Christian Worship Resources for the Children's Sabbath
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The Slow Integration of Instruments Into Christian Worship
Musical Offerings Volume 8 Number 1 Spring 2017 Article 2 3-28-2017 From Silence to Golden: The Slow Integration of Instruments into Christian Worship Jonathan M. Lyons Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Christianity Commons, Fine Arts Commons, Liturgy and Worship Commons, Musicology Commons, and the Music Performance Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Lyons, Jonathan M. (2017) "From Silence to Golden: The Slow Integration of Instruments into Christian Worship," Musical Offerings: Vol. 8 : No. 1 , Article 2. DOI: 10.15385/jmo.2017.8.1.2 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol8/iss1/2 From Silence to Golden: The Slow Integration of Instruments into Christian Worship Document Type Article Abstract The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. -
THAT WILL CHANGE YOUR LIFE FOREVER! >> HSM Pastor Eric
Deeper Faith Kit: Matthew & Mark // Purpose Church // HSM START SOMETHING TODAY THAT WILL CHANGE YOUR LIFE FOREVER! >> HSM Pastor Eric © PUBLISHED JUNE 2018 PURPOSE CHURCH STUDENT MINISTRIES WWW.PURPOSECHURCH.COM/HSM V 02 SCRIPTURES TAKEN FROM THE HOLY BIBLE HIGH SCHOOL PASTOR | ERIC HOLMSTROM DFK PRODUCER | BRENDAN HIDALGO DFK THEME EDITOR | LAURA IRVINE DFK CONTENT EDITOR | ANDREW BERBERIAN Deeper Faith Kit: Matthew & Mark // Purpose Church // HSM DEEPER FAITH KIT PAGE TITLE 01 INTRODUCTION 02 COVENANT 05 SALVATION 06 BAPTISM 07 SCRIPTURE 08 PRAY 09 SING 10 COMMUNITY 11 SERVE 12 TITHE 15 DEVOTIONALS / READINGS 96 WHAT'S NEXT? Deeper Faith Kit: Matthew & Mark // Purpose Church // HSM ERIC HOLMSTROM BRENDAN HIDALGO HSM PASTOR // HSM PASTOR STUDENT LEADER // DFK EDITOR I will never forget when my We are so happy you picked up the relationship with Jesus took a huge Deeper Faith Kit: Matthew and turn and became something real Mark! I personally believe that this and life-changing. It wasn’t at a devotional will be the start to a camp, retreat, or an amazing youth lifelong journey that will lead to you group night—it was when I started being the change other people will the most adventurous, dangerous to benefit from! I was personally the enemy, and powerful habit of changed by the first Deeper Faith meeting God in His Word. Coming Kit and started making the Bible a face to face with Jesus through the priority because of it—I believe this Bible has transformed my life more could happen for you too! God is a than any other thing I’ve ever done. -
Principles of Worship and Liturgy
Perspective Digest Volume 16 Issue 1 Winter Article 3 2011 Principles of Worship and Liturgy Fernando Canale Follow this and additional works at: https://digitalcommons.andrews.edu/pd Part of the Liturgy and Worship Commons Recommended Citation Canale, Fernando (2011) "Principles of Worship and Liturgy," Perspective Digest: Vol. 16 : Iss. 1 , Article 3. Available at: https://digitalcommons.andrews.edu/pd/vol16/iss1/3 This Article is brought to you for free and open access by the Adventist Theological Society at Digital Commons @ Andrews University. It has been accepted for inclusion in Perspective Digest by an authorized editor of Digital Commons @ Andrews University. For more information, please contact [email protected]. Canale: Principles of Worship and Liturgy Worship and liturgy should reflect something far more than culture or personal preference. By Fernando Canale Many church members are bewildered by the multiplicity of Christian styles of worship. Usually, when believers are talking about these feelings, the conversation ends when someone asserts that the reasons for disliking a form of worship are cultural. Culture shapes taste. Thus, the reasoning follows, if the new style is accepted, with time it will become liked. Are worship styles1 a matter of taste or a matter of principle? Is corporate taste a reliable principle to shape our corporate worship style? Are there principles that can be used to help shape worship and to choose what to include in it? Page 1 of 26 Published by Digital Commons @ Andrews University, 2011 1 Perspective Digest, Vol. 16 [2011], Iss. 1, Art. 3 Many believers have worshiped God since their early youth. -
Principles for Worship
Principles for Worship Evangelical Lutheran Church in America Published by Augsburg Fortress RENEWING WORSHIP 2 Principles for Worship This resource has been prepared by the Evangelical Lutheran Church in America for provisional use. Copyright © 2002 Evangelical Lutheran Church in America. Published by Augsburg Fortress, Publishers. All rights reserved. Except for brief quotations in critical articles or reviews and for uses described in the following paragraph, no part of this book may be reproduced in any manner without prior written permission from the publisher. Contact: Permissions, Augs- burg Fortress, Box 1209, Minneapolis MN 55440-1209, (800) 421-0239. Permission is granted to reproduce the material on pages i- 154 for study and response, provided that no part of the re- production is for sale, copies are for onetime local use, and the following copyright notice appears: From Principles for Worship, copyright © 2002, administered by Augsburg Fortress. May be reproduced by permission for use only be- tween June 1, 2002 and December 31, 2005. Scripture quotations, unless otherwise noted, are from the New Revised Standard Version Bible © 1989 Division of Christ- ian Education of the National Council of Churches of Christ in the United States of America. Used by permission. Prayers and liturgical texts acknowledged as LBW are copyright © 1978 Lutheran Book of Worship and those acknowledged as With One Voice are copyright © 1995 Augsburg Fortress. The Use of the Means of Grace: A Statement on the Practice of Word and Sacrament, included as the appendix in this volume, was adopted for guidance and practice by the Fifth Biennial Churchwide Assembly of the Evangelical Lutheran Church in America, August 19, 1997. -
Global Christian Worship the Sign of the Cross
Global Christian Worship The Sign of the Cross http://globalworship.tumblr.com/post/150428542015/21-things-we-do-when-we-make-the- sign-of-the-cross 21 Things We Do When We Make the Sign of the Cross - for All Christians! Making ‘the sign of the cross’ goes back to the Early Church and belongs to all Christians. It’s a very theologically rich symbolic action! And did you know that Bonhoffer, practically a saint to Protestant Christians, often made the sign of the cross? (See below.) I grew up “thoroughly Protestant” and did not really become aware of “making the sign of the cross” in a thoughtful way until a few years ago, when I joined an Anglican church. Now it’s become a helpful act of devotion for me …. especially after I found this article by Stephen 1 Beale a few years ago (published online in November 2013) at http://catholicexchange.com/21-things-cross There is rich theology embedded in this simple sign, and as a non-Roman Catholic I appreciate all of the symbolism, and it does indeed deepen my spirituality and devotion. The history of making the symbolic motion goes back to the Early Church, more than a millennia before Protestants broke away in the Reformation. So when a Christian act has that long of a history, I believe that I can claim it for myself as a contemporary Christian no matter what denominations use it or don’t use it now. “Around the year 200 in Carthage (modern Tunisia, Africa),Tertullian wrote: ‘We Christians wear out our foreheads with the sign of the cross’ … By the 4th century, the sign of the cross involved other parts of the body beyond the forehead.” https://en.wikipedia.org/wiki/Sign_of_the_cross So, here is a reposting of Stephen’s list, with additional resources at the end. -
Christian Worship and Cultural Diversity: a Missiological Perspec
Bauer: Christian Worship and Cultural Diversity: A Missiological Perspec Christian Worship and Cultural Diversity: A Missiological Perspective I will begin with a couple of def- initions. First, worship is defined By Bruce L. Bauer as reverence or devotion for a deity, religious homage or venera- tion (Webster’s New World Diction- This article will look at two ary 1984, s.v. “worship”). The vast topics that engender a lot of de- majority of the words for worship bate and disagreement—worship in English Bibles are translated and culture. There are several from the Hebrew word shachah important questions that need to and the Greek word proskuneo. be addressed. How can worship Both words mean to bow down remain biblical and still be cultur- or prostrate oneself before a su- ally relevant? What are some of perior or before God (Seventh-day the biblical principles that should Adventist Bible Dictionary 1979, guide people in all cultures in s.v. “worship”). When I lived in their expression of worship? How Japan people bowed to show re- has American culture dominated spect and the deeper the bow the Adventist worship forms? Why is more respect that was intended. it important to worship God in Bowing in worship is an external culturally relevant ways rather form revealing an inner attitude than having a one size fits all of a desire to show honor. approach to worship? In other Second, culture is defined words, can Adventist worship be as “the more or less integrated expressed in a diversity of ways systems of ideas, feelings, and and still be biblical? values” (Hiebert 1985:30). -
Liturgy and Anglican Identity, Prague, 2005
Liturgy and Anglican Identity A Statement and Study Guide by the International Anglican Liturgical Consultation Prague 2005 Contents: • Overview • Anglican Ethos, Elements, what we value in worship • Some Anglican emphases, trends and aspirations . Bernard Mizeki Anglican Church - South Africa . St Mary’s Anglican Church - England . St Mark’s Anglican Church - Australia . St John’s Anglican Church -Japan • Suggestions for Study Overview We believe that Anglican identity is expressed and formed through our liturgical tradition of corporate worship and private prayer, holding in balance both word and sacramental celebration. Specifically, our tradition is located within the broad and largely western stream of Christian liturgical development but has been influenced by eastern liturgical forms as well. The importance of the eucharist and the pattern of daily prayer were re-focused through the lens of the Reformation, making both accessible to the people of God through simplification of structure and text and the use of vernacular language. Through the exchanges and relationships between the Provinces of the Anglican Communion the legacy of these historic principles continues to inform the on-going revision of our rites and their enactment in the offering to God of our worship. Each Province of the Anglican Communion has its own story to tell, and although within the Communion we are bound together by a common history, what really unites us, as with all Christians, is our one-ness in Christ through baptism and the eucharist. Our unity in baptism and at the table of the Lord is both a gift and a task. We celebrate our unity in Christ and seek to realize that unity through the diversity of backgrounds and cultures within the compass of the world-wide Anglican Communion. -
CSU Chancellor to Retire in 2020 by Brendan Cross STAFF WRITER
Tuesday, Volume 153 Oct. 29, 2019 No. 28 SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 WWW.SJSUNEWS.COM/SPARTAN_DAILY Opinion A&E Sports The sporting world Kanye blends rap Men’s soccer needs to move away and gospel in highly team wins with from racism anticipated album late goals Page 3 Page 4 Page 6 CSU Chancellor to retire in 2020 By Brendan Cross STAFF WRITER California State University The CSU is deeply Chancellor Timothy White woven into the fabric announced Oct. 22 his intent to retire after the end of the 2019-20 of California, having academic year. created opportunities White, who has served as chancellor since 2012, oversees for so many people more than 480,000 students, who now play critical 50,000 faculty and staff members and 23 campuses, including roles in our economic, San Jose State. social and political life. “The CSU is deeply woven into the fabric Timothy White of California, California State University Chancellor having created opportunities for By 2019, the freshman four- so many people year and six-year rates went up who now play by 8 percentage points and 5 WHITE critical roles in percentage points, respectively. our economic, The transfer graduation rates rose social and by 9 percentage points for two-year political life,” White said in a news transfers and 4 percentage points MAURICIO LA PLANTE | SPARTAN DAILY release. “It has been my great honor for four-years. A San Jose Police offi cer secures the perimeter of the crime scene by parking a vehicle on Fifth and San Fernando Saturday night. -
An Order for the Christian Worship of God for the Inperson Service April
An Order for the Christian Worship of God For the Inperson Service 4th Lesson: John 18:19-24 April 2, 2021 Good Friday Liturgical Color: Purple 5th Lesson: John 18:25-27 6th Lesson: John 18:28-32 A Service of Tenebrea During this powerful service recalling the arrest, trial, and 7th Lesson: John 18:33-38a crucifixion of Jesus Christ, fifteen candles will be lit on the Communion Table. An extended meditation on the Passion of 8th Lesson: John 18:38b-40 Christ will be read. One candle will be extinguished at the conclusion of each reading, until the service concludes in 9th Lesson: John 19:1-11 darkness. Praise Interlude “O Sacred Head Now Wounded” WE GATHER Welcome and Announcements Rev. Alex Stevenson 10th Lesson: John 19:12-16 Prelude “O Sacred Head Now Wounded” Nannette Carnes 11th Lesson: John 19:17-22 The Prayer 12th Lesson: John 19:23-24 Almighty God, your Son Jesus Christ was lifted high upon the cross so that he might draw the whole world to himself. 13th Lesson: John 19:25-27 Grant that we, who glory in this death for our salvation may also glory in his call to take up our cross and follow him; 14th Lesson: John 19:28-30 through Jesus Christ our Lord. Amen Anthem “When Jesus Wept” Opening Praise “O Love Divine, What Hast Thou Done” Elizabeth Payton, Cheri King, David King, John Austin King WE HEAR GOD’S WORD AND RESPOND 15th Lesson: John 19:31-37 The Passion of Jesus Christ Tenebrea Service 16th Lesson: John 19:38-42 The service of tenebrae or “darkness” is an ancient Christian form of worship which uses light and darkness to symbolize the death Sealing of the Tomb: of Jesus. -
THE APOSTOLIC AGE Part One: Birth of the Church 1
THE APOSTOLIC AGE 1 Part One: Birth of the Church In this article, we will look at: In studying Church history, we learn about the challenges that our Catholic ancestors faced in every • What is Church history? age as they tried to live their faith and spread it to the • Why study Church history? ends of the earth. • Birth of the Church: Pentecost Day • Persecution of the first Christians As we study Church history, we will encounter saints and villains, Church leaders who inspire us and • Paul Church leaders who scandalize us. Because the Council of Jerusalem • Church is human and made up of imperfect people, it • Formation of the Christian scriptures will sometimes fail us, hurt us and even scandalize • Worship life of early Christians us. But because the Church is divine, it will recover from its failures and grow from strength to strength. What is Church history? Today, the Catholic Church has over one billion members, that is, about 17% of the world’s • Catholic Church history is the story of how the population. community of believers responded to Jesus’ Great Commission to spread his message to the ends of Since we cannot separate the history of the Church the earth (Matt. 28:19-20). from the world where it all occurred, we will touch on the political forces operating during the different • Church history is the story of the people and eras of that period in history. events that have shaped Catholicism since its beginnings in Jerusalem 2,000 years ago. Jesus, Founder of the Church. Catholics believe that Jesus is the founder of the Church. -
1 Contemporary Chrstian Music: Transforming
CONTEMPORARY CHRSTIAN MUSIC: TRANSFORMING CHRISTIAN EXPERIENCE AND IDENTITY By BRITTANY E. CHASE A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2013 1 © 2013 Brittany E. Chase 2 I dedicate this thesis to my parents, who have been unconditionally loving and compassionate throughout my entire academic career. I could not have succeeded without your continuous prayers and encouragement, and I am truly blessed to have you in my life. 3 ACKNOWLEDGMENTS The completion of this thesis would not have been possible without the help of many important people. To my academic advisor and committee chair, Larry Crook, I thank you for your patience, encouragement, and support of my research interests throughout this entire process. I am immensely grateful for your constant kindness and compassion since I arrived at the University of Florida, and I thank you for believing in my ability to succeed and expressing your pride in my work and in me. I could not have accomplished this without your help and guidance. To my committee member, Silvio dos Santos, I thank you for your time and mentoring, and I sincerely appreciate your investment in my future and academic career. I thank my other professors at the University of Florida, Jennifer Thomas, Margaret Butler, Michael Deall, and Rosana Resende, who have fostered my intellectual and musical growth. I have many informants to thank for their honest and open participation in the interviews for this project. I thank Anyerin Drury and Adam Vodicka for sharing the visions of their respective churches, as well as Erica Scarano, Brett McCollum, and Brian Biederman, for taking the time to share their experiences. -
How Christian Musicians Can Glorify God in Their Work
Pepperdine University Pepperdine Digital Commons Theses and Dissertations 2021 Call and response: how Christian musicians can glorify God in their work Sergio Gallardo Palma Follow this and additional works at: https://digitalcommons.pepperdine.edu/etd Part of the Christianity Commons CALL AND RESPONSE: HOW CHRISTIAN MUSICIANS CAN GLORIFY GOD IN THEIR WORK A Thesis Presented to the Faculty of the Religion and Philosophy Division Pepperdine University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Sergio Gallardo Palma April 2021 © 2021 Sergio Gallardo Palma ALL RIGHTS RESERVED ii This thesis, written by SERGIO GALLARDO PALMA under the guidance of a faculty committee and approved by its members, has been submitted to and accepted by the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS April 2021 Faculty Committee _____________________________ Daniel A. Rodriguez, Ph.D., Chairperson ______________________________ Lincoln N. Hanks, Ph.D., Member _____________________________ _____________________________ David Lemley, Ph.D., Member Michael E. Feltner, Ph.D., Dean iii TABLE OF CONTENTS Page ABSTRACT ……………………………………………………………………………………….v CHAPTER 1. Introduction………………………………………………………………………………..1 2. A Pneumatological Theology of Work……………………………………………………4 Miroslav Volf and Work…………………………………………………………………..4 What is Work?…………………………………………………………………………….6 Dominant Understandings of Work……………………………………………………….8 Developing a Theology of Work………………………………………………………...14 Alienation and