Mickey's Newest, Wackiest Adventure Chugs Toward Its Spring Debut!
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The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Newsletter. Issue 35 September 2004
Newsletter. Issue 35 September 2004 Inside The Newsletter Welcome to Issue 35 of the club newsletter. th Saturday 25 September 7:30pm Latest Australian Disney News Meeting Join us at this meeting as we look at the many aspects of the World of Disney from Animation, Theme Parks, and The Wonderful World of Disney now on Saturday collectibles. A special look at Disneyland and much more. evenings on Channel 7 at 7.30pm. Come and join us for this exciting meeting. Disney’s Home on the Range – the next Animated feature opens in cinemas on September 23rd. Location: St. Marks Anglican Church Hall. Disney’s The Three Musketeers – Starring Mickey, Cnr. Auburn Rd and Hume Hwy Yagoona. (Near Donald and Goofy is being released on DVD in this month. Bankstown.) Just 150m from the Yagoona Railway Station. Upcoming Club Events The Down Under Disneyana Newsletter is a publication of the Down Under Disneyana Club. th The newsletter is published quarterly and distributed Saturday 25 September 7.30pm to members. Contributions to our newsletter are Join us at this meeting as we look at the wonderful worlds welcome. of Disney. Bring your favourite Disney memory to share. The club address is: Down Under Disneyana Club. PO Box 502 St Marks Anglican Church hall Regents Park, NSW 2143. Cnr Auburn Rd and Hume Hwy Yagoona only 1km along Australia. Auburn Rd from our old meeting location. Down Under Disneyana Club is the Australian Chapter of the National Fantasy Fan Club of the USA, In this newsletter read about the upcoming 50th birthday of and our club is not associated with The Walt Disney Disneyland celebrations. -
Guide to the Mahan Collection of American Humor and Cartoon Art, 1838-2017
Guide to the Mahan collection of American humor and cartoon art, 1838-2017 Descriptive Summary Title : Mahan collection of American humor and cartoon art Creator: Mahan, Charles S. (1938 -) Dates : 1838-2005 ID Number : M49 Size: 72 Boxes Language(s): English Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Mahan, Charles S., 1938 - Acquisition Information: Donation. Access Conditions: None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/for more information. Preferred Citation: Mahan Collection of American Humor and Cartoon Art, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Biographical Note Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002). University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. University of South Florida Library Links, 10(3), 2-3. Scope Note In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. -
Frame by Frame
3 Pars Pro Toto Character Animation and the Work of the Anonymous Artist Everyone does his or her task on the conveyor belt, performing a partial function without grasping the totality. —Siegfried Kracauer1 The single frame is the basic unit of film just as bricks are the basic unit of brick houses. —Robert Breer2 DELIBERATE MISTAKES In late March 1937, in order to meet the booming demand for Popeye cartoons, the management at Fleischer Studios called for the production process to be sped up. In-betweeners, the animators tasked with drawing the stages of movement that come in between key poses, were expected to double their daily output, from twenty sketches per day to forty.3 But tensions between management and labor at the studio were running high, and the in-betweeners did not comply. Instead, they countered with a “slowdown” strike, which meant, effectively, continuing to produce drawings at the regular rate.4 In the month that followed, fifteen anima- tors were fired for participating in the slowdown, and on May 6 the Commercial Artists and Designers Union authorized a full walkout of the studio. The story of what happened next has already been told, as have the stories of other labor conflicts in the US animation industry—most notably, the 1941 strike at Walt Disney Studios.5 But I want to focus on what didn’t happen. By this I do not mean a counterfactual history, at least not in the traditional sense of the term. Rather, I wish to imagine what is left unsaid in these narratives, which tell us only what went on behind the scenes. -
Walt Disney Treasures
Walt Disney Treasures - Mickey Mouse in Living Color Volume Two 1939 - 1995 [2 DVD] Walt Disney Treasures - Mickey Mouse in Living Color Volume Two 1939 - 1995 [2 DVD] Utgivelsen følger Mikke Mus gjennom en periode hvor han får tøff konkurranse fra Donald, og stadig færre filmer produseres med Mikke som hovedperson. Kvaliteten på manusene varierer, men animasjonen er av første klasse. Walt Disney Treasures - Mickey Mouse in Living Color Volume Two Jack Hannah, Bill Roberts, Clyde Geronimi, Riley Thomson, Charles Nichols, Milt Schaffer, Chris Bailey, Burny Mattinson, George Scribner Disney 1939-1995 Buena Vista 4:3 Fullskjerm Dolby stereo 2.0 243 min. 2 6 Et amerikansk ikon Walt Disney er uløselig knyttet til Mikke Mus, karakteren som startet det hele i 1928 med animasjonen Steamboat Willie. Disse tidlige eventyrene, fra perioden hvor musa var frekk, er godt dokumentert på Walt Disney Treasures-utgivelsene Mickey Mouse in Black and White Volume 1 & 2, samt Mickey Mouse in Living Color Volume 1. Nå foreligger Volume 2 av Mikke-historien i farger, som dekker tiden fra 1939 til 1995, hvor man får muligheten til å følge utviklingen av Mikke karakteren gjennom kortfilmene opp til 1953, for så å møte ham igjen i 1983 i comebacket Mickey's Christmas Carol. Utgivelsen dokumenterer en periode hvor Disney faktisk nedprioriterte arbeidet med musa. Etter at Donald Duck etablerte seg som selvstendig filmkarakter mot slutten av 1930-tallet, kom Mikke i annen rekke og det ble stadig vanskeligere å komme opp med gode historier å fortelle om musa. Disney-teamet hadde på mange måter tegnet karakteren opp i et hjørne, hvor man ikke lenger var så frie til å utvikle historier som de var med Donald. -
Disneyland -Walt Disney's Dream World
Disneyland Walt Disney’s Dream World Disneyland -Walt Disney’s Dream World 作者 陳奎汝(Irene Chen) 嘉義市私立興華中學 高二3班 1 Disneyland Walt Disney’s Dream World I. Introduction When it comes to Disneyland, everyone thinks of the Disneyland and its cartoons. It seems to stand an important role in today’s society. How can it makes such huge influence? Many people can’t believe that with just a little mouse can a big world group be made. But it still attracts many people to love this paradise. In my opinion, the most famous paradise in the world has to be Disneyland. Before it appeared, the Disney cartoon characters has already been world-renowned. People fall in love with Mickey Mouse, Donald Duck, and other Disney characters. In addition, animated films like Snow White and Seven Dwarfs, Pinnochio, and Bambi has enjoyed spectacular success. All the cute, famous cartoon characters and their heart-warming stories flock in a dream paradise, the Disneyland. Now there are five cities in the world with this amusement park. That’s why I want to know why this land is so popular that people from all around the world are crazy about it. Some people have spent lot of money on their products, while other people love its cartoons or paradises. And most of them think they should go visit the Disneyland at least once in their life time. Thus I will research its founder, background and the features of the five Disneyland in the world to know more about the fun world--Disneyland. II. Thesis a: the Founder Walter Elias "Walt" Disney (December 5, 1901 – December 15, 1966), was an 2 Disneyland Walt Disney’s Dream World American film producer, director, screenwriter, voice actor, and animator. -
An Analysis of Clothing in Disney Cartoons
"I Might be a Duck, but I'm Human": An Analysis of Clothing in Disney Cartoons Luke Baldwin Dubin JAMES A GIBSON LIBRARY BROCK UNIVERSiTY , r'"i I~" YES' < ' ¥-"'J; ''<'11 r ST.• CJ\THAR,.. ...... ..!. v ,t_#.", ~ Thesis completed in partial fulfillment of the requirements of the Interdisciplinary MA Program in Popular Culture Brock University © 2008 Dubin i Abstract Mickey Mouse, one of the world's most recognizable cartoon characters, did not wear a shirt in his earliest incarnation in theatrical shorts and, for many years, Donald Duck did not wear pants and still rarely does so. Especially when one considers the era in which these figures were first created by the Walt Disney Studio, in the 1920s and 1930s, why are they portrayed without full clothing? The obvious answer, of course, is that they are animals, and animals do not wear clothes. But these are no ordinary animals: in most cases, they do wear clothing - some clothing, at least - and they walk on two legs, talk in a more or less intelligible fashion, and display a number of other anthropomorphic traits. If they are essentially animals, why do they wear clothing at all? On the other hand, if these characters are more human than animal, as suggested by other behavioral traits - they walk, talk, work, read, and so on - why are they not more often fully clothed? To answer these questions I undertook three major research strategies used to gather evidence: interpretive textual analysis of 321 cartoons; secondary analysis of interviews conducted with the animators who created the Disney characters; and historical and archival research on the Disney Company and on the times and context in which it functioned. -
Wave 1 December 4, 2001 - 150,000 Tins Produced
Wave 1 December 4, 2001 - 150,000 tins produced Mickey Mouse Davy Crockett: in Living Color Silly Symphonies Disneyland USA The Complete (Volume 1) Buy Buy Televised Series Buy Review Review Buy Review Review Celebrate Mickey Mouse's This groundbreaking series Celebrating Walt Disney's Experience the hit television career in color cartoons of 31 uncensored cartoons, pioneering efforts in the show that became a national with 26 original shorts released between 1929 and medium of television, sensation and made released between 1935 and 1939, includes six Academy DISNEYLAND USA features coonskin caps a staple for a 1938 -- a timeless Award(R) winners and four vintage episodes of generation of American collection chronicling provides an astonishing Walt's beloved prime-time youngsters. With a rifle Mickey's first steps out of look inside the evolution of program. Take a wonderful named Old Betsy, Davy the world of black and animation. Each boasting a look back at the origins of Crockett fought for justice white, ushering in a new unique cast of characters, the park, beginning with with his own brand of era of animation. This these musical shorts served the very first episode of the homespun ingenuity. Enjoy classic uncensored as Walt Disney's proving DISNEYLAND TV series, as every episode of the popular compilation includes a wide ground for emerging Walt Disney leads a tour of Disney television series, array of special features, technology, new musical the studio and lifts the presented as originally including an inside look at styles, and experimental curtain on a model of the broadcast, complete with the creation of selected forms. -
PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013
26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013 LOT ITEM PRICE 2 ORIGINAL PRODUCTION DRAWING FEATURING “POPEYE” FROM SOCK-A-BYE, BABY. $475 5 ORIGINAL PRODUCTION STORYBOARD DRAWING FROM MR. BUG GOES TO TOWN. $200 11 ORIGINAL UB IWERKS PRODUCTION MODEL DRAWING FROM FIDDLESTICKS. $475 12 (2) ORIGINAL UB IWERKS PRODUCTION CELS FROM 1930S SHORTS. $300 13 ORIGINAL UB IWERKS “FLIP THE FROG” PRODUCTION DRAWING FROM FLYING FISTS. $400 16 ORIGINAL MODEL SHEET FEATURING “WIDOW PERKINS” FROM PARROTVILLE POST-OFFICE. $100 18 ORIGINAL PRODUCTION CEL AND PRODUCTION BACKGROUND FROM THE FOX AND THE CROW. $225 21 TERRYTOONS ORIGINAL HECKLE AND JECKLE PRODUCTION CELS ON PRODUCTION $400 BACKGROUND. 22 EXTREMELY RARE WALTER LANTZ MASTER “DINKY DOODLE” PUBLICITY PHOTO WITH ORIGINAL $2,000 ART. 23 ORIGINAL PRODUCTION CEL OF LEOPOLD STOKOWSKI FROM WALTER LANTZ’S HOLLYWOOD $300 BOWL. 24 ORIGINAL PRODUCTION CEL OF MARTHA RAYE FROM WALTER LANTZ’S HOLLYWOOD BOWL. $300 25 ORIGINAL PRODUCTION CEL OF JOE PENNER FROM WALTER LANTZ’S HOLLYWOOD BOWL. $300 27 ORIGINAL PRODUCTION CEL AND MATCHING VERTICAL PAN PRODUCTION BACKGROUND FROM $800 MOUSIE COME HOME. 28 ORIGINAL PRODUCTION BACKGROUND AND ORIGINAL STORY PAINTING FROM MOUSIE COME $600 HOME. 29 ORIGINAL PRODUCTION BACKGROUND AND DRAWING OF “ANDY PANDA” FROM ANDY PANDA’S $500 VICTORY GARDEN. 30 ORIGINAL END TITLE CEL AND BACKGROUND FROM WOODY WOODPECKER. $400 Page 1 of 24 26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013 LOT ITEM PRICE 32 ORIGINAL PRODUCTION CEL OF “WOODY WOODPECKER” ON PRODUCTION BACKGROUND. -
Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (75Th, Montreal, Quebec, Canada, August 5-8, 1992)
DOCUMENT RESUME ED 349 623 CS 507 970 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (75th, Montreal, Quebec, Canada, August 5-8, 1992). Part XVI: Miscellaneous Studies. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE Aug 92 NOTE 500p.; For other sections of these proceedings, see CS 507 955-969. For 1991 Proceedings, see ED 340 045. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF02/PC20 Plus Postage. DESCRIPTORS Acquired Immune Deficiency Syndrome; American Indians; *Animation; Birth Order; Classification; Databases; *Ethics; Film Industry; Foreign Countries; Interpersonal Communication; Marketing; *Mass Media Role; Media Research; *Models; Newspapers; Novels; Photojournalism; Psychological Patterns; *Public Relations; Q Methodology; Sexual Harassment IDENTIFIERS Journalists ABSTRACT The Miscellaneous Studies section of the proceedings contains the following 16 papers: "Mickey Mouse and Bugs Bunny: Iconography of Two Corporate Stars" (William A. Mikulak); "We Know Who You Are: A Niche Communications Explication and Model" (Jana Frederick-Collins); "The Ways They Get Their Stories: Is Utilitarianism the Best Moral Theory for Journalists?" (Wing-Tai Simon Wong); "A Typology of Organizational Relationships between Public Relations and Marketing" (Kirk Hallahan); "The Paradigms of Public Relations: Treading beyond the Four-Step Process" (Kirk Hallahan); "Bypassed by the Revolution? Photojournalists in a Decade of Change" -
Bfi Southbank Oct 2015
DIGITAL CONNECTIONS II USING STOP MOTION ANIMATION FOR YOUR PROJECT Aardman – Curse of the Were-Rabbit, UK, 2005 BFI SOUTHBANK OCT 2015 This is designed to help you if you decide to create stop motion animations for your project.. Suggestions apply to either ‘3D’ (upright puppets/characters) or paper/card 2D cut-out technique when creating animations. FOCUS ON ANIMATION: In the beginning there was…ANIMATION TIMELINE 30, 000 BC Prehistoric man in Lascaux, France, paints on cave walls the images of animals in motion. The animals are depicted with more than four legs to suggest movement. 2, 000 BC Egyptians create murals showing scenes from Egyptian life. Many murals show series of characters in slightly altered positions, suggesting movement. 1824 Persistence of vision (POV) discovered by P Roget. 1825 Thaumatrope (Greek ‘wheel of magic’) invented by Dr John Ayrton Paris. 1832 Phenakistoscope (Greek ‘optical deceiver’) invented by Belgian physicist Joseph Plateau. 1838 William Henry Fox Tablot develops the camera obscura. 2 1861 Kinematoscope patented by Coleman Sellers. Uses a paddle-wheel to project continuous motion through a stereoscopic viewer. 1877 Charles Emile Reynaud develops the Praxinoscope: moving images, which could be viewed, by a number of individuals at the same time by the use of mirrors to reflect the drawings. 1880 Eadweard Muybridge carries out his best-known experiment with 24 cameras and trip wires to record horse movement. 1882 Etienne-Jules Marey uses a camera gun to film birds in flight and analyse movement. 1882 Eastman-Kodak invents celluloid film. 1890s Friese-Green and Mortimer Evans develop a ‘box- projector’ which could project four to five frames per second. -
PRICES REALIZED DETAIL - Animation Auction 58, Auction Date: 7/31/2013
26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation Auction 58, Auction Date: 7/31/2013 LOT ITEM PRICE 1 ORIGINAL WINSOR MCCAY PRODUCTION DRAWING FROM GERTIE THE DINOSAUR. $4,750 2 FLEISCHER STUDIOS ORIGINAL PRODUCTION DRAWING FROM SHE WRONGED HIM RIGHT. $400 5 ORIGINAL PRODUCTION DRAWING WITH COLOR HIGHLIGHTS FROM JUDGE FOR A DAY. $400 6 ORIGINAL PRODUCTION DRAWING FROM JUDGE FOR A DAY. $500 7 ORIGINAL PRODUCTION DRAWING FROM DIZZY DIVERS. $400 8 ORIGINAL PRODUCTION DRAWING FROM DIZZY DIVERS. $400 9 ORIGINAL PRODUCTION DRAWING FROM DIZZY DIVERS. $850 10 VINTAGE MAX FLEISCHER SIGNED PHOTOGRAPH. $550 11 VINTAGE DAVE FLEISCHER SIGNED PHOTOGRAPH. $325 12 FLEISCHER STUDIOS IN-HOUSE GAG DRAWING SIGNED BY ANIMATORS. $800 13 MAX FLEISCHER SIGNED FAN CARD. $150 14 MAX FLEISCHER AND DAVE FLEISCHER SIGNED SERVICE CERTIFICATE. $1,500 17 FLEISCHER STUDIOS STUDIO PRINTED MODEL SHEET. $200 20 ORIGINAL PRODUCTION CELS FROM JITTERBUG JIVE. $400 24 ORIGINAL PRODUCTION DRAWING FROM LITTLE LOST SHEEP $200 25 ORIGINAL TROPICAL LAYOUT ARTWORK. $400 Page 1 of 37 26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation Auction 58, Auction Date: 7/31/2013 LOT ITEM PRICE 26 TERRYTOONS HECKLE AND JECKLE PRODUCTION CELS ON PRODUCTION BACKGROUND. $600 27 ORIGINAL ANIMATION MASTER BACKGROUND PAINTING FROM SEEING GHOSTS. $350 28 ORIGINAL MASTER BACKGROUND PAINTING FROM DANCING SHOES. $225 29 ORIGINAL PRODUCTION CELS AND PRODUCTION BACKGROUND FROM ANIMAL FARM. $3,000 30 ORIGINAL PRODUCTION CEL FROM MISTER MAGOO’S CHRISTMAS CAROL.