthcheons, and pull drawers. 26 x 18 x 28 in | 66 x 45.7 x 71.1 cm 34 x 20 x 32 in | 86.36 x 50.8 x 81.3 cm

AL61100 AL60047 GODWIN SIDEBOARD NASEBY DRESSER A rustic oak veneered sliding door sideboard. The A reclaimed oak and mahogany Veneered with bellied rectangular top features a gentle moulded edge resting drawer faces, a shaped top, bold pilaster supported over two corbel columns and two chamfered sliding doors by six finely turned legs. Designed with oil rubbed enclosing two drawers and an adjustable shelf. All of this escutcheons and pull drawers. rests upon a moulded base raised on four turned feet. 72 x 20 x 44 in | 182.9 x 50.8 x 111.8 cm 72 x 20 x 33 in | 182.9 x 50.8 x 83.8 cm

116 116 117 LIGHTING AND ACCESSORIES

AL20107 OCTAVIE TABLE LAMP A finely cast brass table lamp, the old English finish candlestick base with bent lions leg and paw feet, on a trefoil concave sided base in Bianco Carrara marble, surmounted by a hand sewn pagoda shade with a Spencer crest cast finial. 16 x 16 x 34¼ in | 40.64 x 40.64 x 87 cm

LIGHTING AND ACCESSORIES

AL20105L | AL20105R EDMUND TABLE LAMP A finely cast brass and mahogany table lamp, with a mottled green stone paneled and mahogany plinth bases embellished with the Spencer coat of arms, surmounted by a seated and a pagoda shade, the shade with a fine Spencer coat of arms finial. 91/2 x 81/2 x 241/2 in | 24 x 21.5 x 62.23 cm

119 This grand, central, hallway was once an open courtyard, where visitors to the house would arrive and dismount their horses. In 1662, it was roofed over by the widow of a Spencer who fought in the English Civil War. The imposing oak staircase was built in 1666 – it used to be painted white. The stairs are surprisingly shallow and delightfully uneven – a physical manifestation of the long history of the house. In the Victorian age, this was the first room to be adapted to electricity. The Chandeliers light up the moulded ceiling, which is inspired by the extraordinary one next door, in the Wootton Hall. GENERAL ACKNOWLEDGEMENTS Items included in this Catalog may not be represented in the Theodore Alexander showroom. Each of the unique items featured in this Catalog are the subject of copyright protection in the United States and throughout the world. Althorp® Living History™ © Charles, Earl Spencer, 2006 Some items in this Catalog may not be available in certain Region or Country.

DESIGN TA International Services Co., Limited APPEARANCE PRODUCT AND ADDITIONAL LOCATION PHOTOGRAPHY All Theodore Alexander products are manufactured to the highest standards and with the utmost care and Alderman Company attention to detail. Whilst we make every effort to accurately reproduce the colours of the furniture illustrated, LOCATION PHOTOGRAPHY differences in texture, grain and colour are inherent in all natural woodwork and should be expected as the The Wootton Hall,The Saloon, individual characteristics of materials used. Variations in these qualities are not manufacturing defects and will The Marlborough Room,The South Drawing Room, The Picture Gallery,The Oak Bedroom and Althorp House not be accepted as such for the purpose of claims. Some changes in colour or texture may occur during the © Althorp 2004, life cycle of the product, particularly in leather, wood and veneer. Alec Jolly All exposed surfaces of Theodore Alexander furniture are prepared, sanded and finished, even though at PORTRAIT PHOTOGRAPHY Foreword: Earl and Countess Spencer times they are not visible. This includes the undersides, the back and the inside of the drawer boxes amongst Alderman.The Complete Picture others. PRINTING While our fabrics and leather are sourced from the finest upholstery manufacturers, we are unable to provide Oxford Graphic, Singapore, 2006 Typeset in Optima and Gill Sans Light. a guarantee on fabrics or leather, including COM. Theodore Alexander can take no responsibility for Published by Theodore Alexander 2006 wearability of fabric and leather or alternations to the fabrics and leather after it has shipped. We recommend AL05/2006 the use of a professional upholstery dry cleaner in case of soiling or wear. Items are photographed in studio conditions and the appearance of the actual items may vary from that shown

Many of the designs and the design elements within the DIMENSION, SPECIFICATIONS AND STYLE Althorp® Living History™ collection are the subject of pending patent applications. All dimensions listed are approximate given the hand crafted nature or our product and the variation in fabrics used. There may be a difference of up to 2” from listed dimensions. Veneer and solid wood exhibits individual characteristics of When giving overall dimensions we may use some rounding. the timber from which it was cut and while every effort is made to reproduce accurately the colour of the furniture Product specifications are not binding and we reserve the right to make changes without notice. Please refer illustrated there may be some variations in grain pattern and to your shipment for final sizes and specifications. colour. Natural colour changes may also occur with age in the materials used, particularly in leather, wood and veneer. Where descriptions refer to particular historical styles, this does not indicate the product stems from this period in any aspect other than in design inspiration. As part of our environmental policy this collection is produced from plantation Acacia and Mahogany. INTELLECTUAL PROPERTY Dimensions quoted are approximate and Theodore Alexander We are proud of the unique designs created by our skilled designers and craftsmen. To protect your reserves the right to alter specifications in the interest of improved quality and design. investments, infringements of any proprietary (trademarked, patented, copy righted or otherwise protected) design or right will be pursued to the full extent of the law. We will take legal action against any person and / or company that knowingly or unknowingly infringes upon our intellectual property rights. Trademarks, collection names, design and design elements in the Catalog may be the subject of pending and issued copyrights, trademark registrations and patents. All images and text contained in this Catalog are the sole property of Theodore Alexander or its subsidiaries and may not be use or reproduced in any medium without the expressed written consent of Theodore Alexander.

PRODUCT CARE To learn more about caring for your furniture, visit our care page on theodorealexander.com By Paul Maitland International Inc. trading as Theodore Alexander under license from The Right Honourable The Earl Spencer

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