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(Iowa City, Iowa), 2018-02-08
The Daily Iowan THURSDAY, FEBRUARY 8, 2018 THE INDEPENDENT NEWSPAPER OF THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 DAILY-IOWAN.COM 50¢ News To Know Lamar Wilson guilty of 80HOURS INSIDE: The weekend in arts & entertainment Thursday, February 8, 2018 In the forest of meaning, a tree dances The University of Iowa Dance Department will present a diverse set of works choreographed by the UI Dance faculty and graduate students. BY RHIANA CHICKERING | [email protected] Intricate movements along raphy and a sporadic sense of hu- with stillness and solemn facial mor lighten the ambiance. expressions lead to riveting mo- On Thursday at 8 p.m. the Uni- voluntary manslaughter ments of apprehension as music versity of Iowa Dance Depart- slows down into intense vibra- ment’s Faculty/Graduate Con- tions and lighting shifts. Once the cert will inspire thought through performers return to dancing in both abstract and more concrete unison, the crowd attempts to de- works — some with a sense of hu- code a message from every elabo- mor and others with a deep and rate, meaningful movement. powerful message. After a two-week trial, jurors in Polk County found Lamar Wilson guilty in charges Even still, electrifying choreog- SEE CONCERT, 5B related to the shooting that took place on the Pedestrian Mall in August. A jury in Des Moines reached a verdict on Wednesday morning, find- ing Lamar Wilson guilty of voluntary manslaughter, among other charges, in connection with the shoot- Event Info When: 8 p.m. Thursday, Friday, & Saturday ing in August 2017 on the Where: Space/Place, 20 Davenport St. -
Special Edition Band Songlist
(revised for January 2021) POP/DANCE 24-Karat Magic Bruno Mars Ain't It Fun Paramore Ain't Nobody Chaka Khan All About The Bass Meghan Trainor Attention Charlie Puth Bad Romance Lady Gaga Bang Bang Ariana Grande/Nicki Minaj Bidi Bidi Bom Bom Selena Gomez Big Time Peter Gabriel Billie Jean Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey California Gurls Katy Perry Can't Stop the Feelin' Justin Timberlake Celebration Kool & The Gang Cheap Thrills Sia Cheerleader Felix Jaehn Chunky Bruno Mars Conga Gloria Estefan and The Miami Sound Machine Crazy In Love Beyoncé Dancing Queen Abba Donna Summer Medley Donna Summer Don't Cha Pussycat Dolls Don't Stop The Music Rhianna Drag Me Down One Direction Ex's and Oh's Elle King Faith George Michael Family Affair Mary J Blige Fancy Iggy Azalea feat. Charli XCX Feel It Still Portugal, The Man Finesse Bruno Mars/Cardi B Footloose Kenny Loggins Funkytown Lipps, Inc. Girls Just Wanna Have Fun Cyndi Lauper Give Me Everything Pitbull Good Kisser Usher Groove is in The Heart Deee-Lite Happy Pharrell Williams Havana Camilla Cabello Hella Good No Doubt I Feel For You Chaka Khan I Gotta Feelin' Black Eyed Peas I Wanna Dance With Somebody Whitney Houston I Will Survive Gloria Gaynor Intentions Justin Bieber I'm Like A Bird Nelly Furtado Jealous Nick Jonas Just Dance Lady Gaga Kiss Prince Lady Marmalade LaBelle/Shakira Last Dance Donna Summer Leave Your Hat On Joe Cocker Let's Go Crazy Prince Let's Groove Tonight Earth, Wind and Fire Locked Out Of Heaven Bruno Mars Love on Top Beyoncé -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Pixies Präsentieren Weiteren Song
Erstes wirklich neues Album nach Reunion Pixies präsentieren weiteren Song 19. August 2016, Von: Redaktion Die Bostoner Independent Band Pixies hat für den 30. September ihr erstes neues Studioalbum seit der Reunion 2004 angekündigt. Einen ersten Vorboten namens „Um Chagga Lagga“ hat die Band bereits ins Rennen geschickt, nun folgt mit „Talent“ ein weiterer Song vom neuen Werk. Der neue Song „Talent“ ist eine Hommage an den ukrainischen Schauspieler Jack Palance, der aus Filmen wie „Batman“ bekannt ist und 2006 verstarb. Die Facebook Fans der Pixies zeigen sich gespalten, viele fanden diesen oder den ersten Vorabsong besser, zeigen sich wenig euphorisch, wohingegen andere Fans bereits ihre Liebe zum Song bekunden. Bereits 1986 gründeten sich die Pixies in Boston. Sänger Black Francis und Gitarrist Joey Santiago starteten die Band und bald stießen Bassistin Kim Deal und Schalgzeuger David Lovering dazu. Die erste EP „Come On Pilgrim“ wurde ein Jahr später veröffentlicht. Mit ihren Alben konnten sich die Pixies regelmäßig in den Charts platzieren, einer ihrer größten Hits ist der Song „Where Is My Mind?“ vom 1988er Debütalbum „Surfer Rosa“, der als Soundtrack des Kultfilms „Fight Club“ diente. Obwohl „Where Is My Mind?“ nie als Single veröffentlicht wurde, ist er der bekannteste Track der Band. Das neue Album „Head Carrier“ erscheint am 30. September über das bandeigene Label Pixiesmusic. Vor zwei Jahren veröffentlichten die Pixies bereits „Indie Cindy“, allerdings war auf diesem Album kein wirklich neues Material zu finden, sondern lediglich drei EPs, die im Vorfeld separat veröffentlicht wurden. Links: www.pixies.pmstores.co www.youtube.com/watch?v=-BREFFQi8U0 Ähnliche Artikel auf Rockszene.de: „Den Raum lesen und die richtige Wahl treffen“(04.04.2019) Reunions, alte Hasen und Neulinge(30.09.2016) Wieder Interesse an der Band andthewinneris(20.01.2015) © Copyright: Die Texte und die Fotos in diesem Artikel sind urheberrechtlich geschützt. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Press Release the GRAND THEATER
Performing Arts Foundation, Inc. 401 Fourth Street THE Wausau, WI 54403-5420 715-842-0988 GRAND www.grandtheater.org THEATER Press Release The Grand’s 2018-2019 Season Announced! WAUSAU, WI – June 6, 2018 – After a record-breaking season with 18 sold-out shows, recognition by Pollstar Magazine as one of the Top 150 Theaters in the World, the expansion of the Community Engagement Series, and performances from incredible artists of all kinds, The Grand Theater is proud to announce its 2018-19 Season. The 24 shows in the lineup have earned a combined 13 Grammy Awards, 6 Tony Awards, 86 Top Ten hits, 40 #1 hits, and almost 95 million tickets sold worldwide. As always, The Grand is bringing world-class Broadway to Central Wisconsin, both heartwarming classics and Wausau premiers. The beloved musical story of Maria and the von Trapp family will thrill audiences when a brand-new production of THE SOUND OF MUSIC comes to The Grand in February. Based on the Academy Award winning film of the same name, FINDING NEVERLAND tells the incredible story behind one of the world’s most treasured characters: Peter Pan. Nominated for five Tony Awards, including Best Musical, a brand-new Tenth Anniversary production ROCK OF AGES captures the iconic era that was the big bad 1980s in Hollywood. THE ILLUSIONISTS – LIVE FROM BROADWAY features five of the most incredible illusionists on earth performing acts of grand illusion, levitation, mind-reading, disappearance, and more. Back by popular demand, RAIN – A TRIBUTE TO THE BEATLES returns to The Grand to celebrate the anniversary of the release of the legendary album Abbey Road. -
Postmodern Jukebox Performing Live at Mesa Arts Center November 27, 2016
Media Contact: Casey Blake 480-644-6620 [email protected] Postmodern Jukebox Performing Live at Mesa Arts Center November 27, 2016 Mesa, AZ (April 19, 2016) – Scott Bradlee’s Postmodern Jukebox (PMJ) have announced a 45- date North American headlining tour which includes a one-night-only performance at Mesa Arts Center on Sunday, November 27 at 7:00 p.m. Fans can pre-order tickets Wednesday, April 20 via PMJ’s official site, postmodernjukebox.com. Tickets go on sale to the general public on Friday, April 22 at 10:00 a.m. and will be available at Mesa Arts Center’s Box Office, at mesaartscenter.com and by calling 480-644-6500. The tour follows PMJ’s current 75-date almost completely sold-out international run, which wraps this June. In 2015, the group's sold-out tours of Australia and the United States prompted the Buffalo News to proclaim, “Postmodern Jukebox is literally a postmodern success, extending its reach from the virtual to the real world, touring and performing around the globe for an ever-growing fan base.” Created by Bradlee, the rotating collective of Postmodern Jukebox has spent the past few years amassing more than 450 million YouTube views and 1.9 million subscribers, performed on “Good Morning America,” topped iTunes and Billboard charts and played hundreds of shows to packed-house crowds around the world. As NPR put it, they’ve done this by “taking current Top 40 hits and re-imagining them as coming from older eras of popular music.” In one such remake, Bradlee and Postmodern Jukebox turned Miley Cyrus’ “We Can’t Stop” into a doo-wop ditty that’s garnered over 15.4 million views. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Robert Kenneth Wright's Copeland's Song List
Robert Kenneth Wright’s Copeland’s Song List Song Artist Medium A Kiss to Build a Dream On Louis Armstrong Vocal A Lovely Day Bill Withers Vocal A Song for Mama Boyz II Men Vocal A Whole New World Disney Vocal Addicted to Love Robert Palmer Vocal All I Do Stevie Wonder Piano (WT) All of Me John Legend Vocal/Piano Anniversary Tony Toni Tone Vocal Ask of You Raphael Saadiq Vocal Autumn in New York Tony Bennett Vocal Autumn Leaves Matt Monro Vocal Bad Case of Loving You Robert Palmer Vocal Bad Moon Rising Creedence Clearwater Vocal Beat It Michael Jackson Vocal Before I Let Go Frankie Beverly/Maze Vocal Billie Jean Michael Jackson Vocal Blueberry Hill Fats Domino Vocal Brick House Commodores Vocal Brown Eyed Girl Van Morrison Vocal Buffalo Soldier Bob Marley Vocal Can’t Help Falling in Love Elvis Presley Vocal Can’t Let Go Anthony Hamilton Vocal Careless Whisper George Michael Vocal Cause I Love You Lenny Williams Vocal Celebration Kool and the Gang Vocal Change the World Eric Clapton Vocal Cheek to Cheek Fred Astaire Vocal Circle of Life Disney/Elton John Vocal Close the Door Teddy Pendergrass Vocal Cold Sweat James Brown Vocal Could You Be Loved Bob Marley Vocal Creepin’ Luther Vandross Vocal Dat Dere Tony Bennett Vocal Distant Lover Marvin Gaye Vocal Don’t Stop Believing Journey Vocal Don’t Want to Miss a Thing Aerosmith Vocal Don’t You Know That Luther Vandross Vocal Early in the Morning Gap Band Vocal End of the Road Boyz II Men Vocal Every Breath You Take The Police Vocal Feelin’ on Ya Booty R. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
The Aroostook Times, May 26, 1905
AN INDEPENDENT FAMILY NEWSPAPER. Vol. 46. Houlton, Maine, May 26, 1905. No. 22. stole into his one day in church when come to me ; but—but—~it will be im The Tes^q&'^of Tom Brandt imminent danger of utter destruction. their hearts again and again, and say those pathetic words were read in the possible for me to accept the appoint “ You will find my text in the book Had it been so destroyed, Dot only nothing. And some are talking with Church Directory lesson. And Mrs. Brandt had an un ment, and so I’ll ask you to give it to of Proverbs, 16th chapter, last clause would liberty and material prosperity wives, and endeavoring with brave controllable horror of war and all its someone else.” First Unitarian Church. of the 32nd verse : “ He that ruleth have been banished from America, but words, spoken in the old tones, to drite accompaniments. It had cost her her “ Why did you take the examination, the cause of freedom and progress all COBNSR KkLLRRAN AND MILITARY St his spirit is better than he that taketh from their hearts the awful feat. We then, and make us think you wanted Pastor REV. LEVERETT R. DANIELS a city.” father and her husband ; would it take over the world would have received see them part. We see the wife stand Residenoe 43 School Street. Tom Brandt settled back in the cor away her boy, also ? They had talked it ?” snapped Mr. Dinsmore ; for most destructive blow. It would have ing in the door with the babe in he* SUNDAY SERVICES. -
Rassegna Del 07/12/2019
Rassegna del 07/12/2019 EVIDENZA 07/12/19 Messaggero Cronaca di 50 Moccia e l'amore per superare le delusioni Carbone Barbara 2 Roma 07/12/19 Messaggero Cronaca di 52 Protagonisti. Capossela, ballate per uomini e bestie ... 3 Roma 07/12/19 Repubblica Robinson 38 Nella valigia di Haber Di Gianmarco Rodolfo 4 CLASSICA ED ENTI LIRICI 07/12/19 Corriere della Sera 2 Social e code alle casse: è Tosca mania - Tosca diffusa in musei e Landi Stefano 7 Milano stazioni Sicurezza, 600 agenti in piazza 07/12/19 Repubblica Milano 4 C'è anche Matterella per la Tosca più attesa - La Tosca dei record p.z. 10 con Mattarella 07/12/19 Stampa 24 Tosca in tv dalla A alla Z Sarà la Prima più social di sempre - Mattioli Alberto 12 Tosca in tv dalla A alla Z Sarà la Prima più social di sempre Va in scena anche un tocco pulp COMUNE DI ROMA 07/12/19 Corriere della Sera 31 Lettera. Risponde Aldo Cazzullo. Torino, Napoli, Roma, Firenze? Cazzullo Aldo - Prandi 15 Ipotesi sulla capitale ideale Alessandro 07/12/19 Corriere della Sera 1 Una città durissima da vivere Segantini Edoardo 16 Roma 07/12/19 Repubblica Roma 5 Sindaci contro sindaca I 5S "No alla discarica Raggi ricorra al Tar" de Ghantuz Cubbe 17 - La rivolta dei territori arriva in Campidoglio "No ai vostri rifiuti" Marina 07/12/19 Messaggero Cronaca di 41 Emergenza rifiuti, ecco i siti militari per i camion Ama - Da Castel De Cicco Lorenzo - 19 Roma Romano a Bracciano zone militari per i mezzi Ama Pacifico Francesco 07/12/19 Libero Quotidiano 17 Il derby degli alberi di Natale Meglio Spelacchio o Ferracchio? Tedoldi Giordano 21 WEB 06/12/19 GRAZIA.IT 1 Cosa fare a Roma nel weekend dell’Immacolata - Grazia.it ..