The Wave Goodbye Tour Is a Swan Song to Life on the Road, but There's No End in Sight for Trent Reznor's Darkly Alternative
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The Catchiest Disease “Hesitation Marks” Embodies a Ruined Man Many a Personal Downfall in This Album by Max Robison Contributing Writer Especially
Tuesday, Features Sept. 10, 2013 11 “Get to Know a Retriever” Meet Arash Fallah, a student driven to succeed at UMBC have been mentoring me club wrestling team but I would really like to see I really look up to their the team be elevated to a andhumility, I’ve learned grace, aclass lot from. and formal collegiate level. Beverage choice that’s wisdom.is extremely Farrah intelligent,Daham is indicative of your onetrustworthy, of my role models.nuanced She personality? characteristics I admire in anda person. beautiful. Those are Pepsi,Keep Calmit’s sweet and and_________? dark. What is your favorite COURTESY ARASH FALLAH part about UMBC? RelaxHow has UMBC helped Arash Fallah rides a carousel at Whatever you want to you achieve success? Pentagon mall. With little exception, there importance of failure BY DAVID POZNANSKY doare atfew UMBC, obstacles you keepingcan do. It’s taught me the Contributing Writer you from pursuing your understanding that few passions. andadvantages success. comeAs well from as Name, Major, Year? taking a position of conceit. Sports team you’d be most excited to see play a measured impact by Arash Fallah, History and live? I’veapplying learned the lessonshow to of make tact. PoliticalFrom? Science, 2015 Potomac, Maryland challenge myself by taking LosWhat Angeles sport Lakers or activity It’s also encouraged me to Do you have any should UMBC compete in than merely coasting role models? What on a collegiate level? difficultthrough college.courses rather characteristics of theirs do you admire? have such an outstanding [email protected] I think it’s great that we There are two people who The catchiest disease “Hesitation Marks” embodies a ruined man many a personal downfall in this album BY MAX ROBISON Contributing Writer especially. -
Trent Reznor, La Única Persona Detrás De Nine Inch Nails, Es Uno De Mis Artistas Favoritos
musica universalis [NIN] Trent Reznor, la única persona detrás de Nine Inch Nails, es uno de mis artistas favoritos. Quizá no os suene su nombre, pero seguro que habéis escuchado su música muchas veces... n 2011 recibió, junto Sin embargo, «Sunspots», With con Atticus Ross, el Os- Teeth (2005), comienza con man- car a la mejor banda chas solares iluminando sus ojos Esonora por The Social (Sunspots cast a glare in my eyes). Network (2010); produjo el primer En «1,000,000», The Slip (2008), álbum de Marilyn Manson y par- se siente a un millón de millas de tes del segundo y tercero, Anti- distancia, que son unos 250 ra- christ Superstar (1996); algunos dios terrestres o 0,01 unidades temas de su álbum The Fragile astronómicas. Ya se había senti- (1999) se han usado para infini- do a esa distancia en «Hurt», The dad de anuncios y programas de Downward Spiral (1994), por cier- televisión, tráilers de cine y hasta to, inmejorablemente versionea- para torturar a presos en Guan- da por Johnny Cash justo antes «Hera, NASA, manzana y uñas de tánamo; ha colaborado con Mi- de morir. Por «Satellite», Hesi- nueve pulgadas». Portada del sencillo Juno (2016) de Trent Reznor y Atticus nistry, Black Sabbath, David tation Marks (2013), parece que Ross. Juno es en realidad la misión del Bowie (es su perseguidor en el Reznor toma imágenes largas Jet Propulsion Laboratory en órbita videoclip de «I’m Afraid of Ame- que le estropean la exposición: polar alrededor de Júpiter para de- terminar si el planeta tiene un núcleo ricans»), A Perfect Circle, Jane’s Data trails, like fingernails / Scratch sólido. -
“Praying Angrily”
“Praying Angrily” Psalm 69 Erica Cooper Assistant Minister August 4, 2019 The Ninth Sunday of Pentecost In 1993 I attended my very first rock concert. Or concerts, I should say. In the early 90’s Lollapalooza was a budding 4-day outdoor music festival touring the U.S. with top billing bands like Sonic Youth, the Breeders and Green Day. I was thirteen years old, still in middle school, and really had no business being there, but I had some older high school friends who invited me to go, with their mom chaperoning in the background of course. It was hot and humid that day, as is always the case in Atlanta in July. I had been chugging water all afternoon to stay hydrated, and soon needed to use the bathroom. Between bands, I took my friend Nori with me as we headed out on a thirty-minute journey across the field, weaving a bobbing through 20,000 sweaty, sunburned Gen-Xers. We made it to the bathroom finally, and were delighted that the next band had not yet gone on stage, we didn’t miss out on anything. So we headed back across the field to our area where the rest of our friends were. But, somewhere in the middle of our journey, Nori and I lost one another. I looked around but couldn’t find her, and at this same time, another band started to play, so I stopped where I was to listen. This band was unfamiliar to me, a band called Rage Against the Machine. At first I didn’t notice the group of 20- something shirtless men gathering around me. -
GUIDE to SUTURING with Sections on Diagnosing Oral Lesions and Post-Operative Medications
Journal of Oral and Maxillofacial Surgery Journal of Oral and Maxillofacial August 2015 • Volume 73 • Supplement 1 www.joms.org August 2015 • Volume 73 • Supplement 1 • pp 1-62 73 • Supplement 1 Volume August 2015 • GUIDE TO SUTURING with Sections on Diagnosing Oral Lesions and Post-Operative Medications INSERT ADVERT Elsevier YJOMS_v73_i8_sS_COVER.indd 1 23-07-2015 04:49:39 Journal of Oral and Maxillofacial Surgery Subscriptions: Yearly subscription rates: United States and possessions: individual, $330.00 student and resident, $221.00; single issue, $56.00. Outside USA: individual, $518.00; student and resident, $301.00; single issue, $56.00. To receive student/resident rate, orders must be accompanied by name of affiliated institution, date of term, and the signature of program/residency coordinator on institution letter- head. Orders will be billed at individual rate until proof of status is received. Prices are subject to change without notice. Current prices are in effect for back volumes and back issues. Single issues, both current and back, exist in limited quantities and are offered for sale subject to availability. Back issues sold in conjunction with a subscription are on a prorated basis. Correspondence regarding subscriptions or changes of address should be directed to JOURNAL OF ORAL AND MAXILLOFACIAL SURGERY, Elsevier Health Sciences Division, Subscription Customer Service, 3251 Riverport Lane, Maryland Heights, MO 63043. Telephone: 1-800-654-2452 (US and Canada); 314-447-8871 (outside US and Canada). Fax: 314-447-8029. E-mail: journalscustomerservice-usa@ elsevier.com (for print support); [email protected] (for online support). Changes of address should be sent preferably 60 days before the new address will become effective. -
Mouthguard Use Effect on the Biomechanical Response Of
life Article Mouthguard Use Effect on the Biomechanical Response of an Ankylosed Maxillary Central Incisor during a Traumatic Impact: A 3-Dimensional Finite Element Analysis Alexandre Luiz Souto Borges 1, Amanda Maria de Oliveira Dal Piva 1, Laís Regiane da Silva Concílio 2, Tarcisio José de Arruda Paes-Junior 1 and João Paulo Mendes Tribst 1,* 1 Institute of Science and Technology, São Paulo State University (Unesp), São José dos Campos, São Paulo 12220690, Brazil; [email protected] (A.L.S.B.); [email protected] (A.M.d.O.D.P.); [email protected] (T.J.d.A.P.-J.) 2 Department of Prosthodontics, School of Dentistry, University of Taubaté, Taubaté,São Paulo 12020-340, Brazil; [email protected] * Correspondence: [email protected]; Tel.: +55-3947-9000 Received: 15 September 2020; Accepted: 28 September 2020; Published: 20 November 2020 Abstract: (1) Background: Trauma is a very common experience in contact sports; however, there is an absence of data regarding the effect of athletes wearing mouthguards (MG) associated with ankylosed maxillary central incisor during a traumatic impact. (2) Methods: To evaluate the stress distribution in the bone and teeth in this situation, models of maxillary central incisor were created containing cortical bone, trabecular bone, soft tissue, root dentin, enamel, periodontal ligament, and antagonist teeth were modeled. One model received a MG with 4-mm thickness. Both models were subdivided into finite elements. The frictionless contacts were used and a nonlinear dynamic impact analysis was performed in which a rigid object hit the model at 1 m s 1. -
End of an Animal
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2021 End of an Animal Alyx Brittany Chandler University of Montana, Missoula Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Chandler, Alyx Brittany, "End of an Animal" (2021). Graduate Student Theses, Dissertations, & Professional Papers. 11726. https://scholarworks.umt.edu/etd/11726 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. END OF AN ANIMAL By ALYX BRITTANY CHANDLER Bachelor of Arts in Communication & Information Sciences, The University of Alabama, Tuscaloosa, AL, 2016 Bachelor of Science in Commerce & Business Administration, The University of Alabama, Tuscaloosa, AL, 2016 Thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing, Poetry The University of Montana Missoula, MT May 2021 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Keetje Kuipers, Chair Department of Creative Writing Sean Hill Department of Creative Writing Dr. Sara Hayden Department of Communication Studies Chandler, Alyx, M.F.A., Spring 2021 Creative Writing End of an Animal Chairperson: Keetje Kuipers Co-Chairpeople: Sean Hill, Sara Hayden End of an Animal explores the imagined and the contradictory realities of growing up in the South near the Gulf through lyrical poetics and uncompromising language. -
Taking a Bite out of Bruxism by Jordan Moshkovich
1 Jordan Moshkovich Taking a Bite out of Bruxism In this paper, I will be covering parafunctional habits, bruxism (teeth grinding), and other related dental topics that should not only be of interest to anyone with teeth, but have direct application to overall health. Some of the information in this paper may come as news for some, such as the fact that dentists have begun using botox to help relieve some of the symptoms of bruxism (Nayyar et al). This paper will help educate you about dental health and also might supply important information about dental issues you are already facing. Some of these topics might already be familiar to you, however there should be something new for everyone. An old joke that was once told to me, reminds us, “Be true to your teeth and they won’t be false to you.” Dental health is very important for leading a happy, productive life and even though science continues to make important discoveries every day, the fact is that all humans are diphyodonts, therefore we should treat our teeth well, whether they be deciduous or permanent, because once they are gone, a third dentition will not occur. Diseased teeth can wreak havoc on every aspect of a person’s life and this paper should help you keep yours alive and well for many years to come. Upon reading the opening paragraph, one might well ask, “what are parafunctional th habits?” I know when I first heard those words, I did. According to the 4 edition of Illustrated Dental Embryology, Histology, and Anatomy, parafunctional habits are, "Mandible movements not within normal motions associated with mastication, speech, or respiratory movements" (Fehrenbach). -
Articles State Farm “With Teeth”: Heightened Judicial Review in the Absence of Executive Oversight
\\jciprod01\productn\N\NYU\89-5\NYU502.txt unknown Seq: 1 19-NOV-14 15:43 ARTICLES STATE FARM “WITH TEETH”: HEIGHTENED JUDICIAL REVIEW IN THE ABSENCE OF EXECUTIVE OVERSIGHT CATHERINE M. SHARKEY* While courts and commentators have considered the information-forcing role of executive oversight and judicial review of agency action, the dynamic relationship between the two has yet to be considered. This Article presents a novel justification for heightened judicial scrutiny in the absence of meaningful executive oversight, premised on a reasoned decision-making basis. Judicial review of certain types of agency determinations should be more stringent because those determinations have not been vetted by executive oversight and are thus less likely to be premised on reasons backed by empirical support. Agency cost-benefit analyses and agency con- flict preemption determinations—two realms rarely if ever considered together— are compared in terms of their reliance on underlying factual predicates and con- trasted in terms of the existing framework for executive oversight and judicial review of agency determinations. A heightened judicial review standard—what I term “State Farm with teeth”— should guide courts’ evaluations of the cost-benefit analyses performed by indepen- dent agencies not subject to executive oversight. This Article is the first to draw the distinction between independent and executive agencies in the State Farm hard- look context. It is also the first to explore the recent Business Roundtable decision by the D.C. Circuit through this analytical lens. The stringent “State Farm with teeth” standard should likewise be applied to judi- cial review of agency determinations of conflict preemption made in the absence of executive oversight. -
190 HOVERING in DEAD SPACE: the GHOSTLY FUTURE in Please
NOTRE DAME REVIEW HOVERING IN DEAD SPACE: THE GHOSTLY FUTURE IN PLEASE PLEASE GET OVER HERE PLEASE AND THE TERRAFORMERS Jamison Crabtree. please please get over here please. Cartridge Lit, 2017. Dan Hoy. The Terraformers. Third Man Books, 2017. Jayme Russell Lately, I’ve been fixated on ghosts and the future and how those two concepts intersect. At first they seem to be diametrically opposed to one an- other, but they are also permanently interconnected. The two fade into each other; they eerily float together in Venn diagram form. The following chap- books overlap in the same way. The form and content indicate ghostliness and futurity. Although the means of publication, one a physical hand sewn book and the other a digital text on a screen, are extremely different, these two chapbooks have a similar otherworldly atmosphere and tone. When we flip the pages or scroll down, we are caught in the middle of the diagram. I. We arrive at ghosts: A haunt is another word for a face; scary to see so many floating through the world. The ghost lives in digital space in Jamison Crabtree’s please please get over here please. This online chapbook at Cartridge Lit is airy in a world without air. The white background and colorless font creates an empty space and a slow scroll/scrawl of text, at once enticingly ethereal and cautionary. Alive & dead & asleep, bodies ache to press against something new. II. The words float on until abruptly interrupted by the strangeness of videogame language. Like Carol Anne as she channels ghosts, we hear and see sound and picture with sudden clarity amid the onscreen static. -
The Tooth Gets Short Shrift in Anatomy Class: We Spend All of Five Minutes on It
CHAPTER FOUR TEETH EVERYWHERE The tooth gets short shrift in anatomy class: we spend all of five minutes on it. In the pantheon of favorite organs—I’ll leave it to each of you to make your list—teeth rarely reach the top five. Yet the little tooth contains so much of our connection to the rest of life that it is virtually impossible to understand our bodies without knowing teeth. Teeth also have special significance for me, because it was in searching for them that I first learned how to find fossils and how to run a fossil expedition. The job of teeth is to make bigger creatures into smaller pieces. When attached to a moving jaw, teeth slice, dice, and macerate. Mouths are only so big, and teeth enable creatures to eat things that are bigger than their mouths. This is particularly true of creatures that do not have hands or claws that can shred or cut things before they get to the mouth. True, big fish tend to eat littler fish. But teeth can be the great equalizer: smaller fish can munch on bigger fish if they have good teeth. Smaller fish can use their teeth to scrape scales, feed on particles, or take out whole chunks of 81 flesh from bigger fish. We can learn a lot about an animal by looking at its teeth. The bumps, pits, and ridges on teeth often reflect the diet. Carnivores, such as cats, have blade-like molars to cut meat, while plant eaters have a mouth full of flatter teeth that can macerate leaves and nuts. -
Nine Inch Nails Pretty Hate Machine Free
FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well. -
Atticus Ross, Leopold Ross and Bobby Krlic Almost Holy: Original Motion Picture Soundtrack
Atticus Ross, Leopold Ross and Bobby Krlic Almost Holy: Original Motion Picture Soundtrack track listing: 1 One Block Further (4:57) 2 Punching Bag (5:49) 3 Intervention (4:36) 4 Wild Moose (3:41) 5 Pharmacies (5:37) 6 Mokhnenko (4:03) 7 Distance (4:37) 8 Coursing (3:39) 9 Graves (3:42) 10 The End (7:28) key information / selling Points: Hometown / Key Markets: • London, New York, Los Angeles, Chicago, Austin, Portland, San Francisco Selling Points / Key Press: • Electronic score by Oscar-winning composer Atticus Ross (The Social Network, Gone Girl, The Girl With the Dragon Tattoo), his brother Leopold Ross (The Book of Eli), and Bobby Krlic (The Haxan Cloak) After the collapse of the Soviet Union, a number of Ukraine’s youth wound up • The composers appearing on Beats 1 radio and Apple homeless and addicted to a lethal cocktail of injected cold medicine and alcohol. Music supporting the album via playlists and placement Steve Hoover’s documentary Almost Holy follows a pastor named Gennadiy • Steve Hoover’s documentary Almost Holy premiered at Mokhnenko, who saves street kids, at times by forcible abduction, and brings the 2015 Tribeca Film Fest them to his Pilgrim Republic rehabilitation center. The film’s depiction of a • Also screened at International Documentary Film country in the grip of poverty, addiction, and warfare is made even more power- Festival in Amsterdam, Human Rights Watch in ful by its captivating electronic score by award-winning composer Atticus Ross, Toronto, and 40 more festivals all over the world his brother Leopold Ross, and Bobby Krlic (The Haxan Cloak).