Congressional Record—Senate S283
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The Modes of Ancient Greek Music
www.24grammata.com LIBRARY OF WELLESLEY COLLEGE PRESENTED BY Prof, K. H. Horsford www.24grammata.com www.24grammata.com www.24grammata.com www.24grammata.com www.24grammata.com THE MODES OF ANCIENT GREEK MUSIC MONRO www.24grammata.com Bonbon HENRY FROWDE Oxford University Press Warehouse Amen Corner, E.G. glen? ^orft MACMILLAN & CO., 66, FIFTH AVENUF. www.24grammata.com The Modes of Ancient Greek Music BY D. B. MONRO, M.A. PROVOST OF ORIEL COLLEGE, OXFORD HONORARY DOCTOR OF LETTERS IN THE UNIVERSITY OF DUBLIN AT THE CLARENDON PRESS 1894 www.24grammata.com 'fA^' Opfovb PRINTED AT THE CLARENDON PRESS BY HORACE HART, PRINTER TO THE UNIVERSITY ;^ www.24grammata.com n. DEDICATED TO THE PROVOST AND FELLOWS OF TRINITY COLLEGE DUBLIN ^€LV0(TVVr]9 €V€Ka www.24grammata.com www.24grammata.com PREFACE The present essay is the sequel of an article on Greek music which the author contributed to the new edition of Smith's Dictionary of Greek and Roman Antiquities (London, 1890-91, art. Musica). In that article the long-standing controversy regarding the nature of the ancient musical Modes was briefly noticed, and some reasons w^ere given for dissenting from the views maintained by Westphal, and now very generally accepted. A full discussion of the subject would have taken up more space than was then at the author's disposal, and he accordingly pro- posed to the Delegates of the Clarendon Press to treat the question in a separate form. He has now to thank them for undertaking the publication of a work which is necessarily addressed to a very limited circle. -
MYTHS R, 44ORSE 'MYTHOLOGY ANNA
NOS0-430 ERIC REPORT RESUME ED 010 139 1 a.09.0.67 24 QRE VI NYTHS,..*LAI MATURE ORR ICULUM: STUDENT VERS IOU. it I TZH ABER RaR60230', &.14IVERS ITV OF mesa* =MESE CRP -Pi 449-10 RR- 5.11360-v40 ..45 ED itS C E MP'S Os 13 HC..424i60 cop it SEVENTH GRADE, *STUDY -GUIDES, *CURRIE Cdi.UN GUIDES, -*LITERATURE* *NYTHOLOGY. - ENGLISH C URRI GUM. -LITERATURE PROGRAMS EUGENE, OREGON PROJECT ENGL. UN, NB4 GRAMMAR PRESENTED- HERE WM A ,STUDY t-S_VI OE: FOR.STUDENT USE; A .-SEWENTHGRADE L/ TER ATUR E CURRI CULUNT I NTROOUCTOLir XATER/AL los PaesENTE0 ON GREEK MYTHS r, 44ORSE 'MYTHOLOGY ANNA :. AMERICAN INDIAN r prIfiquisfeatsivoir GUEST IONS SUGGESTED A CT I VItIES9 AND Ass REFERENCE soft of PITIliS VritE PRESENTED. AN ACCONIANY-INS *GUIDE WAS PREPARED FOR TEACfrIERS EL) 010 140I e: UN/ .0) rave:t e PT.PARThMIT EnUCI1.11%; ante wet rA.RE Office of Education mils document has been reproduced exactly as received from the person or organ:zat:on originating it. Points of view or .op':nions stated do not necessarily represent official -Office of Education position or policy. OREGON CURRICULUM,. STUDY CENTER Trri-S"lir" in 11.3 Literature Curriculum I Studait Version The project reported heksinwas supported through the Cooperative Research Program ofthe Office of Education, U, S. Department of Health,Education, and Welfare. 4 4 r 7777*,\C 1,,IYTHS General. Introduction How was the world made? Where did the first people live? Why are we here? To all of these questions people have sought answers for thousands of years. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 108 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 108 CONGRESS, FIRST SESSION Vol. 149 WASHINGTON, FRIDAY, AUGUST 1, 2003 No. 117 House of Representatives The House was not in session today. Its next meeting will be held on Wednesday, September 3, 2003, at 2 p.m. Senate FRIDAY, AUGUST 1, 2003 (Legislative day of Monday, July 21, 2003) The Senate met at 9:30 a.m., on the SCHEDULE at about this time—in fact, exactly expiration of the recess, and was called Mr. FRIST. Mr. President, this morn- this time—the odds of completing this to order by the President pro tempore ing the Senate will be in a period for bill, in most people’s minds, was very (Mr. STEVENS). morning business in order that Sen- narrow. Yet both sides of the aisle ators may speak and have an oppor- working together developed an ap- PRAYER tunity to introduce legislation. There proach with which I think everybody is The Chaplain, Dr. Barry C. Black, of- will be no rollcall votes during today’s pleased. It is the important next step fered the following prayer: session. When the Senate completes its in developing a bill that I am confident Let us pray. business today, we will adjourn for the the President will be able to sign short- Eternal Lord God, who is the ‘‘Rock August break. of Ages,’’ You are our shield, and we Today, in addition to Member state- ly after we deliver it to him as a final find refuge in You. -
The Josho Nahuanbo Are All Wet and Undercooked
ROE: Shipibo Views of the Whiteman 107 During the course of excavating sites in the UcayaJi baSin, my Shipibo 5 workers discovered a ceramic artifact which they promptly (and in some hilarity) identified as a §hebiinanti. Archaeologists usually label any enigmatiC artifact for which a technical function is not immediately apparent a "ceremonial object," and in this case they would be right. It The Josho Nahuanbo Are All Wet was a small, slightly concave, baked ceramic rectangle with incised designs on one surface; the modern counterpart is painted with prelire and Undercooked: Shipibo Views designs in the Shipibo style. It serves as a "vaginal bandage or cover" and is an integral part of the Shipibo-Conibo female puberty rite, the of the Whiteman and the Incas ani §hiiati (big drinking). Applied after a radical clitoridectomy (Roe I982a:93-112) , it is discarded onto the midden after the girl heals, in Myth, Legend, and History precisely where we recovered it. A veritable uNaven" in the Batesonian sense (Lathrap, Gebhart-Sayer, and Mester 1985:78), this ceremony was Peter G. Roe a "condensed metaphor" giving insight into the whole of Shipibo Conibo cosmology. Since this ceremony and the artifact that is central to it are unique to the Shipibo-Conibo, the modern cultural affiliations of the archaeological complex seem clear. My interest in the interrelationships of history and myth among the We also recovered a cache of one pure native copper axe and one Shipibo Indians of the Peruvian montana accidentally began while copper spokeshave a t the site. Both of these artifacts were tar too soft to I was researching the Late Prehistory of the upper Ucayali River. -
The New World Mythology in Italian Epic Poetry: 1492-1650
THE NEW WORLD MYTHOLOGY IN ITALIAN EPIC POETRY: 1492-1650 by CARLA ALOÈ A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Italian Studies School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT My thesis explores the construction of the New World mythology as it appears in early modern Italian epic poems. It focuses on how Italian writers engage with and contribute to this process of myth-creation; how the newly created mythology relates to the political, social and cultural context of the time; and investigates extent to which it was affected by the personal agendas of the poets. By analysing three New World myths (Brazilian Amazons, Patagonian giants and Canadian pygmies), it provides insights into the perception that Italians had of the newly discovered lands in the Sixteenth and Seventeenth Centuries, as well as providing a greater understanding of the role that early modern Italy had in the ‘invention’ of the Americas. -
Appendixes Appendix A
APPENDIXES APPENDIX A Yeats's Notes in The Collected Poems, 1933 The Spelling of Gaelic Names In this edition of my poems I have adopted Lady Gregory's spelling of Gaelic names, with, I think, two exceptions. The 'd' of 'Edain' ran too well in my verse for me to adopt her perhaps more correct 'Etain,' and for some reason unknown to me I have always preferred 'Aengus' to her 'Angus.' In her Gods and Fighting Men and Cuchulain of Muirthemne she went as close to the Gaelic spelling as she could without making the names unpro nounceable to the average reader.'-1933. Crossways. The Rose (pages 3, 25) Many of the poems in Crossways, certainly those upon Indian subjects or upon shepherds and fauns, must have been written before I was twenty, for from the moment when I began The Wanderings of Oisin, which I did at that age, I believe, my subject-matter became Irish. Every time I have reprinted them I have considered the leaving out of most, and then remem bered an old school friend who has some of them by heart, for no better reason, as I think, than that they remind him of his own youth.' The little Indian dramatic scene was meant to be the first scene of a play about a man loved by two women, who had the one soul between them, the one woman waking when the other slept, and knowing but daylight as the other only night. It came into my head when I saw a man at Rosses Point carrying two salmon. -
For a Falcon
New Larousse Encyclopedia of Mythology Introduction by Robert Graves CRESCENT BOOKS NEW YORK New Larousse Encyclopedia of Mythology Translated by Richard Aldington and Delano Ames and revised by a panel of editorial advisers from the Larousse Mvthologie Generate edited by Felix Guirand and first published in France by Auge, Gillon, Hollier-Larousse, Moreau et Cie, the Librairie Larousse, Paris This 1987 edition published by Crescent Books, distributed by: Crown Publishers, Inc., 225 Park Avenue South New York, New York 10003 Copyright 1959 The Hamlyn Publishing Group Limited New edition 1968 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the permission of The Hamlyn Publishing Group Limited. ISBN 0-517-00404-6 Printed in Yugoslavia Scan begun 20 November 2001 Ended (at this point Goddess knows when) LaRousse Encyclopedia of Mythology Introduction by Robert Graves Perseus and Medusa With Athene's assistance, the hero has just slain the Gorgon Medusa with a bronze harpe, or curved sword given him by Hermes and now, seated on the back of Pegasus who has just sprung from her bleeding neck and holding her decapitated head in his right hand, he turns watch her two sisters who are persuing him in fury. Beneath him kneels the headless body of the Gorgon with her arms and golden wings outstretched. From her neck emerges Chrysor, father of the monster Geryon. Perseus later presented the Gorgon's head to Athene who placed it on Her shield. -
First Name Americanization Patterns Among Twentieth-Century Jewish Immigrants to the United States
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2017 From Rochel to Rose and Mendel to Max: First Name Americanization Patterns Among Twentieth-Century Jewish Immigrants to the United States Jason H. Greenberg The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1820 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FROM ROCHEL TO ROSE AND MENDEL TO MAX: FIRST NAME AMERICANIZATION PATTERNS AMONG TWENTIETH-CENTURY JEWISH IMMIGRANTS TO THE UNITED STATES by by Jason Greenberg A dissertation submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirements for the degree of Master of Arts in Linguistics, The City University of New York 2017 © 2017 Jason Greenberg All Rights Reserved ii From Rochel to Rose and Mendel to Max: First Name Americanization Patterns Among Twentieth-Century Jewish Immigrants to the United States: A Case Study by Jason Greenberg This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the thesis requirement for the degree of Master of Arts in Linguistics. _____________________ ____________________________________ Date Cecelia Cutler Chair of Examining Committee _____________________ ____________________________________ Date Gita Martohardjono Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT From Rochel to Rose and Mendel to Max: First Name Americanization Patterns Among Twentieth-Century Jewish Immigrants to the United States: A Case Study by Jason Greenberg Advisor: Cecelia Cutler There has been a dearth of investigation into the distribution of and the alterations among Jewish given names. -
159 Athena Katsanevaki CHROMATICISM
Athena Katsanevaki Chromaticism – a theoretical construction or… Athena Katsanevaki CHROMATICISM – A THEORETICAL CONSTRUCTION OR A PRACTICAL TRANSFORMATION? Abstract: Chromaticism is a phenomenon which is shared by different musical cultu- res. In the Balkans it is evident both in ecclesiastical and traditional music. In an- tiquity it was attested by ancient Greek writers and was described in theory. It is also apparent in different forms in ancient Greek musical fragments. Nevertheless it is disputed whether it represents a theoretical form (genus) or reflects a musical practice and its formation. Apart from any theoretical analysis of ancient Greek testimony, ethnomusicology can contribute to an explanation by classification and interpretation of various forms in which chromaticism is found in the Balkans. In Northwestern Greece many different forms can offer us various melodic paths that, if followed by vocal or instrumental musical practice, result in special chromatic melodic move- ments. Such movements reveal the genesis of tense chromatic and actually reveal some implications about the differences between the two chromatic shades (tense and soft) in traditional and ecclesiastical music. Keywords: chromatic, hemitonic pentatonic, anhemitonic pentatonic, the Balkans, Nikriz. Introduction In Northwestern Greece a chromatic element is found in traditional melodies. These melodies, using purely pentatonic tunings, present an alteration of a tone on top of the tetrachord. This chromatic element is usually not presented as a clear chromaticism. It is considered to be a practice which colors the melodies. In this system found in Northwestern Greece the chromatic element is attested in many ways as a flexible practice which becomes stabilized and concludes a musical structure. -
The Gospel of Hellas
the gospel of hellas THE GOSPEL OF HELLAS The Mission of Ancient Greece and The Advent of Christ the gospel of hellas eneral view of side, W. view ofeneral side, G Athens: Acropolis Acropolis Athens: THE GOSPEL OF HELLAS The Mission of Ancient Greece and The Advent of Christ by F R E D E R I C K H I E B E L We must not follow those who advise us mortals to think of mortal things, but we must, so far as we can, make ourselves immortal. – aristotle (Nikomachean Ethics) 1949 ANTHROPOSOPHIC PRESS new york 2008 Research InstitUte for Waldorf EDUcation Wilton, NH the gospel of hellas The electronic publication was funded by the Waldorf Curriculum Fund © Research Institute for Waldorf Education, 2008 Editor: David Mitchell Scanning and Copyediting: Ann Erwin Cover design: Scribner Ames Antrhrposophic Press, 1943 ISBN: None Preface Out of print reference books are often difficult to locate. Through the foresight and support of the Waldorf Curriculum Fund, this title has been resurrected and is now available gratis in an electronic version on www.waldorflibrary.org, one of the websites of the Research Institute for Waldorf Education. We hope you will find this resource valuable. Please contact us if you have other books that you would like to see posted. – David Mitchell Research Institute for Waldorf Education Boulder, CO August 2008 the gospel of hellas To my dear wife Beulah Emmet Hiebel By the same author: shakespeare and the awakening of modern consciousness TABLE OF CONTENTS preface ........................................................................................................11 introduction: A New View of Hellenic Culture ....................................13 chapter I: The Hellenic Consciousness ....................................................18 1. -
The American English Pronunciation of Greek Immigrants: a Study in Language Contact with Pedagogical Implications
This dissertation has been microfilmed exactly as received ® 7-2402 ALATIS, James Efstathios, 1926- THE AMERICAN ENGLISH PRONUNCIATION OF GREEK IMMIGRANTS: A STUDY IN LANGUAGE CONTACT WITH PEDAGOGICAL IMPLICATIONS. The Ohio State University, Ph.D., 1966 Language and Literature, linguistics University Microfilms, Inc., Ann Arbor, Michigan ^ Copyright by JAMES EFSTATHIOS ALATIS 1967 THE AMERICAN ENGLISH PRONUNCIATION OF GREEK IMMIGRANTS: A STUDY IN LANGUAGE CONTACT WITH PEDAGOGICAL IMPLICATIONS DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By James E; A latis, A.B., M.A The Ohio State University 1966 Approved by: Ar-*-**0-** /ft* A dviser d v i s e r gy Department of English "We are ell Greeka. Our laws, our literature, our religion, our arte have their roots In Greece." •-Percy Bysshe Shelley 11 ACKNOWLEDGMENTS I would like to express ray deep gratitude to Professor Francis Lee Utley for his Invaluable advice and guidance. Without his contin uous encouragement and understanding, this study would never have been possible. Since he introduced toe to the field of English Linguistics, I have benefited again and again from his wide-ranging knowledge, his teaching, and his friendship. Professor Robert M. Estrlch wrote me an important letter at a crucial moment In my career, which inspired me to make the decision that resulted In the actual writing of this dissertation. I shall never forget him for this. 1 am grateful also to Dr. Kenneth W. Mlldenberger, Director of Programs, Modern Language Association of America (formerly of the U.