Chart: Top25 VIDEO HIP HOP

Total Page：16

File Type：pdf, Size：1020Kb

Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-05-07 --- Previous Report Date(LW): 2012-04-29 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Beez In The Trap (explicit) Ft. 2 Chainz Nicki Minaj Hip Hop Cash Money Records 2 3 Faded Tyga Ft. Lil Wayne Hip Hop YMCMB 3 4 Take Care Ft. Rihanna Drake Hip Hop Cash Money Records 4 5 Bitch Betta Have My Money Tyga Ft Yg Kurupt Hip Hop YMCMB 5 7 Lap Dance Tyga Hip Hop YMCMB 6 10 Fast Lane E-40 Hip Hop SickWit it Records / Warner Bros 7 9 Fuck Da City Up Ft. Young Jeezy (ditry) T.i. Hip Hop Grand Hustle Records / Atlantic 8 13 Hyfr Ft. Lil Wayne Drake Hip Hop Cash Money Records 9 6 So Good B.o.b Hip Hop Atlantic Records 10 12 Hot Wheels (dirty) T.i. Travis Porter And Young Dro Hip Hop Grand Hustle Records 11 8 Nobodys Perfect (explicit) Ft. Missy Elliott J. Cole Hip Hop RCA Records 12 15 88 Ft. Jadakiss Diggy Hip Hop Warner Bros Records 13 18 What Yo Name Iz (remix) Kirko Bangz Ft. Big Sean, Wale And Bun B Hip Hop Warner Bros. Records 14 19 Just Be You Ft. Too Short And J Banks E-40 Hip Hop Sickwit it Records / Warner Bros 15 16 Sabotage Ft. Lloyd Wale Hip Hop MayBach Music 16 Californication David Banner Ft. Snoop Dogg, Nipsey Hussle, The Hip Hop Big Face Records 17 20 She Did It (dirty) Fabolous Hip Hop Island Def Jam Records 18 21 Riot (explicit) 2 Chainz Hip Hop Def Jam Records 19 24 Swear To God Rick Ross Hip Hop MayBach Music 20 Sideline Story J. Cole Hip Hop Roc Nation 21 23 Original (explicit) Ft. Birdman, Lil Wayne Mystikal Hip Hop Cash Money Records 22 Got That Work (dirty) Fabolous Hip Hop Island Def Jam Records 23 25 Slide Over Baby Bash Ft. Miguel Hip Hop Upstairs Records 24 Believe David Banner Ft big K.r.i.t. Hip Hop Big Face Records 25 Bitch Im Rollin (dirty) Chingy Hip Hop Full Dekk * Moved up the chart * New this week Nov 20, 2012 10:45 AM.

Copy Link

Recommended publications

Chart: Top25 VIDEO HIP HOP
Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-04-29 --- Previous Report Date(LW): 2012-04-22 TW LW TITLE ARTIST GENRE RECORD LABEL 1 3 Beez In The Trap (explicit) Ft. 2 Chainz Nicki Minaj Hip Hop Cash Money Records 2 2 Leave You Alone (explicit) Ft. Ne-yo Young Jeezy Hip Hop Island Records 3 6 Faded Tyga Ft. Lil Wayne Hip Hop YMCMB 4 4 Take Care Ft. Rihanna Drake Hip Hop Cash Money Records 5 10 Bitch Betta Have My Money Tyga Ft Yg Kurupt Hip Hop YMCMB 6 13 So Good B.o.b Hip Hop Atlantic Records 7 21 Lap Dance Tyga Hip Hop YMCMB 8 14 Nobodys Perfect (explicit) Ft. Missy Elliott J. Cole Hip Hop RCA Records 9 16 Fuck Da City Up Ft. Young Jeezy (ditry) T.i. Hip Hop Grand Hustle Records / Atlantic 10 19 Fast Lane E-40 Hip Hop SickWit it Records / Warner Bros 11 15 Im In Love With A White Girl Ft. Yo Gotti Gucci Mane Hip Hop Warner Bros 12 20 Hot Wheels (dirty) T.i. Travis Porter And Young Dro Hip Hop Grand Hustle Records 13 Hyfr Ft. Lil Wayne Drake Hip Hop Cash Money Records 14 1 Ayy Ladies Travis Porter Ft. Tyga Hip Hop RCA Records 15 17 88 Ft. Jadakiss Diggy Hip Hop Warner Bros Records 16 18 Sabotage Ft. Lloyd Wale Hip Hop MayBach Music 17 22 Boobie Miles (explicit) Big K.r.i.t. Hip Hop Def Jam Records 18 23 What Yo Name Iz (remix) Kirko Bangz Ft. Big Sean, Wale And Bun B Hip Hop Warner Bros.
[Show full text]
Chart: Top25 VIDEO HIP HOP
Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-05-20 --- Previous Report Date(LW): 2012-05-13 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Beez In The Trap (explicit) Ft. 2 Chainz Nicki Minaj Hip Hop Cash Money Records 2 2 Faded Tyga Ft. Lil Wayne Hip Hop YMCMB 3 3 Take Care Ft. Rihanna Drake Hip Hop Cash Money Records 4 4 Bitch Betta Have My Money Tyga Ft Yg Kurupt Hip Hop YMCMB 5 5 Lap Dance Tyga Hip Hop YMCMB 6 6 Hyfr Ft. Lil Wayne Drake Hip Hop Cash Money Records 7 8 Fuck Da City Up Ft. Young Jeezy (ditry) T.i. Hip Hop Grand Hustle Records / Atlantic 8 7 Fast Lane E-40 Hip Hop SickWit it Records / Warner Bros 9 10 Hot Wheels (dirty) T.i. Travis Porter And Young Dro Hip Hop Grand Hustle Records 10 14 Twerk It (xxx) V.i.c Hip Hop Interscope Records 11 13 What Yo Name Iz (remix) Kirko Bangz Ft. Big Sean, Wale And Bun B Hip Hop Warner Bros. Records 12 16 Californication David Banner Ft. Snoop Dogg, Nipsey Hussle, The Hip Hop Big Face Records 13 17 Riot (explicit) 2 Chainz Hip Hop Def Jam Records 14 15 Just Be You Ft. Too Short And J Banks E-40 Hip Hop Sickwit it Records / Warner Bros 15 20 Sideline Story J. Cole Hip Hop Roc Nation 16 19 She Did It (dirty) Fabolous Hip Hop Island Def Jam Records 17 23 Swear To God Rick Ross Hip Hop MayBach Music 18 22 Got That Work (dirty) Fabolous Hip Hop Island Def Jam Records 19 Bag Of Money Wale Ft.
[Show full text]
Chart: Top25 VIDEO HIP HOP
Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-04-15 --- Previous Report Date(LW): 2012-04-08 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ayy Ladies Travis Porter Ft. Tyga Hip Hop RCA Records 2 3 Leave You Alone (explicit) Ft. Ne-yo Young Jeezy Hip Hop Island Records 3 2 Rack City (remix)-ymcmb Tyga Ft. Young Jeezy, Fabolous Meek Mill T.i. And Hip Hop YMCMB 4 4 Spend It (remix) 2 Chainz Ft Ti Hip Hop Def Jam Records 5 5 Freaky Tales (remix) (dirty) Too Short & Snoop Dogg Hip Hop Up All Nite Records 6 7 Round Of Applause Ft. Drake (dirty) Waka Flocka Flame Hip Hop Atlantic Records 7 8 Slight Work Ft. Big Sean (dirty) Wale Hip Hop MayBach Music 8 9 High Definition (dirty) Rick Ross Hip Hop MayBach Music 9 10 I Just Wanna Ft. Tony Yayo (dirty) 50 Cent Hip Hop G Unit Records 10 11 Function Ft. Yg, Problem & Iamsu E-40 Hip Hop SickWidItRecords / BME / Warner 11 6 Drank In My Cup Kirko Bangz Hip Hop Intoxication / Reprise Records 12 17 Im In Love With A White Girl Ft. Yo Gotti Gucci Mane Hip Hop Warner Bros 13 15 Got One (dirty) 2 Chainz Hip Hop Def Jam Records 14 21 So Good B.o.b Hip Hop Atlantic Records 15 18 Nobodys Perfect (explicit) Ft. Missy Elliott J. Cole Hip Hop RCA Records 16 22 Sabotage Ft. Lloyd Wale Hip Hop MayBach Music 17 20 Hard In Da Paint (freestyle) Tyga Hip Hop YMCMB 18 Fast Lane E-40 Hip Hop SickWit it Records / Warner Bros 19 Fuck Da City Up Ft.
[Show full text]
Journal of Religion & Society
ISSN 1522-5668 Journal of Religion & Society The Kripke Center Volume 14 (2012) A Religious Hustle T.I. and Jay-Z’s Lyrical Narratives from “the Trap” to the Spiritual Sharon Lauricella and Samuel Kyereme, University of Ontario Institute of Technology Abstract The coexistence of the religious (or “holy”) and the secular (the “profane”) has been identified and celebrated in the context of hip hop and rap music; references to prayer and spirituality are present, while the “hustler” and “gangster” stereotype is simultaneously referenced and played out in this popular genre. This paper considers T.I. and Jay-Z as two different manifestations of the holy and profane in rap music. While both rappers identify with the concept of divinity in their work, their approach to the coexistence of the holy and profane is different. T.I. promotes worship of a Christian God, while Jay-Z wants to be worshipped as a human incarnation of the holy in rap. This analysis offers the first scholarly analysis of T.I.’s contribution to rap and religion, and suggests that Jay-Z’s self-appointment as the “God” of rap is an alternative construct of the traditional holy and profane identification in rap music. Introduction God give new beginnings, you can start right now (T.I., A Better Day, 2008). One of the nuances in hip hop – and also in Motown, blues, and music brought to North America from West Africa – is that the sacred and secular are not mutually exclusive. Reed shows that in rap and hip hop music, and also in other traditionally Black music genres, the “profane” (that is, the secular) can and does coexist with the “holy” (or, references to God or the Divine).
[Show full text]
Adidas Originals Unite All Originals Press
Very few DJs can jump from club sets to high-profile festival performances, to Kanye West’s larger- than-life stadium shows with ease. In today’s DJ culture, A-Trak holds a truly unique place. He and partner Nick Catchdubs founded America’s most trendsetting new label, Fool’s Gold, launching the careers of artists such as Kid Sister and Kid Cudi. Fool’s Gold’s mission to merge all aspects of club music was already outlined in Trizzy’s original mixtape manifesto, Dirty South Dance, which set the tone for his own production. He is now one of the most sought-after remixers in electronic music, and his remixes for the likes of the Yeah Yeah Yeahs and Boys Noize have become undeniable mainstays in DJ sets the world over. 2009 saw the release of two critically acclaimed DJ mixes, Infinity +1 and Fabriclive 45, as well as the birth of Duck Sauce, his collaboration with Armand Van Helden. The duo’s radio smash “aNYway” cemented itself as the dance anthem of the year, A-Trak’s first true chart- topper with two videos in international rotation and across-the-board support from Pete Tong to Busy P, David Guetta to 2manydjs. Duck Sauce’s 2010 follow up “Barbra Streisand” was even bigger, a whistling pop sensation that accumulated over 60 million YouTube views of its star-studded video while hitting platinum heights around the globe. They even covered it on X-Factor and Glee! Not bad for a kid whom many viewed as a 90’s turntablism prodigy.
[Show full text]
Ti Dimetrap Album Torrent Download Pirate
t.i. dimetrap album torrent download pirate bay T.i. dimetrap album torrent download pirate bay. Last Updated: 22 May, 2021, EST. Does the Pirate Bay Hide Your Identity? There are basic things everyone should acknowledge before using The Pirate Bay. One of those things is that the website does not hide your identity. It is dependent on the user to come up with ways to protect their identity and ensure they stay safe on the internet. No matter how often you use The Pirate Bay, you don’t want to be caught. There are many ways people can go incognito on Pirate Bay. Unlock entry to ThePirateBay. Works on any device. The most obvious solution to protecting yourself on Pirate Bay is by using a VPN. A VPN is a Verified Private Network that will hide your information and your IP address, so you can surf the web freely. Though this is a great way to use the Pirate Bay Network, users should still be aware that it is not 100% reliable. Pirate Bay users should also use an I2P application to go invisible online. This will help them become as safe and secure as possible. Click the following link to browse The Pirate Bay. Android devices supported. No one, including the Pirate Bay creators, are protected by the site itself. Uploading and downloading the torrents are illegal and a form of copyright infringement. Know what you can be charged with before using The Pirate Bay and make the necessary adjustments to browse safely. How to find forums related to the Pirate Bay.
[Show full text]
Chart: Top25 VIDEO HIP HOP
Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-04-22 --- Previous Report Date(LW): 2012-04-15 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ayy Ladies Travis Porter Ft. Tyga Hip Hop RCA Records 2 2 Leave You Alone (explicit) Ft. Ne-yo Young Jeezy Hip Hop Island Records 3 23 Beez In The Trap (explicit) Ft. 2 Chainz Nicki Minaj Hip Hop Cash Money Records 4 Take Care Ft. Rihanna Drake Hip Hop Cash Money Records 5 5 Freaky Tales (remix) (dirty) Too Short & Snoop Dogg Hip Hop Up All Nite Records 6 Faded Tyga Ft. Lil Wayne Hip Hop YMCMB 7 6 Round Of Applause Ft. Drake (dirty) Waka Flocka Flame Hip Hop Atlantic Records 8 7 Slight Work Ft. Big Sean (dirty) Wale Hip Hop MayBach Music 9 8 High Definition (dirty) Rick Ross Hip Hop MayBach Music 10 Bitch Betta Have My Money Tyga Ft Yg Kurupt Hip Hop YMCMB 11 10 Function Ft. Yg, Problem & Iamsu E-40 Hip Hop SickWidItRecords / BME / Warner 12 9 I Just Wanna Ft. Tony Yayo (dirty) 50 Cent Hip Hop G Unit Records 13 14 So Good B.o.b Hip Hop Atlantic Records 14 15 Nobodys Perfect (explicit) Ft. Missy Elliott J. Cole Hip Hop RCA Records 15 12 Im In Love With A White Girl Ft. Yo Gotti Gucci Mane Hip Hop Warner Bros 16 19 Fuck Da City Up Ft. Young Jeezy (ditry) T.i. Hip Hop Grand Hustle Records / Atlantic 17 20 88 Ft. Jadakiss Diggy Hip Hop Warner Bros Records 18 16 Sabotage Ft.
[Show full text]
Global Hip-Hop Icons Tip “T.I.” Harris & Nasty C Feature In
PRESS RELEASE GLOBAL HIP-HOP ICONS TIP “T.I.” HARRIS & NASTY C FEATURE IN EXCLUSIVE KEYNOTE CONVERSATION AT MIDEM DIGITAL EDITION T.I. and Nasty C Paris, 22 May 2020 – Midem, home of the global music community, today announces that global hip-hop giants, T.I. and Nasty C, will feature in Midem Digital Edition, delivering a keynote conversation on 3rd June 2020 An Exclusive Keynote Conversation Between Hip-hop Icons In this exclusive and unique online conversation, T.I. and Nasty C will discuss their creative relationship as an illustrative example of the global nature of hip-hop today. The two giants of their genre will explore the significance of U.S hip-hop artists supporting and collaborating with other major hip-hop artists around the world. The keynote will be also the occasion to debate how brands could step up and do for hip-hop, and music in general, what they have always done for sports, given music has just as much global and universal reach and appeal as sport, just without the equivalent of an Olympics as a branding platform. Midem Director, Alexandre Deniot, welcomes this addition to the Midem Digital Edition programme, saying, “We’re delighted to have the chance to welcome stars like T.I. and Nasty C to our event. Insights into their collaborative creative process will be invaluable to our community, especially the emerging artists joining us, who will surely be inspired by this session. It’s vital for us all right now to be sharing best practices and any other tips that can nurture the careers of those entering the industry.
[Show full text]
"TI" Joseph Harris, Jr., Et Al. 19-CV-02125-Class Action Complaint
Case 1:19-cv-02125-CAP Document 1 Filed 05/10/19 Page 1 of 56 IN THE UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF GEORGIA ATLANTA DIVISION KENNETH FEDANCE, individually ) and on behalf of the class described ) below, ) ) Plaintiff, ) ) v. ) Case No. ) CLIFFORD “T.I.” JOSEPH HARRIS, ) JR. and RYAN FELTON, ) ) Defendants. ) JURY TRIAL DEMANDED ) CLASS ACTION COMPLAINT Plaintiff, KENNETH FEDANCE, individually and on behalf of the class described below, by and through his undersigned attorneys, complains against Defendants, CLIFFORD “T.I.” JOSEPH HARRIS, JR. and RYAN FELTON as follows: Plaintiff hereby alleges the following based upon personal knowledge as to the allegations concerning himself and based upon the investigation of his counsel, which includes, without limitation: (a) review and analysis of certain public statements, and other documents disseminated by or concerning the Defendants named herein and related parties; (b) communications with counsel for related - 1 - Case 1:19-cv-02125-CAP Document 1 Filed 05/10/19 Page 2 of 56 parties; (c) review and analysis of public documents in similar and related cases; and (d) review and analysis of archived publicly available social media postings by Defendants. I. NATURE OF ACTION 1. This is a securities fraud case brought by Plaintiff, who was duped into purchasing now worthless securities called FLiK Tokens. 2. The Defendants employed social media, celebrity endorsements, and well-known industry experts to create the false impression that FLiK Tokens were a valuable liquid investment in a classic “pump and dump” scheme. 3. When the “pump” was completed and the price of FLiK Tokens increased from $.06 to $.21, the Defendants and related parties “dumped” their tokens and disappeared from social media.
[Show full text]
Journal of Hip Hop Studies
et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2017 1 Journal of Hip Hop Studies, Vol. 4 [2017], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Senior Editorial Advisory Board: Anthony Pinn, Rice University James Paterson, Lehigh University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Associate & Copy Editor: Travis Harris, Doctoral Candidate, College of William and Mary Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Shanté Paradigm Smalls, St. John’s University (NYC) Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Mr. Jon Gill, Claremont University Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University https://scholarscompass.vcu.edu/jhhs/vol4/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) Save The Kids Foundation (http://savethekidsgroup.org/) Published by VCU Scholars Compass, 2017 3 Journal of Hip Hop Studies, Vol.
[Show full text]
Chart: Top25 VIDEO HIP HOP
Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-07-29 --- Previous Report Date(LW): 2012-07-23 TW LW TITLE ARTIST GENRE RECORD LABEL 1 2 Dont Wake Me Up Chris Brown Hip Hop RCA Records 2 4 No Lie (explicit) Ft. Drake 2 Chainz Hip Hop Disturbing tha Peace 3 6 Black Magic (dirty) Meek Mill Ft. Rick Ross Hip Hop Grand Hustle Records 4 10 Actin Up Ft. French Montana Wale meek Mill Hip Hop MayBach Music 5 12 Cashin Out Ca$h Out Hip Hop Bases Loaded / Epic Records 6 7 Candy Paint gold Teeth (feat. Ludacris bun B) Waka Flocka Flame Hip Hop Atlantic Records 7 1 Mercy Ft. Big Sean, Pusha T, 2 Chainz (dirty) Kanye West Hip Hop Island Def Jam Records 8 9 Love This Life T.i. Hip Hop Atlantic Records 9 16 All His Love (dirty) 50 Cent Hip Hop Interscope Records 10 18 Hands In The Air Ft. Ne-yo Timbaland Hip Hop Interscope Records 11 20 Around My Way (freedom Aint Free) Lupe Fiasco Hip Hop Atlantic Records 12 14 Mirror (remix) Rick Ross Hip Hop Island Def Jam 13 15 So Sophisticated (explicit) Ft. Meek Mill Rick Ross Hip Hop MayBach Music 14 My Homies Still (explicit) Ft. Big Sean Lil Wayne Hip Hop Cash Money Records 15 17 Turn Up 2 Chainz Ft. Cap 1 Hip Hop T.R.U. Records 16 Pop That (explicit Version) French Montana Hip Hop Bad Boy Records 17 21 Twerk It V.i.c. Hip Hop Warner Bros Records 18 23 Ride Like That (explicit) Ft.
[Show full text]
Iggy Azalea and the Reality Performance
The New Real: Iggy Azalea and the Reality Performance Tara Morrissey, University of Sydney I’m the first of my kind, / You ain’t seen any? Iggy Azalea, ‘Murda Bizness.’ Hip-hop—as rap music, as music video, as style and aesthetic, and as cultural meme—is a site of simultaneous representation and creation, reflection and revision. The well- worn hip-hop mantra of ‘keeping it real’ simultaneously points to retention (‘keeping,’ maintaining) and the elusive ‘real’ in which the culture has remained invested since its inception in the 1970s. Hip-hop realness should not, however, be confused with realism, but rather understood as a performative gesture. Likewise, the twenty-first century proliferation of the reality television genre celebrates the performance of the hyper-real in a way that deliberately complicates traditional distinctions between fiction and reality. In his manifesto on our contemporary infatuation with ‘reality,’ David Shields argues that ‘realness is not reality, something that can be defined or identified. Reality is what is imposed on you; realness is what you impose back’ (2011: 98). Australian rapper Iggy Azalea, whose positionality as a white female in hip-hop’s problematically black male-centric space immediately troubles her bid for hip-hop authenticity, presents a particularly interesting case for the ways in which twenty-first century performances of the hyper-real in both hip-hop and reality television converge. Although the particularities of what constitutes real-ness or authenticity in the hip-hop context have in the years since the culture’s documented beginnings been subject to a continuous process of revision and redefinition, the ethos of being real and representing PORTAL Journal of Multidisciplinary International Studies, vol.
[Show full text]