Gathering of the Vibes Celebrates 20 Years with a Memorable Lineup
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Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners. -
June 15-21, 2017
JUNE 15-21, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM Proudly presents in Fort Wayne, Indiana ON SALETICKETS FRIDAY ON SALE JUNE NOW! 2 ! ONTICKETS SALE FRIDAYON SALE NOW! JUNE 2 ! ONTICKETS SALE FRIDAY ON SALE NOW! JUNE 2 ! ProudlyProudly presents inpresents Fort Wayne, in Indiana Fort Wayne, Indiana 7KH0RWRU&LW\0DGPDQ5HWXUQV7R)RUW:D\QH ONON SALE SALE NOW! NOW! ON SALEON NOW! SALE NOW!ON SALE NOW! ON SALEON SALE NOW! NOW! ON SALE NOW! WEDNESDAY SEPTEMBER 20, 2017 • 7:30 PM The Foellinger Outdoor Theatre GORDON LIGHTFOOT TUESDAY AUGUST 1, 2017 • 7:30 PM 7+856'$<0$<30 7+856'$<0$<30Fort Wayne, Indiana )5,'$<0$<30THURSDAY)5,'$<0$<30 AUGUST 24,78(6'$<0$<30 2017 • 7:30 PM 78(6'$<0$<30 The Foellinger Outdoor Theatre THE FOELLINGER OUTDOOR THEATRE The Foellinger Outdoor TheatreThe Foellinger TheThe Outdoor Foellinger Foellinger Theatre Outdoor OutdoorThe Foellinger Theatre Theatre Outdoor TheatreThe Foellinger Outdoor Theatre Fort Wayne, Indiana FORT WAYNE, INDIANA Fort Wayne, Indiana Fort Wayne, IndianaFortFort Wayne, Indiana IndianaFort Wayne, Indiana Fort Wayne, Indiana ON SALE ONON NOW!SALE SALE NOW! NOW! ON SALE ON NOW! SALE ON NOW! SALE ON SALE NOW!ON NOW! SALE NOW! ONON SALE SALEON NOW! SALE NOW! NOW!ON SALE NOW!ON SALE ON SALE NOW! NOW! 14 16 TOP 40 HITS Gold and OF GRAND FUNK MORE THAN 5 Platinum TOP 10 HITS Records 30 Million 2 Records #1 HITS RAILROAD! Free Movies Sold WORLDWIDE THURSDAY AUGUST 3, 2017 • 7:30 PM Tickets The Nut Job Wed June 15 9:00 pm MEGA HITS 7+856'$<$8*867307+856'$<$8*86730On-line By PhoneTUESDAY SEPTEMBERSurly, a curmudgeon, 5, 2017 independent • 7:30 squirrel PM is banished from his “ I’m Your Captain (Closer to Home)” “ We’re An American Band” :('1(6'$<$8*86730:('1(6'$<$8*86730 “The Loco-Motion”)5,'$<-8/<30)5,'$<-8/<30 “Some Kind of Wonderful” “Bad Time” www.foellingertheatre.org (260) 427-6000 park and forced to survive in the city. -
THE CLIMAX Hampshire College December 11, 2009 Volume Xii Issue 6
THE CLiMAX hampshire college december 11, 2009 volume Xii issue 6 Citing “broken system,” QCA Winter graduates cancels Drag Ball By emily drummer Drag Ball is traditionally held us.” Staff Writer during spring semester as an act QCA’s statement alleges that of resistance to mainstream cul- certain groups are receiving pri- ampshire’s Queer Com- ture and gender binaries, but some ority funding over others. Among Hmunity Alliance (QCA) is- believe the nature of the dance it- the groups mentioned was the sued a statement via Facebook on self to be problematic. QCA sign- Cheese Club, who received nine December 2 announcing the can- er Cyree Johnson contends that times more funding than the QCA cellation of its annual Drag Ball in “Drag Ball, in its current form, re- from FiCom last year, although protest of what signer Mike Wolf ally does more to exclude queer this number does not include calls “a very broken system.” The people on this campus than it COCA-funded events—for which statement calls for more funding, does to include them.” Many feel the QCA was granted thousands. educational workshops, and safer that the dance has been reduced Johnson and Wolf said that a con- sex supplies. It also demands for to a night of hyper-sexualized flict with the Cheese Club was “Community Council (CC) to be partying, trivializing the nature not intentional, and that “it’s not held accountable for their favor- of drag and undermining its orig- like we hate the cheese club or we itism and embezzlement”—accu- inally subversive message. -
2008 Annual Report “Get on Board the Rex Caravan!” Has Increase, As the Rex Community of Expanded
Furthering a Tradition of Grassroots Giving 2008 Annual Report “Get on board the Rex Caravan!” has increase, as the Rex community of expanded. And coming into more been our rallying cry for several supporters at large has grown. The focus has been the Human Rights years. Many more have taken this Rex Musical Caravan of musicians, Framework, an overarching context to heart in 2008; the buses are roll- bands and festivals, who support for Rex mission areas, with The World ing down the road. Donations to the Rex’s work with their benefit perfor- As It Could Be Human Rights Educa- Rex Community Caravan are on the mances and other initiatives has also tion Project gathering momentum. RALPH J. GLEASON AWarD BILL GraHAM AWarD JErrY GarcIA AWarD In memory of music journalist Ralph J. Gleason, a In memory of pioneering producer and founding Rex In memory of Grateful Dead guitarist and founding Rex major figure in the advancement of music in America in board member Bill Graham, himself a refugee, this award board member Jerry Garcia, this award is designed to the 1960s, whose openness to new music and ideas tran- is for those working to assist children who are victims honor and support individuals and groups that work scended differences between generations and styles. of political oppression and human rights violations. to encourage creativity in young people. Ali Akbar College of Music The Beat Within All Stars Project (ASP) The mission of the Ali Akbar College The Beat Within provides incarcer- The All Stars Project, San Francisco, of Music is to teach, perform and ated youth the means for self-ex- brings the All Stars “performatory” preserve the classical music of North pression and positive connection approach to inner-city youth devel- India, specifically the Seni Baba Al- with their community through opment to California’s Bay Area. -
Keith Carlock
APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96 -
2011 Annual Report
Furthering a Tradition of Grassroots Giving 2011 Annual Report RALPH J. GLEASON AWARD BILL GRAHAM AWARD JERRY GARCIA AWARD In memory of music journalist Ralph J. Gleason, a In memory of pioneering producer and founding Rex In memory of Grateful Dead guitarist and founding major figure in the advancement of music in America in board member Bill Graham, himself a refugee, this award Rex board member Jerry Garcia, this award is designed the 1960s, whose openness to new music and ideas tran- is for those working to assist children who are victims to honor and support individuals and groups that work scended differences between generations and styles. of political oppression and human rights violations. to encourage creativity in young people. Diane di Prima FAIR Fund San Francisco Mime Troupe Fellow Bay Area Beat poet Michael A Washington D.C. based interna- – Youth Theater Project McClure says: “In Diane di Prima’s tional nonprofit organization, FAIR The primary goal of the SFMT’s luminous poetry, wars are against Fund works to prevent human Youth Theater Project is to use the flesh of living beings, the so- trafficking and sexual violence in theater as a means to artistically cially and personally enslaved, and the lives of youth, especially girls, express the opinions of young consciousness itself…. This is poetry around the world. FAIR Fund builds people on topics that are relevant in of bio-widom – a part of a great- the capacity of communities to better their schools and communities. The hearted consciousness.... Her music identify and assist youth aged 11 to project promotes creative alterna- on the page reverberates in the voice 24 who are at high risk or have been tives to drugs, gangs, prejudice, and and mind. -
Music--From Busking in the Streets of New Orleans to Securing Slots in the Jamband Festival Circuit
L U C Y C H A P I N Since the age of 13, Lucy has traveled the country playing music--from busking in the streets of New Orleans to securing slots in the jamband festival circuit. Lucy spent her college years playing with a colorful cast of Vermont musicians and collaborating with the acclaimed banjo and pedal steel player, Gordon Stone. Since moving to New York City in 2006, Lucy has teamed up with the lauded multi- instrumentalist, Jason Crosby. (Robert Randolph, Susan Tedeschi, Phil Lesh). Lucy has opened sold-out shows for Mary Chapin Carpenter, Shawn Colvin, and G. Love. At the age of 19 Lucy was asked to kick off the Gathering of the Vibes music festival in NY, with Phil Lesh headlining. Lucy has also shared the stage with: Reid Genauer & the Assembly of Dust, Joe Russo (Furthur), Hagar Ben Ari (Dap Kings), Malcolm Cecil (Stevie Wonder), Bob Coons & Marty Holland of the JGB, The Jazz Mandolin Project, Max Creek, and many others. She is equally at ease in small dive bars as she is performing in front of thousands. Past Shows, a sampling of venues: Mercury Lounge (NYC) The Living Room (NYC), Brooklyn Bowl (Brooklyn, NY) The Basement (Nashville, TN) The Station Inn (Nashville, TN) Blue Plate Special (Knoxville, TN) Slim’s (Raleigh, NC) Deep South (Raleigh, NC) Avondale Brewery (Birmingham, AL) Wonderland Ballroom (Washington DC) Café Nine (New Haven, CT) Rose + Crown (Nantucket, MA) Lupos (Providence, RI) Sully’s (Hartford, CT) Sweetwater Music Hall (Mill Valley, CA) Higher Ground (Burlington, VT) The Monkey Room (Winooski, VT) Lebanon Opera House (Lebanon, NH) Vivo (Woodstock, NY) The People’s Pint (Greenfield, MA) The Purple Fiddle (Thomas, WV) To listen or learn more, please visit: www.lucychapin.com lucychapin.bandcamp.com Contact: [email protected] cell: 802-999-2260 . -
Lead Belly November 1-7, 2004
September/October 2004 Issue 270 Free 30th Anniversary Year www.jazz-blues.com Ninth Annual American Music Masters Shine A Light On Me, the Life and Legacy of Lead Belly November 1-7, 2004 Lead Belly September/October 2004 • Issue 270 Ninth Annual American Music Masters Shine A Light On Me, the Life and Legacy of Lead Belly November 1-7, 2004 Presented by the Rock and Roll Hall of Fame and Museum and Case Published by Martin Wahl Communications ead Belly was inducted into the feur (for John Lomax) and occasional per- Editor & Founder Bill Wahl Rock and Roll Hall of Fame former. During the last 15 years of his life, Land Museum in 1988. The he found an appreciative new audience in Layout & Design Bill Wahl Rock Hall will celebrate Lead Belly’s the leftist folk community, befriending the legacy in their Ninth Annual American likes of Woody Guthrie and Pete Seeger. Operations Jim Martin Music Masters, this November. Lead Much like Guthrie, he performed for politi- Pilar Martin Belly was one of the most influential art- cal rallies and labor unions in his later ists of the twentieth century. An emblem years. His keening, high-pitched vocals and Contributors of American Folk music, Lead Belly had powerful, percussive guitar playing com- Michael Braxton, Mark Cole, Chris a profound influence on artists such as manded attention, and he became known Hovan, Nancy Ann Lee, David Muddy Waters, Pete Seeger, Neil Young, as “the King of the Twelve-String Guitar.” McPherson, Peanuts, Mark Bob Dylan, George Harrison and Kurt Lead Belly recorded for a variety of labels, Smith, Duane Verh and Ron Cobain. -
Keller Williams
Keller Williams Keller Williams released his first album in 1994, FREEK, and has since given each of his albums a single syllable title: BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, LIVE, ODD, THIEF, KIDS, BASS, PICK, FUNK, VAPE, SYNC, RAW, SANS and Add, those who have followed his career will know this. Each title serves as a concise summation of the concept guiding each project. GRASS, for example, is a bluegrass recording cut with the husband-wife duo The Keels. STAGE is a live album, and DREAM is the realization of Keller’s wish to collaborate with some of his musical heroes. THIEF is a set of unexpected cover songs, KIDS offers Keller’s first children’s record, PICK presents Keller’s collaboration with royal bluegrass family The Travelin’ McCoury’s, and RAW is a solo acoustic album. Each album showcases Keller’s comprehensive and diverse musical endeavors and functions to provide another piece of the jigsaw puzzle that is Keller Williams. Keller’s collaborative and solo albums reflect his pursuit to create music that sounds like nothing else. Unbeholden to conventionalism, he seamlessly crosses genre boundaries. The end product is astounding and novel music that encompasses rock, jazz, funk and bluegrass, and always keeps the audience on their feet. Since he first appeared on the scene in the early ’90s, Williams has defined the term independent artist. And his recordings tell only half the story. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. -
New Year's Eve Psychedelic Ball
K k DECEMBER 2018 K g VOL. 30 #11 H WOWHALL.ORGk NEW YEAR’S EVE PSYCHEDELIC BALL On Monday, December 31, the upon swirling guitars, otherworld- When LSD finally released LSD’s most recent release, back in 2007.” Community Center for the Per- ly drones, fuzzed-out pop melodies their self-titled debut EP (Mind Heaven Is a Place (Space Age LSD’s time and space travels forming Arts and University of and dreamy vocal harmonies. Expansion Records, 2007) it sold Recordings, 2016), captures a snap- have led them all over the U.S., Oregon Campus Radio 88.1 FM “Their sound weaves heavily out from the record label prior to shot in time soon after Ricky Canada and Europe, includ- KWVA proudly welcome the 3rd around the shoegaze genre with the official release date. It earned Maymi (Brian Jonestown Massa- ing tours with Martin Rev (Sui- Annual Eugene Psychedelic Ball both front man Andy Liszt and critical acclaim and continues to cre) temporarily joined the band cide), Sonic Boom (Spacemen 3), back to the WOW Hall for a New guitarist Chris Fifield congregating frequently appear on lists of essen- on drums. Like the self-titled EP, and The Telescopes, as well as Year’s Eve Celebration featur- about 50 effects pedals between tial shoegaze releases. The EP was it garnered critical acclaim and appearances at Levitation--Austin ing LSD and the Search For God, them,” notes Brighton’s Finest. twice reissued on vinyl (Deep Space frequented many Best Of lists. Psych Fest, SoCal’s Desert Snow White, EGOTONES, Sacred With reviews of early shows Recordings, 2008, 2015), twice on Pop Matters calls it, “a long- Daze, Manchester’s Cosmosis Fes- Trees, thom simon, smear & more; and recordings drawing compari- cassette (Cellar Door Tapes, 2015), awaited sermon for the faithful tival (with The Jesus and Mary Lighting by Mad Alchemy. -
This Is a Great Band, and I Had a Great Time” Bob Weir, Grateful Dead Founding Member (Guitar/Vocalist)
“This is a great band, and I had a great time” Bob Weir, Grateful Dead founding member (guitar/vocalist) “Inspired and accomplished musical discourse at such a deep and serious level: I had no problem at all believing that this was what the Grateful Dead sounded like 40 years ago.” David Gans, Grateful Dead Hour “I've always been impressed by DSO, but the other night I thought they'd taken it to a new level. It was some of the best Grateful Dead music I've heard in the past 20 years, and that covers some ground. Somehow, Jeff Mattson manages to play Jerry's parts perfectly in the spirit, but without any sense of being imitative. And boy, does the band pick up on this energy. Big fun!” Dennis McNally, Grateful Dead publicist & biographer 1980 – 1995; Author “A Long Strange Trip: The History of the Grateful Dead” “As one who is classically trained, I actually always thought that DSO was very cool, treating Grateful Dead music as repertoire- much as I've tried to do in my various bands.” Phil Lesh, Grateful Dead founding member (bass/vocals) “Playing with Dark Star Orchestra is something that feels just exactly like it felt when I was playing with the Grateful Dead.” Donna Jean Godchaux, Grateful Dead vocalist, frequent DSO guest “There are moments where I can close my eyes and go back 30 years and have it be every bit as rewarding and satisfying. Dark Star is an amazingly legitimate representation of the Dead.” Dan Healy, Grateful Dead sound engineer 1966 -1994 “Thank you for a real good time.” Jon Fishman, Phish drummer after sitting in with DSO “The Dark Star Orchestra re-creates Grateful Dead shows with a flashback-inducing meticulousness.” The New Yorker “...recreates the Dead concert experience with uncanny verisimilitude. -
2010 Annual Report
Furthering a Tradition of Grassroots Giving 2010 Annual Report Arts For Humanity! and Michael Franti, recipients of the 2010 Jerry Garcia and Ralph J. Gleason Awards (see page 2) Supporting Grassroots Non-Profits was a year of continuing challenges for As you read through this Report you will see examples 2010 the country, as the sluggish economic of the positive spirit and energy that surrounded the recovery and divisive political environment impacted Rex Foundation throughout the year. August brought available funds for charitable giving, generated ongoing a major burst of this energy, unquestionably to remem- cuts to business and government agency budgets, and ber the contributions of Jerry Garcia. The San Francisco cast a cloud of discouragement and cynicism. In July Giants made its August 9th game a night of tribute to 2010, just a year ago, we were working on the newsletter him, and designated Rex as the recipient of charitable Perspectives on Generosity of Spirit as part of our tribute SURFHHGV:HSXWWRJHWKHURXUÀUVWEHQHÀWFRPSLODWLRQ to Jerry Garcia’s vision and leadership in matters of of music called Jerry Jams for Rex thanks to the generosity creativity and acts of generosity, so as to highlight the of musicians who wanted to support Rex as part of their core values surrounding the Grateful Dead concert com- tribute to Jerry. And, we began planning the December munity that gave rise to the Rex Foundation. WKPXVLFDOEHQHÀWDW7KH)LOOPRUHFDOOHGThe Wheel – A Musical Celebration of Jerry Garcia that brought together I believe it is this very Spirit – a level of generosity that musicians who had played major roles in Jerry Garcia’s H[WHQGVEH\RQGDVSHFLÀFDFWRUPRQHWDU\FRQWULEXWLRQ musical career since 1962.