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Rock and Roll Rockandrollismyaddiction.Wordpress.Com
The Band, Ten Years After , Keef Hartley Band , Doris Troy, John Lennon ,George Harrison, Leslie West, Grant Green, Eagles, Paul Pena, Bruce Springsteen, Peter Green, Rory Gallagher, Stephen Stills, KGB, Fenton Robinson, Jesse “Ed” Davis, Chicken Shack, Alan Haynes,Stone The Crows, Buffalo Springfield, Jimmy Johnson Band, The Outlaws, Jerry Lee Lewis, The Byrds , Willie Dixon, Free, Herbie Mann, Grateful Dead, Buddy Guy & Junior Wells, Colosseum, Bo Diddley, Taste Iron Butterfly, Buddy Miles, Nirvana, Grand Funk Railroad, Jimi Hendrix, The Allman Brothers, Delaney & Bonnie & Friends Rolling Stones , Pink Floyd, J.J. Cale, Doors, Jefferson Airplane, Humble Pie, Otis Spann Freddie King, Mike Fleetwood Mac, Aretha Bloomfield, Al Kooper Franklin , ZZ Top, Steve Stills, Johnny Cash The Charlie Daniels Band Wilson Pickett, Scorpions Black Sabbath, Iron Butterfly, Buddy Bachman-Turner Overdrive Miles, Nirvana, Son Seals, Jeff Beck, Eric Clapton John Mayall, Neil Young Cream, Elliott Murphy, Años Creedence Clearwater Bob Dylan Thin Lizzy Albert King 2 Deep Purple B.B. King Años Blodwyn Pig The Faces De Rock And Roll rockandrollismyaddiction.wordpress.com 1 2012 - 2013 Cuando decidimos dedicar varios meses de nuestras vidas a escribir este segundo libro recopilatorio de más de 100 páginas, en realidad no pensamos que tendríamos que dar las gracias a tantas personas. En primer lugar, es de justicia que agradezcamos a toda la gente que sigue nuestro blog, la paciencia que han tenido con nosotros a lo largo de estos dos años. En segundo lugar, agradecer a todos los que en determinados momentos nos han criticado, ya que de ellas se aprende. Quizás, en ocasiones pecamos de pasión desmedida por un arte al que llaman rock and roll. -
I...Jà„ the FRIDAY MORNING QUARTERBACK ALBUM REPORT
KAL RUD M AN I _.I.....jà„ PUBLISHER BILL HARD EDITOR SEPT. 13, 1985 THE FRIDAY MORNING QUARTERBACK ALBUM REPORT TM A PROGRAMMING GUIDE EXECUTIVE MEWS • 1930 EAST MARLTOr• PIKE, F36 • CHERRY HILL, NEW JERSEY 08003 • (609) 424-9114 lhliell Choking TOMMY SHAW. "RENO'S THEME (WHA1 IF)", A8.11... STARSHIP. "KNEE DEEP IN THE HOOPLA". RCA... Tommy has always been great at coming up with "We Built This City" builds 14-7, thanks to 27 wonderful melodies--with his boyish charm and vDcals play ups and max--and it's still early. The pulling the women and his axe work fine with the guys, single may star on the session--but song contri - This time he'll score big with adults too--thanks to butions from hot dogs like Bernie Taupin, Kimberly that classy lass on the chorus and the week's most (Katrina) Rew, Peter Wolf (the other one) and hummable hook. Yo! Elmo, say hi to Remo. Michael Bolton tell us you better get past the JOE LYNN TURNER. "ENDLESSLY". ELEKTRA...I 've "City" limits. Try "Tomorrow", "Private Room" and "Before I Go"--good stuff from their most revita- followed him with interest since the Fandango Days-- lized and relevent Lp since "Red Octopus". and have long felt Joe Lynn had the talent to take his own bad self somewhere far over the rEinbow. All HEADPINS. 0STILL THE ONE", MCA... The Pins can he needed was that reeely big song--and bust my turn it up and hit as hard as any outfit in the ballad if this powerful panty melter ain't it. -
His Eyes Looked Like Eggs, with the Yolks Broken Open, With
PO Box 42129, Los Angeles, CA 90042 #18 www.razorcake.com picked off the road, and sewn back on. If he didn’t move with such is eyes looked like eggs, with the yolks broken open, with authority, it’d’ve been easy to mistake him as broken. bits of blood pulsing through them. Before he even opened His voice caught me off guard. It was soft, resonant. “What’re HHup his grease stained tennis bag, I knew that there was you looking for?” nothing I’d want to buy from him. He unzipped the bag. Inside, “Foot pegs.” I didn’t have to give him the make and model. He there were ten or fifteen carburetors. Obviously freshly stolen, the knew from the connecting bolt I held out. rubber fuel lines cut raggedly and gas leaking out. “Got ‘em. Don’t haggle with me. You got the cash?” I placed “No. I’m just looking for foot pegs.” the money in his hand. “Man, you could really help me out. Sure you don’t want an “That’s what I like. Cash can’t bounce. Follow me.” upgrade? There’s some nice ones in here.” We weaved through dusty corridors, the halls strategically There were some very expensive pieces of metal, highly mined with Doberman shit. To the untrained eye, the place looked polished, winking at me. I could almost hear the death threats their in shambles. No care was taken to preserve the carpet. Inside-facing previous owners’ bellowed into empty parking lots. windows were smashed out. He bent down, opened a drawer with a “No. -
Tito & Tarantula
Booking D: Booking AT/CH: The Living Proof Agency GOVINDA ARTIST SERVICES IT SOUNDS GmbH Liebigstr.3 49074 Osnabrück Pfarrgasse 6 Strubbergsfeld 6 A-6020 Innsbruck [email protected] www.govindas.at 49086 Osnabrück 01712044844 mobile: +43(0)699-1234 787 0 [email protected] http://www.tlpa.de/ fon/fax:+43(0)512-322 716 http://www.itsounds.de/ Tito & Tarantula „8 ARMS TO HOLD YOU-Tour 2019“ Info Nach langer Zeit werden Tito & Tarantula in diesem Sommer das lang erwartete, neue Album „8ARMS TO HOLD YOU (It Sounds / Rough Trade) veröffentlichen.Für die Aufnahmen wählte Tito Larriva das legendäre Sonic Ranch Studio in seiner Heimatstadt ElPaso/Texas. „8 ARMS TO HOLD YOU“ fängt die Farben und Gerüche der Wüste ein. Ist leidenschaftlich und romantisch. Zusammen mit Titos‘ elektrisierenden Vocals ein weiteres Meisterstück seiner langen und erfolgreichen Karriere als Musiker, Komponist und Schauspieler. http://www.titoandtarantula.com http://www.facebook.com/TitoAndTarantulaOfficial TITO & TARANTULA „8 ARMS TO HOLD YOU-Tour 2019“ 27.09. Osnabrück, Rosenhof 28.09. Hameln, Sumpfblume 29.09. Dortmund, Piano 01.10. Leipzig, Moritzbastei 02.10. Erfurt, HsD 03.10. Berlin, SO 36 04.10. Göttingen, MUSA 05.10. Koblenz, Cafe Hahn 06.10. Cham, LA 08.10. Hamburg, Markthalle 09.10. Neunkirchen, Stummsche Reithalle 10.10. Würzburg, Posthalle 11.10. Hannover, Musikzentrum 12.10. Worpswede, Music Hall 13.10. Düsseldorf, ZAKK 15.10. Konstanz, Kulturladen 16.10. Frankfurt, Batschkapp 17.10. Heidelberg, Halle O2 18.10. Karlsruhe, Substage 19.10. Freiburg, Jazzhaus 20.10. Köln, Gloria 22.10. München, Backstage 23.10. Ulm, Roxy 24.10. -
Ruben Guevara Records and Papers, Date (Inclusive): [Ca
http://oac.cdlib.org/findaid/ark:/13030/kt129023x3 No online items Finding Aid for the Ruben Guevara Records and Papers [ca. 1970-2004] Processed by CSRC/ Ernesto Martinez. Chicano Studies Research Center, UCLA UCLA Chicano Studies Research Center Library 144 Haines Hall Box 951544 Los Angeles, CA 90095-1544 Phone: (310) 206-6052 Fax: (310) 206-1784 URL: http://www.chicano.ucla.edu/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the Ruben 29 1 Guevara Records and Papers [ca. 1970-2004] Descriptive Summary Title: Ruben Guevara Records and Papers, Date (inclusive): [ca. 1970-2004] Collection number: 29 Creator: Guevara, Ruben Extent: 2 linear feet Repository: University of California, Los Angeles. Library. Chicano Studies Research Center, UCLA Los Angeles, California 90095-1490 Abstract: Rubén Funkahuátl Guevara is a singer, songwriter, producer, writer, poet, performance artist, and impresario. He made his mark in music with his 1970s band Ruben & the Jets, who recorded two albums on the Mercury Record label, the first produced by the legendary Frank Zappa. In the early eighties, and again in the mid-nineties, he ran Zyanya Records, a subsidiary of Rhino Records. At Zyanya, he compiled and released three albums in the 1980s and two in the 1990s, which featured Chicano rock artists, as well as rock en Español groups from Latin America and Europe. He has composed a rock gospel cantata, created art videos and performance art pieces, provided music composition and coordination for movies and television, and put together shows featuring music and dance. He has been aptly called a culture sculptor. -
Musicians in Trust: Argentina and the Globalization of Popular Music
MUSICIANS IN TRANSIT This page intentionally left blank MUSICIANS IN TRANSIT Argentina and the Globalization of Popu lar Music matthew b. karush Duke University Press • Durham and London • 2017 © 2017 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Text designed by Courtney Leigh Baker Typeset in Whitman by Westchester Publishing Books Library of Congress Cataloging- in- Publication Data Names: Karush, Matthew B. (Matthew Benjamin), [date] author. Title: Musicians in transit : Argentina and the globalization of pop u lar music / Matthew B. Karush. Description: Durham : Duke University Press, 2016. | Includes bibliographical references and index. Identifiers: lccn 2016028811 (print) | lccn 2016029536 (ebook) isbn 9780822362166 (hardcover : alk. paper) isbn 9780822362364 (pbk. : alk. paper) isbn 9780822373773 (e- book) Subjects: lcsh: Music— Argentina—20th century— History and criticism. | Musicians— Argentina. | Music and globalization— Latin Amer i ca. | Music and transnationalism— Latin Amer i ca. Classification: lcc ml231.5 .k37 2016 (print) | lcc ml231.5 (ebook) | ddc 780.92/282— dc23 lc rec ord available at https:// lccn . loc . gov / 2016028811 Cover art: Astor Piazzolla and the Quinteto Nuevo Tango. 1962. Courtesy of the Archivo General de la Nación. For my parents, ruth and nathaniel karush, with love And in memory of my sister, deborah erwin, 1966–2016 This page intentionally left blank contents Acknowl edgments • ix Note about Online Resources • xi Introduction • 1 1 Black -
Charanga Cakewalk”: Tejano Music Takes Center Stage
“Charanga Cakewalk”: Tejano Music Takes Center Stage Claude CHASTAGNER Université Paul-Valéry, Montpellier 3, France Department of English [email protected] ABSTRACT This paper explores the sounds of the Tejano community, and probes to what extent the musical production of a given ethnic group is constitutive of a global American sound, or if on the contrary, it serves to foster the interests and the leverage of the said group, unraveling in the process the very notion of a unified American culture. The study is based on the work of Michael Ramos, founder and leader of the influential band Charanga Cakewalk, a Tejano musician with typically strong roots both in the Mexican and in the US communities. The music of Charanga Cakewalk, which draws equally from the Latino and Anglo idioms, while mixing old school genres with contemporary experimentations, helps to assess the impact of staging subversive sounds that dislocate the dominant ones. Keywords: Tejano music, Chicano music, Charanga Cakewalk, Michael Ramos, Latino music To a greater extent than most Western countries, the United States is associated to specific musical sounds, which have come to play a central role in defining Americanness. Many different communities, be they ethnic, regional, or class based, have used popular music to display key symbolic features of their identities and stage aural representations of the image they have of themselves, or they wish to project. American popular music is commonly equated with rock, blues, jazz, country, and rap, and their many sub-genres, i.e., sounds commercially successful not only within the country, but also across the borders. -
Still on the Road 1984 Recording Sessions
STILL ON THE ROAD 1984 RECORDING SESSIONS JULY 24 New York City, New York Intergalactic Studio, Al Green recording session. 26 New York City, New York Delta Sound, Empire Burlesque recording ses sion SEPTEMBER New York City, New York The Power Station, Lone Justice recording session NOVEMBER Los Angeles, California Oceanway Studios DECEMBER 6 Los Angeles, California Cherokee Studio, Empire Burlesque recording session 7 Los Angeles, California Cherokee Studio, Empire Burlesque recording session 9 Los Angeles, California Cherokee Studio, Em pire Burlesque recording session 10, 11 Los Angeles, California Cherokee Studio, Empire Burlesque recording session 14 Los Angeles, California Cherokee Studio, Empire Burlesque recording session 22 Los Angeles, California Cherokee Studio, Empire Burlesque recording session Los Angeles, California Unidentified Studio, Cruzados session Bob Dylan Still On The Road: 1984 Recording sessions 7335 Intergalactic Studio New York City, New York 24 July 1984 Al Green recording session. 1. Honey Wait (?) 2. Mountain Of Love (Harold Kenneth Dorman) 3. We Had It All (Donny Frittis/Troy Seals) Bob Dylan and probably Carolyn Dennis shared vocal, Ron Wood (guitar), Steve Potts (drums). Bob Dylan Still On The Road: 1984 Recording sessions 7340 Delta Sound New York City, New York 26 July 1984 Empire Burlesque recording session 1. Driftin' Too Far From Shore 2. Firebird 3. Who Loves You More 4. Wolf 5. Clean Cut Kid 6. Clean Cut Kid Bob Dylan (vocal, piano, synthesizer & guitar), Ron Wood (guitar), John Paris (bass), Anton Fig (drums), Carolyn Dennis (vocal). Backing vocals by Queen Ester Marrow, Peggi Blue and Carolyn Dennis were added at an overdub session 3 March 1985. -
Tito & Tarantula
Verlegt auf den 20.10.2021 - Tickets bleiben gültig! ---------------------- Tito & Tarantula - 8 ARMS TO HOLD YOU Tour 2020 Nach Ihrer erfolgreichen Albumtour in 2019 kehrenTito & Tarantula in diesem Herbst für weitere Zusatztermine nach Europa zurück. „8 ARMS TO HOLD YOU“ fängt die Farben und Gerüche der Wüste ein, ist leidenschaftlich und romantisch. Zusammen mit Titos‘elektrisierenden Vocals ein weiteres Meisterstück in seiner langen und erfolgreichen Karriere als Musiker, Komponist und Schauspieler. Geboren in Mexico und als Sohn eines Fallenstellers in der Wildnis Alaskas aufgewachsen, begann Tito Larrivas Karriere in Los Angeles. Mit den PLUGZ und später den CRUZADOS nahm diese schnell Fahrt auf. Eine Top10 Single und ein Cover auf dem Billboard Magazin später wurde Larriva Teil der L.A. Musik-und Filmszene der 80er Jahre. Im Probenraum nebenan machten die Red Hot Chili Peppers ihre ersten Gehversuche. Emmylou Harris, Jeff Porcaro (der früh verstorbene TOTO Drummer) waren seine Nachbarn. Zeitgleich begann auch die Schauspielkarriere des ausgebildeten Ballett-Tänzers. Nach dem Debüt als „Hammy“ in der „Pee-wee Herman Show“ (1981) arbeitete er mit Patrick Swayze (Roadhouse), Johnny Depp (Once Upon A Time In Mexico), Antonio Banderas (Desperados 2), mit Mel Gibson und Milla Jovovic in Wim Wenders ́ „The Million Dollar Hotel“, David Byrne (True Stories), Cheech Marin (Born In East LA), in dem Oscar- prämierten Kurzfilm „Session Man“ sowie mit R. Rodriguez (Grindhouse). Tito Larriva schrieb Musik für über 50 Filme (u.a. die Titelsongs für „Machete“ 2010 und „Machete kills“ 2013) und Fernsehserien. Der Startschuss für Tito& Tarantula war Robert Rodriguez ́ Angebot an „From Dusk Till Dawn“ (1995) mitzuarbeiten. -
Artist: Tito & Tarantula Title: Andalucia VÖ: 04.03.2002 ”Food
BMG ARIOLA (SCHWEIZ) AG Artist: Tito & Tarantula Title: Andalucia VÖ: 04.03.2002 ”Food, Smiles and some ones touch.” (Tito Larriva auf die Frage nach seinen Quellen der Inspiration) rock’n’roll will never die... Das neue, vierte Album der amerikanischen Kultformation Tito & Tarantula ist da! Und Mastermind Tito Larriva, “der Spezialist für musikalische Road Movies” (Visions), zeigt sich auf “Andalucia” so abwechslungsreich wie niemals zuvor. Die insgesamt vierzehn Tracks haben definitiv alles, was ein aussergewöhnliches Rockalbum braucht: Trockener, gemeingefährlicher Wüstenrock trifft auf erhabenen, von einer wunderhübschen Melancholie umgarnten Pop; Mexiko ist nicht weit und auch der Blues und die psychedelischen 70er Jahre kommen zu ihrem Recht. Kurz: “Andalucia” ist gross! Dieses Album hat Seele. Von den “Flesh Eaters” zur Fernsehgala nach Berlin... Seit nunmehr über zwanzig Jahren geht Multitalent Tito Larriva mit einer bemerkenswerten Konsequenz seinen Weg durch die Welt der Musik und des Films. Dabei vermied er es stets, die von vermeintlichen Trends vorgegebenen Bahnen des Mainstreams zu wählen, sondern entschied sich statt derer für jene kleinen, unscheinbaren und verschlungenen Pfade, von denen man - wenn man sie denn nicht geht - niemals genau wissen kann, wohin sie einen führen werden. Und so wird der in Mexiko geborenen Larriva, als er irgendwann in den frühen 80ern mit Punkbands wie den “Flesh Eaters”, “The Impalas” den “Plugz” oder “The Cruzados” anfing Musik zu machen, wohl niemals einen Gedanken daran verschwendet haben, dass er Ende 2001 in Berlin vor einem schlips- und abendkleidtragenden Publikum den Deutschen Fernsehpreis in der Kategorie “Beste Musik” für den Film “Der Schrei des Schmetterlings” überreicht bekommen würde...es war ihm seinerzeit ganz einfach egal. -
INTO the WILD, WILD WESTWILD WEST Numerous Others
CALIFORNIA STATE UNIVERSITY, FULLERTON INSIDE INDEX DETOUR: What The are these wenches CALENDAR & BRIEFS 2 so happy about? D ETOUR 4 —See page 4. SPORTS 7 Daily VOLUME 66, ISSUE 48 TTIITTTHURSDAYANAN MAY 14, 1998 Beating Profes- funding sors get job hurdles support n CLINIC: The College n CENTER: A new Faculty Legal Clinic, which is mainly Development Center will funded by Associated Stu- support professors in their dents provides a variety of multi-faceted roles on cam- legal services. pus. By LAURIE SCHULTZ By LAURIE SCHULTZ Daily Titan Staff Writer Daily Titan Staff Writer A student came into the College When students think of a professor, Legal Clinic last week so distressed they may think of someone who lec- about a legal problem, he lost all con- tures to them three times a week. How- centration for his schoolwork. The stu- ever, this role is often just the tip of the dent did not have the time to find a law- iceberg. Many students are unaware of yer, but through the legal clinic he was all the different facets of a professor’s able to talk to a lawyer that night. career. Jailed student demonstrators were Keith Boyum, professor and chair the clinic’s first clients back in 1971. of the Political Science Department, is The clinic has survived more than 25 a member of the Center for California years after the civil disobedience move- studies, an organization which helps and ment ended, but not without its share of advises state government. He plans to bumps and bruises. Budget crises and help California’s judicial system develop poor publicity still threaten California’s new ways to win support from com- only student-run certified legal clinic.