Hitchhiker's Guide 2018
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EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage. -
Drum and Bass
HOW TO MAKE DRUM AND BASS __Dozent Johann Köhnen Darkstep Jump Up Dozent Johann Köhnen Dozent __ DIE ENTWICKLUNG Techstep Drumstep Drum & Bass Jungle Hardstep Ragga DnB Breakbeat Hardcore Atmospheric DnB Halftime Neurofunk Liquid Funk Happy How to make Drumand Bass to make How Hardcore __ Jazzstep Sambass DER REESE/REECE BASS Dozent Johann Köhnen Dozent __ __Verstimmter Casio CZ __Phase Distortion (einfache Konkurrenz zu FM) How to make Drumand Bass to make How __ CASIO CZ Dozent Johann Köhnen Dozent __ How to make Drumand Bass to make How __ ERSTE MAL GESAMPLET Dozent Johann Köhnen Dozent __ __Ray Keith OG Junglist __Breaks von alten Hip Hop Records How to make Drumand Bass to make How __ LTJ BUKEM UND DIE GEBURT VON „LIQUID“ Dozent Johann Köhnen Dozent __ __Jazz/Klassik Piano Training __Einflüsse aus diesen Genres __DnB DJ im „Speed“ - Rave Club in London (zs. mit DJ Fabio) How to make Drumand Bass to make How __ __Gegenbewegung von Jungle DAS SCHWEBEN Dozent Johann Köhnen Dozent __ __Triolen oder ungerade Notenanzahl bringt den „Flow“ 3 gegen 4 How to make Drumand Bass to make How __ 5 gegen 4 HEUTIGER SOUND Dozent Johann Köhnen Dozent __ __Grundrhythmus minimalisiert __Halftime immer beliebter How to make Drumand Bass to make How __ HEUTIGER SOUND Dozent Johann Köhnen Dozent __ __Drums allgemein sehr kurz (Transient + Pitch Env) __Phasen Versatz: Extra Transient !! (Nik Noisia / Feed Me) __ How to make Drumand Bass to make How __ Quelle: ARTFX Facebook WORKFLOW IN DRUM AND BASS Dozent Johann Köhnen Dozent __ How to make Drumand Bass -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine. -
Zebra INSPIRATION SOUNDSET
Zebra INSPIRATION SOUNDSET 173 original presets for u-he Zebra v2.5 created by Nick Moritz http://myspace.com/nick.moritz Installation The Zebra INSPIRATION soundest is distributed in zip archive format. After unpacking the original archive you will have the following files: • Zebra INSPIRATION Main mp3 demo. • Zebra INSPIRATION Extras mp3 demo. • Zebra INSPIRATION manual pdf (this document). • Preset folder INSPIRATION by Nick Moritz/ You may copy the mp3 demos and the manual wherever you find convenient. In order to install the presets you must copy the folder and all sub-folders of INSPIRATION by Nick Moritz/ into the Zebra presets folder. This destination folder’s location depends upon your operating system: Windows: (Zebra installation location)/Zebra2.data/Presets/Zebra2/ MacOS X: MacHD/Library/Audio/Presets/u-he/Zebra2/ After you have installed the presets they will show up in Zebra in the “Patches” pane on the left hand side, under the “Local” group. If you copied the presets while Zebra is open you will need to re-load Zebra to locate the soundset. Description The Zebra INSPIRATION soundest contains 173 thoroughly unique and painstakingly crafted presets for Zebra 2.5 or greater. Every preset makes use of the modulation wheel and at least one XY performance pad. A great deal of the presets also make use of keyboard velocity to enhance the expressiveness of the sound. Most XY performance pads are labeled «MIX». In general this XY is configured such that: • The X-Axis changes filter parameters. • The Y-Axis changes the underlying timbre of the sound. I strongly encourage you to experiment with the XY controller! In some cases the sound of the preset is altered into a fundamentally and altogether different sound. -
Building the Panopticon(EXE Project) | Ghz
2/21/2018 Aaron Spectre – Building the Panopticon(EXE Project) | GHz GHz Previous / Next Aaron Spectre – Building the Panopticon(EXE Project) by GHz / December 20, 2016 NEWS aaron spectre, Breakcore, Drum & Bass, DRUMCORPS, Neurofunk New EP by Aaron Specter (Drumcorps) appeared from Gore Tech president label "EXE Project"! http://ghz.tokyo/2016/12/20/aaron_exe_ep/ 1/6 2/21/2018 Aaron Spectre – Building the Panopticon(EXE Project) | GHz In this work it is a conceptual content featuring audio recited from a distorted world view autographed by Aaron Specter in a futuristic DNB / Neurofunk style excluding elements of Ragga Jungle and Punk. "Building the Panopticon" in which heavy bass sound glitches using marching drums frequently appearing in songs of Drumcorps and Aaron Specter appeared all over, "Replicate and Survive" involving distorted acidic baseline in orthodox DNB patterns, Ambient "Robot Future" in which mechanical synths and mechanical phrases and beats were mixed in high dimensions, and "The Void Which Binds" in the fourth song, Hard Drum'n'Bass-like aggressive with a combination of fine breakbeats and heavy kicks It is a variety of contents created based on the idea that can not be thought in ordinary Drum'n 'Bass / Neurofunk creators such as showing off the style. Building the Panopticon Building the Panopticon buy share by Aaron Spectre 1. Building the Panopticon 05:32 2. Replicate and Survive 06:06 3. Robot Future 04:32 4. The Void Which Binds 04:13 Building the Panopticon MV http://ghz.tokyo/2016/12/20/aaron_exe_ep/ 2/6 2/21/2018 -
Dub's Dark Legacy in Drum 'N' Bass Culture Christodoulou, C
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Darkcore: Dub’s Dark Legacy in Drum ‘n’ Bass Culture Christodoulou, C. This is a copy of an article published in the Dancecult: Journal of Electronic Dance Music Culture, 7 (2), 2015. The final definitive version is available online at: https://dx.doi.org/10.12801/1947-5403.2015.07.02.12 © 2015 The Author(s). This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Darkcore: dub’s dark legacy in drum ‘n’ bass culture Chris Christodoulou, London South Bank University, London The popular use of the terms “dark” and “darkness” in bass-oriented electronic dance music (EDM) styles, such as grime, dubstep and jungle/drum ‘n’ bass, points to the recontextualisation of the racial category of blackness on the one hand and the dark uncanniness of post-industrial urban space on the other. Acknowledging the influence of dub on a continuum of bass-oriented EDM styles in the UK, I focus on drum ‘n’ bass to show how “dark” discourses within the dub diaspora can be defined as a critical response, firstly, to the ethnocentric demonisation of blackness as the post-colonial Other of modernity, and secondly, to the destructive conditions created by the political economy of the contemporary city where rapidly changing relationships between class, gender and technology determine access to wealth and social prosperity1. -
Sounding Dark ICA Panel, 9Th September 2016
Sounding Dark ICA Panel, 9th September 2016 Darkcore: dub’s dark legacy in Drum ‘n’ Bass Culture Key Themes ü Drum ‘n’ Bass Darkness ü Dark Otherness ü Dark Futures Talk based on: Christodoulou, Chris (2015) ‘Darkcore: Dub’s Dark Legacy in Drum ‘n’ Bass Culture’, (Dancecult: Journal of Electronic Dance Music Culture, Echoes from the Dub Diaspora, (2015, 7(2)). Drum ‘n’ Bass Darkness Discourses of darkness within jungle/ drum ‘n’ bass culture provide an affirmative critical response to: • The demonisation of blackness as the post-colonial Other of modernity; • the difficult conditions created by the political economy of the contemporary city where rapidly changing relationships between class, gender and technology determine access to wealth and social prosperity. Drum ‘n’ Bass Darkness • Jungle, or ‘jungle-techno’, developed during 1992 as the main soundtrack to London’s inner city rave scene. • Jungle/drum ‘n’ bass: a mainly instrumental genre, based on a combination of powerful bass sounds and hip-hop-style break- beats (‘breaks’) that are either synthesised or digitally sampled from existing sources (funk records; sample packs, etc.); • Breaks looped (repeated) and accelerated to around 174 BPM – around twice the speed of dub tracks. Drum ‘n’ Bass Darkness Jungle’s mainstream popularity peaked in the mid-1990s; Maintains a continued presence as part of global EDM culture in the 2010s, and in the pop charts in radio-friendly form; Its formation can be considered a postcolonial response to the deleterious social effects of globalisation -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Children's Horror, PG-13 and the Emergent Millennial Pre-Teen
Children Beware! Children’s horror, PG-13 and the emergent Millennial pre-teen Filipa Antunes A thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies December 2015 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Filipa Antunes “Children beware!” Abstract This thesis is a study of the children’s horror trend of the 1980s and 1990s focused on the transformation of the concepts of childhood and horror. Specifically, it discusses the segmentation of childhood to include the pre-teen demographic, which emerges as a distinct Millennial figure, and the ramifications of this social and cultural shift both on the horror genre and the entertainment industry more broadly, namely through the introduction of the deeply impactful PG-13 rating. The work thus adds to debates on children and horror, examining and questioning both sides: notions of suitability and protection of vulnerable audiences, as well as cultural definitions of the horror genre and the authority behind them. The thesis moreover challenges the reasons behind academic dismissal of these texts, pointing out their centrality to on-going discussions over childhood, particularly the pre-teen demographic, and suggesting a different approach to the -
English PDF, 12.7 MB
UEBERSCHALL Professional Sample Libraries Founded 1987, Ueberschall crafts audio loops and sound effects for professional audio- und multimedia-productions. Their path led from first selling samples on floppy disks for the widespread Akai S1000 to audio CDs and CD ROMs in different formats such as WAV, AKAI or EXS 24 during the 90s, followed by DVDs with dedicated software-players to our current exclusive website-offer with digital downloads. Today, every customer has worldwide access to the extensive catalogue of Ueberschall products, being able to download his purchases anytime including reloads in case of data loss. Ueberschall’s samples are known for superior quality. We are constantly trying to outperform our own high standards. We regularly invest in latest technology and finest equipment to deliver productions that can truly be called state of the art. Another part of the equation is our careful and competent sound work including precise microphone selections, accurate placement as well as experiments with exotic gear. No product is produced “along the way” but always with dedicated focus. From preproduction to recording sessions, from precise edits to the final quality control, a product may need several months to be published. Currently, Ueberschall’s website offers more than 200 products for purchase as download covering over 40 different genres. This offer ranges from live recordings to programmed beats to sound effects, sounds of nature, scoring tools up to a broad range of dance music styles. In short, a complete range for professional use! It is self-evident that all Ueberschall samples are 100% royalty free and 100% copyright clean! Since 2001, Ueberschall focuses on loop-libraries and plug-ins. -
UVI Drum Designer | Soundbank Manual
Soundbank Manual Software Version 1.5 EN 200402 End-User License Agreement (EULA) Do not use this product until the following license agreement is understood and accepted. By using this product, or allowing anyone else to do so, you are accepting this agreement. This End-User License Agreement (EULA) represents the contractual conditions C- Protection of Software between you, the Licensee, and UVI, located 159 rue Amelot, 75011 Paris - France You agree to take all reasonable steps to protect the Product and any accompanying for the use of software, documentation and other materials created by UVI. documentation from unauthorized copying or use. You agree not to modify the Product to circumvent any method or means adopted or implemented by UVI to You should not register, install or use UVI Products until the protect against or discourage the unlicensed use or copying of the Product. following license agreement is understood and accepted. By using UVI Products, or allowing anyone else to do D- Ownership so, you are accepting this agreement. Ownership of, and title to, the enclosed digitally recorded sounds (including any copies) are held by UVI. A- License Grant Copies are provided to you only to enable you to exercise your rights under the license. 1. UVI grants to you, subject to the following terms and conditions, the non-exclusive right to use each authorized copy of the Product. E- Term 2. UVI Product license are granted only to a single user. You This agreement is effective from the date you open this package, and will remain in may use this product on up to three separate computers or iLok full force until termination. -
Data Specifications and Collection
Ref. Ares(2018)2835897 - 31/05/2018 D2.1 – Data specifications and collection May 31st, 2018 Author/s: Manos Schinas (CERTH), Symeon Papadopoulos (CERTH) Contributor/s: Yiannis Kompatsiaris (CERTH), Frédéric Notet (MMAP), Quimi Luzón (BMAT), Geoffroy Peeters (IRCAM), Rebecka Sjöström (PGM), Daniel Johansson (SYB), Tommy Vaudecrane (BN) Deliverable Lead Beneficiary: CERTH This project has been co-funded by the HORIZON 2020 Programme of the European Union. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use, which may be made of the information contained therein. Multimodal Predictive Analytics and Recommendation Services for the Music Industry 2 Deliverable number or D2.1 – Data specifications and collection supporting document title Type Report Dissemination level Public Publication date 31-05-2018 Author(s) Manos Schinas (CERTH), Symeon Papadopoulos (CERTH) Contributor(s) Yiannis Kompatsiaris (CERTH), Frédéric Notet (MMAP), Quimi Luzón (BMAT), Geoffroy Peeters (IRCAM), Rebecka Sjöström (PGM), Daniel Johansson (SYB), Tommy Vaudecrane (BN) Reviewer(s) Julien Perret (BN), Maria Stella Tavella (MMAP), Vasilis Papanikolaou (ATC), Daniel Molina (BMAT) Keywords music data, data collection, API, database, music platforms, broadcast data, social media, music content, music knowledge base, data management Website www.futurepulse.eu CHANGE LOG Version Date Description of change Responsible V0.1 05/04/2018 First deliverable draft version, table of contents Manos Schinas V0.5 27/04/2018