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Epic Fail- The
Epic Fail: Électricité de France and the “Evolutionary Power Reactor” Beyond Nuclear, February 2015 Electricité de France (EdF), the French nationalized electricity utility, banked its nuclear future on the European Pressurized Reactor (EPR) design from Areva (also an almost entirely government-owned corporation.) But the promise for this most “revolutionary” generation III+ reactor has instead disintegrated into an epic tale of failure. The EPR -- known in the U.S. as the “Evolutionary Power Reactor” -- was touted as the newest, most improved reactor design. Areva claimed the EPR would be “a reactor with an unparalleled level of security, extremely resistant to both internal and external risks.” A total of seven EPR units were originally slated to be built in the U.S at: Bruneau, Idaho; Calvert Cliffs, Maryland; Nine Mile Point, New York; Callaway, Missouri; Bell Bend, Pennsylvania; and Victoria Co., Texas (2 units.) See the Beyond Nuclear booklet -- STOP EPR. Four more were slated for the Darlington site in Ontario, Canada but none are moving forward today. The end of EdF’s North American misadventure came in October 2010 when EdF’s American partner, Constellation Energy, pulled out of the EPR “reference” reactor project at the Calvert Cliffs, Maryland site. Faced with no U.S. partners, EdF could no longer comply with the Atomic Energy Act that forbids sole foreign ownership, although this may yet be undermined by efforts of the Nuclear Regulatory Commission to undo it -- a move that could gain support in the Republican majority House and Senate. Today, there are precisely zero EPR reactors under construction in the U.S. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
Polish Journal for American Studies Yearbook of the Polish Association for American Studies
Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) Warsaw 2020 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Ewa Antoszek, Edyta Frelik, Elżbieta Klimek-Dominiak, Zofia Kolbuszewska, Tadeusz Pióro, Elżbieta Rokosz-Piejko, Małgorzata Rutkowska, Stefan Schubert, Joanna Ziarkowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Vegas Options” from the series “Las Vegas.” By permission. www.flickr/photos/jurek_durczak/ ISSN 1733-9154 eISSN 2544-8781 Publisher Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 110 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents ARTICLES Justyna Włodarczyk Beyond Bizarre: Nature, Culture and the Spectacular Failure of B.F. Skinner’s Pigeon-Guided Missiles .......................................................................... 5 Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s ................................................................ 19 Arkadiusz Misztal Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon ............................................................................... 37 Ewelina Bańka Walking with the Invisible: The Politics of Border Crossing in Luis Alberto Urrea’s The Devil’s Highway: A True Story ............................................. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
A Not So Dreamy World of Music Videos the Genius Behind Conjuring up A
6 Arts & Life Editor Joe Wolfe Campus Comment Arts & Life Jessica Rothchild A not so dreamy world of music videos COMMENTARY BY the documentary. GABRIELLE CURCILLO Women do not relax by pools, wrestle in the mud or participate Staff Writer in wet t-shirt contests because they want to, but rather because “Women are nothing but men long for it. sexualized bodies looking for While the morality of music man’s attention,” said Sut Jhally, videos may arise in this docu- the writer, editor and narra- mentary, “Dreamworlds 3” does tor of “Dreamworlds 3: Desire, not want to decide if music vid- Sex and Power in Music Video.” eos are right or wrong. Instead, This documentary, produced it wants to decide whose story is by Media Education Foundation, being told. As supported by the focuses on the portrayal of wom- documentary, not enough stories en in music videos for the past of sexuality are told in the music two decades. Shown Wednesday video industry. Not surprisingly, night in the DeNaples Theater only one is represented: the male, by Students In Free Enterprise white, heterosexual one. Accord- (SIFE) and the Women’s Study ing to this view, women are Program, this video successfully portrayed “like pieces of meat” outlines the disturbing stories that are treated as prostitutes music videos tell and the shock- and strippers. African-American ing origins of these stories. men are portrayed as the violent According to Jhally, music and threatening men who force videos “have relied heavily on women to succumb to their will. female sexuality” to receive It should be noted, though, that higher ratings. -
Supanick Despite This Issue, Surrogates Is Surrogate-Using Population and the Contributing Writer an Adequate Thriller
The RetrIever Weekly 09.29.09 ARTS 17 COURTESY TOUCHstONE PICTURES When the surrogates, the perfect and physically beautiful robotic representations of actual humans start being mur- dered, Tom Greer (Bruce Willis) uncovers an intricate conspiracy regarding the surrogate phenomenon. New film Surrogates explores g omin dystopian robotic sci-fi future C to theaters This week Daniel Supanick Despite this issue, Surrogates is surrogate-using population and the CONTRIBUTING WRITER an adequate thriller. It sports some surrogate-opposing population to by Daniel fun action scenes and has enough explore the nature of these opposing Science fiction has always had suspense and thrills to keep an forces, and what this opposition can a fairly bleak look at robotic audience's attention. Bruce Willis say about humanity. It doesn't use Supanick technology and its applications. does a solid job as Tom Greer, a Greer's escape from his surrogate as According to most every film made police officer who must set aside his a way to examine the world he now about robots and computers, the surrogate and go out in the world as sees with his real eyes. Everything CAPITALISM: A LOVE STORY [PG] The new documentary from Michael Moore focuses on the economic technology will eventually become himself in order to solve a conspiracy just is, and isn't given meaning. crisis and who is to blame for the ongoing disaster. Expect an unslanted, self-aware and destroy or enslave behind the murder of two humans The next problem that plagues balanced, and restrained inside look at the major players in the great the human race. -
Digital Finance and Citizen Action in Financing the Future of Climate-Smart Infrastructure
Financing Climate Futures RETHINKING INFRASTRUCTURE Digital Finance and Citizen Action In Financing the Future of Climate-smart Infrastructure February 2019 The UN Environment Inquiry The Inquiry into the Design of a Sustainable Financial System was initiated by the United Nations Environment Programme (UN Environment) to advance options to improve the financial system’s effectiveness in mobilizing capital towards a green and inclusive economy—in other words, sustainable development. Established in January 2014, it has published three editions of its global, landmark report: the first in October 2015, the second in October 2016, and the third in October 2017. It published its final, global report in April 2018. More information on the Inquiry is at: www.unepinquiry.org or from: Ms. Mahenau Agha, Director of Outreach [email protected]. The Sustainable Digital Finance Alliance The Sustainable Digital Finance Alliance has been founded by UN Environment and Ant Financial Services to address the potential for fintech-powered business innovations to reshape the financial system in ways that better align it with the needs of sustainable development. The Alliance draws in allies from across the worlds of environment, development and finance, who, through their expertise, insights and networks can contribute to collaborative actions with timely and scaled potential. Building on the work of the UN Environment Inquiry published in 2016, Fintech and Sustainable Development: Assessing the Implications, the Alliance published its first paper Scaling Citizen Action on Climate – ANT Financial’s Efforts Towards a Digital Finance Solution in May 2017. More information is available at: [email protected] and www.sustainabledigitalfinance.org. -
Ricky Gervais Actor, Comedian
feedback/ Ricky Gervais actor, comedian Have a conversation with the chatty creator of the award-winning sitcom The Office, and it can be hard to distinguish the truth from a clever zinger. With the release of his new film, The Invention of Lying, on September 25, fans and movie audiences alike can see for themselves. “I’m a loser,” Gervais says of his character. “Then I discover I can lie, and suddenly the shoe’s on the other foot.” We caught up with the comedian to hear about his other favorite truths on animals, alcohol, and food. INTERVIEW BY BEKAH WRIGHT The British funnyman follows his conscience (but keeps his wicked sense of humor) wherever he eats. What would people be surprised What’s the perfect snack? adults, from mammals down not someone who likes to find in your kitchen? Chicken satay dipped in to insects. Antelopes eat deep-sea squid wrapped in Two fridges of wine and peanut sauce or cheese on toast. fermented apples and go down pure gold. I’m not having Champagne. I never want I love salt and monosodium to the watering hole the next it. I want starch, cheese, to run out of chilled Pinot glutamate—the end of instant day and they’re hungover. and chewy, nice meat with Grigio or Fumé Cuvée. ramen noodles when you salt. I don’t eat mollusks, haven’t mixed it well and it’s Where is your favorite restaurant, crustaceans, eels, or squid. Name three foods that are always the strongest bit. Oh, man, and what do you order there? I’ll do deep-fried scampi, in your refrigerator. -
House Md S06 Swesub
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Dr House 6X02 Sub
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