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Princeton GardenTheatre

Previews

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I N C L U D E S O U R M A I N A T T R A C T I O N S A N D S P E C I A L P R O G R A M S

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Welcome to the nonprofit Princeton Garden Theatre

The Garden Theatre is a nonprofit, tax-exempt 501(c)(3) organization.

Our management team.

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Nonprofit Renew Theaters joined the Princeton community as the new operator of the Garden Theatre in July of 2014. We also run three golden-age movie theaters in Pennsylvania – the County Theater in Doylestown, the Ambler Theater in Ambler, and the Hiway Theater in Jenkintown. We are committed to excellent programming and to meaningful community outreach.

General............................................................$11.00 Members ...........................................................$6.00

Seniors (62+) & University Staff.........................$9.00

Students ...........................................................$8.00 Matinees

How can you support the Garden Theatre?

Be a member.

Become a member of the nonprofit Garden Theatre and show your support for good films and a cultural landmark. See back panel for a membership form or join online. Your financial support is tax-deductible.

Mon, Tues, Thurs & Fri before 4:30

Sat & Sun before 2:30.....................................$8.00 Wed Early Matinee before 2:30........................$7.00 Affiliated Theater Members*.............................$6.00

You must present your membership card to obtain membership discounts. The above ticket prices are subject to change.

*Affiliated Theater Members
Be a sponsor.

All members of our theater are entitled to members tickets at all “Renew Theaters” (Ambler, County, Garden, and Hiway), as well as at participating “Art House Theaters” nationwide. For more information, visit our website.

Receive prominent recognition for your business in exchange for helping our nonprofit theater. Recognition comes in a variety of ways – on our movie screens, in our brochures, and on our website. Contact us at 215 348 1878 x112 or at dfl[email protected].

Policies

Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated.

Make a gift.

Your additional gifts and support make us even better. Your donations are fully tax-deductible. Contact our Business Office at 215 348 1878 x117 or at [email protected].
Late Arrivals – The theater reserves the right to stop selling tickets (and/or seating patrons) after a film has started.

Outside Food and Drink – Patrons are not permitted to bring out-

Get our weekly email notices.

side food and drink into the theater.
We can keep you up-to-date on all our events and scheduling

via our weekly email notices. Visit our website to sign up, and then stay plugged into our latest programming news.

Accessibility & Hearing Assistance – The Garden Theatre

has wheelchair-accessible auditoriums and restrooms, and is equipped with hearing enhancement devices. (For headphones, please see the theater manager when you arrive.)

Give us feedback.

Your film experience is the most important thing to us, so we welcome your feedback. Please let us know what we can do better. Contact us at 215 348 1878, or [email protected].

Parking

Check our website for parking information.

We’re nonprofit.

Princeton Garden Theatre LLC is a 501(c)(3) organization, registered in the State of New Jersey. Contributions are deductible to the fullest extent of the law. The official registration and financial information of Princeton Garden Theatre LLC may be obtained from the Attorney General of the State of New Jersey by calling 800 242 5846 or online at http://www.state.nj.us. Registra- tion with the Attorney General does not imply endorsement. Our federal tax identification number is 46-5444212.

Princeton Garden Theatre

160 Nassau Street, Princeton, NJ 08542

609 279 1999 HOTLINE 215 348 1878 Administrative Office PrincetonGardenTheatre.org

PREVIEWS (93) SEPTEMBER 1, 2015 PUBLISHED QUARTERLY BY PRINCETON GARDEN THEATRE LLC 160 NASSAU STREET, PRINCETON, NJ 08542 ISSUE NO. 93

Be a member of the nonprofit
Princeton Garden Theatre.

Show your support for the Garden by becoming a member of our community theater. As a member, you will receive reduced (or free) admission to all films and other events at the theater. Memberships and giſts to the theater are tax-deductible (as described) and will be used to make the theater a valued cultural asset. Join today!

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M E M B E R S H I P F O R M

  • Sustaining Annual Membership
  • Basic Annual Membership

Be a member of the

o $50 Individual

  • o $600 – Mogul
  • o $120 – Producer (one person)

nonprofit Garden Theatre

o $75 Couple/Dual o $40 Senior (62+) o $65 Senior Couple (62+) o $40 Student
Free admission for one named member + 2nd named individual membership with basic benefits o $110 – Senior Producer (62+) (one person) Individual Producer (one person) receives 6 free tickets + basic benefits
The Princeton Garden Theatre is open to the public. However, you can become a member of the nonprofit Garden Theatre and show your support of good films and a cultural landmark and get a reduced ticket price. Contributions are tax-deductible to the full extent of the law. Your membership is valid for one (1) year from your date of joining.

o $1,200 – Angel (Couple)

Receives free admission for two Angel members + basic benefits

o $160 - Producer Couple

Basic membership gives you: • $6.00 admission to all Main films

o $140 - Senior Producer Couple (both 62+)

Producer Couple receives 6 free tickets + basic benefits
• Family Benefit - Member’s children under 18 may attend for $6.00

o $5,000 – Icon (Couple)

Receives free admission for two Icon members + family + basic benefits + one free private screening

o $250 – Executive Producer Couple

o $220 – Senior Exec. Prod. Couple (both 62+)

Executive Producer Couple receives 12 free tickets + basic benefits for couple
• Tax-deductibility

Checks payable to:

Garden Theatre/Renew Theaters, Inc. Mail to: Princeton Garden Theatre 174 Nassau St., Box 211 Princeton, NJ 08542 Membership Cards will be mailed to you.
• $6.00 admission to Hiway, County, and Ambler Theaters

Join online at:

PrincetonGardenTheatre.org/membership
• Membership admission prices are subject to change

$___________Total Membership Fee $___________Extra Gift

NAME(S) ADDRESS

$___________Total

  • CITY
  • STATE

FAX
ZIP
TELEPHONE (HOME) TELEPHONE (WORK) EMAIL

o My check is enclosed. Make checks payable to:

Garden Theatre/Renew Theaters, Inc.

Please charge my: o MasterCard o VISA o Discover o AMEX
Card Number: ______________________________________________________________Exp. Date___________________ Signature____________________________________________________________________________________________

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M A I N A T T R A C T I O N S

Main Attractions

What main films will play at the

Garden? This section lists the Main Attractions that we intend to play in the coming weeks. Additional unlisted films will also become available. This list is only an educated guess, though, since film release plans often change.

When will these main films play?

Scheduling our Main Attractions is weekto-week. On Monday, we decide what main films will play starting that Friday. On Tuesday and Wednesday, we set the showtimes for the upcoming week and then update our website and telephone hotline. We also send out a weekly email (which you can receive by signing up at our website). Sometimes, we book a main film a few weeks in advance, which we post on our website’s “Coming Attractions” section.

For our latest Main Attractions plans,

visit: PrincetonGardenTheatre.org (Or call our hotline at 609-279-1999.)

Carol

Brooklyn

Labyrinth of Lies

Suffragette

UK - 1 hr 45 min - John Crowley

BROOKLYN is the story of a young Irish immigrant trying to adjust to life in New York City. An earnest and moving film with a beautifully written script by Nick Hornby, this period-piece romance was a big hit at the Sundance Film Festival. Starring Saoirse Ronan (from Grand Bu-

dapest Hotel).

Germany - 2 hr 4 min - Giulio Ricciarelli w/ subtitles
UK - 1 hr 46 min - Sarah Gavron

Set in early 20th century England, SUFFRAGETTE stars Carey Mulligan as a working woman who gets recruited into the suffragette movement. This gripping film displays the struggle and courage of early feminist pioneers who faced dangerous circumstances in order to fight for the right to vote. Meryl Streep plays activist Emmeline Pankhurst. Also with Helena Bonham Carter and Brendan Gleeson.
From Germany, a drama that takes place thirteen years after the end of World War II. A young public prosecutor exposes the cover-up of Nazi war crimes by the German government and other major institutions in this intelligent look at a difficult historical moment.

M A I N A T T R A C T I O N S

Labyrinth of Lies

  • Coming Home
  • Spotlight
  • A Walk in the Woods

China - 1 hr 49 min - Yimou Zhang w/ subtitles
USA - 2 hr 6 min - Tom McCarthy

The true story of how reporters for the Boston Globe uncovered a deep-rooted scandal and cover-up within the local Catholic church. A fascinating and compelling thriller with a superb, all-star cast, including Rachel McAdams, Liev Schreiber, Michael Keaton, Mark Ruffalo, and Stanley Tucci.

USA - 1 hr 44 min - Ken Kwapis

Robert Redford and Nick Nolte are featured as two old friends reuniting for one last adventure. Redford plays Bill Bryson, who decides to reconnect with America by hiking the Appalachian trail. Based on Bryson’s memoirs, this film is a humorous look at friendship and returning home. Also with Emma Thompson and Mary Steenburgen.
A beautifully shot film from acclaimed Chinese director Yimou Zhang. A married couple are torn apart when the husband is arrested and taken to a labor camp. After returning home, he is devastated to discover that his wife does not remember him. An intimate and elegant film. Starring Gong Li.

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M A I N A T T R A C T I O N S

Limited Engagements

We try to play each of our Main Attractions films for a full multi-week run. Sometimes, however, we are unable to play a film in a timely or complete way, and it becomes a question of either squeezing it in or not playing it at all. We then often schedule that film for a couple of mid-week screenings, called Limited Engagements. Make sure that you sign up for our weekly email, so that you don’t miss these short, last-chance screenings.

Brooklyn

  • Trumbo
  • The Danish Girl
  • Carol

USA - 2 hr 4 min - Jay Roach

The life and times of the biggest screenwriter in Hollywood, Dalton Trumbo, when he was blacklisted in the Fifties for his political beliefs. Bryan Cranston plays Trumbo in this passionate and revealing film. Also starring Diane Lane and Helen Mirren.

USA - 2 hr - Tom Hooper
USA - 1 hr 58 min - Todd Haynes

Cate Blanchett and Rooney Mara star in this period melodrama set in 1950’s New York. A young department store clerk seeking a better life falls in love with an older, married woman. Brilliant performances from Mara and Blanchett and absorbing, nuanced filmmaking from director Todd Haynes. A quietly powerful film that won high praise at this year’s Cannes Film Festival.
The King’s Speech director Tom Hooper returns with THE DANISH GIRL, a biography of the transgender artist Lili Elbe. After realizing her gender identity, Elbe becomes the recipient of the first attempted male-to-female gender reassignment surgery. Eddie Redmayne, acclaimed for his portrayal of Stephen Hawking last year, plays Elbe. Also with Alicia Vikander and Matthias Schoenaerts.

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Special programs

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Prof Picks

Sept 24 Thurs 7:30

Special Programs

In addition to our Main Attractions, we present special programming throughout the year. These are generally one-time events and include a diverse collection of independent and classic films, works from local filmmakers, and stage productions from London’s National Theatre.

Bombay Velvet

2015 - 2 hr 29 min - India - color DCP - dr: Anurag Kashyap w/ subtitles

From India, this period crime drama about an ordinary man who dreams of making it big. Set in 1960s Bombay, BOMBAY VELVET is adapted from historian Gyan Prakash’s book Mumbai Fables.

Selected and presented with a special introduction by Princeton University Professor of Modern India History Dr. Gyan Prakash and the film’s director Anurag Kashyap.

  • Human Values Film Forum
  • Prof Picks

  • Sept 30 Wed 7:30
  • Sept 28 Mon 7:30

Human Values Film Forum

We are delighted to partner with Princeton University Center for Human Values Film Forum to present four films from their Fall series MIME. The series explores the interplay of music and image, and each of the films screened at the Garden will feature a newly composed score for a silent classic and will be followed by a discussion led by Erika Kiss, Director of the HVFF.

(Additional films for the series will be held in the James Stewart ‘32 Theater on campus at 185 Nassau Street. For more info visit: uchv.princeton.edu)

West Side Story

1961 - 2 hr 32 min - USA - color - DCP - MGM d: Jerome Robbins, Robert Wise - w/ Natalie Wood, Richard Beymer, Russ Tamblyn

Leonard Bernstein’s modern retelling of Shakespeare’s Romeo and Juliet, about two young people from rival New York City gangs who fall in love despite the growing tension between their respective friends. Memorable music and dance sequences, WEST SIDE STORY is spellbinding on the big screen.

Silent with Live Music

People on Sunday

1930 - 1 hr 14 min - Germany - b/w - digital d: Curt and Robert Siodmak - silent w/ live music

Billy Wilder wrote the screenplay for this German drama that follows the lives of a group of residents of Berlin on a summer’s day during the interwar period. Screenplay by Billy Wilder.

Selected and presented with a special introduction by Princeton University Theater Professor Dr. Brian Herrera.

Admission is free.

Special programs

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International Cinema Series

  • Prof Picks
  • Prof Picks

  • Oct 1 Thurs 5:30
  • Oct 1 Thurs Time TBA
  • Oct 7 Wed 7:30

Girlhood

2014 - 1 hr 53 min - France - color - DCP d: Céline Sciamma - w/subtitles

Filmmaker Pacho Velez

Paris is Burning
Manakamana

From the Cannes Film Festival comes GIRLHOOD, the story of a teenager who escapes her abusive homelife and joins an all-girl gang in a poor Paris suburb. The film balances harsh realism with moments of beautiful tenderness and has received universal praise since its premiere in 2014.

1990 - 1 hr 11 min - USA - color - DCP Miramax - d: Jennie Livingston
2013 - 1 hr 58 min - Nepal/USA - color - DCP d: Stephanie Spray, Pacho Velez - w/subtitles

In collaboration with the Visual Arts Department at the Lewis Center for the Arts, we are excited to present MANAKAMANA, a documentary co-directed by the 2015 recipient of the Princeton Arts Fellowship, Pacho Velez . Following a group of pilgrims in Nepal as they travel to worship at the Manakamana Temple, this award-winning documentary has been praised for its visual mastery and unique storytelling.

The screening will be followed by a Q&A with the director. Check our website for more information and registration details.

This groundbreaking documentary explores the 1980s New York drag ball scene. It is a vibrant, entertaining behind-the-scenes look at a mesmerizing counterculture. Digitally restored for the 25th anniversary.

Presented with a special introduction by former Director of Princeton’s Program in Gender and Sexuality Studies and recently named Dean of the College, Dr. Jill Dolan.

Art on Screen

Oct 8 Thurs 7:30

Vincent & Theo

1990 - 2 hr 18 min - Netherlands - color - HD Digital - MGM - d: Robert Altman - w/ Tim Roth, Paul Rhys

Auteur Robert Altman’s telling of the life of Vincent van Gogh, played by Tim Roth. VINCENT & THEO focuses on the artist’s relationship with his brother and caretaker, Theodore van Gogh, and offers cinematic glimpses at the scenery behind some of van Gogh’s most famous work.

Film preservationist Lou DiCrescenzo presents this special evening celebrating over 120 years of movies. Join us as we travel back through time to the birth of film with a special 35mm screening using one of Edison’s original projectors. The evening will also include clips showcasing the big technological leaps of film history as well as interactive exhibits and displays.

Oct 15 Thurs 7:30

Presented with a special introduction by Caroline Harris, Associate Director for Education, Princeton University Art Museum.

The History of Film: Edison’s Treasures from Lou DiCrescenzo’s Vault

Special programs

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Human Values Film Forum

Oct 22 Thurs 7:30

Oct 26 Mon 7:30

Vampyr

1932 - 1 hr 15 min - Germany b/w - d: Carl Theodor Dreyer

Live music by Not So Silent Cinema

We welcome back composer Brendan Cooney and Not-SoSilent Cinema for their new score to the silent classic VAMPYR. This early horror film is a surreal and hypnotic take on the vampire film with experimental camera work and a moody, sinister atmosphere. Cooney’s score is a blend of

Silent with Live Music

Nosferatu

1922 - 1 hr 21 min - Germany - b/w - digital d: F. W. Murnau - silent w/ live music

The MIME series continues with another

acoustic and electronic sounds to create a brooding, transcendental

evening of newly composed live music to

soundscape.

complement this silent horror classic. Many horror-film lovers call this silent German classic the best Dracula adaptation ever.

Tickets: $13.00 General $9.50 Members

Followed by a discussion led by Erika Kiss, Director of the HVFF.

Admission is free.

Local Filmmakers

  • Coming in October
  • Oct 29 Thurs 7:30

Oct 28 Wed 7:30

Talk Cinema

Filmmaker Dan Sickles

The Exorcist

Talk Cinema is coming to the Garden starting in October. This monthly series features sneak previews of award-winning independent and foreign films selected from leading festivals by film critic Harlan Jacobson.

1973 - 2 hr 12 min - USA - color - DCP d: William Friedkin

Mala Mala

2014 - 1 hr 27 min - USA - color - DCP d: Dan Sickles & Antonio Santini

Perhaps one of the scariest movies ever made. A perfect Halloween pick! When a girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter. The results are terrifying. We are excited to be showing the extended Director’s Cut.
Local filmmaker Dan Sickles presents his documentary MALA MALA, a film about the transgender community in Puerto Rico. The film combines artful technique and attentive touches of humanity to craft a mesmerizing look at its subjects’ world. This accomplished film has been praised by the New York Times, The Village Voice, Indiewire, The AV Club, and Variety. Free for members.
The selection may be an indie comedy, a provocative documentary or the next breakout hit. Screenings are introduced and followed by moderated conversations hosted by distinguished guest speakers.

More details at PrincetonGardenTheatre.org.

Followed by a Q&A with the filmmaker.

Special programs

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International Cinema Series

Nov 4 Wed 7:30

Nov 5 Thurs 5:30

The Babadook

2014 - 1 hr 33 min - Australia - color - DCP d: Jennifer Kent

Goodfellas

1990 - 2 hr 26 min - USA - color

From Australia, THE BABADOOK is a neo-horror film that has achieved considerable acclaim worldwide. Amelia, a single mother who lost her husband in a car accident, must deal with her son’s bizarre behavior - and a monster - following the discovery of a mysterious storybook. A visually striking psychological thriller that exceeds far beyond the typical genre tropes.

4K DCP - Warner - d: Martin Scorsese w/ Joe Pesci, Ray Liotta, Robert De Niro

A revered classic of the gangster genre, GOODFELLAS returns with a pristine 4K restoration 25 years after its release. Narrator Henry Hill, based on the real-life criminal, takes us through his rise and fall within the mob. Nominated for six Academy Awards and considered among Martin Scorsese’s best work. Starring Ray Liotta, Robert De Niro, and Joe Pesci.

Prof Picks

Nov 11 Wed 7:30
Nov 18 Wed 7:30

The Sound of Music
Eternal Sunshine of the

Sing-A-Long

Spotless Mind

1965 - 2 hr 54 min - USA - color - 4K DCP 20th Century Fox - d: Robert Wise

Join us for a night of singing along with the Von Trapp family! The iconic Rodgers and Hammerstein musical THE SOUND OF MUSIC is considered one of the greatest films of all time. Follow the bouncing ball and sing your heart out to this wonderfully enjoyable film. Starring Julie Andrews and Christopher Plummer.

2004 - 1 hr 48 min - USA - color - DCP Focus - d: Michel Gondry - w/ Jim Carrey, Kate Winslet, Tom Wilkinson, Mark Ruffalo

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  • Screenplay Pdf, Epub, Ebook

    Screenplay Pdf, Epub, Ebook

    HES JUST NOT THAT INTO YOU : SCREENPLAY PDF, EPUB, EBOOK Jamie Tota | 118 pages | 02 Jun 2020 | Independently Published | 9798650533580 | English | none Hes Just Not That Into You : Screenplay PDF Book And that same wise person told me that I'm the rule. Can you begin to guess what might happen between him and Gigi? He'll make an effort to find your number or ask you out or propose. Filming Locations: Handy Market - W. Log In. Director Ken Kwapis, who has inflicted License to Wed and The Sisterhood of the Traveling Pants on unsuspecting moviegoers, drags out the script by Abby Kohn and Marc Silverstein for a punishing two hours and ten minutes. Toggle navigation User area. And it actually was filmed in Baltimore, mostly around the Canton and Brewers Hill neighborhoods, it would seem. She was the exception, you are not. And there are no mixed messages. Drew Barrymore shops in a CVS. It's exhausting. A dark secret spans several Lists with This Book. I dunno. And would you really want to be in a relationship where you have to work that hard, especially if you finally realize that you're working that hard just to keep yourself interested? The authors have two main lessons to teach: 1. P65 "Pets are God's way of saying, 'Don't lower the bar because you're lonely. Women, they just love decorating, and shopping. Conor is treated badly by hottie yoga teacher and wannabe singer Anna Scarlett Johansson. Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
  • SUNDAY APRIL 30 1-6Pm Downtown Princeton Rain Or Shine

    SUNDAY APRIL 30 1-6Pm Downtown Princeton Rain Or Shine

    The Arts Council of Princeton presents the 47th annual Event Guide SUNDAY APRIL 30 1-6pm Downtown Princeton Rain or Shine PRESENTED IN COLLABORATION WITH THE STUDENTS OF PRINCETON UNIVERSITY WITH SUPPORT FROM THE TOWN OF PRINCETON SPONSORED BY artscouncilofprinceton.org Communiversity ArtsFest 2016 The Arts Council of Princeton presents the 47th annual PRESENTED IN COLLABORATION WITH THE STUDENTS OF PRINCETON UNIVERSITY WITH SUPPORT FROM THE TOWN OF PRINCETON With much appreciation, we thank our sponsors, without whom Communiversity ArtsFest 2017 would not be possible. TITLE SPONSOR SPONSORED BY PRESENTING SPONSORS PREMIUM SPONSORS LOCAL restaurant and bar PARTICIPATING SPONSORS Mistral & elements PrincetonKIDS The Bank of Princeton Orangetheory Fitness Princeton Ruth’s Chris Steak House The Peacock Inn All Saints’ Church Princeton Academy of Schafer Sports Center, LLC Triumph Brewing Company Antimo’s Italian Kitchen the Sacred Heart Second Wind Foundation U.S.1/Princeton Echo Buzzetta’s Festival Foods Princeton Fitness and Wellness Stark & Stark Whole Foods Market Capital Health Princeton Online Stuart Country Day School Winberie’s Restaurant & Bar Ivy Inn Princeton Scoop of the Sacred Heart WPRB Princeton McCaffrey’s Food Markets Princeton Theological Seminary The Animal Hospital at Kingston YWCA Princeton Merwick Care & Rehabilitation Princeton Tutoring and Blawenburg Center PERFORMANCE SCHEDULE TOWN-GOWN STAGE STANHOPE STAGE PAUL ROBESON STAGE Sponsored by Bai Brands Sponsored by Sponsored by Victory Subaru & Located at the intersection
  • Collection Adultes Et Jeunesse

    Collection Adultes Et Jeunesse

    bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal.
  • KATHRYN HIMOFF, ACE Editor

    KATHRYN HIMOFF, ACE Editor

    KATHRYN HIMOFF, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS PLAYERS Trish Sie CAMPFIRE / NETFLIX Feature Film Ross Dinerstein, Ross Girard, Marc Platt UNT. YANCE FORD DOC Yance Ford HARPO FILMS Documentary Keetin Mayakara LOVE, GUARANTEED Mark Steven NETFLIX Feature Film Johnson Stephanie Slack, Margret Huddleston LIMETOWN Rebecca Thomas ENDEAVOR CONTENT / FACEBOOK Pilot & Season 1 Andre Nemec, Josh Appelbaum FINDING STEVE MCQUEEN Mark Steven IDENTITY FILMS Johnson Anthony Mastromauro, Silvio Muraglia THE FINEST Regina King LINCOLN SQUARE / ABC SIGNATURE Pilot Raymond Quinlan, Linda Berman, Pam Veasey EVERY DAY Michael Sucsy MGM / Peter Cron, Paul Trijbits GUARDIANS OF THE GALAXY II James Gunn MARVEL / DISNEY Add’l Editor Louis D’Esposito, Kevin Feige Victoria Alonso, Jonathan Schwartz DICE Series Various Directors SHOWTIME / Furst Films, Richard Shepard THE MAN IN THE HIGH CASTLE David Semel SCOTT FREE PROD. / AMAZON Pilot David Zucker, Ridley Scott, Frank Spotnitz Mark Mitchell THE STRAIN Peter Weller FX Series Deran Sarafian Guillermo del Toro, Carlton Cuse TRUST ME Clark Gregg BRON STUDIOS / Keith Kjarval JOYFUL NOISE Todd Graff ALCON / WARNER BROS. / Andrew Kosove GEORGIA O’KEEFE Bob Balaban SONY MOW Josh Maurer, Alixandre Witlin, Tony Mark APPALOOSA Ed Harris GROUNDSWELL / NEW LINE CINEMA Michael London, Ed Harris, Robert Knott LICENSE TO WED Ken Kwapis WARNER BROS. Robert Simonds, Christine Sacani UGLY BETTY Richard Shepard ABC Pilot Ben Silverman, Teri Weinberg, Silvio Horta THE SISTERHOOD OF THE Ken Kwapis WARNER BROS / ALCON TRAVELING PANTS Andrew Kosove, Debra Martin Chase THE OFFICE Pilot Ken Kwapis NBC / Ken Kwapis, Greg Daniels HOUSE OF 1000 CORPSES Rob Zombie LIONSGATE / Andy Gould POLLOCK Ed Harris SONY CLASSICS / Fred Berner, Jon Kilik Nominated, Academy Award, Best Actor Peter Brant, Joseph Allen Won, Academy Award, Best Supporting Actress KILLING ZOE Roger Avary OCTOBER FILMS Quentin Tarantino, Samuel Hadida INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
  • Transcript Michel Gondry

    Transcript Michel Gondry

    TRANSCRIPT A PINEWOOD DIALOGUE WITH MICHEL GONDRY Michel Gondry is one of the most creative contemporary directors, known for his astonishingly inventive style that combines complex technological innovation with an almost childlike playfulness, and an ability to move fluidly between dream and reality. Gondry has directed feature films (Eternal Sunshine of the Spotless Mind, Be Kind Rewind, The Science of Sleep), documentaries (Dave Chappelle's Block Party), music videos for Bjork, Radiohead, The White Stripes, and Daft Punk, and numerous award-winning commercials. He is also an installation artist who has been featured at Deitch Projects. In this conversation with Chief Curator David Schwartz, Gondry discusses his remarkable career. A Pinewood Dialogue with Michel Gondry draw. And we started a band in maybe ’81, ’82, that moderated by Chief Curator David Schwartz lasted ten years; it was called Oui Oui. I had done (May 9, 2008): some experimentation with animation at an earlier age, and then one day I bought a film camera—I DAVID SCHWARTZ: Please welcome the birthday mean, I was flatmates with my friend Jean-Louis boy, Michel Gondry. (Applause) So what do you Bompoint, who is my DP now. He had some think of when you watch these videos; do you think equipment and he was a director, so he helped me of how hard they were to make? a little bit. That’s how it started. I was doing two minute animated pieces to fit our music, because MICHEL GONDRY: No, actually. I was thinking that the songs were quite minimalist and short, so they they look alright.
  • * Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1

    * Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1

    * hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film
  • BABEL and the GLOBAL HOLLYWOOD GAZE Deborah Shaw

    BABEL and the GLOBAL HOLLYWOOD GAZE Deborah Shaw

    02_shaw:SITUATIONS 10/16/11 12:40 PM Page 11 BABEL AND THE GLOBAL HOLLYWOOD GAZE Deborah Shaw BABEL AND THE GLOBAL HOLLYWOOD GAZE n popular imaginaries, “world cinema” and Hollywood commercial cinema appear to be two opposing forms of filmic production obeying Idiverse political and aesthetic laws. However, definitions of world cin- ema have been vague and often contradictory, while some leftist discourses have a simplistic take on the evils of reactionary Hollywood, seeing it in rather monolithic terms. In this article, I examine some of the ways in which the term “world cinema” has been used, and I explore the film Babel (2006), the last of the three films of the collaboration between the Mexicans Alejandro González Iñárritu and screenwriter Guillermo Arriaga.1 Babel sets out to be a new sort of film that attempts to create a “world cinema” gaze within a commercial Hollywood framework. I exam- ine how it approaches this and ask whether the film succeeds in this attempt. I explore the tensions between progressive and conservative political agendas, and pay particular attention to the ways “other” cul- tures are seen in a film with “Third World” pretensions and U.S money behind it. I frame my analysis around a key question: does the Iñárritu-led outfit successfully create a paradigmatic “transnational world cinema” text that de-centers U.S. hegemony, or is this a utopian project doomed to failure in a film funded predominantly by major U.S. studios?2 I examine the ways in which the film engages with the tourist gaze and ask whether the film replaces this gaze with a world cinema gaze or merely reproduces it in new ways.